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Groenewegen, Sabina Sabolović, Sadie Coles, Sadie Coles HQ, Salome Voegelin, Sam Belinfante, Sam Dolbear, Samizdat, Samuel Beckett, Sapir-Whorf Hypothesis, Sarah Derat, Sarah Estep, Sarah Hayden, Sarah Kent, Sarah Rose, Sarah Sparkes, SARU, Sas Mays, Saskia Sassen, Satin Island, Savvy Contemporary, SAVVYZAAR, Séance, Scanner, School of Sound, School of the Art Institute of Chicago, SCHQ, SCHQ Electric, Sci-Art, Science Gallery Bengaluru, Science Gallery Dublin, Science Gallery London, Science Gallery Melbourne, Science Museum, Scientific Methodology, Scientific Paradigm, Scope, Scripting Silence, Sean Cubitt, Sean Dockray, Sean Street, Secret Saturdays, Seeing Voices, Self Savior Universe Rule, Semantic Information, Semantic Noise, Semiconductor, Semiconductor Films, Sensoramics, Sensory Deception, Sensory Deception: The Psychoacoustics and Sonic Illusion, Serpentine Gallery, Serpentine Radio, Seth Kim-Cohen, Sfeir-Semler Gallery, Sferics, Shadow Detection, Shaheeda Sinckler, Shane Butler, Shaping Space with Sound, Sharna Jackson, She Who Loves Silence, Sheena Calvert, Sheffield, Shelley Trower, Shift Register, Shintaro Miyazaki, Shiva Feshareki, Shoppinghour, Shoppinghour Magazine, Sigmund Freud, Sign Chorus, Signal Disambiguation, Signal Inscriptions, Signal to Decay, Silicon Ear, Simon Foster, Simon Grant, Simon Parris, Simon Reynolds, Sine-Wave Speech, Sine-Wave Synthesis, Sinewave Speech, Sinewave Synthesis, Site Gallery, Site Gallery Sheffield, SLG, Slow Radio, Smalltalk for Lonely Ghosts, Smoke & Mirrors, Smoke and Mirrors, Social Experimental Audio, Social Experimental Audio Pre- and Post-Internet, Society for Psychical Research, Sofia Lemos, Some Call it Noise, Some Call it Noise - Turbulent Forms, Somerset House, Somerset House Channel, Somerset House Studios, Somerset House Studios Music and Sound, Sonhouse, Sonic, Sonic Act, Sonic Acts, Sonic Acts 2022, Sonic Acts Biennial, Sonic Acts Festival, Sonic Agency, Sonic Apophonia, Sonic Arcade, Sonic Art, Sonic Art Research Unit, Sonic Arts Research, Sonic Arts Week, Sonic Blotscapes, Sonic Continuum, Sonic Episteme, Sonic Expression, Sonic Faction, Sonic Futures, Sonic Illusion, Sonic Illusions, Sonic Imagination, Sonic Immersion, Sonic Inkblot, Sonic Inkblot Test, Sonic Lecture, Sonic Pareidolia, Sonic Phantom, Sonic Phantoms, Sonic Phantoms - Composition with Auditory Phantasmatic Presence, Sonic Possible Worlds, Sonic Ray, Sonic Research, Sonic Research Group, Sonic Rorschach, Sonic Rorschach Test, Sonic Séance, Sonic Séance: The Gathering, Sonic Scope, Sonic Scope: New Approaches to Audiovisual Culture, Sonic Self Control, Sonic Signalling, Sonic Spectre, Sonic Spectres, Sonic Spectres & the Object Hereafter, Sonic Studies, Sonic Urbanism, Sonic Urbanism: Listening To Non-Human Life, Sonic Urbanism: the Political Voice, Sonic Warfare, Sonic Witness, Sonic Witnessing, Sonic Writing, Sonic Writing Technologies, Sonic Writing Technologies of Material Symbolic and Signal Inscriptions, Sonica, Sonica Festival, Sonica Glasgow, Sonica Surge, Sonics, Sonics Series, Sonology, Son[i]a, Sophie Mallett, Sophie Scott, Sound & Music, Sound Agendas, Sound and Music, Sound and Politics, Sound Anthology, Sound Archive, Sound Art, Sound Art Brighton, Sound Artist, Sound Arts Now, Sound as Art, Sound Fjord, Sound Group, Sound Image Research Group, Sound Installation, Sound Modernity, Sound of All Human Knowledge, Sound of Human Knowledge, Sound Poetics, Sound Politics, Sound Practice, Sound Practice Research, Sound Research Group, Sound Salon, Sound Series, Sound Studies, Sound Sweep, Sound Theory, Sound Trap, Sound Unwrapped, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Sound/Image Research Centre, Soundart Radio, Soundfjord, Sounding Out, Sounding Out Practice, Sounding Things Out, Soundscapes of Social Justice, Soundtrap, Soundtrap III, South London Gallery, Southbank, Southbank Centre, Souzana Zamfe, Spambot EVP Poetics, Speak Spirit Speak, Specters of Marx, Spectra, Spectra Ex Machina, Spectra Ex Machina: A Sound Anthology Of Occult Phenomena, Spectral, Spectral Paradigms, Spectre, Spectre Haunting, Spectre Haunting Europe, Spectres of Marx, Speech, Speech Acts, Speech and Language, Speech Encryption, Speech Perception, Speech Science, Spirit, Spirit Box, Spirit of John Lennon, Spirit Voice, Spirit Voices, Spiritualism, SPR, Sprit Box, Spritualism, Spritualist, Spritualists, SSUR, Stairway to Heaven, Stanier Black Five, Stanley Picker Gallery, Static Man, Stephen Ellcock, Stephen McGreevy, Stephen Shiell, Stephen Whitmarsh, Sterile Records, Sternberg Press, Steve Goodman, Steve Rajam, Steven Connor, Steven Rajam, Steven Rajan, Steven Shaviro, Stochastic Sound, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Strange Frequencies, Strange Telemetry, Studies in British Art, Studio for Audioscopic Research, STUK, Subjectivity, Subjectivity and Perception, Subjectivity of Perception, Subliminal Audio, Subliminal Sound, Subliminal World, Sukhdev Sandhu, Sum of All Human Knowledge, Sung Tieu, Sunsong, Superflex, Supernatural, Supernatural Sound, Supernatural Sound Making, Supreme, Susan Hiller, Susan Owens, Susan Schuppli, Susan Treister, Susan Zieger, Susannah Stark, Suzanne Bardgett, Suzanne Treister, Sylvio, Sylvio 2, Synthese, Synthetic Hinge, Tape Recorder, Tapes of Alan Smithson, Tara Pattenden, Tate Modern, Tate Publishing, Tautophone, TBA21, TBA21 Foundation, TBA21–Academy, Technological Imaginary, Technology and Spiritualism, Technology and Spiritualism in Nineteenth to Twenty-First-Century Art and Culture, Technology as Language, TED Talks, Teklife Ghettoville Eski, Telecom, Telecommunication, Telecommunications, Telegraphic Imaginary, Tenderpixel, Tenderpixel Gallery, Terry Miles, Test Department, Test Dept, Test Subjects, Tetley Leeds, Texte und Tone, TG, The Act of Creation, The Act of Magic, The Aelectrosonic, The AHRC, The Aldwych, The All-Hearing, The Artist As Medium, The Arts and Humanities Research Council, The Arts Institute, The Assisi Machine, The Auricle, The Auxillary, The Black Tapes, The Black Tapes Podcast, The Clangers, The Disinformation War, The Ear and the Mouth, The Electrosonic, The First Ghosts: A Rich History of Ancient Ghosts and Ghost Stories, The Four-Dimensional Nightmare, The Future of Listening, The Gathering, The Ghost, The Ghost - A Cultural History, The Guardian, The Gulf of Understanding, The Gulf of Understanding (Re:cognition), The Hauntening, The Hearing, The Hum, The Ian Potter Museum of Art, The Inkblots, The Last Generation Before the Internet, The Listening Service, The Machine and the Ghost, The MIT Press, The New Analog, The Occulture, The Order of Sounds, The Otolith Group, The Power of Sound, The Pre-War Noise Encryption Standard, The Process, The Psychoacoustics and Sonic Illusion, The Psychologist, The Psychology of Magic, The Quietus, The Sampler, The Sixth Sense, The Sound of All Human Knowledge, The Sound of Human Knowledge, The Sound Sweep, The Static Man, The Strand, The Stuff of Radio, The Subliminal World, The Sum of All Human Knowledge, The Surrender of Silence, The Tetley, The Uninvited Ear, The Voice and Acoustic Atmospheres, The Voice as a Political Implement, The Voice Line, The VoiceLine, The Wail that was Warning, The Wave Epoch, The Wire, The Wire Magazine, The World Is Sound, Theatrum Mundi, Theatrum Mundi Collective, Theories of Sound, Thibaut de Ruyter, Thin Air, Thinking Aloud, This Ain’t My First Rodeo, Thkio Ppalies, Thomas Bey, Thomas Bey William Bailey, Thompson, Thor Magnusson, Three Receivers, Throbbing Gristle, Thyssen Bornemisza, Thyssen-Bornemisza Art Contemporary, Tiago Pina, Ticket that Exploded, Tim Dixon, Tim Hecker, Tim Spooner, Time Krystal, Tinnitus, Tintin and the Secret of Literature, Tobias Revell, Toby Heys, Toby Revell, Tom Gooch, Tom McCarthy, Tom Neenan, Tom Service, Tom Western, Tone Foundation, Tone Foundation - Music and New Art Forms, Tony Oursler, Topovoros Books, Torque Editions, Touch Records, Tracy McMullen, Tramway, Tramway Glasgow, Transmission, Transmissions, Transmitters and Receivers, Trevor Cox, Trevor Mathison, Trevor Paglen, Tricor, Trolley Books, Truth, Turbulent Forms, Turner Contemporary, Txe Roimeser, Tyler Maxin, Ubi Sunt, Ubicua, Ubicua Gallery, Ulysses, Umland Editions, Una McCormack, Unconscious Archives, Uncurating Sound, Undead, Underbelly, Undone in the Face, Uniform Books, Uniformbooks, Unit, Unit for Sound Practice Research, Unit London, University, University of Arizona, University of Birmingham, University of Greenwich, University of London, University of Melbourne, University of Southampton, University of Sydney, University of Westminster, University Press, Unknown Tongues, Unpopular Culture, Unsound, Unsound 2020, Unsound 2020: Intermission, Unsound 2023, Unsound Dada, Unsound Festival, Unsound Festival 2023, Unsound Intermission, Unsound Kraków, Unsound Krakow 2018, Unsound Lab, Unsound Lab 2020, Unsound London, Unsound Preemptive Listening, Unsound: Undead, Unsound:Undead, Unsoundu, Unsoundu Festiwal, Urbanism, Urbanomic, Urbanomic Press, V/DA, V/DA Sonic Séance, V/DA | Sonic Séance: The Gathering, Vanessa Joan Müller, Verónica Lahitte, Verbal Apophonia, Vernon & Burns, Very Low Frequency, Very Low Frequency Radio, Very Low Frequency Radio Art, Vincent Lostanlen, Vinyl Factory, Violence of Abstraction, Violeta Ospina, Violins Violence, Violins Violence Silence, Viral, Virtually Reality, Virus, Vitamin S, Vitrine, Vitrine Gallery, VLF, VLF Interference, VLF Noise, VLF Radio, VLF Radio Art, Vocal Phantoms, Voice, Voice & How To Hear It, Voice Line, Voice Phenomena, Voice Recognition, VoiceLine, Voiceover, Voiceover as an Art-Form, Voiceover as an ArtForm, Voices, Voices in the Gallery, Voicing the Political, Volks Nicosia, W.S. Burroughs, Wade Wallerstein, Walter Stinson, War, Waterside Arts Centre, Watkins Publishing, Wave Epoch, Wave Farm, Wave Farm Radio, Wave Farm Radio WGXC-90.7 FM, Wave Farm Radio WGXC90.7FM, Wave Farm WGXC-90.7 FM, Wave Farm WGXC90.7FM, Wave-lengths Hitherto Undetected, Waveform, Wavelengths Hitherto Undetected, Ways of Hearing, We Break Strings, We Haunt You While You Watch, We’re All Bats, Wellcome, Wellcome Collection, Wellcome Trust, Werner Moebius, Westminster, Wet Sounds, Wetsounds, WGXC 90.7-FM, WGXC 90.7FM, WGXC90.7FM, What do You Hear?, When The Ear Tells The Eye Where To Look, White Noise, Whitechapel Gallery, Whitstable Biennale, Wikimedia, Wikimedia Sound, Wikimedia Sound Logo, Wikipedia, Wikipedia Sound, Wikipedia Sound Logo, Willem de Rooij, William Bailey, William Burroughs, William Gibson, William S. Burroughs, Wire 400, Wireless, Wiretapping, Without My Ghosts, Witte de With, Witte de With Center for Contemporary Art, Word and Sound, Words & Silence, Working Group, Wysing Polyphonic, X-Name, Xname, Yang Li, Yanny, Yanny or Laurel?, Yates Norton, York University, You Belong Probably to the Cucumbers, You Copiphora Gorgonensis, You’ve got 1243 Unread Messages The Last Generation Before the Internet Their Lives, Yvon Lambert, Zabludowicz, Zabludowicz Collection, Zane Zajančkauska, ZKM, ZKM Centre for Art and Media, ZKM Karlsruhe, Zuckerman Museum, Zuckerman Museum of Art, ]Sub Rosa
Complete list of all “Rorschach Audio” lecture-demonstrations (to date)
Arena Talks 2 [secret location] (London) 31 Aug 2016
King’s College (London) 25 June 2016
FHNW-IXDM [keynote] (Basel) 3 March 2016
NES (Skagaströnd) 18 Feb 2016
Freud Museum (London) 23 July 2015
MUMA (Melbourne) 6 June 2015
Gertrude Contemporary (Melbourne) 3 June 2015
University of Leeds, 22 Oct 2014
Oxford University Museum of Natural History, 8 April 2014
Royal College of Art (London) 7 March 2014
Argos (Brussels) 13 Feb 2014
Edinburgh College of Art [keynote] 28 Nov 2013
ERTZ-Arteleku (San Sebastian) 10 Sept 2013
St. Patrick’s Irish Club (Leamington) 15 July 2013
British Library (London) 28 June 2013
City University (London) 10 May 2013
Labour Club (Northampton) 5 March 2013
Royal College of Art (London) 12 Dec 2012
Science Museum Dana Centre (London) 16 Nov 2012
Apiary Studios (London) 31 Oct 2012
Liverpool Biennial, 6 Oct 2012
Institute of Contemporary Arts (London) 15 Sept 2012
University of Westminster (London) 7 Dec 2011
Vitamin S (Auckland) 13 April 2011
University of Westminster (London) 9 March 2011
Space Studios (London) 11 Sept 2010
Central School of Speech & Drama (London) 23 April 2009
Goldsmiths College (London) 3 March 2009
Goldsmiths College (London) 26 Nov 2008
Goldsmiths College (London) 12 Nov 2008
Anomalous Psychology Research Unit (London) 26 Feb 2008
Thursday Club (London) 31 Jan 2008
Goldsmiths College (London) 24 Jan 2008
Goldsmiths College (London) 31 Oct 2007
Dorkbot, State 51 (London) 21 June 2007
Broadway Cinema (Nottingham) 11 May 2007
Kinetica Museum (London) 7 Feb 2007
London College of Communications, 25 Jan 2007
Latvian National Museum of Art (Riga) 26 Aug 2006
UKISC conference (London) 12 Feb 2006
FACT Beta (Liverpool) 5 Nov 2005
School of the Art Institute of Chicago, 14 April 2005
Subliminal Festival (Brussels) 19 Jan 2005
Q Arts / Quad (Derby) 30 June 2004
Hull Time Based Arts, 2 Feb 2004
MUU (Helsinki) 10 March 2002
Cinémathèque (Brighton) 13 Dec 2001
UKISC conference (Dartington) 17 Feb 2001
Royal British Society of Sculptors (London) 29 May 2000
The lectures at Oxford University Museum of Natural History and Saint Patrick’s Irish Club were organised by Café Scientifique, while the Anomalous Psychology Research Unit, Thursday Club and UKISC 2006 lectures all took place at Goldsmiths College. Apologies to anyone who attended for the talks in Riga and Helsinki, which were cancelled owing to serious unforeseen problems (the MUU talk was, I believe, presented to attendees as a printed script).
Thanks to everyone who attended, and to talk organisers and hosts – Eve Anderson, Newton Armstrong, Colette Bailey, Steven Barfield, Tim Blackwell, Zeynep Bulut, Xavier Cejudo, Steve Cleary, Louise Clements, Andrew Clifford, Nic Collins, David Crowley, David Cunningham, Peter Cusack, Ross Dalziel, Martin Dodds, Xabier Erkizia, Jose-Luis Espejo, Andrew Fenchel, Gregg Fisher, Rob Flint, Chris French, Olga Gorionova, Anna Gritz, Barry Hale, Ceri Hann, Dianne Harris, Graham Harwood, Susanna Hertrich, Peter van Hoesen, Rebecca Horrox, Aernoudt Jacobs, Janis Jefferies, Nathan Jones, Marcelo Liberato, Sam Lindley, Rita Leppiniemi, Hans de Man, Stefan Marianski, Ray McFee, Alex McLean, Drew McMillan, Kerryn McMurdo, Armin Medosch, Matthew Miller, Shintaro Miyazaki, Marianne Mulvey, Mikel Nieto, Francis Parker, Martin Parker, Rachel Quarrell, Peter Ride, Rasa Smite, Marq Smith, Raitis Smits, Claire Staunton, Joel Stern, Ive Stevenheydens, Mike Stubbs, Nick Thurston, Ivan Ward, Alexandra Warwick, Liz Whitehead, James Wilkes and Jon Wozencoft (with apologies for any omissions).
Finally thanks also to everyone who came to the (packed) Spring Roll-Call event in Chelsea (see earlier post)…
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