20Hz, 50Hz, 85A Collective, A History of the Universe in Sound, A Machine to Listen to the Sky, AC, AC-DC, AC/DC, Acidges, Adam Saunders, Adriana Knouf, Afroditi Psarra, Alexander Manotskov, Alexander Mosolov, Alice Hackney, Alternating Current, Alternating Current (AC), Alva Noto, Alvin Lucier, Anna Friz, Anne Zeitz, Antiopic, Architecture as an Instrument, Ariane Koek, Art of Failure, Art of Failure Collective, Artificial Language, Arts at CERN, Arts@CERN, Ash International, Atau Tanaka, Audrey Briot, AV Festival Newcastle, Échos Magnétiques, Ö1 Kunstradio, Ben Barwise, Benedict Cumberbatch, Bertie Enright-Wells, Black Sands, Blast First, Bob Bicknell-Knight, Book Works, BOUM, Brian Eno, British Library, Calvert 22, Cameron Perry Fraser, Carsten Nicolai, Carsten Seiffarth, CERN Geneva, Changing Signals, Chelsea College of Arts, Chelsea Space, Christina Kubisch, City of Drones, Clélia Barbut, Close Lightning Spherics, Code Poetry, Contemporary Art Society, Creating Scientific Art, Cryptic, CTM, CTM Festival, CTM Radio Lab, Current War, D. Broughton Waddy, Damien Simon, Dan Tapper, Daniel Bandfield, Dash Arts, David Roberts, David Roberts Art Foundation, DC, Deep Media Research, Detektors, Deutschlandfunk Kultur, Digital Nature, Direct Current, Direct Current (DC), Disinformation, Disobey, Dneiprostroi, Dnieper Hydro-Electric Power Station, Domestic EMI, Dominik Spritzendorfer, Douglas Kahn, DRAF, Earth Sound Earth Signal, Edwina Zhao, Eigen+Art, Eigen-Art, Electric Sublime, Electrical Currents of the City, Electrical Pulse of London, Electrical Walks, Electricity The Spark of Life, Electromagnetic Audio, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Recordings, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetism, Elektro Moskva, Elena Tikhonova, Emerging Paradigm, Energies In The Arts, Energy Flow, Eric Demetriou, Ex Voto, Fabrica Gallery, FACT Liverpool, Field, Furtherfield, Futurism, Galerie für Zeitgenössische Kunst, Garden of Russolo, Gazelli Art House, George Westinghouse, GFZK Leipzig, Goethe Institut, Goldsmiths, Goldsmiths College, Graham Dunning, Grid Music, GV Art, Haroon Mirza, Hart & Huang, HEK Haus der elektronischen Künste, Heliosphere, Henry Moore Foundation, Honor Harger, HRM199, Huijun Lu, Ian Stonehouse, Installation No. 3 for High and Low Frequencies, Intonarumori, Inverness to Edinburgh, Invisible Forces, Iron Foundry, Jack Jelfs, James A. 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“National Grid” in “Spring Roll Call”, Chelsea Morgue, 16 March 2017
Disinformation will be exhibiting the “National Grid” sound installation in the “Spring Roll Call” event, in the (former) morgue, under the (former) Royal Army Medical College, ie – Chelsea College of Arts, on Thursday 16 March 2017, from 5:30pm to 7:30pm. Although the Chelsea College of Arts’ address is given as John Islip Street, instead it’s best to enter from Atterbury Street, opposite the side entrance to Tate Britain… enter to the left of the Georgian building (with the horizontal red brick and white stone stripes and 2 arched windows), then go towards and under the sign that says “UAL”, through the glass door, then follow the signs…
The Morgue
Chelsea College of Arts
16 John Islip Street
London SW1P 4JU
17.30 onwards, featuring – Adam Saunders, Bob Bicknell-Knight, Daniel Bandfield, Disinformation, Edwina Zhao, Hart & Huang, Huijun Lu & Nidelina Zheleva, Tom Milnes, Rika Nakashima, Yasmin Metcalfe, Yonghwan Lee, and Martin Kellet.
19.30 onwards, featuring – Thomas Tyler, Marianne Murray, Bertie Enright-Wells, Uzma Chowdhury, Philip Mill, Lucia Coppola, James A Holland, Nick Perry, Yuri Miyauchi & D. Broughton Waddy.
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