International Lawns + Disinformation + the Rural College of Art
Friday 5 July to Sun 28 July 2019
11am to 6pm Fridays to Sundays
Closed Mondays to Thursdays
White Box Gallery
5 Hare & Billet Road
Blackheath
London SE3 0RB
Opening reception Friday 5 July 6pm to 8pm
In his essay “Meanings of Landscape” (“Places of the Mind”, RKP 1949) the critic and curator Geoffrey Grigson described how “some people have ignored the personal factor” in writing on landscape art, and have attempted “to deduce from landscape rules of its own aesthetic”, describing the influence on art (and on art writing) of “a romantic pastime of English travellers in the eighteenth century” who sought to postulate “a kind of psychology divorced from the individual soul”. Particularly in response to the work of the painter John Constable, “Places of the Mind” proposed the alternate hypotheses that “landscape is you and me”, discussing how “we project ourselves” into an actual or painted landscape, “which then reflects our own being back to our eyes”.
https://www.domobaal.com/artists/international-lawns-bio.html
https://www.domobaal.com/artists/david-gates-bio.html
Exhibition Guide – https://tinyurl.com/y4f3z3xe
https://www.instagram.com/internationallawns/
https://www.instagram.com/xxruralxx/
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International Lawns + Disinformation + the Rural College of Art
International Lawns + Disinformation + the Rural College of Art
Friday 5 July to Sun 28 July 2019
11am to 6pm Fridays to Sundays
Closed Mondays to Thursdays
White Box Gallery
5 Hare & Billet Road
Blackheath
London SE3 0RB
Opening reception Friday 5 July 6pm to 8pm
In his essay “Meanings of Landscape” (“Places of the Mind”, RKP 1949) the critic and curator Geoffrey Grigson described how “some people have ignored the personal factor” in writing on landscape art, and have attempted “to deduce from landscape rules of its own aesthetic”, describing the influence on art (and on art writing) of “a romantic pastime of English travellers in the eighteenth century” who sought to postulate “a kind of psychology divorced from the individual soul”. Particularly in response to the work of the painter John Constable, “Places of the Mind” proposed the alternate hypotheses that “landscape is you and me”, discussing how “we project ourselves” into an actual or painted landscape, “which then reflects our own being back to our eyes”.
https://www.domobaal.com/artists/international-lawns-bio.html
https://www.domobaal.com/artists/david-gates-bio.html
Exhibition Guide – https://tinyurl.com/y4f3z3xe
https://www.instagram.com/internationallawns/
https://www.instagram.com/xxruralxx/
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