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Composition with Auditory Phantasmatic Presence, Sonic Phenomena, Sonic Phenomenology, Sonic Possible Worlds, Sonic Process, Sonic Ray, Sonic Research, Sonic Research Group, Sonic Rorschach, Sonic Rorschach Test, Sonic Rubbish, Sonic Séance, Sonic Séance: The Gathering, Sonic Scope, Sonic Scope: New Approaches to Audiovisual Culture, Sonic Sculpture, Sonic Sculptures, Sonic Self Control, Sonic Signalling, Sonic Somatic, Sonic Spectre, Sonic Spectres, Sonic Spectres & the Object Hereafter, Sonic Studies, Sonic Theory, Sonic Urbanism, Sonic Urbanism: Listening To Non-Human Life, Sonic Urbanism: the Political Voice, Sonic Warfare, Sonic Witness, Sonic Witnessing, Sonic Writing, Sonic Writing Technologies, Sonic Writing Technologies of Material Symbolic and Signal Inscriptions, Sonic Youth, Sonica, Sonica 2024, Sonica Festival, Sonica Glasgow, Sonica Surge, Sonica Surge 2023, Sonics, Sonics Immersive Media, Sonics Immersive Media Lab, Sonics Series, Sonology, Sonology Education, Sonorama, Son[i]a, Sophie Herxheimer, Sophie Mallett, Sophie Scott, Sotheby’s Institute, Sothebys, Soul in the Machine, Sound, Sound & Music, Sound 2024, Sound Agendas, Sound and Listening, Sound and Music, Sound and Politics, Sound and Space, Sound and Space in Science Technology and the Arts, Sound Anthology, Sound Anthology Of Occult Phenomena, Sound Archive, Sound Archives, Sound Arguments, Sound Art, Sound Art Brighton, Sound Art UK, Sound Artist, Sound Arts, Sound Arts & Design, Sound Arts Now, Sound Arts Practice, Sound Arts UK, Sound as Art, Sound Body, Sound Capture, Sound Curating, Sound Design, Sound Diaries, Sound Drift, Sound Elective, Sound Escapes, Sound Fjord, Sound Group, Sound Illusion, Sound Illusions, Sound Image Festival, Sound Image Research Group, Sound in Museums, Sound Installation, Sound Modernity, Sound Object, Sound of All Human Knowledge, Sound of Human Knowledge, Sound Poetics, Sound Politics, Sound Practice, Sound Practice Research, Sound Research Group, Sound Salon, Sound Season, Sound Season 2024, Sound Series, Sound Studies, Sound Studies Working Group, Sound Sweep, Sound Technology, Sound Technology & Culture, Sound Theory, Sound Trap, Sound Unwrapped, Sound-Art-Text, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Sound/Image Research Centre, Soundart Radio, Soundfjord, Sounding Out, Sounding Out Practice, Sounding Things Out, Soundings, Soundmaking, Sounds, Soundscape, Soundscape and Sound Studies, Soundscapes, Soundscapes of Social Justice, Soundtrap, Soundtrap III, Soundworks, South Bank, South Bank Centre, South London Gallery, Southampton University, Southbank, Southbank Centre, Souzana Zamfe, Space, Space NK, Spambot EVP Poetics, Speak Spirit Speak, Speaking Out, Special Collections, Specters of Marx, Spectra, Spectra Ex Machina, Spectra Ex Machina: A Sound Anthology Of Occult Phenomena, Spectral, Spectral Communication, Spectral Paradigms, Spectral Sublime, Spectral Warfare, Spectre, Spectre Haunting, Spectre Haunting Europe, Spectres of Marx, Speculative Listening, Speculative Voicing, Speech, Speech Act, Speech Acts, Speech and Language, Speech Art, Speech Encryption, Speech Muse, Speech Muse Fest, Speech Muse Festival, Speech Perception, Speech Science, Speech Sounds, Spencer Yeh, Spiral House, Spiral House Editions, Spirit, Spirit Box, Spirit Collector, Spirit of John Lennon, Spirit Technology, Spirit Voice, Spirit Voices, Spirits, Spiritualism, Spiritualist, Spirituality, Spoken Language, Spoken Word, SPR, Sprit Box, Spritualism, Spritualist, Spritualists, SSUR, Stairway to Heaven, Standing Wave Radio, Stanier Black Five, Stanley Picker, Stanley Picker Fellow, Stanley Picker Fellowship, Stanley Picker Gallery, Starts Prize, Static Man, Stealth Creative, Stefan Goldmann, Stefan Joel Weisser, Stefan Weisser, Steffani Jemison, Steirischer Herbst, Sten Hanson, Stephen Coates, Stephen Ellcock, Stephen McGreevy, Stephen Shiell, Stephen Whitmarsh, Stereo, Stereophonic, Stereophonica, Sterile Records, Sternberg, Sternberg Press, Steve Goodman, Steve Rajam, Steven Connor, Steven Rajam, Steven Rajan, Steven Shaviro, Stochastic Sound, Stone Tape, Stone Tape Theory, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Strange Frequencies, Strange Telemetry, Strange Transmission, Strange Transmissions, Strange Transmissions: The World Of Experimental Radio, Strange Transmissions: The World Of Experimental Radio: Materialism, Stuart Comer, Stuart Hall, Stuart Hall: Positions and Trajectories, Stuart Semple, Studies in British Art, Studio Fatmi, Studio Fatmi Nomad, Studio for Audioscopic Research, Study Day, STUK, Subjectivity, Subjectivity and Perception, Subjectivity of Perception, Subliminal Audio, Subliminal Sound, Subliminal World, Sue Chamberlin, Sue Tompkins, Suella, Suella Braverman, Sukhdev Sandhu, Sukhdev Sanhdu, Sum of All Human Knowledge, Sung Tieu, Sung Tieu: Acousmatic Paranoia, Sunsong, Superflex, Supernatural, Supernatural Sound, Supernatural Sound Making, Supreme, Surrender: Ways of Hearing, Surrender: Ways of Hearing John Berger, Susan Hiller, Susan Owens, Susan Philipsz, Susan Schuppli, Susan Treister, Susan Zieger, Susanna Davies-Crook, Susannah Stark, Susanne Gaensheimer, Suspect Language, Suzanne Bardgett, Suzanne Treister, Svarte Greiner, Svetlana Alexievich, Sylvio, Sylvio 2, Symbol, Symbol Sound, Symposium, Synthese, Synthetic Hinge, Synthetic Sonics, Taco, Taco Gallery, TACO Thamesmead, Taco!: Blurt, Tallulah Griffith, Tamar Clarke-Brown, Tamsin Hong, Tape Letters, Tape Recorder, Tapes of Alan Smithson, Tara Pattenden, Tarot, Tarot - Origins, Taskerlands, Tate, Tate Archive, Tate Bankside, Tate Britain, Tate Gallery, Tate Library, Tate Liverpool, Tate Modern, Tate Publishing, Tautophone, TBA21, TBA21 Foundation, TBA21–Academy, Team IF, Technological Imaginary, Technological Quest, Technological Quest for the Supernatural, Technologies of the Soul, Technologized Listening, Technology, Technology & Culture, Technology & Mysticism, Technology & Spirituality, Technology and Spiritualism, Technology and Spiritualism in Nineteenth to Twenty-First-Century Art and Culture, Technology as Language, Technology Mysticism & Spirituality, Technology of the Soul, Technology of the Spirit, TED Talks, Tekhne, Teklife Ghettoville Eski, Telecom, Telecommunication, Telecommunications, Telegraphic Imaginary, Telephony, Teleplasmiste, Tenderpixel, Tenderpixel Gallery, Terry Miles, Test Department, Test Dept, Test Subjects, Tetley Leeds, Text Sound, Text Sound Art, Texte und Tone, TG, Thames & Hudson, Thamesmead, Thamesmead Arts and Culture Office, Thanatophonics, The Act of Creation, The Act of Magic, The Aelectrosonic, The Afterlife, The AHRC, The Aldwych, The All-Hearing, The Artist As Medium, The Arts, The Arts and Humanities Research Council, The Arts Institute, The Assisi Machine, The Aural Diversity Project, The Auricle, The Auxillary, The Black Tapes, The Black Tapes Podcast, The Book, The Book of Elsewhere, The Broadcast, The Clangers, The Conjuring, The Conjuring 2, The Contemporary Journal, The Conversation, The Conversations, The Delaware Road, The Delaware Road Omnibus, The Delaware Road Omnibus Edition, The Discovery, The Disinformation War, The Drawings of Victor Hugo, The Ear and the Mouth, The Electrosonic, The Enfield Haunting, The Extraordinary Story of the Technological Quest for the Supernatural, The First Ghosts: A Rich History of Ancient Ghosts and Ghost Stories, The Four-Dimensional Nightmare, The Future of Listening, The Gathering, The Ghost, The Ghost - A Cultural History, The Ghost Formula, The Gombrich Archive, The Grey Room, The Guardian, The Gulf of Understanding, The Gulf of Understanding (Re:cognition), The Hague, The Hauntening, The Hearing, The Horror Show, The Hum, The Ian Potter Museum of Art, The Inkblots, The Kythera Gallery, The Last Generation Before the Internet, The Leverhulme Trust, The Lips of History, The Listening Academy, The Listening Biennial, The Listening Cobweb, The Listening Reader, The Listening Service, The Living Dead, The London Magazine, The Machine and the Ghost, The Medium, The MIT Press, The New Analog, The New King of Pop, The New King of Pop: Dr. Konstantin Raudive, The Occulture, The October Gallery, The Open Fund, The Order of Sounds, The Otolith Group, The Periodic Table, The Phantom Within, The Politics of Vibration, The Poltergeist, The Power of Language, The Power of Sound, The Power of Speech, The Pre-War Noise Encryption Standard, The Process, The Psychoacoustics and Sonic Illusion, The Psychologist, The Psychology of Magic, The Quietus, The Rothschild Foundation, The Sampler, The Shroud, The Shrouds, The Sixth Sense, The Soul in the Machine, The Sound Diaries, The Sound of All Human Knowledge, The Sound of Human Knowledge, The Sound Sweep, The Static Man, The Stone Tape, The Strand, The Stuff of Radio, The Subliminal World, The Sum of All Human Knowledge, The Surrender of Silence, The Tetley, The Uncanny, The Uninvited Ear, The Voice, The Voice and Acoustic Atmospheres, The Voice as a Political Implement, The Voice in Art, The Voice Line, The Voice Study Day, The Voice Symposium, The VoiceLine, The Voices Of The Dead: Archives From Konstantin Raudive And Gerhard Stempnik, The Wail that was Warning, The Warburg, The Warburg Institute, The Wave Epoch, The Weird and the Eerie, The Wire, The Wire Magazine, The Word, The Word is Art, The Word: Voice Language and Technology, The World Is Sound, The World Of Experimental Radio, Theatrum Mundi, Theatrum Mundi Collective, Theories of Sound, Theory of Perception, There Be Language, There Is No Reality, There Is No Reality Without Interpretation, They Might Be Giants, Thibaut de Ruyter, Thin Air, Thinking Aloud, This Ain’t My First Rodeo, Thkio Ppalies, Thomas B.W. Bailey, Thomas Bey, Thomas Bey William Bailey, Thomas Gardner, Thomas Pausz, Thompson, Thor Magnusson, Three Receivers, Throbbing Gristle, Thyssen Bornemisza, Thyssen-Bornemisza Art Contemporary, Tiago Pina, Ticket that Exploded, Tim Dixon, Tim Hecker, Tim Spooner, Time Krystal, Tinnitus, Tintin and the Secret of Literature, Tiziano Scarpa, TJ Demos, To Hear, Tobias Ewé, Tobias Revell, Toby Heys, Toby Revell, Tokoro Studio, Tom Gooch, Tom McCarthy, Tom Neenan, Tom Service, Tom Western, Tomomi Adachi, Tonal Manipulator, Tone Foundation, Tone Foundation - Music and New Art Forms, Tony Cornell, Tony Oursler, Topovoros Books, Torque Editions, Tottenham, Tottenham Hale, Touch Records, Tracey Ain't Coming Out, Tracy McMullen, TRAFO, Tramway, Tramway Glasgow, Translate, Translating, Translating Notating, Translator, Transmaterialization, Transmission, Transmission Art, Transmissions, Transmissions: Radio Art Lab, Transmit Receive, Transmitters and Receivers, Travis Collins, Trevor Cox, Trevor Mathison, Trevor Paglen, Trevor Wishart, Trickster, Tricor, Trolley Books, Truth, Tulca, Turbulent Forms, Turner Contemporary, Twist Museum, Twist Museum London, Two Here, Txe Roimeser, Tyler Maxin, UAL, UAL Research, UAL Research Online, Ubi Sunt, Ubicua, Ubicua Gallery, UCL Discovery, UK Acoustics Network, Ultra Magnetic, Ulysses, Umland Editions, Una McCormack, Uncanny, Uncanny Con 2024, UncannyCon 2024, Unconscious Archives, Uncurating Sound, Undead, Under Construction, Underbelly, Undone in the Face, Unidentified Vibrational Objects, Uniform Books, Uniformbooks, Unit, Unit for Sound Practice Research, Unit London, University, University of Arizona, University of Birmingham, University of Brighton, University of Greenwich, University of Huddersfield, University of London, University of Melbourne, University of Oxford, University of Salford, University of Southampton, University of Sydney, University of the Arts London, University of Westminster, University Press, Unknown Tongues, Unpopular Culture, Unsound, Unsound 2020, Unsound 2020: Intermission, Unsound 2023, Unsound Adelaide, Unsound Brussels, Unsound Dada, Unsound Discourse, Unsound Dispatch, Unsound Festival, Unsound Festival 2023, Unsound Intermission, Unsound Kraków, Unsound Krakow 2018, Unsound Lab, Unsound Lab 2020, Unsound London, Unsound New York, Unsound Preemptive Listening, Unsound: Undead, Unsound:Undead, Unsoundu, Unsoundu Festiwal, Urbanism, Urbanomic, Urbanomic Press, V&A Late, V&A London, V/DA, V/DA Sonic Séance, V/DA | Sonic Séance: The Gathering, V01CE, V01CE: Vocal Aesthetics, Valérie Steiner, Valie Export, Vanessa Joan Müller, Vargas Organisation, Véronique Béland, Vehicle Arts, Venetian Veil, Venice, Venice Biennale, Verónica Lahitte, Verbal Apophonia, Vernon & Burns, Very Low Frequency, Very Low Frequency Radio, Very Low Frequency Radio Art, Vesen, Vibrational Objects, Vibrational Semantics, Victor Hugo, Victoria & Albert Museum, Victoria Ivanova, Villa Arson, Vincent Cassel, Vincent Lostanlen, Vincenzo Santarcangelo, Vinyl Factory, Violence of Abstraction, Violeta Ospina, Violins Violence, Violins Violence Silence, Viral, Virtually Reality, Virus, Vis Journal, Vista Recordings, Vista Records, Visual Art, Visual Art and Speech, Visual Art and Speech Sounds, Visual Arts, Visual Arts and Speech Sounds, Visual Carlow, Visual Intelligence, Vitamin S, Vitrine, Vitrine Gallery, Viv Corringham, VLF, VLF Interference, VLF Noise, VLF Radio, VLF Radio Art, Vocal Aesthetics, Vocal Phantoms, Voces Fantasmales, Voces Fantasmales y Creatividad Perceptual, Voice, Voice & How To Hear It, Voice and Migratory Hauntings, Voice Art, Voice Art Text, Voice Box, Voice in Art, Voice in the Gallery, Voice in Transmission, Voice in Video, Voice Language & Technology, Voice Line, Voice Of The Dead, Voice Phenomena, Voice Recognition, Voice Study Day, Voice Symposium, Voice Text Art, Voicebox, Voiced Sound, VoiceLine, Voiceover, Voiceover as an Art-Form, Voiceover as an ArtForm, Voices, Voices from Beyond, Voices in the Gallery, Voices in Transmission, Voices in Transmission: Immersive Radio Phantom Words, Voices of the Dead, Voicing, Voicing the Political, Volks Nicosia, Vowels, W.S. Burroughs, Wade Wallerstein, Wajid Yaseen, Walter Benjamin, Walter Stinson, War, Warburg, Warburg Institute, Warburg Institute Kythera Gallery, Warburg London, Warburg Renaissance, Warnings and Science Communication, Waterside Arts Centre, Watkins Publishing, Wave Epoch, Wave Farm, Wave Farm Radio, Wave Farm Radio WGXC-90.7 FM, Wave Farm Radio WGXC90.7FM, Wave Farm WGXC-90.7 FM, Wave Farm WGXC90.7FM, Wave-lengths Hitherto Undetected, Waveform, Wavelengths Hitherto Undetected, Ways of Hearing, We Break Strings, We Haunt You While You Watch, We’re All Bats, Weird and Eerie, Weird and the Eerie, Wellcome, Wellcome Collection, Wellcome Trust, Werner Moebius, West of Nowhere, Westminster, Wet Sounds, Wetsounds, WGXC 90.7-FM, WGXC 90.7FM, WGXC90.7FM, What do You Hear?, When The Ear Tells The Eye Where To Look, Whispered Stories, Whispered Stories of Forgotten Wires, White Noise, Whitechapel, Whitechapel Gallery, Whitechapel Radio Station, Whitstable Biennale, Wikimedia, Wikimedia Sound, Wikimedia Sound Logo, Wikipedia, Wikipedia Sound, Wikipedia Sound Logo, Willem de Rooij, William Bailey, William Burroughs, William Gibson, William Monk, William S. Burroughs, Wire, Wire 400, Wire Magazine, Wired, Wired Italia, Wired Japan, Wired Magazine, Wired UK, Wireless, Wiretapping, Without My Ghosts, Witte de With, Witte de With Center for Contemporary Art, Wolf Eyes, Wood Norton Hall, Woodsy Bransfield, Word and Sound, Word Art, Word is Art, Words & Silence, Working Group, World Of Experimental Radio, World Service, World War 2, WRS, WW2, Wyrd Daze, Wyrd Explorations, Wyrd Harvest, Wyrd Harvest Press, Wyrd Science, Wysing Polyphonic, x AI, X-Name, xAI, Xiaoyi Deng, Xname, Yale Sound Studies, Yale Sound Studies Working Group, Yang Li, Yanny, Yanny or Laurel?, Yates Norton, Yesomi Umolu, Yoko Ono, Yoo Sun-Dong, York University, You Belong Probably to the Cucumbers, You Copiphora Gorgonensis, You’ve got 1243 Unread Messages The Last Generation Before the Internet Their Lives, Yvon Lambert, Z'ev, Zabludowicz, Zabludowicz Collection, Zane Zajančkauska, Zentrum für Kunst und Medien, Zero Theorem, Zeynep Bulut, ZKM, ZKM Centre for Art and Media, ZKM Karlsruhe, Zoë Hopkins, Zuckerman Museum, Zuckerman Museum of Art, ]Sub Rosa
Complete list of “Rorschach Audio” lecture-demonstrations (up to August 2016)

Arena Talks 2 [secret location] (London) 31 Aug 2016
King’s College (London) 25 June 2016
FHNW-IXDM [keynote] (Basel) 3 March 2016
NES (Skagaströnd) 18 Feb 2016
Freud Museum (London) 23 July 2015
MUMA (Melbourne) 6 June 2015
Gertrude Contemporary (Melbourne) 3 June 2015
University of Leeds, 22 Oct 2014
Oxford University Museum of Natural History, 8 April 2014
Royal College of Art (London) 7 March 2014
Argos (Brussels) 13 Feb 2014
Edinburgh College of Art [keynote] 28 Nov 2013
ERTZ-Arteleku (San Sebastian) 10 Sept 2013
St. Patrick’s Irish Club (Leamington) 15 July 2013
British Library (London) 28 June 2013
City University (London) 10 May 2013
Labour Club (Northampton) 5 March 2013
Royal College of Art (London) 12 Dec 2012
Science Museum Dana Centre (London) 16 Nov 2012
Apiary Studios (London) 31 Oct 2012
Liverpool Biennial, 6 Oct 2012
Institute of Contemporary Arts (London) 15 Sept 2012
University of Westminster (London) 7 Dec 2011
Vitamin S (Auckland) 13 April 2011
University of Westminster (London) 9 March 2011
Space Studios (London) 11 Sept 2010
Central School of Speech & Drama (London) 23 April 2009
Goldsmiths College (London) 3 March 2009
Goldsmiths College (London) 26 Nov 2008
Goldsmiths College (London) 12 Nov 2008
Anomalous Psychology Research Unit (London) 26 Feb 2008
Thursday Club (London) 31 Jan 2008
Goldsmiths College (London) 24 Jan 2008
Goldsmiths College (London) 31 Oct 2007
Dorkbot, State 51 (London) 21 June 2007
Broadway Cinema (Nottingham) 11 May 2007
Kinetica Museum (London) 7 Feb 2007
London College of Communication, 25 Jan 2007
Latvian National Museum of Art (Riga) 26 Aug 2006
UKISC conference (London) 12 Feb 2006
FACT Beta (Liverpool) 5 Nov 2005
School of the Art Institute of Chicago, 14 April 2005
Subliminal Festival (Brussels) 19 Jan 2005
Q Arts / Quad (Derby) 30 June 2004
Hull Time Based Arts, 2 Feb 2004
MUU (Helsinki) 10 March 2002
Cinémathèque (Brighton) 13 Dec 2001
UKISC conference (Dartington) 17 Feb 2001
Royal Society of Sculptors (London) 29 May 2000
NB: more to follow…
The lectures at Oxford University Museum of Natural History and Saint Patrick’s Irish Club were organised by Café Scientifique, while the Anomalous Psychology Research Unit, Thursday Club and UKISC 2006 lectures all took place at Goldsmiths College. Apologies to anyone who attended for the talks in Riga and Helsinki, which were cancelled owing to serious unforeseen problems (the MUU talk was, I believe, presented to attendees as a printed script).
Thanks to everyone who attended, and to talk organisers and hosts – Eve Anderson, Newton Armstrong, Colette Bailey, Steven Barfield, Tim Blackwell, Zeynep Bulut, Xavier Cejudo, Steve Cleary, Louise Clements, Andrew Clifford, Nic Collins, David Crowley, David Cunningham, Peter Cusack, Ross Dalziel, Martin Dodds, Xabier Erkizia, Jose-Luis Espejo, Andrew Fenchel, Gregg Fisher, Rob Flint, Chris French, Olga Gorionova, Anna Gritz, Barry Hale, Ceri Hann, Dianne Harris, Graham Harwood, Susanna Hertrich, Peter van Hoesen, Rebecca Horrox, Aernoudt Jacobs, Janis Jefferies, Nathan Jones, Marcelo Liberato, Sam Lindley, Rita Leppiniemi, Hans de Man, Stefan Marianski, Ray McFee, Alex McLean, Drew McMillan, Kerryn McMurdo, Armin Medosch, Matthew Miller, Shintaro Miyazaki, Marianne Mulvey, Mikel Nieto, Francis Parker, Martin Parker, Rachel Quarrell, Peter Ride, Rasa Smite, Marq Smith, Raitis Smits, Claire Staunton, Joel Stern, Ive Stevenheydens, Mike Stubbs, Nick Thurston, Ivan Ward, Alexandra Warwick, Liz Whitehead, James Wilkes and Jon Wozencoft (with apologies for any omissions).
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