1+1=3, 2021 Concerts, 3049, 400th issue, 840 Series, AA-EVP, AC Projects, AC Projects Counterflows, Acoustic Anthropology, Acoustic Rorschach, Aesthetics, Agnes Gryczkowska, Agnieszka Polska, AHRC, Algorithmic Listening, Alice Hackney, Alva Noto, Ambiguity, Anita Zabludowicz, Ann Winsper, Anne Zeitz, Annika Kahrs, Anomalous Psychology, Anomalous Psychology Research Unit, AnOther Magazine, AnOtherMag, Anthropology, Anti-University Now, Antiuniversity Now, Apophenia, APRU, APT Deptford, APT Gallery, Argos, Art & Illusion, Art & Illusion for Sound, Art and Science, Artangel, Artefact, Arts & Humanities Research Council, Arts Catalyst, Ash International, Assembly, Assisi Machine, Atau Tanaka, ATransC, Audio Ghost, Audio Illusion, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Auditory Ambiguity, Auditory Apophenia, Auditory Ghost, Auditory Illusion, Auditory Inkblot, Auditory Pareidolia, Auditory Perception, Auditory Phantom, Auditory Projection, Auditory Projective Test, Auditory Rorschach, Auditory Summator, Aura Satz, Aural History, Bastard Assignments, BBC Monitoring and the Second World War, BBC Radio, BBC Radio 4, BBC Sounds, BBC Wales, BBC World Service, BBC4, Ben Barwise, BF Skinner, Bill Kouligas, Bionics Institute Melbourne, Book Works, Bookworks, Brad Story, Breakthrough, Brian Dillon, Brian Hochman, British Library, Bruce Nauman, C, Café Oto, Camden Arts Centre, Carsten Nicolai, Cave Leeds, CCA, CCA Glasgow, Centre for Audio Visual Experimentation, Centre for Contemporary Art, Centre for Contemporary Arts, Channel One Channel Two and Channel Three, Chimerization, Chisenhale, Chisenhale Dance Space, Chisenhale Gallery, Chris French, Christian Marclay, Christine Kim Sum, Christmas Lectures, Christopher French, Clangers, Claudia Firth, Clélia Barbut, CM von Hausswolff, Cognitive Psychology, Colin Stanley, Colin Wilson, Colour of Sound, Communication, Communications, Conscious Listening, Contemporary Art Museum St. Louis, Contemporary Art Society, Contemporary Philosophy of Technology Research Group, Continent, Copus, Counterflows, Courtauld Institute, Creating Scientific Art, Creativity, CRISAP, Cryptic, CSSD, Damien Simon, Damion Searls, Dana Centre, Dave Tompkins, David Alais, David Pisoni, David Roberts Art Foundation, David Toop, David Tyler, Dazed and Confused, DazedDigital, DDMMYY, Dead Lines, Deafness and Communication Engineering, Detektors, Diana Deutsch, Digital Ethereal, Discipline, Disembodied Voice, Disinformation, Dorkbot, Dr James Parker, Dr. Saskia Steinmann, DRAF, Drone Rorschach, Duke University Press, Earwitness Theatre, Eavesdropping, Eddie Chambers, EH Gombrich, Electro Putere, Electromagnetism, Electronic Voice Phenomena, Eleonora Oreggia, Erik Bunger, Errant Bodies Press, ERTZ, Everything at Once, Evocative Object, EVP, Excessive Listening, Fabrica, FACT Liverpool, Felix Kubin, Ferruccio Rossi-Landi, FHNW, Filthy Lucre, Flat Time House, Flatpack Festival, Florian Hecker, Force of Listening, Forensic Audiology, Forensic Listening, Forensic Listening, Foton Records, Francis Parker, Freud Museum, Friedrich Jürgenson, Fugitive Listening, Ghost Audio, Ghost Hunting, Ghost in the Machine, Ghost Orchid, Ghostbusters, Ghosts, Ghosts In The Machine, Gina Buenfeld, Giorgio Borrelli, Glenn Branca, Goldsmiths, Goldsmiths APRU, Goldsmiths CCA, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, Goldsmiths MFA, Goldsmiths MFA Fine Art, Guest Ghost Host Machine, Hallucination Perspective Synthesis, Hanna Tuulikki, Haroon Mirza, Haskins Laboratories, Haunted Machines, Haunted Media, Haunted Technology, Haunting, Hauntology, Hearing, Hearing Voices in the Noise, Helen Hughes, Henry Moore Foundation, Hermann Rorschach, High Static, High Static Dead Lines, Histories and Theories of Sound, Histories of Sound, How To Wreck A Nice Beach, HRM199, HTBA, Hugh McDermott, Hull Art Lab, Hull Time Based Arts, Human Conversation, Humber Street Gallery, i-D magazine, Ian Potter Museum of Art, Ian Stonehouse, ICA London, If The Spirit Moves You, Iklectik, Iklectik Art Lab, Illusion, Illusion of Sound, Impakt Festival 2017, Imperial War Museum, In the Studio, INS, Institute of Contemporary Arts, Institute of Modern Art Brisbane, Institute of Signals and Noise, International Necronautical Society, Invisible Dust, Ioana Cerasella Chis, Ironfoot Jack, IWM, IWM Contemporary, IXDM, Jack Jelfs, James Parker, Jamie Hamilton, Jamie XX, Jeff Kolar, Jeffrey Sconce, Jennifer Walshe, Joe Banks, Joe Gerhardt, Joel Stern, John Drever, John Latham, Julian Mader, Julian Treasure, Justine Picardie, Karl Popper, KCL, Keith Piper, Ken Hollings, Kerry Priest, Kinetica Museum, King of the Bohemians, King’s College, Konstantin Raudive, Koppel Project, Krakow, Kristen Gallerneaux, Kunsthalle Wien, Lampo, Language as Technology, Language of Life, Larry Achiampong, Larry Sider, Lars Riecke, Late Night Chameleon Cafe, Laura Johnson, Laurel, Laurie Taylor, Lawrence Abu Hamdan, LCC, Le Bon Accueil, Leila Bordreuil, Leonardo da Vinci, Let There be Language, Lilt Twang Tremor, Linguistics, Liquid Architecture, Listening to History, Lisson Gallery, Listening Challenge, Listenpony, LN-CC, London College of Communication, London Review Bookshop, Louis d’Heudieres, Lubaina Himid, Lucia Farinati, Lux, Maastricht University, MAD Museum, Magic Lantern, Malgorzata Plysa, Manchester Art Gallery, Mara Mills, Marc Couroux, Margery Crandon, Marina Warner, Mario Popham, Marius Schwarz, Mark Coeckelbergh, Mark Miller, Mark Underwood, Martin Clark, Martyna Poznanska, Mat Schulz, Max Prediger, May Day Rooms, Mayday Rooms, Media@McGill, Melbourne Law School, Memory of Sound, Men In Space, Mercy, Metal Culture, Metamute, Metronome, MFA Fine Art, Michael Esposito, Mick Grierson, Mike Kelley, Mimi Doulton, Mina Crandon, Mishearing, Monash University, MUMA, Musée des Beaux Arts, Musée des Beaux Arts de Rennes, Museum of Arts & Design, Music Hack Space, Musica Dispersa, Mute Magazine, MUU Helsinki, Natalie D Kane, Natalie Kane, National Theatre, Near Future Laboratory, Neil Matheson, Neon Sign, Neural Magazine, Neural Seams, Neuroaesthetics, Neuroscience, New Museum NY, New York University, Nick Thurston, Nicole Bachmann, No Idea Festival, Nonsense Syllables, Now You're Talking, OCM, OLiver Postgate, On the Phone, One Plus One is Three, Oonagh Cousins, Otolith Group, Overtoon, Oxford Contemporary Music, P-A-N, Palgrave, PAMM, Pan, Panacousticism, Paranormal Research, Parapsychology, Pareidolia, Patricia Auchterlonie, Patten, Paul Goodwin, Pedagogies of the Ear, Penguin, Penguin Random House, Perception, Perception: An Experimental Weekend, Perceptual Hypotheses, Perez Art Museum, Personare, Pete Bebergal, Peter Bebergal, Phantasma Humana, Phantasmata, Phantasmata and Illusions, Phantasmatic, Phantom Terrains, Phantom Words, Phantom Words Illusion, Phil Baker, Philip Rubin, PhilofTech, Philosophy of Science, Phonetics, Piston Flute, Poetry of Radio, Political Effects of Listening, Politics of Listening, Pozzitive, Presence, Process Festival, Prof. Chris French, Pseudoscience, Psychoacoustics, Psychology of Magic, Psychology of Perception, Public Understanding Of Science, Radia FM, Radia Network, Radio 4, Radio 4 Extra, Radio Advertising, Radio Art, Radio Noise, Radiophonics, Radiophrenia, Radius, Raitis Smits, Random House, Rasa Smite, Raster Noton, Raudive, Raudive Surrogate, Raven Row, RCA, Recording Technology, Refract 18, Refract Audio, Refract:18, Remainder, Rennes, Resonance FM, Robert Remez, Robin Rimbaud, Rorschach Audio, Routledge, Royal College of Art, Royal Institution, Rubin Museum of Art, Ruth Jarman, Sadie Coles HQ, Sam Belinfante, Samizdat, Sapir-Whorf Hypothesis, Sarah Estep, Sarah Rose, Sas Mays, Satin Island, Scanner, School of Sound, School of the Art Institute of Chicago, Sci-Art, Science Gallery Bengaluru, Science Gallery Dublin, Science Gallery London, Science Gallery Melbourne, Science Museum, Scientific Methodology, Sean Street, Semiconductor, Serpentine Gallery, Serpentine Radio, Shaping Space with Sound, Sheffield, Shintaro Miyazaki, Sigmund Freud, Silicon Ear, Sine-Wave Speech, Sine-Wave Synthesis, Sinewave Speech, Sinewave Synthesis, Site Gallery, Site Gallery Sheffield, Smoke & Mirrors, Smoke and Mirrors, Somerset House, Somerset House Studios, Sonic Agency, Sonic Arcade, Sonic Art, Sonic Arts Research, Sonic Episteme, Sonic Inkblot, Sonic Phantoms, Sonic Rorschach, Sonic Spectre, Sonic Spectres, Sonic Studies, Sonic Warfare, Sonica, Sonology, Sophie Scott, Sound & Music, Sound Art, Sound Artist, Sound Poetics, Sound Practice Research, Sound Salon, Sound Studies, Soundart Radio, South London Gallery, Speak Spirit Speak, Spectral Paradigms, Speech Acts, Speech Perception, Speech Science, Spirit Voices, SPR, Stanley Picker Gallery, Stephen Whitmarsh, Steve Rajam, Steven Rajam, Steven Rajan, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Strange Frequencies, Strange Telemetry, STUK, Susan Hiller, Susannah Stark, Suzanne Bardgett, Synthetic Hinge, Tate Modern, Tautophone, Technology and Spiritualism, Technology as Language, TED Talks, Telegraphic Imaginary, Tenderpixel, Tenderpixel Gallery, The Act of Creation, The Act of Magic, The Assisi Machine, The Clangers, The Future of Listening, The Hauntening, The Hearing, The Hum, The Ian Potter Museum of Art, The Inkblots, The Machine and the Ghost, The Otolith Group, The Psychology of Magic, The Quietus, The Surrender of Silence, The Uninvited Ear, The Voice as a Political Implement, The Wail that was Warning, The Wire Magazine, The World Is Sound, Theories of Sound, Thinking Aloud, Tintin and the Secret of Literature, Tobias Revell, Toby Revell, Tom McCarthy, Tom Neenan, Tony Oursler, Touch Records, Transmitters and Receivers, Trevor Cox, Unconscious Archives, Unit for Sound Practice Research, University of Arizona, University of Birmingham, University of London, University of Melbourne, University of Sydney, University of Westminster, Unknown Tongues, Unsound, Unsound Festival, Unsound Krakow 2018, Vanessa Joan Müller, Vinyl Factory, Viral, Vitamin S, Vocal Phantoms, Walter Stinson, Waterside Arts Centre, Waveform, We Break Strings, We Haunt You While You Watch, Wellcome, Wellcome Collection, Wellcome Trust, What do You Hear?, White Noise, Wire 400, Wiretapping, Wiretapping, Witte de With, Witte de With Center for Contemporary Art, Word and Sound, Xname, Yang Li, Yanny, Yanny or Laurel?, York University, Zabludowicz, Zabludowicz Collection
Complete list of all “Rorschach Audio” lecture-demonstrations *
Arena Talks 2 [secret location] (London) 31 Aug 2016
King’s College (London) 25 June 2016
FHNW-IXDM [keynote] (Basel) 3 March 2016
NES (Skagaströnd) 18 Feb 2016
Freud Museum (London) 23 July 2015
MUMA (Melbourne) 6 June 2015
Gertrude Contemporary (Melbourne) 3 June 2015
University of Leeds, 22 Oct 2014
Oxford University Museum of Natural History, 8 April 2014
Royal College of Art (London) 7 March 2014
Argos (Brussels) 13 Feb 2014
Edinburgh College of Art [keynote] 28 Nov 2013
ERTZ-Arteleku (San Sebastian) 10 Sept 2013
St. Patrick’s Irish Club (Leamington) 15 July 2013
British Library (London) 28 June 2013
City University (London) 10 May 2013
Labour Club (Northampton) 5 March 2013
Royal College of Art (London) 12 Dec 2012
Science Museum Dana Centre (London) 16 Nov 2012
Apiary Studios (London) 31 Oct 2012
Liverpool Biennial, 6 Oct 2012
Institute of Contemporary Arts (London) 15 Sept 2012
University of Westminster (London) 7 Dec 2011
Vitamin S (Auckland) 13 April 2011
University of Westminster (London) 9 March 2011
Space Studios (London) 11 Sept 2010
Central School of Speech & Drama (London) 23 April 2009
Goldsmiths College (London) 3 March 2009
Goldsmiths College (London) 26 Nov 2008
Goldsmiths College (London) 12 Nov 2008
Anomalous Psychology Research Unit (London) 26 Feb 2008
Thursday Club (London) 31 Jan 2008
Goldsmiths College (London) 24 Jan 2008
Goldsmiths College (London) 31 Oct 2007
Dorkbot, State 51 (London) 21 June 2007
Broadway Cinema (Nottingham) 11 May 2007
Kinetica Museum (London) 7 Feb 2007
London College of Communications, 25 Jan 2007
Latvian National Museum of Art (Riga) 26 Aug 2006
UKISC conference (London) 11 Feb 2006
FACT Beta (Liverpool) 5 Nov 2005
School of the Art Institute of Chicago, 14 April 2005
Subliminal Festival (Brussels) 19 Jan 2005
Q Arts / Quad (Derby) 30 June 2004
Hull Time Based Arts, 2 Feb 2004
MUU (Helsinki) 10 March 2002
Cinémathèque (Brighton) 13 Dec 2001
UKISC conference (Dartington) 17 Feb 2001
Royal British Society of Sculptors (London) 29 May 2000
The lectures at Oxford University Museum of Natural History and Saint Patrick’s Irish Club were organised by Café Scientifique, while the Anomalous Psychology Research Unit, Thursday Club and UKISC 2006 lectures all took place at Goldsmiths College. Apologies to anyone who attended for the talks in Riga and Helsinki, which were cancelled owing to serious unforeseen problems (the MUU talk was, I believe, presented to attendees as a printed script).
Thanks to everyone who attended, and to talk organisers and hosts – Eve Anderson, Newton Armstrong, Colette Bailey, Steven Barfield, Tim Blackwell, Zeynep Bulut, Xavier Cejudo, Steve Cleary, Louise Clements, Andrew Clifford, Nic Collins, David Crowley, David Cunningham, Peter Cusack, Ross Dalziel, Martin Dodds, Xabier Erkizia, Jose-Luis Espejo, Andrew Fenchel, Gregg Fisher, Rob Flint, Chris French, Olga Gorionova, Anna Gritz, Barry Hale, Ceri Hann, Dianne Harris, Graham Harwood, Susanna Hertrich, Peter van Hoesen, Rebecca Horrox, Aernoudt Jacobs, Janis Jefferies, Nathan Jones, Marcelo Liberato, Sam Lindley, Rita Leppiniemi, Hans de Man, Stefan Marianski, Ray McFee, Alex McLean, Drew McMillan, Kerryn McMurdo, Armin Medosch, Matthew Miller, Shintaro Miyazaki, Marianne Mulvey, Mikel Nieto, Francis Parker, Martin Parker, Rachel Quarrell, Peter Ride, Rasa Smite, Marq Smith, Raitis Smits, Claire Staunton, Joel Stern, Ive Stevenheydens, Mike Stubbs, Nick Thurston, Ivan Ward, Alexandra Warwick, Liz Whitehead, James Wilkes and Jon Wozencoft (with apologies for any omissions).
Finally thanks also to everyone who came to the (packed) Spring Roll-Call event in Chelsea (see earlier post)…
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