1+1=3, 2021 Concerts, 3049, 400th issue, 840 Series, AA-EVP, AC Projects, AC Projects Counterflows, Acoustic Anthropology, Acoustic Rorschach, Aesthetics, Agnes Gryczkowska, Agnieszka Polska, AHRC, Alva Noto, Ambiguity, Anomalous Psychology, AnOther Magazine, AnOtherMag, Apophenia, APT Deptford, APT Gallery, Argos, Art & Illusion, Art & Illusion for Sound, Art and Science, Artangel, Artefact, Arts & Humanities Research Council, Arts Catalyst, Ash International, ATransC, Audio Illusion, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Auditory Ambiguity, Auditory Apophenia, Auditory Inkblot, Auditory Projection, Auditory Projective Test, Auditory Rorschach, Auditory Summator, Aura Satz, Aural History, Bastard Assignments, BBC Monitoring and the Second World War, BBC Radio, BBC4, BF Skinner, Bill Kouligas, Breakthrough, Brian Dillon, British Library, Bruce Nauman, C, Café Oto, Carsten Nicolai, Cave Leeds, CCA, CCA Glasgow, Centre for Audio Visual Experimentation, Centre for Contemporary Arts, Channel One Channel Two and Channel Three, Chimerization, Christian Marclay, Christine Kim Sum, Christmas Lectures, Claudia Firth, CM von Hausswolff, Cognitive Psychology, Colour of Sound, Communication, Communications, Conscious Listening, Contemporary Art Society, Contemporary Philosophy of Technology Research Group, Continent, Copus, Counterflows, Courtauld Institute, Creating Scientific Art, Creativity, CRISAP, Cryptic, CSSD, Damion Searls, Dana Centre, David Toop, Dazed and Confused, DazedDigital, DDMMYY, Deafness and Communication Engineering, Detektors, Digital Ethereal, Discipline, Disembodied Voice, Disinformation, Dorkbot, Drone Rorschach, Duke University Press, Eddie Chambers, EH Gombrich, Electro Putere, Electromagnetism, Electronic Voice Phenomena, Eleonora Oreggia, Errant Bodies Press, ERTZ, Everything at Once, Evocative Object, EVP, Fabrica, FACT Liverpool, Ferruccio Rossi-Landi, FHNW, Filthy Lucre, Flatpack Festival, Florian Hecker, Force of Listening, Foton Records, Freud Museum, Friedrich Jürgenson, Ghost Hunting, Ghost in the Machine, Ghost Orchid, Ghostbusters, Ghosts, Giorgio Borrelli, Glenn Branca, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, Hallucination Perspective Synthesis, Hanna Tuulikki, Haunted Machines, Haunted Media, Haunted Technology, Haunting, Hauntology, Hearing, Hearing Voices in the Noise, Hermann Rorschach, High Static Dead Lines, HTBA, Hull Art Lab, Hull Time Based Arts, Humber Street Gallery, i-D magazine, ICA London, If The Spirit Moves You, Iklectik, Iklectik Art Lab, Illusion, Illusion of Sound, Impakt Festival 2017, Imperial War Museum, INS, Institute of Contemporary Arts, Institute of Signals and Noise, International Necronautical Society, Invisible Dust, Ioana Cerasella Chis, IWM, IWM Contemporary, IXDM, Jamie Hamilton, Jamie XX, Jeff Kolar, Jeffrey Sconce, Jennifer Walshe, Joe Banks, Joe Gerhardt, Julian Treasure, Justine Picardie, Karl Popper, KCL, Keith Piper, Ken Hollings, Kinetica Museum, King’s College, Konstantin Raudive, Koppel Project, Kristen Gallerneaux, Kunsthalle Wien, Lampo, Language as Technology, Language of Life, Larry Achiampong, Larry Sider, Late Night Chameleon Cafe, Laura Johnson, Lawrence Abu Hamdan, LCC, Leila Bordreuil, Leonardo da Vinci, Let There be Language, Lilt Twang Tremor, Linguistics, Liquid Architecture, Lisson Gallery, Listening Challenge, Listenpony, LN-CC, London College of Communication, London Review Bookshop, Lubaina Himid, Lucia Farinati, MAD Museum, Magic Lantern, Mara Mills, Marina Warner, Mark Coeckelbergh, Mark Miller, Mark Underwood, Martyna Poznanska, Media@McGill, Memory of Sound, Men In Space, Mercy, Metal Culture, Metronome, Michael Esposito, Mike Kelley, Mimi Doulton, Mishearing, Monash University, MUMA, Museum of Arts & Design, Music Hack Space, Musica Dispersa, MUU Helsinki, National Theatre, Near Future Laboratory, Neil Matheson, Neon Sign, Neural Magazine, Neural Seams, Neuroaesthetics, Neuroscience, New Museum NY, New York University, Nick Thurston, Nicole Bachmann, No Idea Festival, Nonsense Syllables, OCM, On the Phone, One Plus One is Three, Overtoon, Oxford Contemporary Music, P-A-N, Palgrave, PAMM, Pan, Paranormal Research, Parapsychology, Pareidolia, Patricia Auchterlonie, Patten, Paul Goodwin, Pedagogies of the Ear, Perception, Perception: An Experimental Weekend, Perceptual Hypotheses, Perez Art Museum, Personare, Phantasma Humana, Phantasmata, Phantasmata and Illusions, Phantasmatic, Phantom Terrains, PhilofTech, Philosophy of Science, Phonetics, Poetry of Radio, Pseudoscience, Psychoacoustics, Psychology of Perception, Public Understanding Of Science, Radio 4 Extra, Radio Advertising, Radio Art, Radio Noise, Radiophonics, Radiophrenia, Radius, Raitis Smits, Rasa Smite, Raster Noton, Raudive Surrogate, RCA, Recording Technology, Remainder, Resonance FM, Robin Rimbaud, Rorschach Audio, Routledge, Royal College of Art, Royal Institution, Rubin Museum of Art, Ruth Jarman, Sadie Coles HQ, Sam Belinfante, Samizdat, Sarah Estep, Sarah Rose, Sas Mays, Satin Island, Scanner, School of Sound, School of the Art Institute of Chicago, Sci-Art, Science Gallery Bengaluru, Science Gallery Dublin, Science Gallery London, Science Gallery Melbourne, Science Museum, Scientific Methodology, Sean Street, Semiconductor, Serpentine Gallery, Shaping Space with Sound, Shintaro Miyazaki, Sigmund Freud, Somerset House, Sonic Arcade, Sonic Art, Sonic Arts Research, Sonic Inkblot, Sonic Phantoms, Sonic Rorschach, Sonic Spectres, Sonic Studies, Sonica, Sonology, Sophie Scott, Sound & Music, Sound Art, Sound Artist, Sound Poetics, Sound Salon, Sound Studies, South London Gallery, Speak Spirit Speak, Spectral Paradigms, Speech Perception, Speech Science, Spirit Voices, Stanley Picker Gallery, Stephen Whitmarsh, Strange Attractor Press, Strange Telemetry, STUK, Susan Hiller, Susannah Stark, Suzanne Bardgett, Synthetic Hinge, Tate Modern, Tautophone, Technology and Spiritualism, Technology as Language, TED Talks, Telegraphic Imaginary, Tenderpixel, Tenderpixel Gallery, The Act of Creation, The Act of Magic, The Future of Listening, The Inkblots, The Machine and the Ghost, The Quietus, The Voice as a Political Implement, The Wail that was Warning, The Wire Magazine, The World Is Sound, Tintin and the Secret of Literature, Tom McCarthy, Tony Oursler, Touch Records, Transmitters and Receivers, Unconscious Archives, Unit for Sound Practice Research, University of Birmingham, University of Westminster, Unknown Tongues, Vanessa Joan Müller, Vinyl Factory, Vitamin S, Vocal Phantoms, Waveform, We Break Strings, Wellcome Trust, White Noise, Wire 400, Word and Sound, Xname, Yang Li
Complete list of all “Rorschach Audio” lecture-demonstrations *
Arena Talks 2 [secret location] (London) 31 Aug 2016
King’s College (London) 25 June 2016
FHNW-IXDM [keynote] (Basel) 3 March 2016
NES (Skagaströnd) 18 Feb 2016
Freud Museum (London) 23 July 2015
MUMA (Melbourne) 6 June 2015
Gertrude Contemporary (Melbourne) 3 June 2015
University of Leeds, 22 Oct 2014
Oxford University Museum of Natural History, 8 April 2014
Royal College of Art (London) 7 March 2014
Argos (Brussels) 13 Feb 2014
Edinburgh College of Art [keynote] 28 Nov 2013
ERTZ-Arteleku (San Sebastian) 10 Sept 2013
St. Patrick’s Irish Club (Leamington) 15 July 2013
British Library (London) 28 June 2013
City University (London) 10 May 2013
Labour Club (Northampton) 5 March 2013
Royal College of Art (London) 12 Dec 2012
Science Museum Dana Centre (London) 16 Nov 2012
Apiary Studios (London) 31 Oct 2012
Liverpool Biennial, 6 Oct 2012
Institute of Contemporary Arts (London) 15 Sept 2012
University of Westminster (London) 7 Dec 2011
Vitamin S (Auckland) 13 April 2011
University of Westminster (London) 9 March 2011
Space Studios (London) 11 Sept 2010
Central School of Speech & Drama (London) 23 April 2009
Goldsmiths College (London) 3 March 2009
Goldsmiths College (London) 26 Nov 2008
Goldsmiths College (London) 12 Nov 2008
Anomalous Psychology Research Unit (London) 26 Feb 2008
Thursday Club (London) 31 Jan 2008
Goldsmiths College (London) 24 Jan 2008
Goldsmiths College (London) 31 Oct 2007
Dorkbot, State 51 (London) 21 June 2007
Broadway Cinema (Nottingham) 11 May 2007
Kinetica Museum (London) 7 Feb 2007
London College of Communications, 25 Jan 2007
Latvian National Museum of Art (Riga) 26 Aug 2006
UKISC conference (London) 11 Feb 2006
FACT Beta (Liverpool) 5 Nov 2005
School of the Art Institute of Chicago, 14 April 2005
Subliminal Festival (Brussels) 19 Jan 2005
Q Arts / Quad (Derby) 30 June 2004
Hull Time Based Arts, 2 Feb 2004
MUU (Helsinki) 10 March 2002
Cinémathèque (Brighton) 13 Dec 2001
UKISC conference (Dartington) 17 Feb 2001
Royal British Society of Sculptors (London) 29 May 2000
The lectures at Oxford University Museum of Natural History and Saint Patrick’s Irish Club were organised by Café Scientifique, while the Anomalous Psychology Research Unit, Thursday Club and UKISC 2006 lectures all took place at Goldsmiths College. Apologies to anyone who attended for the talks in Riga and Helsinki, which were cancelled owing to serious unforeseen problems (the MUU talk was, I believe, presented to attendees as a printed script).
Thanks to everyone who attended, and to talk organisers and hosts – Eve Anderson, Newton Armstrong, Colette Bailey, Steven Barfield, Tim Blackwell, Zeynep Bulut, Xavier Cejudo, Steve Cleary, Louise Clements, Andrew Clifford, Nic Collins, David Crowley, David Cunningham, Peter Cusack, Ross Dalziel, Martin Dodds, Xabier Erkizia, Jose-Luis Espejo, Andrew Fenchel, Gregg Fisher, Rob Flint, Chris French, Olga Gorionova, Anna Gritz, Barry Hale, Ceri Hann, Dianne Harris, Graham Harwood, Susanna Hertrich, Peter van Hoesen, Rebecca Horrox, Aernoudt Jacobs, Janis Jefferies, Nathan Jones, Marcelo Liberato, Sam Lindley, Rita Leppiniemi, Hans de Man, Stefan Marianski, Ray McFee, Alex McLean, Drew McMillan, Kerryn McMurdo, Armin Medosch, Matthew Miller, Shintaro Miyazaki, Marianne Mulvey, Mikel Nieto, Francis Parker, Martin Parker, Rachel Quarrell, Peter Ride, Rasa Smite, Marq Smith, Raitis Smits, Claire Staunton, Joel Stern, Ive Stevenheydens, Mike Stubbs, Nick Thurston, Ivan Ward, Alexandra Warwick, Liz Whitehead, James Wilkes and Jon Wozencoft (with apologies for any omissions).
Finally thanks also to everyone who came to the (packed) Spring Roll-Call event in Chelsea (see earlier post)…
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