20th Century, 424, AC Projects, AC Projects Counterflows, Acidges, Acoustic Lab, Acoustic Lab Residency, Acoustic Laboratory, Acoustic Laboratory Residency, Acoustic Mirrors, Acoustic Technology, Acoustics, Acoustics Lab, Acoustics Lab Residency, Acoustics Laboratory, Acoustics Laboratory Residency, Adastral Park, Advertising, AGF, Ailbhe Ní Bhriain, Alan Licht, Albion's Psychic Landscape, Alexander Graham Bell, Alexander Hawkins, Alice Hackney, Alighiero Boetti, Andrew Chung, Andrew Curtis, Andrey Shental, Andy Hall, Andy Wicks, Anechoic Chamber, Anita Zabludowicz, Ansel Krut, Anthony Discenza, Anton Lukoszevieze, Archive, Ars Electronica, Art & Illusion for Sound, Art and Telecommunications, Artificial Language, Artist, Artistic Perspectives in a Post-Truth Climate, Assorted Originals, Audio Rorschach, Banks & Miles, BBC, BBC World Service, Ben Barwise, Bloomsbury, Bloomsbury Festival, Book Works, Bookworks, Borbála Soós, Branding, Bridget Riley, Brisbane, British Telecom, British Telecom Acoustics Laboratory, British Telecom Acoustics Laboratory Residency, British Telecom Labs, British Telecom Martlesham, British Telecom Martlesham Heath, British Telecom Research, British Telecom Research Station, Bruce Nauman, Bruce Russell, BT, BT Acoustic Laboratory, BT Acoustic Laboratory Residency, BT Acoustics Laboratory, BT Acoustics Laboratory Residency, BT Labs, BT Martlesham, BT Research, BT Research Station, C.W. Morris, Castor, Castor Projects, Cause & Effect, CAVE, Cave Leeds, CCA, CCA Glasgow, Centre for Audio Visual Experimentation, Centre for Contemporary Art, Chalton Gallery, Chalton Gallery London, Cheyney Thompson, Chimerization, Chris Cutler, Christian Boltanski, Christian Marclay, Christopher Hanlon, Claire Biddles, Claire Sawers, Colin Banks, Collecting the Alphabet, Communications, Communications Technology, Conspiracy of the Real, Contemporary Art Society, Contemporary Philosophy of Technology Research Group, Contra Listening, Corporate Branding, Corporate Identity, Counterflows, Cuneiform, Damien Hirst, Daniel Keller, Daria Martin, David Gates, David Roberts Art Foundation, David Toop, Dayanita Singh, Denge, Denge Sound Mirrors, Dial "B" for Britain, Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation Artist Project, Disinformation Artist's Project, Disinformation John Squire, Disinformation War, Dissonant Wave, Domo Baal, Donatien Grau, DRAF, EAM, Earliest Form, Earwitness Theatre, Edward Johnston, Electricity, Electricity of the Mind, Elektronische Art & Music, Elektronische Art and Music, Emma Talbot, England on Fire, Erick Beltran, Everything at Once, Evolution of Language, Evolutionary Linguistics, EVP Poetics, Expert Horror, Fabien Giraud, FACT Liverpool, Fake News, False Speech, Ferruccio Rossi-Landi, Festival, Festival of New, Field of Perception, Field Trip No.15, Fiona Banner, Florian Hecker, Folk Art, Forensic Aesthetics, Freedom of Speech, Frith Street Gallery, Future City, Futurecity, Götzbau, Geoffrey Grigson, Georgia Stephenson, Giorgio Borrelli, Glenn Branca, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Art, Goldsmiths College, Goldsmiths Media, Goldsmiths MFA, Goldsmiths MFA Fine Art, Goldsmiths Press, Graphic Design, Great Learning, Groenewegen, Hallucination Perspective Synthesis, Hanna Tuulikki, Haroon Mirza, Helen Frosi, Heresy, Hieroglyphics, HRM199, Human Conversation, Hush: Media and Sonic Self Control, Hypebeast, Iklectik Art Lab, In the Studio, Industrial Semiotics, Information as Material, Institute of Modern Art, Institute of Modern Art Brisbane, Institute of Signals and Noise, International Lawns, Ioana Cerasella Chis, Jack Jelfs, Jack Smurthwaite, Jacqueline Humphries, Jamie XX, Jeffrey Ty Lee, Jeremy Deller, Joe Banks, John Das, John Reardon, John Squire, John Squire: Disinformation, John Strutton, Jonathan Monk, Julian Cowley, Julien Breton, Juun J, Kadist, Kate Carr, Kate Pickering, Katerina Chuchalina, Ken Hollings, Kirk Degiorgio, Koenig Books, Kunsthalle Wien, Language, Language Art, Language as a Medium, Language as Medium, Language as Technology, Language Game[s], Language is a Virus, Language is a Virus from Outer Space, Language Itself, Language Tech, Language Technology, Language Virus, Lara Viana, Late Night Chameleon Cafe, Laura Netz, Laurie Spiegel, Lawrence Abu Hamden, Lea Bertucci, Lee Edwards, Let There be Language, Library X, Lilt Twang Tremor, Liquid Architecture, Liquid Architecture Melbourne, Liquid Language, Lisson Gallery, Lizi Sánchez, LN-CC, Logistics of Perception, London Transport, London Underground, London was the capital of the electricity of the mind, Lothar Götz, Louis Moholo-Moholo, Mack Hagood, Madeleine Byrne, Mail Rail, Manick Govinda, Marcel Dinahet, Marie José Burki, Mark Coeckelbergh, Mark Pilkington, Marshall McLuhan, Martlesham Heath, Mary Jane Leach, Mat Osman, Matana Roberts, Material Symbolic, Material Symbolic and Signal Inscriptions, Maud Cotter, Mazen Kerbaj, Media and Sonic Self Control, Melbourne, Meme, Meta-Tech, Meta-Technology, Metatech, Metatechnology, MFA Fine Art, Mhairi Vari, Michael Joo, Michael Petry, Michał Łojewski, Midsummer's Day, Mike Barnes, Mike Kelley, Mircea Cantor, Misinformation, MOCA London, Museum of Brands, Mute, Nate Wooley. The Wire, National Grid, Nature Morte, Near Future Laboratory, New Instruments, New Johnston, New Museum NY, Newport Street, Newport Street Gallery, Niall Monro, Nicky Hirst, Nicolas Consuegra, Noel Meek, Now You're Talking, Oonagh Cousins, Operational Listening, Origin of Language, Outer Space, PAMM, Pedro Neves Marques, Penthouse Margate, Perception, Perez Art Museum, Pete Belkin, PhilofTech, Piero Golia, Play Back Play, Post Office, Post Office Museum, Post Office Telecom, Post Office Telecommunications, Post Office Tower, Post-Truth, Postal Museum, Psychic Landscape, Psychoacoustics, Rachel Adams, Radiophrenia, Raf Simons, Raphael Siboni, RCA, Reverb Chamber, Robert Fripp, Rorschach Audio, Royal Mail, Rural College of Art, S. J. Groenewegen, Sackner Archive, Sadie Coles, Sadie Coles HQ, Sam Plagerson, Samizdat, Sarah Derat, Sarah Peace, Sarah Rose, Science Limited, Science Ltd, Science of Signs, Self Expression, Semiology, Semiosis, Semiotexte, Semiotic Studies, Semiotics, Sense Data & Perception, Serpentine Gallery, Shannon Ebner, She Who Loves Silence, Sheena Calvert, Shirley Collins, Siân Pile, Signage, Signal Inscriptions, Signposting, Signs of Life, Simulation/Skin, Smalltalk for Lonely Ghosts, Snape, Snape Maltings, Snape Maltings Concert Hall, Sofie van de Velde, Sonic Electronics, Sonic Electronics Festival, Sonic Immersion, Sonic Scope, Sonic Self Control, Sonic Writing, Sonic Writing Technologies, Sonic Writing Technologies of Material Symbolic and Signal Inscriptions, Sophie Cooper, Sound Artist, Sound as a Technological Medium, Sound as a Technology, Sound Mirrors, Sound Practice Research, Sound Recording Technology, Spambot EVP Poetics, Speech, Speech Recognition, Stephen Bayley, Stephen Ellcock, Steve Beresford, Strange Telemetry, Susan Hiller, Susannah Stark, Sylvia Ross, Synthetic Hinge, System X, Takashi Murakami, Technology as Language, Telecom, Telecommunication, Telecommunications, Telecommunications Art, Telecoms, Telephone, Telephony, Tenderpixel, Tenderpixel Gallery, Text Art, Thames & Hudson, The Act of Creation, The Age of Creation, The Disinformation War, The Earliest Form of Sound Recording Technology was not a Machine but was Written Language, The Electric Comma, The Great Learning, The RCA, The Story of the Landline, The Ultimate Form of Communications Technology is Language Itself, The Wire Magazine, The Word is Art, Thor Magnusson, Timeshift, Tony Oursler, Tracey Emin, Transfer of Knowledge, Transport for London, Trevor Cox, Trevor Paglen, Trolley Books, Turner Contemporary, Typographic Design, Typography, Ubicua, Ubicua Gallery, UEG, Ultimate Form, Unit for Sound Practice Research, University of Birmingham, Urban Fauna Lab, Usa e Guetta, V-A-C Foundation, Valentin Fetisov, Vanessa Joan Müller, Victoria Coren Mitchell, Vinyl Factory, Violins Violence, Violins Violence Silence, Virus, Visible Language, Viviana Troya, Wade Guyton, Wade Wallerstein, Walter Swennen, War, Watkins Publishing, Whitechapel Gallery, Why Brands Matter, William Burroughs, William S. Burroughs, Wire Magazine, Word is Art, Word Power, WordPower - Language as Medium, Words Words Words, Wordscapes, Written Language, Yan Jun, Yang Li, Zabludowicz, Zabludowicz Collection, ZKM