+Electrification, 1+1=3, 50Hz, 60Hz, A Machine to Listen to the Sky, Aardman, AC, AC-DC, AC/DC, Accelerate, ACE England, Acidges, Adam Lowe, Adam Saunders, Advertising, Advertising is the Folk Art of the 20th Century, AHRC, Akio Suzuki, Aldous Huxley, Alessandra Eramo, Alexander Manotskov, Alexander Mosolov, Alice Hackney, Allen Weiss, Alphabet, Alternating Current, Alternating Current (AC), Alva Noto, Andrew Lambirth, Andrew Wilson, Anita Zabludowicz, Anne Hilde Neset, Anne Zeitz, Annika Kahrs, AnOther Magazine, AnOtherMag, Anti-Book, Architecture as an Instrument, Ariane Koek, Aristotle, Aristotle’s Poetics, Art & Illusion, Art & Illusion for Sound, Art & Language, Art and Writing, Art is not necessarily science, Art is not necessarily science but science is always art, Art Monthly, Art of Failure, Art of Failure Collective, Art on the Underground, Art X Neuroscience, Art-Science, Arts & Humanities Research Council, Arts at CERN, Arts Catalyst, Arts Council, Arts Council England, Arts Council Tokyo, Arts@CERN, Artsadmin, Ash International, Assembly, Assembly of Disturbance, Atelier Nord, Audio Pareidolia, Audio Rorschach, Audio Spatial Composition, Audio Sphere, Audiosfera, Audiosphere, Audiosphere: Social Experimental Audio, Audiosphere: Social Experimental Audio Pre- and Post-Internet, Auditory Perception, Aura Satz, Autopneumatx, AV Festival, AV Festival Newcastle, Axiom, AXNS Collective, Échos Magnétiques, Baku, Baltic, Baltic Centre, Baltic Centre for Contemporary Art, Baltic Gateshead, BBC Radio, BBC Radio 3, BBC Radio 4, BBC Sounds, BBC World Service, Ben Barwise, Ben Ponton, Benedict Cumberbatch, Bertie Enright-Wells, Bibliomancy, Bill Kouligas, Bill Viola, Black Sands, Blast First, Blind Spot, Bloomberg, Bloomberg New Contemporaries, Bob Bicknell-Knight, Bob Shannon, Bookworks, BOUM, Boundary Object, Brain, Branding, Branding should be regarded as the contemporary equivalent of folk art, Brian Dillon, Brian Eno, Brilliant Noise, British Film Institute, British Library, Broadcasts, Bronac Ferran, C4i, Caleb Kelly, Calvert 22, Camberwell, Camberwell College of Arts, Camden Arts Centre, Camera Obscura, Carroll & Fletcher, Carsten Nicolai, Carsten Seiffarth, Cathie Boyd, Cave Leeds, CCA, Centre for Audio Visual Experimentation, Centre for Chinese Contemporary Art, Centre for Contemporary Arts, Centre for the Study of the Senses, CERN, CERN Geneva, CFCCA Manchester, Changing Signals, Channel One Channel Two and Channel Three, Charlie Fox, Chelsea College of Arts, Chelsea Space, Christian Marclay, Christina Kubisch, Christine Kim Sum, Christoph Cox, Chus Martinez, City of Drones, Claudia Firth, Clélia Barbut, Code Poetry, Cognitive Science, Colin Blakemore, Collecting the Alphabet, Collide, Colour of Sound, Concrete Poetry, Contemporary Art Society, Contemporary Writing, Continent, Coronal Mass Ejection, Coronal Mass Ejections, Courtauld Institute, Creating Scientific Art, CRISAP, Cryptic, Curating Writing, Current War, D. 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Disinformation + Rorschach Audio – new archive material posted on Flickr…
“Visual reality is in itself a carefully constructed optical illusion”
https://www.flickr.com/photos/disinfo/31076959064/
“Art is not necessarily science, but science is always art…”
https://www.flickr.com/photos/disinfo/32829823571/
“All literature and poetry are forms of sound art…”
https://www.flickr.com/photos/disinfo/31219824093/
“Illusions that we experience… as part of everyday visual reality”
https://www.flickr.com/photos/disinfo/31934747231/
Upplýsingafölsun Hlustunarpartý + Kvikmyndaljóð Þverstæða
https://www.flickr.com/photos/disinfo/32028266995/
Disinformation “National Grid” [electromagnetic sound art] 1996 to 2017
https://www.flickr.com/photos/disinfo/31910925141/
“National Grid” performance at Disobey, 10 Oct 1996
https://www.flickr.com/photos/disinfo/33111939025/
“National Grid” at the Royal College of Art, 5 Dec 1996
https://www.flickr.com/photos/disinfo/32076532311/
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