+Electrification, 1+1=3, 50Hz, 60Hz, A Machine to Listen to the Sky, Aardman, AC, AC-DC, AC/DC, Accelerate, ACE England, Acidges, Adam Lowe, Adam Saunders, Advertising, Advertising is the Folk Art of the 20th Century, AHRC, Akio Suzuki, Aldous Huxley, Alessandra Eramo, Alexander Manotskov, Alexander Mosolov, Alice Hackney, Allen Weiss, Allenheads, Allenheads Contemporary Arts, Alphabet, Alternating Current, Alternating Current (AC), Alva Noto, Andrew Lambirth, Andrew Wilson, Anita Zabludowicz, Anne Hilde Neset, Anne Zeitz, Annika Kahrs, AnOther Magazine, AnOtherMag, Anti-Book, Architecture as an Instrument, Ariane Koek, Aristotle, Aristotle’s Poetics, Art & Illusion, Art & Illusion for Sound, Art & Language, Art and Writing, Art is not necessarily science, Art is not necessarily science but science is always art, Art Monthly, Art of Failure, Art of Failure Collective, Art on the Underground, Art X Neuroscience, Art-Science, Arts & Humanities Research Council, Arts at CERN, Arts Catalyst, Arts Council, Arts Council England, Arts Council Tokyo, Arts Science, Arts@CERN, Artsadmin, Ash International, Assembly, Assembly of Disturbance, Atau Tanaka, Atelier Nord, Audio Pareidolia, Audio Rorschach, Audio Spatial Composition, Audio Sphere, Audiosfera, Audiosphere, Audiosphere: Social Experimental Audio, Audiosphere: Social Experimental Audio Pre- and Post-Internet, Auditory Perception, Aura Satz, Autopneumatx, AV Festival, AV Festival Newcastle, Axiom, AXNS Collective, Échos Magnétiques, Baku, Baltic, Baltic Centre, Baltic Centre for Contemporary Art, Baltic Gateshead, BBC Radio, BBC Radio 3, BBC Radio 4, BBC Sounds, BBC World Service, Ben Barwise, Ben Ponton, Benedict Cumberbatch, Bertie Enright-Wells, Bibliomancy, Bill Kouligas, Bill Viola, Black Sands, Blast First, Blind Spot, Block Universe, Bloomberg, Bloomberg New Contemporaries, Bob Bicknell-Knight, Bob Shannon, Bookworks, BOUM, Boundary Object, Brain, Branding, Branding should be regarded as the contemporary equivalent of folk art, Brandon LaBelle, Brian Dillon, Brian Eno, Brighton Fabrica, Brilliant Noise, British Film Institute, British Library, Broadcasts, Bronac Ferran, C4i, Caleb Kelly, Calvert 22, Camberwell, Camberwell College of Arts, Cambridge, Camden Arts Centre, Camera Obscura, Carroll & Fletcher, Carsten Nicolai, Carsten Seiffarth, Cathie Boyd, Cave Leeds, Cavendish Arts, Cavendish Arts Science, Cavendish Arts Science Fellowship, Cavendish Laboratory, Cavendish Laboratory Cambridge, CCA, Centre for Audio Visual Experimentation, Centre for Chinese Contemporary Art, Centre for Contemporary Arts, Centre for the Study of the Senses, CERN, CERN Geneva, CFCCA Manchester, Changing Signals, Channel One Channel Two and Channel Three, Chaos Media, Charlie Fox, Chelsea College of Arts, Chelsea Space, Christian Marclay, Christina Kubisch, Christine Kim Sum, Christoph Cox, Chus Martinez, City of Drones, Claudia Firth, Clélia Barbut, Code Poetry, Cognitive Science, Colin Blakemore, Collecting the Alphabet, Collide, Colour of Sound, Concrete Poetry, Contemporary Art Society, Contemporary Writing, Continent, Coronal Mass Ejection, Coronal Mass Ejections, Counterflows, Counterflows at Home, Counterflows Festival, Counterflows Glasgow, Courtauld Institute, Creating Scientific Art, CRISAP, Cryptic, Cultural History, Cultural History of the Ghost, Curating Writing, Current War, D. Broughton Waddy, Damien Hirst, Damien Simon, Damion Searls, Damon Kruskowski, Dan Tapper, Daniel Bandfield, Daniel Glaser, Daniel John Jones, Dark Music Days, Dash Arts, David Eagleman, David Gates, David Roberts, David Roberts Art Foundation, David Toop, Dazed and Confused, DazedDigital, DC, De La Warr Pavilion, Deafness and Communication Engineering, Deep Media Research, Deptford Power Station, Detektors, Diana Deutsch, Diana Nawi, Different Languages Same Place, Digital Art House, Digital Ethereal, Digital Nature, Direct Current, Direct Current (DC), Disembodied Voice, Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation Artist Project, Disinformation Artist's Project, Disinformation John Squire, Disinformation Listening Party, Disobey, Disturbance, Dneiper Hydro-Electric Power Station, Dneiprostroi, Dnieper Hydro-Electric Power Station, Domestic EMI, Domo Baal, Donna Lynas, Dorit Chrysler, Doug Kahn, Douglas Kahn, Dr. Saskia Steinmann, DRAF, DRAF Broadcasts, Drone Rorschach, Duke University Press, DWLP Bexhill, Earth Sound Earth Signal, Eartheater, Edwina Zhao, EH Gombrich, Eigen+Art, Eigen-Art, El Reina, El Reina Sofía, Electric, Electric Sublime, Electrical Currents of the City, Electrical Pulse of London, Electrical Walks, Electricity, Electricity of the Mind, Electricity The Spark of Life, Electro-Magnetic Musical, Electromagnetic Art, Electromagnetic Audio Art, Electromagnetic Force Fields, Electromagnetic Forces, Electromagnetic Interactions, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Sound Art, Electromagnetism, Elektrizitätswerk, Elektrizitätswerk Luckenwalde, Eleonora Oreggia, Emerging Paradigm, Emily Bick, Empty Set, Energies In The Arts, Energy Flow, Enlighten Manchester, Erasmus MC, Eric Demetriou, Errant Bodies Press, Erratum, Everything at Once, Ewerk, Ewerk Luckenwald, Ex Voto, Experimental Writing, Eye Tracking, Fabrica, Fabrica Brighton, Fabrica Gallery, FACT Liverpool, Factum Arte, Felix Kubin, Ferranti, Ferranti Archive, Ferranti Collection, Ferranti Electronics, Festival of Light & Sound Art, FHNW IXDM, Field, Film London, Flat Time House, Folk Art, Force of Listening, Forked Forest Path, Fracture Patterns, Francis Crick Institute, Francisco Lopez, Frank Swain, Free Thinking, Freud Museum, Freunde Guter Musik, Frieze, Frieze Academy, Frieze Sculpture, Furtherfield, Futurism, Galerie für Zeitgenössische Kunst, Garden of Russolo, Gareth Bell Jones, Gareth Evans, Gazelli Art House, Geoffrey Grigson, George Stratton, George Westinghouse, Georgina Brett, GFZK Leipzig, Gil Leung, Gina Buenfeld, Girton College, Girton College Cambridge, Goethe Institut, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goldsmiths Press Sonics, Goodiepal, Goodiepal and Pals, Graham Sutherland, Great Britain Sasakawa Foundation, Greenwich Power Station, Grid Music, Guy Haywood, GV Art, Haroon Mirza, Haroon Mirza Outputs, Hart & Huang, Hayward Gallery, Heather Phillipson, HEK Haus der elektronischen Künste, Heliosphere, Her Noise, Hermann Rorschach, Honor Harger, HRM199, HRM199 Ltd, HRM199 Outputs, Huijun Lu, Human Eye, i-D magazine, Iklectik, Iklectik Art Lab, Iklectik Offsite, Ikon Birmingham, Ikon Gallery, Ikon Gallery Birmingham, Illusions, IMCC Westminster, In the Studio, Inflamed Invisible, Information as Material, Ingram Collection, Installation No. 3 for High and Low Frequencies, Institute for Modern and Contemporary Cultures, Institute of Philosophy, Institute of Physics, Institute of Signals and Noise, Interdisciplinary Arts, International Lawns, Intonarumori, Inverness to Edinburgh, Invisible Forces, IOP Gallery, Irene Revell, Iris Light, Iron Foundry, J.G. Ballard, Jack Jelfs, James A. Holland, James Ginzburg, James Spiring, James Webb, Jamie XX, Jana Winderen, Janek Schaefer, Jeff Gburek, Jeff Kolar, Jeremy Gravayat, Jez Riley French, Jo Melvin, Joe Banks, Joe Gerhardt, John Cale, John Craxton, John Hansard Gallery, John Latham, John Levack Drever, John Macedo, John Minton, John Piper, John Squire, John Squire: Disinformation, John Wynne, Jonathon Carroll, Jorgen Teller, Joyce Hinterding, Judith Clark, Juergen Teller, Julian Mader, Julius Meytuss, Karl Hyde, Karst, Karst Plymouth, Katharina Worf, Körper im Elektromagnetischen Feld, KCL, Keith Vaughan, Kelly Grovier, Kettle's Yard, Kinetic Art, Kinetic Depth Effect, King’s College, Kirsty Ogg, Kontinuum, Krakow, KRASH, KRASH ZZZT, Kvikmyndaljóð Þverstæða, Language Art, Language Poetry, Late Night Chameleon Cafe, Laura McLean-Ferris, Laure Genillard, Laure Genillard Gallery, Laurence Scott, LCC, Le Bon Accueil, Leafcutter John, Leeds Art Gallery, Leila Hasham, Lenin, Let There be Language, Light Poems, Lightbox, Lina Dzuverovic, Liquid Architecture, Liquid Language, Lisson Gallery, Listening Challenge, Literary Arts, Literature, Live Mains Electricity, LN-CC, LNCC, London Review Bookshop, London was the capital of the electricity of the mind, Louis d’Heudieres, Lucia Coppola, Lucia Farinati, Lucida, Luckenwalde, Luigi Russolo, Lux, MAD Museum, Magic Lantern, Magnets, Malcolm Poynter, Malgorzata Plysa, Manchester Art Gallery, Manuel Borja-Villel, Marc Langlois, Margot Heller, Marianne Murray, Marie José Burki, Marijn Ottenhof, Marina Warner, Marius Kwint, Marius Schwarz, Mark Peter Wright, Mark Titchner, Markus Steffens, Marshall McLuhan, Marta Zapparoli, Martin Clark, Martin Howse, Martin Kellet, Martin Kemp, Martin Messier, Mat Schulz, Maurizio Nannucci, Max Prediger, Media@McGill, Memory of Sound, Mengi, Methodology for a Phosphorescent Screen, Michael Ayrton, Michael Begg, Michael Green, Michael Joo, Michael Shannon, Mike Fell, Mike Kelley, Mila Askarova, Millbank, Mira Calix, MIT Press, Monica Bello, Montréal, Morgue, Morph, Morphology, Musée des Beaux Arts, Musée des Beaux Arts de Rennes, Museo Nacional Centro de Arte Reina Sofía, Museo Reina Sofia, Museum of Arts & Design, Museum of Installation, Music Hackspace, Myrkir Músíkdagar, Nadia Thondrayen, National Endowment for Science, National Grid, National Theatre, Near Future Laboratory, Nebula Rosa, Nebularosa, Nebularosa 02, Nebularosa 02: Electromagnetic Interactions, Necker Cube, Neo-Romantics, Nesta, Neural Magazine, New Analog, New Contemporaries, New Museum NY, New York University, Newport Street, Newport Street Gallery, Nick Perry, Nick Thurston, Nicola Triscott, Nicolas Maigret, Nicolas Montgermont, Nicolas Nova, Nidelina Zheleva, Noise Storm, Nonclassical, NOVA, OCM, Olafur Eliasson, Olga Panades, Omnempathy, On the Phone, One Plus One is Three, Oonagh Cousins, Optical Illusion, ORR Scintilla, ORR_Scintilla, Otomo Yoshihide, Outlands, Outlands Network, Outputs, Overwhelming Waves, Oxford Contemporary Music, P-A-N, Palgrave, PAMM, Pan, Panayiotis Vassilakis, Parkett, Parting the Waves, Patricia Bickers, Paul Jamrozy, Paul Purgas, Paul Stolper, Pavilion, Pedagogies of the Ear, Penned in the Margins, Perceptual Hypotheses, Perceptual Neuroscience, Perez Art Museum, Phantasmata, Phantasmata & Illusions, Phantasmata and Illusions, Phantom Terrains, Philip Mill, Physical Media Matter, Play Back Play, PLUNK, PLUNK BOUM, PLUNK BOUM KRASH ZZZT, Plus Electrification, Poetry, Poetry Film, Poetry of Radio, Presence, Prolekult, Queen Sofía Museum, Radio 3, Radio 4, Radio Art, Radio Astronomy, Radio Phonography, Radio Phrenia, Radiophonics, Radiophonography, Radiophrenia, Radioqualia, Radius, Raitis Smits, Rana Begum, Rarely Unable, Rasa Smite, Raster Noton, Ravi Deepres, Raviv Ganchrow, Ray Dolby, Ray Dolby Centre, Ray Lee, RBS, RCA, Reading as Art, Reading Matters, Red Gallery, Reina Sofía Museum, Renaud Bajeux, Rennes, Research Forum, Resonance FM, Resonant Architecture, resonantarchitecture.com, Resonanzen, Retinal Inversion, Reykjavik, Richard Wingate, Rika Nakashima, RKSS, Rob Bowman, Rob Mullender, Robert Montgomery, Robert Shannon, Robin Rimbaud, Romantic Tradition, Ron Sillimian, Rorschach Audio, Ros Carter, Routledge, Royal Academy, Royal Army Medical College, Royal British Society of Sculptors, Royal College of Art, Royal Institution, Royal Society of British Sculptors, Rubin Museum of Art, Rural College of Art, Ruslan Karablin, Ruth Garde, Ruth Jarman, Ryoichi Kurokawa, Ryoji Ikeda, Ryuichi Sakamoto, Sabine Himmelsbach, Sam Belinfante, Samizdat, Samuel Palmer, Satellitic, Scanner, Schirn Kunsthalle, SCHQ, SCHQ Electric, Sci-Art, Science Gallery, Science Gallery at Erasmus MC, Science Gallery Bangalore, Science Gallery Bengaluru, Science Gallery Dublin, Science Gallery London, Science Gallery Melbourne, Science Gallery Rotterdam, Science in Culture, Science is always art, Science Limited, Science Ltd, Science Museum, Scotoma, Sculptures Électromagnétiques, Sean Dower, Sean Street, Seashore Effect, Security, Self Savior Universe Rule, Semiconductor, Semiconductor Films, Senate House, Serpentine Gallery, Seth Kim-Cohen, Shaping Space with Sound, Shelter Press, Shintaro Miyazaki, Shiva Feshareki, Shoppinghour, Shortwave Radio, Siân Ede, Signals, Signs of Life, Simon & Schuster, Simon Parris, Simon Thorogood, Simulation/Skin, Singuhr, Singuhr Projects, Singuhr Sound Gallery, Slátur, SLG, Slow-Drift, Social Experimental Audio, Social Experimental Audio Pre- and Post-Internet, Socialism plus Electrification, Sofie van de Velde, Solar, Solar Noise, Solar Radio Astronomy, Solar Radio Noise, Solar Symphonies, Solar Symphony, Some Call it Noise, Somerset House, Somerset House Studios, Sonar, Sonic Agency, Sonic Arcade, Sonic Art, Sonic Boom, Sonic Field, Sonic Geography, Sonic Studies, Sonica, Sonica 2018, Sonica Festival, Sonics, Sonics Series, Sonology, Sound Art, Sound Art Curating, Sound Artist, Sound Poetics, Sound Poetry, Sound Salon, Sound Sanctuary, Sound Studies, Sounding Out, Sounding Out Practice, Sounding the Body Electric, Sounds of the Revolution, South London Gallery, Soviet Power, Spatial Sound, Speculative Libraries, Speech Acts, Spring Roll Call, SSUR, Stanley Picker Gallery, Stargate, Stephen Bayley, Steve Fletcher, Steven Connor, Store Studios, Store X, Strange Attractor, Strange Attractor Press, Studio HRM199, Studio HRM199 Ltd, Suchitra Sebastian, Suki Chan, Susan Hiller, Susan Owens, Swimmers, Sylvia Ross, Takis, Takis Foundation, Takis Foundation Research Center, Takis Foundation Research Center for the Arts and Sciences, Tara Pattenden, Tate Britain, Tate Modern, Tate Publishing, Technology and the Arts, Tectonics, Tempting Failure, Terumo Foundation, Test Centre, Test Department, Test Dept, Test Dept Redux, TFL, The Analysis of Beauty, The Art of Seeing, The Brain, The Current War, The Ferranti Archive, The Ferranti Collection, The Ghost, The Ghost - A Cultural History, The Henry Moore Institute, The Inkblots, The Live Room, The Morgue, The New Analog, The Optical Delusion Of Consciousness, The Power of Electricity, The Quietus, The Rumble, The Visitor, The Wail that was Warning, The War of the Currents, The Wave Epoch, The White Review, The Wire Magazine, The World Is Sound, Thomas Edison, Thomas Tyler, Tim Spooner, Timothy Morton, Tintype Gallery, Titans in the Landscape, Tom McCarthy, Tom Milnes, Touch Records, Transducing Resonant Architecture, Transmissions, Transmissions TV, Transmitters and Receivers, Triangle Gallery, Turbulent Forms, Type II, Una Ryan, Unconscious Archives, Unfold, Unit for Sound Practice Research, United Visual Artists, University of Leeds, University of Salford Art Collection, University of the Arts London, University of Westminster, Unsound, Unsound Festival, Unsound Krakow 2018, Upplýsingafölsun Hlustunarpartý, UVA, Uzma Chowdhury, Vice, Vincent Honoré, Vincent Van Uffelen, Vinyl Factory, Visible Language, Vision, Visual Cognition, Visual Editions, Visual Perception, Visual Reality, Visual reality is in itself a carefully constructed optical illusion, VLF Explorer, VLF Radio, VLF Works, Volksbühne Berlin, Volt 2021, Volta, Voluta, War of the Currents, Warburg Institute, Wave Epoch, Wayne McGregor, Ways of Hearing, Wellcome Trust, What is Reality, Where Art Meets Literature, While art is not necessarily science science is always art, Why Brands Matter, William Hogarth, Wire 400, Witness 4, Witness 4: The Visitor, Woodrow Kernohan, Word and Image Studies, Word and Sound, Words Words Words, Writing and Concepts, Wysing, Wysing Arts Centre, Wysing Transmissions, Wysing Transmissions TV, X-Name, Xname, Yang Li, Yasmin Metcalfe, Yonghwan Lee, Yorkshire Sculpture Park, YSP, Yuko Mohri, Yuko Mohri Exhibition Circle, Yuri Miyauchi, Yuri Suzuki, Zabludowicz, Zabludowicz Collection, Zata Banks, ZKM Karlsruhe, ZZZT