50Hz, 85A Collective, A Machine to Listen to the Sky, Acidges, Adam Saunders, Alexander Manotskov, Alexander Mosolov, Alice Hackney, Alternating Current, Alva Noto, Anne Zeitz, Architecture as an Instrument, Ariane Koek, Art of Failure, Art of Failure Collective, Artificial Language, Arts at CERN, Arts@CERN, Ash International, Atau Tanaka, AV Festival Newcastle, Échos Magnétiques, Ben Barwise, Bertie Enright-Wells, Black Sands, Blast First, Bob Bicknell-Knight, Book Works, Brian Eno, British Library, Calvert 22, Carsten Nicolai, Carsten Seiffarth, CERN Geneva, Changing Signals, Chelsea College of Arts, Chelsea Space, Christina Kubisch, City of Drones, Clélia Barbut, Code Poetry, Contemporary Art Society, Creating Scientific Art, Cryptic, D. Broughton Waddy, Damien Simon, Dan Tapper, Daniel Bandfield, Dash Arts, David Roberts, David Roberts Art Foundation, Detektors, Digital Nature, Disinformation, Disobey, Dneiprostroi, Dnieper Hydro-Electric Power Station, Domestic EMI, Dominik Spritzendorfer, Douglas Kahn, DRAF, Earth Sound Earth Signal, Edwina Zhao, Eigen+Art, Eigen-Art, Electric Sublime, Electrical Currents of the City, Electrical Pulse of London, Electrical Walks, Electricity The Spark of Life, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Sound Art, Electromagnetism, Elektro Moskva, Elena Tikhonova, Emerging Paradigm, Energy Flow, Eric Demetriou, Ex Voto, Fabrica Gallery, FACT Liverpool, Field, Futurism, Galerie für Zeitgenössische Kunst, Garden of Russolo, Gazelli Art House, GFZK Leipzig, Goethe Institut, Goldsmiths, Goldsmiths College, Graham Dunning, Grid Music, GV Art, Haroon Mirza, Hart & Huang, HEK Haus der elektronischen Künste, Heliosphere, Henry Moore Foundation, Honor Harger, HRM199, Huijun Lu, Ian Stonehouse, Installation No. 3 for High and Low Frequencies, Intonarumori, Inverness to Edinburgh, Invisible Forces, Iron Foundry, Jack Jelfs, James A. Holland, Jeff Kolar, Jeremy Gravayat, Joe Banks, Joe Gerhardt, John Cale, John Drever, John Wynne, Joyce Hinterding, Julius Meytuss, Karl Hyde, Körper im Elektromagnetischen Feld, Kit Poulson, Language Game[s], Le Bon Accueil, Leafcutter John, Lenin, Liquid Architecture, Lisson Gallery, Live Mains Electricity, Lucia Coppola, Luigi Russolo, Marc Langlois, Marianne Murray, Mark Peter Wright, Martin Howse, Martin Kellet, Martin Messier, Mechanical Techno, Mike Fell, Mila Askarova, Millbank, Monica Bello, Montréal, Morgue, Musée des Beaux Arts, Musée des Beaux Arts de Rennes, Music Hackspace, Musical Cities, National Grid, National Theatre, New Museum NY, Nick Perry, Nicolas Maigret, Nicolas Montgermont, Nidelina Zheleva, Nonclassical, NOVA, OCM, Oxford Contemporary Music, PAMM, Perez Art Museum, Philip Mill, Physical Media Matter, Plus Electrification, Radius, Raster Noton, Ray Lee, Rennes, Resonant Architecture, resonantarchitecture.com, Resonanzen, Rika Nakashima, Rob Mullender, Robbie Thomson, Royal Academy, Royal Army Medical College, Ruth Garde, Ruth Jarman, Sabine Himmelsbach, Sara Adhitya, Schirn Kunsthalle, Semiconductor, Shintaro Miyazaki, Singuhr Sound Gallery, Socialism plus Electrification, Some Call it Noise, Sonic Field, Sonic Geography, Sonica, Sound Artist, Sound Practice Research, Sound Sanctuary, Sounding the Body Electric, Sounds of the Revolution, Soviet Power, SPR, Spring Roll Call, Tate Britain, Tempting Failure, The Live Room, The Power of Electricity, Thomas Tyler, Titans in the Landscape, Tom Milnes, Touch Records, Transducing Resonant Architecture, Triangle Gallery, Turbulent Forms, UCL, University of London, University of the Arts London, University of Westminster, Urban Sound, Uzma Chowdhury, Very Low Frequency Radio, Vincent Honoré, VLF Explorer, VLF Radio, VLF Works, Wellcome Trust, XFRMR, Yasmin Metcalfe, Yonghwan Lee, Yuri Miyauchi, Yuri Suzuki, ZKM Karlsruhe
“National Grid” in “Spring Roll Call”, Chelsea Morgue, 16 March 2017
Disinformation will be exhibiting the “National Grid” sound installation in the “Spring Roll Call” event, in the (former) morgue, under the (former) Royal Army Medical College, ie – Chelsea College of Arts, on Thursday 16 March 2017, from 5:30pm to 7:30pm. Although the Chelsea College of Arts’ address is given as John Islip Street, instead it’s best to enter from Atterbury Street, opposite the side entrance to Tate Britain… enter to the left of the Georgian building (with the horizontal red brick and white stone stripes and 2 arched windows), then go towards and under the sign that says “UAL”, through the glass door, then follow the signs…
The Morgue
Chelsea College of Arts
16 John Islip Street
London SW1P 4JU
17.30 onwards, featuring – Adam Saunders, Bob Bicknell-Knight, Daniel Bandfield, Disinformation, Edwina Zhao, Hart & Huang, Huijun Lu & Nidelina Zheleva, Tom Milnes, Rika Nakashima, Yasmin Metcalfe, Yonghwan Lee, and Martin Kellet.
19.30 onwards, featuring – Thomas Tyler, Marianne Murray, Bertie Enright-Wells, Uzma Chowdhury, Philip Mill, Lucia Coppola, James A Holland, Nick Perry, Yuri Miyauchi & D. Broughton Waddy.
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