+Electrification, 1+1=3, 50Hz, 60Hz, A Machine to Listen to the Sky, Aardman, AC, AC-DC, AC/DC, Accelerate, ACE England, Acidges, Adam Lowe, Adam Saunders, Advertising, Advertising is the Folk Art of the 20th Century, AHRC, Akio Suzuki, Aldous Huxley, Alexander Manotskov, Alexander Mosolov, Alice Hackney, Allen Weiss, Alphabet, Alternating Current, Alternating Current (AC), Alva Noto, Andrew Lambirth, Andrew Wilson, Anita Zabludowicz, Anne Hilde Neset, Anne Zeitz, Annika Kahrs, AnOther Magazine, AnOtherMag, Anti-Book, Architecture as an Instrument, Ariane Koek, Aristotle, Aristotle’s Poetics, Art & Illusion, Art & Illusion for Sound, Art & Language, Art and Writing, Art is not necessarily science, Art is not necessarily science but science is always art, Art Monthly, Art of Failure, Art of Failure Collective, Art X Neuroscience, Art-Science, Arts & Humanities Research Council, Arts at CERN, Arts Catalyst, Arts Council, Arts Council England, Arts Council Tokyo, Arts@CERN, Artsadmin, Ash International, Assembly, Assembly of Disturbance, Atelier Nord, Audio Pareidolia, Audio Rorschach, Audio Spatial Composition, Auditory Perception, Aura Satz, Autopneumatx, AV Festival, AV Festival Newcastle, Axiom, AXNS Collective, Échos Magnétiques, Baku, BBC Sounds, BBC World Service, Ben Barwise, Benedict Cumberbatch, Bertie Enright-Wells, Bibliomancy, Bill Kouligas, Bill Viola, Black Sands, Blast First, Blind Spot, Bob Bicknell-Knight, Bob Shannon, Bookworks, BOUM, Boundary Object, Brain, Branding, Branding should be regarded as the contemporary equivalent of folk art, Brian Dillon, Brian Eno, Brilliant Noise, British Film Institute, British Library, Bronac Ferran, C4i, Calvert 22, Camden Arts Centre, Camera Obscura, Carroll & Fletcher, Carsten Nicolai, Carsten Seiffarth, Cathie Boyd, Cave Leeds, CCA, Centre for Audio Visual Experimentation, Centre for Chinese Contemporary Art, Centre for Contemporary Arts, Centre for the Study of the Senses, CERN, CERN Geneva, CFCCA Manchester, Changing Signals, Channel One Channel Two and Channel Three, Chelsea College of Arts, Chelsea Space, Christian Marclay, Christina Kubisch, Christine Kim Sum, City of Drones, Claudia Firth, Clélia Barbut, Code Poetry, Cognitive Science, Colin Blakemore, Collecting the Alphabet, Collide, Colour of Sound, Concrete Poetry, Contemporary Art Society, Contemporary Writing, Continent, Coronal Mass Ejection, Coronal Mass Ejections, Courtauld Institute, Creating Scientific Art, CRISAP, Cryptic, Curating Writing, Current War, D. Broughton Waddy, Damien Simon, Damion Searls, Dan Tapper, Daniel Bandfield, Daniel Glaser, Daniel John Jones, Dark Music Days, Dash Arts, David Eagleman, David Gates, David Roberts, David Roberts Art Foundation, David Toop, Dazed and Confused, DazedDigital, DC, De La Warr Pavilion, Deafness and Communication Engineering, Deep Media Research, Detektors, Diana Deutsch, Diana Nawi, Different Languages Same Place, Digital Art House, Digital Ethereal, Digital Nature, Direct Current, Direct Current (DC), Disembodied Voice, Disinformation, Disinformation Art Project, Disinformation Listening Party, Disobey, Disturbance, Dneiper Hydro-Electric Power Station, Dneiprostroi, Dnieper Hydro-Electric Power Station, Domestic EMI, Domo Baal, Donna Lynas, Douglas Kahn, Dr. Saskia Steinmann, DRAF, Drone Rorschach, Duke University Press, DWLP Bexhill, Earth Sound Earth Signal, Eartheater, Edwina Zhao, EH Gombrich, Eigen+Art, Eigen-Art, Electric Sublime, Electrical Currents of the City, Electrical Pulse of London, Electrical Walks, Electricity of the Mind, Electricity The Spark of Life, Electromagnetic Art, Electromagnetic Audio Art, Electromagnetic Force Fields, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Sound Art, Electromagnetism, Emerging Paradigm, Empty Set, Energies In The Arts, Energy Flow, Enlighten Manchester, Eric Demetriou, Errant Bodies Press, Erratum, Everything at Once, Ex Voto, Experimental Writing, Eye Tracking, Fabrica Gallery, FACT Liverpool, Factum Arte, Felix Kubin, Festival of Light & Sound Art, FHNW IXDM, Field, Film London, Flat Time House, Folk Art, Force of Listening, Fracture Patterns, Francis Crick Institute, Frank Swain, Free Thinking, Freud Museum, Freunde Guter Musik, Frieze, Frieze Academy, Frieze Sculpture, Furtherfield, Futurism, Galerie für Zeitgenössische Kunst, Garden of Russolo, Gareth Bell Jones, Gareth Evans, Gazelli Art House, Geoffrey Grigson, George Stratton, George Westinghouse, Georgina Brett, GFZK Leipzig, Gil Leung, Gina Buenfeld, Goethe Institut, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, Goodiepal, Goodiepal and Pals, Graham Sutherland, Great Britain Sasakawa Foundation, Grid Music, GV Art, Haroon Mirza, Hart & Huang, Hayward Gallery, HEK Haus der elektronischen Künste, Heliosphere, Her Noise, Hermann Rorschach, Honor Harger, HRM199, Huijun Lu, Human Eye, i-D magazine, Iklectik, Iklectik Art Lab, Ikon Birmingham, Ikon Gallery, Ikon Gallery Birmingham, IMCC Westminster, In the Studio, Information as Material, Ingram Collection, Installation No. 3 for High and Low Frequencies, Institute for Modern and Contemporary Cultures, Institute of Philosophy, Institute of Physics, Institute of Signals and Noise, Interdisciplinary Arts, International Lawns, Intonarumori, Inverness to Edinburgh, Invisible Forces, IOP Gallery, Iris Light, Iron Foundry, J.G. Ballard, Jack Jelfs, James A. Holland, James Ginzburg, James Spiring, Jamie XX, Janek Schaefer, Jeff Kolar, Jeremy Gravayat, Jo Melvin, Joe Banks, Joe Gerhardt, John Cale, John Craxton, John Latham, John Levack Drever, John Minton, John Piper, John Wynne, Jonathon Carroll, Joyce Hinterding, Judith Clark, Julian Mader, Julius Meytuss, Karl Hyde, Karst, Karst Plymouth, Körper im Elektromagnetischen Feld, KCL, Keith Vaughan, Kelly Grovier, Kettle's Yard, Kinetic Depth Effect, King’s College, Kontinuum, Krakow, KRASH, KRASH ZZZT, Kvikmyndaljóð Þverstæða, Language Art, Language Poetry, Late Night Chameleon Cafe, Laure Genillard, Laure Genillard Gallery, Laurence Scott, LCC, Le Bon Accueil, Leafcutter John, Leeds Art Gallery, Lenin, Let There be Language, Light Poems, Lightbox, Lina Dzuverovic, Liquid Architecture, Liquid Language, Lisson Gallery, Listening Challenge, Literary Arts, Literature, Live Mains Electricity, LN-CC, London Review Bookshop, London was the capital of the electricity of the mind, Louis d’Heudieres, Lucia Coppola, Lucia Farinati, Lucida, Luigi Russolo, Lux, MAD Museum, Magic Lantern, Malcolm Poynter, Malgorzata Plysa, Manchester Art Gallery, Marc Langlois, Marianne Murray, Marie José Burki, Marina Warner, Marius Kwint, Marius Schwarz, Mark Peter Wright, Marshall McLuhan, Martin Clark, Martin Howse, Martin Kellet, Martin Kemp, Martin Messier, Mat Schulz, Maurizio Nannucci, Max Prediger, Media@McGill, Memory of Sound, Mengi, Methodology for a Phosphorescent Screen, Michael Ayrton, Michael Green, Michael Shannon, Mike Fell, Mike Kelley, Mila Askarova, Millbank, MIT Press, Monica Bello, Montréal, Morgue, Morph, Morphology, Musée des Beaux Arts, Musée des Beaux Arts de Rennes, Museum of Arts & Design, Museum of Installation, Music Hackspace, Myrkir Músíkdagar, National Endowment for Science, National Grid, National Theatre, Near Future Laboratory, Necker Cube, Neo-Romantics, Nesta, Neural Magazine, New Museum NY, New York University, Nick Perry, Nick Thurston, Nicola Triscott, Nicolas Maigret, Nicolas Montgermont, Nicolas Nova, Nidelina Zheleva, Noise Storm, Nonclassical, NOVA, OCM, Olga Panades, On the Phone, One Plus One is Three, Oonagh Cousins, Optical Illusion, Otomo Yoshihide, Outlands, Outlands Network, Oxford Contemporary Music, P-A-N, Palgrave, PAMM, Pan, Parkett, Parting the Waves, Patricia Bickers, Paul Jamrozy, Paul Purgas, Paul Stolper, Pavilion, Pedagogies of the Ear, Penned in the Margins, Perceptual Hypotheses, Perceptual Neuroscience, Perez Art Museum, Phantom Terrains, Philip Mill, Physical Media Matter, Play Back Play, PLUNK, PLUNK BOUM, PLUNK BOUM KRASH ZZZT, Plus Electrification, Poetry, Poetry Film, Poetry of Radio, Presence, Prolekult, Radio Art, Radio Astronomy, Radiophonics, Radioqualia, Radius, Raitis Smits, Rarely Unable, Rasa Smite, Raster Noton, Ravi Deepres, Ray Lee, RBS, RCA, Reading as Art, Reading Matters, Red Gallery, Rennes, Research Forum, Resonance FM, Resonant Architecture, resonantarchitecture.com, Resonanzen, Retinal Inversion, Reykjavik, Richard Wingate, Rika Nakashima, Rob Mullender, Robert Montgomery, Robert Shannon, Robin Rimbaud, Romantic Tradition, Ron Sillimian, Rorschach Audio, Routledge, Royal Academy, Royal Army Medical College, Royal British Society of Sculptors, Royal College of Art, Royal Institution, Royal Society of British Sculptors, Rubin Museum of Art, Rural College of Art, Ruth Garde, Ruth Jarman, Ryoichi Kurokawa, Ryuichi Sakamoto, Sabine Himmelsbach, Sam Belinfante, Samizdat, Samuel Palmer, Satellitic, Scanner, Schirn Kunsthalle, Sci-Art, Science Gallery Bangalore, Science Gallery Bengaluru, Science Gallery Dublin, Science Gallery London, Science Gallery Melbourne, Science in Culture, Science is always art, Science Museum, Scotoma, Sean Dower, Sean Street, Seashore Effect, Security, Semiconductor, Semiconductor Films, Senate House, Serpentine Gallery, Seth Kim-Cohen, Shaping Space with Sound, Shelter Press, Shintaro Miyazaki, Shoppinghour, Shortwave Radio, Signs of Life, Simon & Schuster, Simon Thorogood, Singuhr Sound Gallery, Slátur, Slow-Drift, Socialism plus Electrification, Sofie van de Velde, Solar, Solar Noise, Solar Radio Astronomy, Solar Radio Noise, Solar Symphonies, Solar Symphony, Some Call it Noise, Somerset House, Somerset House Studios, Sonar, Sonic Arcade, Sonic Art, Sonic Boom, Sonic Field, Sonic Geography, Sonic Studies, Sonica, Sonica 2018, Sonica Festival, Sonology, Sound Art, Sound Art Curating, Sound Artist, Sound Poetics, Sound Poetry, Sound Salon, Sound Sanctuary, Sound Studies, Sounding the Body Electric, Sounds of the Revolution, South London Gallery, Soviet Power, Speculative Libraries, Speech Acts, Spring Roll Call, Stanley Picker Gallery, Stargate, Stephen Bayley, Steve Fletcher, Steven Connor, Store Studios, Store X, Strange Attractor, Strange Attractor Press, Suki Chan, Susan Hiller, Swimmers, Tara Pattenden, Tate Britain, Tate Modern, Technology and the Arts, Tectonics, Tempting Failure, Terumo Foundation, Test Centre, Test Department, Test Dept, Test Dept Redux, The Analysis of Beauty, The Art of Seeing, The Brain, The Current War, The Henry Moore Institute, The Inkblots, The Live Room, The Morgue, The Optical Delusion Of Consciousness, The Power of Electricity, The Quietus, The Rumble, The Wail that was Warning, The War of the Currents, The White Review, The Wire Magazine, The World Is Sound, Thomas Edison, Thomas Tyler, Timothy Morton, Tintype Gallery, Titans in the Landscape, Tom McCarthy, Tom Milnes, Touch Records, Transducing Resonant Architecture, Transmitters and Receivers, Triangle Gallery, Turbulent Forms, Type II, Unconscious Archives, Unfold, Unit for Sound Practice Research, United Visual Artists, University of Leeds, University of Salford Art Collection, University of the Arts London, University of Westminster, Unsound, Unsound Festival, Unsound Krakow 2018, Upplýsingafölsun Hlustunarpartý, UVA, Uzma Chowdhury, Vice, Vincent Honoré, Vincent Van Uffelen, Vinyl Factory, Visible Language, Vision, Visual Cognition, Visual Editions, Visual Perception, Visual Reality, Visual reality is in itself a carefully constructed optical illusion, VLF Explorer, VLF Radio, VLF Works, Volksbühne Berlin, Voluta, War of the Currents, Warburg Institute, Wellcome Trust, What is Reality, Where Art Meets Literature, While art is not necessarily science science is always art, Why Brands Matter, William Hogarth, Wire 400, Word and Image Studies, Word and Sound, Words Words Words, Writing and Concepts, Wysing, Yang Li, Yasmin Metcalfe, Yonghwan Lee, Yorkshire Sculpture Park, YSP, Yuko Mohri, Yuko Mohri Exhibition Circle, Yuri Miyauchi, Yuri Suzuki, Zabludowicz, Zabludowicz Collection, Zata Banks, ZKM Karlsruhe, ZZZT