1+1=3, 2021 Concerts, 3049, 400th issue, 840 Series, A Counter-Map, A Crisis, A Sound Anthology Of Occult Phenomena, AA-EVP, AC Projects, AC Projects Counterflows, Acousmatic Paranoia, Acoustic Anthropology, Acoustic Rorschach, Aesthetics, Agnes Gryczkowska, Agnieszka Polska, AHRC, Algorithmic Listening, Alice Hackney, All of Them Loved, Alva Noto, Ambiguity, Andy Wicks, Angel Ng, Anita Zabludowicz, Ann Winsper, Anna Barham, Anne Zeitz, Annika Kahrs, Anomalous Psychology, Anomalous Psychology Research Unit, AnOther Magazine, AnOtherMag, Anthony Pateras, Anthropology, Anti-University Now, Antiuniversity Now, Apophenia, Apophonia, APRA AMCOS Art Music Fund, APRU, APT Deptford, APT Gallery, Arebyte, Arebyte Gallery, Argos, Art & Illusion, Art & Illusion for Sound, Art and Science, Artangel, Artefact, Arts & Humanities Research Council, Arts Catalyst, Ash International, Ashanti Harris, Assembly, Assisi Machine, Atau Tanaka, ATransC, Audint, Audio Apophonia, Audio Ghost, Audio Illusion, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Audition, Auditory Ambiguity, Auditory Apophenia, Auditory Apophonia, Auditory Ghost, Auditory Illusion, Auditory Inkblot, Auditory Pareidolia, Auditory Perception, Auditory Phantom, Auditory Projection, Auditory Projective Test, Auditory Rorschach, Auditory Summator, Aura Satz, Aural History, Barbican Art Gallery, Barry Burns, Bastard Assignments, BBC Monitoring and the Second World War, BBC Radio, BBC Radio 4, BBC Sounds, BBC Wales, BBC World Service, BBC4, Bea Webster, Ben Barwise, Ben Glas, BF Skinner, Bill Kouligas, Bionics Institute Melbourne, Blood Stretched Out, Bloomberg, Bloomberg New Contemporaries, Bonds, Book Works, Bookworks, Boris Baltschun, Brad Story, Breakthrough, Brian Dillon, Brian Hochman, British Electric Foundation, British Library, Bruce Nauman, C, Café Oto, Camberwell, Camberwell College of Arts, Camden Arts Centre, Carsten Nicolai, Case Foundation, Castor, Castor Projects, Cave Leeds, CCA, CCA Glasgow, Cedric Fauq, Centre for Audio Visual Experimentation, Centre for Contemporary Art, Centre for Contemporary Arts, Centre for Modern and Contemporary Writing, Channel One Channel Two and Channel Three, Chimerization, Chisenhale, Chisenhale Dance Space, Chisenhale Gallery, Chris French, Christian Marclay, Christine Kim Sum, Christmas Lectures, Christopher French, Clangers, Claricia Parinussa, Claudia Firth, Clélia Barbut, CM von Hausswolff, Cognitive Psychology, Colin Stanley, Colin Wilson, Colloquium for Unpopular Culture, Colour of Sound, Communication, Communications, Conscious Listening, Contemporary Art Museum St. Louis, Contemporary Art Society, Contemporary Philosophy of Technology Research Group, Continent, Copus, Counterflows, Courtauld Institute, Creating Scientific Art, Creativity, CRISAP, Cryptic, CSSD, Damien Simon, Damion Searls, Dana Centre, Dave Tompkins, David Alais, David Pisoni, David Roberts Art Foundation, David Toop, David Tyler, Dazed and Confused, DazedDigital, DDMMYY, Dead Lines, Deafness and Communication Engineering, Detektors, Diana Deutsch, Digital Ethereal, Discipline, Disembodied Voice, Disinformation, Divine Tasinda, Dorkbot, Dr James Parker, Dr Sarah Hayden, Dr. Saskia Steinmann, DRAF, Drone Rorschach, Duke University Press, Earwitness Theatre, Eavesdropping, Eavesdropping, Eddie Chambers, EH Gombrich, Electro Putere, Electromagnetic Frequency Detector, Electromagnetism, Electronic Voice Phenomena, Eleni Ikoniadou, Eleonora Oreggia, Emiddio Vasquez, Emily Bick, Emma Wolukau-Wanambwa, Entropics, Erik Bunger, Errant Bodies Press, ERTZ, Everything at Once, Evocative Object, EVP, Ex Machina, Excessive Listening, Expanded Listening, Fabrica, Fabrica Brighton, Fabrica Gallery, Fabrica Gallery Brighton, FACT Liverpool, Fear Of The Real, Felix Kubin, Ferruccio Rossi-Landi, FHNW, Filthy Lucre, First Draft, First Draft Sydney, Firstdraft Australia, Firstdraft Sydney, Flat Time House, Flatpack Festival, Flora Yin-Wong, Florian Hecker, Force of Listening, Forensic Audiology, Forensic Listening, Forensic Audiology, Forensic Listening, Foton Records, Francis Parker, Freud Museum, Friedrich Jürgenson, Fugitive Listening, Gabriel Prokofiev, Gallery 31, Georgia Stephenson, Ghost Audio, Ghost Detector, Ghost Hunting, Ghost in the Machine, Ghost Orchid, Ghostbusters, Ghosts, Ghosts In The Machine, Gina Buenfeld, Giorgio Borrelli, Glasgow, Glenn Branca, Goldsmiths, Goldsmiths APRU, Goldsmiths CCA, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, Goldsmiths MFA, Goldsmiths MFA Fine Art, Goodiepal, Goodiepal and Pals, Graham Foundation, Grim Beeper, Grim Beeper Ghost Detector, Guest Ghost Host Machine, Gulf of Understanding, Hallucination Perspective Synthesis, Hanna Hartman, Hanna Tuulikki, Haroon Mirza, Haskins Laboratories, Haunted Machines, Haunted Media, Haunted Places, Haunted Technology, Haunthenticity, Haunthenticity: Musical Replay And The Fear Of The Real, Haunting, Haunting Spirits, Hauntology, Hearing, Hearing Voices in the Noise, Heaven 17, Helen Hughes, Henry Moore Foundation, Hermann Rorschach, High Static, High Static Dead Lines, Histories and Theories of Sound, Histories of Listening, Histories of Sound, How To Wreck A Nice Beach, HRM199, HTBA, Hugh McDermott, Hull Art Lab, Hull Time Based Arts, Human Conversation, Human League, Humber Street Gallery, Hush: Media and Sonic Self Control, i-D magazine, Ian Potter Museum of Art, Ian Stonehouse, ICA London, If The Spirit Moves You, Iklectik, Iklectik Art Lab, Illusion, Illusion of Sound, Impakt Festival 2017, Imperial War Museum, In Cold Print, In the Studio, INS, Institute of Contemporary Arts, Institute of Modern Art Brisbane, Institute of Signals and Noise, International Necronautical Society, Invisible Dust, Ioana Cerasella Chis, Irene Revell, Ironfoot Jack, It, IWM, IWM Contemporary, IXDM, Jack Jelfs, Jack Smurthwaite, Jade Boyd, James Parker, Jamie Hamilton, Jamie XX, Jeff Kolar, Jeffrey Sconce, Jen Martin, Jennifer Walshe, Jerwood Arts, Jessica Ekomane, Jo Barratt, Joe Banks, Joe Gerhardt, Joel Stern, John Drever, John Hansard Gallery, John Latham, John Macedo, Jonathan Sterne, Julian Mader, Julian Treasure, Justine Picardie, Kader Attia, Karl Popper, Kathryn Ashill, KCL, Keira Greene, Keith Piper, Ken Hollings, Kerry Priest, Kinetica Museum, King of the Bohemians, King’s College, Kirsty Ogg, Kode 9, Kode9, Konstantin Raudive, Koppel Project, Krakow, Kristen Gallerneaux, Kunsthalle Wien, Lampo, Lampo Chicago, Language as Technology, Language of Life, Larry Achiampong, Larry Sider, Lars Riecke, Late Night Chameleon Cafe, Laura Johnson, Laure Prouvost, Laurel, Laurent Grasso, Laurie Taylor, Lawrence Abu Hamdan, Lawrence Lek, LCC, Le Bon Accueil, Leila Bordreuil, Leonardo da Vinci, Let There be Language, Letitia Pleiades, Lilt Twang Tremor, Linear Obsessional, Linguistics, Liquid Architecture, Listening to History, Lisson Gallery, Listening, Listening as Critique, Listening Challenge, Listening: A Crisis, Listenpony, Live to Air, Liza Sylvestre, LN-CC, London College of Communication, London Review Bookshop, Louis d’Heudieres, Lubaina Himid, Lucia Farinati, Lux, Maastricht University, Machine Listening, Mack Hagood, MAD Museum, Magic Lantern, Malgorzata Plysa, Manchester Art Gallery, Many Voices, Many Voices All of Them Loved, Mara Mills, Marc Couroux, Margery Crandon, Margot Heller, Marijn Ottenhof, Marina Warner, Mario Popham, Marius Schwarz, Mark Coeckelbergh, Mark Miller, Mark Underwood, Mark Vernon, Mark Vernon & Barry Burns, Martin Clark, Martyn Ware, Martyna Poznanska, Mat Schulz, Material Symbolic, Material Symbolic and Signal Inscriptions, Max Prediger, May Day Rooms, Mayday Rooms, Media and Sonic Self Control, Media@McGill, Melbourne Law School, Mele Broomes, Memory of Sound, Men In Space, Mercy, Metal Culture, Metamute, Metronome, MFA Fine Art, Michael Esposito, Mick Grierson, Mike Kelley, Mimi Doulton, Mina Crandon, Mira Calix, Mishearing, Mogwai, Monash University, Mondriaan Fund, MondriaanFund, Moneda, More than Human, MUMA, Musée des Beaux Arts, Musée des Beaux Arts de Rennes, Museum of Arts & Design, Music for Listeners, Music Hack Space, Musica Dispersa, Musical Replay, Musical Replay And The Fear Of The Real, Mute Magazine, MUU Helsinki, Natalie D Kane, Natalie Kane, National Theatre, Near Future Laboratory, Neil Matheson, Nene Camara, Neon Sign, Neural Magazine, Neural Seams, Neuroaesthetics, Neuroscience, New Contemporaries, New Museum NY, New York University, Nick Ryan, Nick Thurston, Nicole Bachmann, Nicole Yip, No Idea Festival, Noise, Noise: A Counter-Map, Non-Classical, Nonclassical, Nonsense Syllables, Nottingham Contemporary, Now You're Talking, Occult Phenomena, OCM, OLiver Postgate, On the Phone, One Plus One is Three, Oonagh Cousins, Otolith Group, Overtoon, Oxford Contemporary Music, P-A-N, Palgrave, PAMM, Pan, Panacousticism, Paranormal Research, Parapsychology, Pareidolia, Pataphysical, Patricia Auchterlonie, Patricia Panthe, Patten, Paul Goodwin, Pedagogies of the Ear, Penguin, Penguin Random House, Perception, Perception: An Experimental Weekend, Perceptual Hypotheses, Perez Art Museum, Personare, Pete Bebergal, Peter Bebergal, Phantasma Humana, Phantasmata, Phantasmata and Illusions, Phantasmatic, Phantom Chips, Phantom Power, Phantom Power Podcast, Phantom Terrains, Phantom Words, Phantom Words Illusion, Phantom_Chips, Phil Baker, Philip Rubin, PhilofTech, Philosophy of Science, Phonetics, Piston Flute, Poetry of Radio, Political Effects of Listening, Politics of Listening, Pozzitive, Presence, Process Festival, Prof. Chris French, Pseudoscience, Psycho Acoustic, Psycho Acoustical, Psycho Acoustics, Psychoacoustic, Psychoacoustical, Psychoacoustics, Psychology of Magic, Psychology of Perception, Public Understanding Of Science, Radia FM, Radia Network, Radio 4, Radio 4 Extra, Radio Advertising, Radio Art, Radio Ghost, Radio Noise, Radio Phrenia, Radio Phrenia Live to Air, Radiophonics, Radiophrenia, Radiophrenia Live-to-Air, Radius, Raitis Smits, Raman Mundair, Random House, Rasa Smite, Raster Noton, Raudive, Raudive Surrogate, Raven Row, RCA, Re: Cognition, Recognition, Recording Technology, Refract 18, Refract Audio, Refract:18, Remainder, Rennes, Resonance FM, Resonant Frequencies, RKSS, Robert Remez, Robin Rimbaud, Rorschach Audio, Rothschild Foundation, Routledge, Roy Carroll, Royal College of Art, Royal Institution, Rubin Museum of Art, Ruth Jarman, Ryan Kearney, Sadie Coles, Sadie Coles HQ, Sam Belinfante, Samizdat, Sapir-Whorf Hypothesis, Sarah Derat, Sarah Estep, Sarah Hayden, Sarah Rose, Sas Mays, Satin Island, Séance, Scanner, School of Sound, School of the Art Institute of Chicago, Sci-Art, Science Gallery Bengaluru, Science Gallery Dublin, Science Gallery London, Science Gallery Melbourne, Science Museum, Scientific Methodology, Sean Street, Semiconductor, Serpentine Gallery, Serpentine Radio, Seth Kim-Cohen, Shaheeda Sinckler, Shaping Space with Sound, She Who Loves Silence, Sheffield, Shintaro Miyazaki, Shiva Feshareki, Sigmund Freud, Signal Inscriptions, Silicon Ear, Simon Parris, Sine-Wave Speech, Sine-Wave Synthesis, Sinewave Speech, Sinewave Synthesis, Site Gallery, Site Gallery Sheffield, SLG, Smoke & Mirrors, Smoke and Mirrors, Sofia Lemos, Somerset House, Somerset House Studios, Sonic Agency, Sonic Apophonia, Sonic Arcade, Sonic Art, Sonic Arts Research, Sonic Continuum, Sonic Episteme, Sonic Inkblot, Sonic Phantoms, Sonic Rorschach, Sonic Séance, Sonic Séance: The Gathering, Sonic Self Control, Sonic Spectre, Sonic Spectres, Sonic Studies, Sonic Warfare, Sonic Writing, Sonic Writing Technologies, Sonic Writing Technologies of Material Symbolic and Signal Inscriptions, Sonica, Sonology, Sophie Scott, Sound & Music, Sound Anthology, Sound Art, Sound Artist, Sound Poetics, Sound Practice Research, Sound Salon, Sound Studies, Soundart Radio, Sounding Out, Sounding Out Practice, South London Gallery, Souzana Zamfe, Speak Spirit Speak, Spectra, Spectra Ex Machina, Spectra Ex Machina: A Sound Anthology Of Occult Phenomena, Spectral Paradigms, Speech Acts, Speech Perception, Speech Science, Spirit Voices, SPR, Stanley Picker Gallery, Stephen Whitmarsh, Steve Goodman, Steve Rajam, Steven Rajam, Steven Rajan, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Strange Frequencies, Strange Telemetry, STUK, Sukhdev Sandhu, Sung Tieu, Susan Hiller, Susannah Stark, Suzanne Bardgett, Synthetic Hinge, Tara Pattenden, Tate Modern, Tautophone, Technology and Spiritualism, Technology as Language, TED Talks, Telegraphic Imaginary, Tenderpixel, Tenderpixel Gallery, Test Subjects, Texte und Tone, The Act of Creation, The Act of Magic, The Assisi Machine, The Clangers, The Future of Listening, The Gathering, The Gulf of Understanding, The Gulf of Understanding (Re:cognition), The Hauntening, The Hearing, The Hum, The Ian Potter Museum of Art, The Inkblots, The Machine and the Ghost, The Otolith Group, The Psychology of Magic, The Quietus, The Surrender of Silence, The Uninvited Ear, The Voice as a Political Implement, The Wail that was Warning, The Wire Magazine, The World Is Sound, Theories of Sound, Thinking Aloud, This Ain’t My First Rodeo, Thor Magnusson, Tim Spooner, Time Krystal, Tintin and the Secret of Literature, Tobias Revell, Toby Heys, Toby Revell, Tom McCarthy, Tom Neenan, Tony Oursler, Touch Records, Tracy McMullen, Transmitters and Receivers, Trevor Cox, Ubi Sunt, Unconscious Archives, Undead, Undone in the Face, Unit for Sound Practice Research, University of Arizona, University of Birmingham, University of London, University of Melbourne, University of Sydney, University of Westminster, Unknown Tongues, Unpopular Culture, Unsound, Unsound Festival, Unsound Krakow 2018, Unsound: Undead, Urbanomic, Urbanomic Press, V/DA, V/DA Sonic Séance, V/DA | Sonic Séance: The Gathering, Vanessa Joan Müller, Verbal Apophonia, Vernon & Burns, Vinyl Factory, Violence of Abstraction, Viral, Vitamin S, Vocal Phantoms, Voice & How To Hear It, Voice Recognition, Voiceover, Voiceover as an Art-Form, Voiceover as an ArtForm, Voices in the Gallery, Voicing the Political, Wade Wallerstein, Walter Stinson, Waterside Arts Centre, Wave-lengths Hitherto Undetected, Waveform, Wavelengths Hitherto Undetected, We Break Strings, We Haunt You While You Watch, Wellcome, Wellcome Collection, Wellcome Trust, What do You Hear?, White Noise, Whitstable Biennale, Willem de Rooij, Wire 400, Wiretapping, Witte de With, Witte de With Center for Contemporary Art, Word and Sound, Wysing Polyphonic, Xname, Yang Li, Yanny, Yanny or Laurel?, York University, Yvon Lambert, Zabludowicz, Zabludowicz Collection, ]Sub Rosa
Complete list of all “Rorschach Audio” lecture-demonstrations (to date)
Arena Talks 2 [secret location] (London) 31 Aug 2016
King’s College (London) 25 June 2016
FHNW-IXDM [keynote] (Basel) 3 March 2016
NES (Skagaströnd) 18 Feb 2016
Freud Museum (London) 23 July 2015
MUMA (Melbourne) 6 June 2015
Gertrude Contemporary (Melbourne) 3 June 2015
University of Leeds, 22 Oct 2014
Oxford University Museum of Natural History, 8 April 2014
Royal College of Art (London) 7 March 2014
Argos (Brussels) 13 Feb 2014
Edinburgh College of Art [keynote] 28 Nov 2013
ERTZ-Arteleku (San Sebastian) 10 Sept 2013
St. Patrick’s Irish Club (Leamington) 15 July 2013
British Library (London) 28 June 2013
City University (London) 10 May 2013
Labour Club (Northampton) 5 March 2013
Royal College of Art (London) 12 Dec 2012
Science Museum Dana Centre (London) 16 Nov 2012
Apiary Studios (London) 31 Oct 2012
Liverpool Biennial, 6 Oct 2012
Institute of Contemporary Arts (London) 15 Sept 2012
University of Westminster (London) 7 Dec 2011
Vitamin S (Auckland) 13 April 2011
University of Westminster (London) 9 March 2011
Space Studios (London) 11 Sept 2010
Central School of Speech & Drama (London) 23 April 2009
Goldsmiths College (London) 3 March 2009
Goldsmiths College (London) 26 Nov 2008
Goldsmiths College (London) 12 Nov 2008
Anomalous Psychology Research Unit (London) 26 Feb 2008
Thursday Club (London) 31 Jan 2008
Goldsmiths College (London) 24 Jan 2008
Goldsmiths College (London) 31 Oct 2007
Dorkbot, State 51 (London) 21 June 2007
Broadway Cinema (Nottingham) 11 May 2007
Kinetica Museum (London) 7 Feb 2007
London College of Communications, 25 Jan 2007
Latvian National Museum of Art (Riga) 26 Aug 2006
UKISC conference (London) 12 Feb 2006
FACT Beta (Liverpool) 5 Nov 2005
School of the Art Institute of Chicago, 14 April 2005
Subliminal Festival (Brussels) 19 Jan 2005
Q Arts / Quad (Derby) 30 June 2004
Hull Time Based Arts, 2 Feb 2004
MUU (Helsinki) 10 March 2002
Cinémathèque (Brighton) 13 Dec 2001
UKISC conference (Dartington) 17 Feb 2001
Royal British Society of Sculptors (London) 29 May 2000
The lectures at Oxford University Museum of Natural History and Saint Patrick’s Irish Club were organised by Café Scientifique, while the Anomalous Psychology Research Unit, Thursday Club and UKISC 2006 lectures all took place at Goldsmiths College. Apologies to anyone who attended for the talks in Riga and Helsinki, which were cancelled owing to serious unforeseen problems (the MUU talk was, I believe, presented to attendees as a printed script).
Thanks to everyone who attended, and to talk organisers and hosts – Eve Anderson, Newton Armstrong, Colette Bailey, Steven Barfield, Tim Blackwell, Zeynep Bulut, Xavier Cejudo, Steve Cleary, Louise Clements, Andrew Clifford, Nic Collins, David Crowley, David Cunningham, Peter Cusack, Ross Dalziel, Martin Dodds, Xabier Erkizia, Jose-Luis Espejo, Andrew Fenchel, Gregg Fisher, Rob Flint, Chris French, Olga Gorionova, Anna Gritz, Barry Hale, Ceri Hann, Dianne Harris, Graham Harwood, Susanna Hertrich, Peter van Hoesen, Rebecca Horrox, Aernoudt Jacobs, Janis Jefferies, Nathan Jones, Marcelo Liberato, Sam Lindley, Rita Leppiniemi, Hans de Man, Stefan Marianski, Ray McFee, Alex McLean, Drew McMillan, Kerryn McMurdo, Armin Medosch, Matthew Miller, Shintaro Miyazaki, Marianne Mulvey, Mikel Nieto, Francis Parker, Martin Parker, Rachel Quarrell, Peter Ride, Rasa Smite, Marq Smith, Raitis Smits, Claire Staunton, Joel Stern, Ive Stevenheydens, Mike Stubbs, Nick Thurston, Ivan Ward, Alexandra Warwick, Liz Whitehead, James Wilkes and Jon Wozencoft (with apologies for any omissions).
Finally thanks also to everyone who came to the (packed) Spring Roll-Call event in Chelsea (see earlier post)…
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