2/8 Bregman 4/8 Deutsch 7/8 Hecker 1/8 Höller, A Courtroom is not a Gallery, Abdul Aziz Muhamat, ACCA, ACCA Melbourne, Acoustic Anthropology, Acoustic Justice, Acoustic Rorschach, Alexander Garsden, Algorithmic Listening, Alva Noto, André Dao, Andrew O'Hagan, Andy Slater, Anita Zabludowicz, Anja Kanngieser, Ann Winsper, Artefact, Artforum, Atlanta Eke, Audible Inkblot, Audible Rorschach, Audible Rorschach Test, Audio Apophenia, Audio Ghost, Audio Inkblot, Audio Pareidolia, Audio Phantom, Audio Rorschach, Auditory Ambiguity, Auditory Apophenia, Auditory Illusion, Auditory Illusions, Auditory Inkblot, Auditory Pareidolia, Auditory Projective Test, Auditory Rorschach, Auditory Summator, Aura Satz, Aural & Visual Cultures, Aural History, Australia Council for the Arts, Australian Centre for Contemporary Art, Barbara Ellison, Barnaby Wright, BBC Radio, BBC Radio 4, BBC Wales, Behrouz Boochani, Believe not every spirit, Belle Bassin, Between The Ear and the Mouth, BF Skinner, Branden W. Joseph, Brian Dillon, Brian Hochman, Bryan Phillips, Camden Arts Centre, Carbonic Oscillation, Carolin Schnurrer, Carsten Nicolai, Cave Leeds, Centre for Audio Visual Experimentation, Ceri Hann, Channel One Channel Two and Channel Three, Charles Esche, Chess Boughey, Chiara Fumai, Chisenhale, Chisenhale Dance Space, Chisenhale Gallery, Claudia Firth, College of Psychic Studies, Construction of an Act, Contemporary Art Museum St. Louis, Continent, Cosa Mentale, Courtauld Gallery, Courtauld Institute, Creative Victoria, Damien Hirst, Damion Searls, Dane Mitchell, Daniel Jenatsch, Danni Zuvela, Dark Mofo, David Chesworth, David Grubbs, David Lamelas, De Player, Demdike Stare, Diana Deutsch, Diego Tonus, Diena Georgetti, Discipline, Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation Artist Project, Disinformation Artist's Project, Disinformation John Squire, Dorothea Tanning, Douglas Kahn, Dr James Parker, Drone Rorschach, Dynamics of Language, Ear and Mouth, Ear and the Mouth, Earwitness, Earwitness Theatre, Eavesdropping, Eavesdropping, Eavesdropping Exposed, Eigen+Art, Eigen-Art, Erik Bunger, Errant Bodies Press, Everything at Once, Excessive Listening, Farhad Bandesh, Fayen d’Evie, First Draft, First Draft Sydney, Firstdraft Australia, Firstdraft Sydney, Florian Hecker, Force of Listening, Forensic Audiology, Forensic Listening, Forensic Listening, Four-Dimensional Nightmare, Freya Schack-Arnott, Fugitive Listening, Georgiana Houghton, Georgina Starr, Gertrude Contemporary, Ghost Audio, Ghost in the Machine, Ghosts In The Machine, Glenn Branca, Goldsmiths, Goldsmiths College, Grace Koch, Haroon Mirza: The Construction of an Act, Harpers Bazaar, Haunted Technology, Hearing Lips & Seeing Voices, Hearing Voices in the Noise, Hermann Rorschach, Hilma af Klint, Ian Potter Museum of Art, If The Spirit Moves You, Imaginaries of Telepathy of the 20th-Century Art, In and Out of Synch, Institute of Modern Art Brisbane, Intermission, International Necronautical Society, J.G. Ballard, Jade Boyd, Jake Goldenfein, Jalal Toufic, James Parker, James Rushford, Jan Backlund, Jan Bryant, Jasmine Guffond, Jean Cocteau, Jen Bervin, Jennifer Stoever, Jess Johnson, Jessica Aszodi, Jo Burzynska, Joachim Koester, Joel Spring, Joel Stern, John Squire, John Squire: Disinformation, Jon Tjhia, Julia Drouhin, Julian Oliver, Julie Cunningham, Justine Picardie, Kasper Akhoj, Kathy Barry, Klecksography, Klein, Kristine Kemp, Language, Larry Sider, Lars Bang Larsen, Laurent Schmid, Laurie Taylor, Lawrence Abu Hamdan, Lea Porsager, Leila Bordreuil, Liang Luscombe, Liquid Architecture, Listening to History, Lisson Gallery, Lucia Farinati, Luciano Chessa, M T Grant, Machine Listening, Madame Favre, Madge Gill, Magic Lantern, Makiko Yamamoto, Marco Pasi, Margery Crandon, Mark Andrejevic, Mark Underwood, Martyn Jolly, Matt Mullican, Max Ernst, McGurk Effect, Mehera San Roque, Melbourne Law School, Michael Green, Michael Joo, Mikala Dwyer, Mike Kelley, Mina Crandon, Mishearing, Mishearings, Mona Tasmania, Monash University, MUMA Melbourne, Museum of Old and New Art, Nathan Gray, National Gallery, Neural Seams, Newport Street, Newport Street Gallery, Next Wave 2016, Noise as New Politics, Oenosthesia, Olivia Plender, Orphée, Orpheus, Panacousticism, Pedagogies of the Ear, Penguin, Penguin Random House, Pete Bebergal, Peter Bebergal, Peter Szendy, Phantasma Humana, Phantasmatic, Phantom Audio, Pip Stafford, Poetry as I need it, Political Effects of Listening, Politics of Listening, Poppy da Souza, Poppy de Souza, Primer, Psychology of Magic, Radio Advertising, Random House, Raqs Media Collective, Rashad Becker, Raster Noton, Raven Row, RCA, RMIT, Robin James, Rogue Syntax, Rogue Syntax: Primer, Rorschach Audio, Royal College of Art, Ryan Gander, Sala Rekalde, Sam Belinfante, Sam Kidel, Samson Young, Sara Ramshaw, Sarah-Jane Lewis, School of Sound, Science Limited, Science Ltd, Sean Dockray, Serpentine Gallery, Shabbir Hussein, Silicon Ear, Simon & Schuster, Simulation/Skin, Sisters Akousmatica, Smoke & Mirrors, Smoke and Mirrors, Sonia Leber, Sonic Agency, Sonic Episteme, Sonic Inkblot, Sonic Phantoms, Sonic Rorschach, Sonic Rorschach Test, Sonic Studies, Sonic Warfare, Sophie Scott, Sound & Music, Sound School, Sound Studies, Sound Sweep, Soundscapes, Speech, Speech and Language, Spiritualism, Stanley Picker Gallery, Stedelijk Museum, Steve Rajam, Steven Rajam, Strange Frequencies, STUK, Susan Hiller, Susan Jacobs, Susan Schuppli, Sylvia Ross, Tamar Guimaraes, Tanya Wayne, Tate Modern, Tautophone, The Act of Magic, The Auricle, The Ear and the Mouth, The Four-Dimensional Nightmare, The Hearing, The Ian Potter Museum of Art, The Inkblot Experiment, The Inkblots, The Psychology of Magic, The Sound Sweep, The Uninvited Ear, Thomas Y. Levin, Tom McCarthy, Tom Mclean, Tony Oursler, University of Edinburgh, University of Melbourne, University of New South Wales, University of New South Wales Galleries, University of Westminster, Unsound 2020, Unsound 2020: Intermission, UNSW Galleries, Victorian Spiritualists Union, Vincent Ceraudo, Vinyl Factory, Vocal Phantoms, Vocalities, Walter Stinson, Wave-lengths Hitherto Undetected, Wavelengths Hitherto Undetected, Wiretapping, Wiretapping, Witte de With, Witte de With Center for Contemporary Art, Writing Around Sound, Yan Jun, Yuri Ancarani, Zabludowicz, Zabludowicz Collection
MUMA Melbourne & Gertrude Contemporary present Disinformation + Rorschach Audio
Image [above]: Hermann Rorschach in 1921
Against the backdrop of “Believe not every spirit, but try the spirits” – an exhibition of and dedicated to the work of the Victorian Spiritualist painter Georgiana Houghton – Liquid Architecture and the Monash University Museum of Art are pleased to present British sound artist and writer Joe Banks in Australia for the first time. At Gertrude Contemporary, Joe Banks will deliver a lecture entitled “Rorschach Audio”, as part of the “Theories and Histories of Sound” series presented in association with Discipline. MUMA will also present a special concert by sonic arts project Disinformation as part of MUMA’s new “Sound Spaces” program…
Rorschach Audio – Lecture & Demonstration
Weds 3 June 2015
6:30pm to 8pm
Gertrude Contemporary
200 Gertrude St
Fitzroy VIC 3065
Australia
The talk will be followed by a short response from artist and researcher Ceri Hann (RMIT) before opening the floor to discussion
Disinformation – Concert
Thurs 4 June 2015
6:30pm to 8pm
Monash University Museum of Art | MUMA
Monash University Caulfield Campus
900 Dandenong Road
Caulfield East VIC 3145
Australia
Rorschach Audio – Discussion + Workshop
Sat 6 June 2015
3:00pm to 4:30pm TBC
Monash University Museum of Art | MUMA
Monash University Caulfield Campus
900 Dandenong Road
Caulfield East VIC 3145
Australia
“While other young artists were subscribing to Artforum, Joe was devouring journals on defence electronics and communications psychology…”
http://www.liquidarchitecture.org.au/artists/joe-banks/
http://www.gertrude.org.au/news/
http://tinyurl.com/zp3bq2u
Related
From → Uncategorized
Hello! This is my first comment here so I just wanted to give a quick shout out and tell you I genuinely enjoy reading through your blog posts. Can you suggest any other blogs/websites/forums that cover the same topics? Thanks for your time!
There are links in most of the blog pages, but if you want a different perspective, of (in this case) the sort the Rorschach Audio project is designed to critique, try here –
http://itcvoices.org/konstantin-raudive-and-his-itc-evp-breakthrough/