A Courtroom is not a Gallery, Acoustic Anthropology, Acoustic Justice, Andrew O'Hagan, Artforum, Atlanta Eke, Audio Rorschach, Auditory Illusions, Auditory Pareidolia, Aura Satz, Aural & Visual Cultures, Aural History, Barnaby Wright, Believe not every spirit, Brian Dillon, Camden Arts Centre, Carbonic Oscillation, Charles Esche, College of Psychic Studies, Courtauld Gallery, Courtauld Institute, Damion Searls, Daniel Jenatsch, Dark Mofo, De Player, Diego Tonus, Discipline Magazine, Disinformation, Douglas Kahn, Drone Rorschach, Georgiana Houghton, Gertrude Contemporary, Glenn Branca, Grace Koch, Harpers Bazaar, Hearing Lips & Seeing Voices, Hearing Voices in the Noise, Hermann Rorschach, Hilma af Klint, If The Spirit Moves You, In and Out of Synch, International Necronautical Society, Jalal Toufic, James Parker, Jarman Awards, Jean Cocteau, Jo Burzynska, Joel Stern, Julia Drouhin, Julian Oliver, Justine Picardie, Larry Sider, Lars Bang Larsen, Lawrence Abu Hamdan, Liquid Architecture, Marco Pasi, Mark Underwood, Martyn Jolly, McGurk Effect, Melbourne Law School, Mike Kelley, Mishearings, Mona Tasmania, Monash University, MUMA Melbourne, Museum of Old and New Art, Nathan Gray, National Gallery, Next Wave 2016, Noise as New Politics, Oenosthesia, Orphée, Orpheus, Pedagogies of the Ear, Pip Stafford, Poetry as I need it, Politics of Listening, Poppy da Souza, Raqs Media Collective, Rorschach Audio, Ryan Gander, Sara Ramshaw, School of Sound, Sean Dockray, Serpentine Gallery, Simon & Schuster, Sisters Akousmatica, Sonic Studies, Sound & Music, Sound Studies, Soundscapes, Spiritualism, Susan Hiller, Tanya Wayne, The Auricle, The Inkblots, Tom McCarthy, Tony Oursler, Turner Contemporary, Victorian Spiritualists Union, Vocalities, Writing Around Sound, Yan Jun
Rorschach Audio workshop at MUMA, Melbourne
Participant worksheets from the Rorschach Audio post-lecture workshop, organised by Liquid Architecture at MUMA, Melbourne (photo by Anabelle Lacroix)…
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