0.0MHz Film, 4’33”, A Brief History of EVP, A Human History of Sound and Listening, A Scientific Odyssey of Sound, A Spectre, A Spectre - Haunting, Aaron Mahnke, Abi Warburg, Academic Cut-Up, Acoustic Ambiguity, Acoustic Environment, Acoustic Environments, Acoustic Paradigm, Acoustic Rorschach, AHRC, Ale Hop, Alessandro Bosetti, Alois Riegl, Alva Noto, Always Alive Recordings, Ambiguity, Ambiguous Audio, Ambiguous Auditory Stimuli, Ambiguous Sound, An Academic Cut-Up, An Adventure In Apophenia, Anòmia, Ancient Phonograph, Anders Monrad, Andrew Hugill, Andrew O'Hagan, Angus Carlyle, Ann Winsper, Anna Colin, Anna Santomauro, Ansuman Biswas, Anthony Enns, Apocryphal Media, Apocryphal Psychtechnologies, Apophenia, Apophenia Art, Apophenia Artwork, Apophenia Audio, Apophenia Cloud Travel Apparatus, Apophenia Delay, Apophenia Delay Pedal, Apophenia Exhibition, Apophenia Guitar Pedal, Apophenia Luxmorph, Apophenia Press, Apophenia Research, Appliance, Archival sonics, Archive 81, Archive81, Archives From Konstantin Raudive, Arsenale, Arsenale Venice, Art, Art & Illusion, Art & Illusion for Sound, Art and Culture, Art and Science, Art Center, Art Foundation, Art Institute of Chicago, Art Research, Art Words, Art-Sci, Art-Science, Artefact, Artist, Artistic Research, Arts & Humanities, Arts & Humanities Research, Arts & Humanities Research Council, Arts Catalyst, Arts Catalyst 2026, Arts Council, Arts Council National Lottery, Arts Research, Assembly, Attila von Szalay, Audio, Audio Ambiguity, Audio Apophenia, Audio Art, Audio Ghost, Audio Hallucination, Audio Illusion, Audio Ink Blot, Audio Ink Blot Test, Audio Inkblot, Audio Inkblot Test, Audio Object, Audio Paredolia, Audio Pareidolia, Audio Phantom, Audio Phantoms, Audio Projection, Audio Projections, Audio Projective Test, Audio Projective Tests, Audio Rorschach, Audio Rorschach Test, Audio Summator, Audio Tape, Audio Tape Recorder, Audiograft, Audiograft 2022, Auditory Ambiguity, Auditory Apophenia, Auditory Hallucination, Auditory Hallucinations, Auditory Illusion, Auditory Illusions, Auditory Inkblot, Auditory Inkblot Test, Auditory Pareidolia, Auditory Perception, Auditory Phantasm, Auditory Phantasmatic Presence, Auditory Phantasmic Presence, Auditory Phantom, Auditory Projection, Auditory Projections, Auditory Projective Test, Auditory Projective Tests, Auditory Rorschach, Auditory Rorschach Test, Auditory Summator, Aura Satz, Aura Satz Spell Cards, Aural Diversity, Aural Ink Blot, Aural Ink Blot Test, Aural Inkblot, Aural Inkblot Test, Aural Pluralities, Aural Pluralities Network, Aural Rorschach, Aural Rorschach Test, Auto Italia, Auto Italia South East, Autonomedia, Autonomedia Archives, Autonomedia Publishing, B.F. Skinner, Background Noise, Barbara Ellison, Barnaby Wright, Barry C. Smith, Barry Smith, Barry Truax, Basalt, Basalt Rennes, BBC, BBC Monitoring Service, BBC Radio, BBC Radio 4, BBC Radio 4 Extra, BBC Radiophonic Workshop, BBC TV, BBC Wales, Beaconsfield, Beaconsfield Gallery, Beaconsfield Primary Research, Bearpark Poltergeist, Beholder's Share, Belus, Ben Cutmore, Ben Murphy, Bernard Geoghegan, Beulah Ezeugo, Biennale di Venezia, Black Tapes, Black Tapes Podcast, Blaze TV, Bloomsbury, Bloomsbury Academic, Bloomsbury Publishing, Bodies of Sound, Bon Accueil, Bon Accueil Rennes, Book Works, Bookworks, Boundary Condition, BPS, Brandon LaBelle, British Psychological Society, Broadcast, Buh Records, Cachichi, Cadavre Magnétique, Caleb Kelly, Calla, Camden Art Centre, Camden Arts Centre, Carl Michael Von Hausswolf, Caroline Bergvall, Carsten Nicolai, Cassette Culture, Catalyst Arts, Caterina Barbieri, Catherine Wood, Cathy Lane, Cégeste, Centre for Radiophonic Studies, Centre for the Study of the Senses, Centre Pompidou, Centro di Ricerca per la Radiofonia, Channel, Channel One Channel Two and Channel Three, Channel Somerset House, Charlie McDowell, Charlotte Charbonnel, Charlotte White, China Mieville, Choi Yoon-Young, Chris French, Christian Duka, Christina Kubisch, Christine Kim Sum, Christine Van Assche, Christof Migone, Ciaran O’Keeffe, Claire Elliott, Claire Williams, Claudia Lastra, CM Von Hausswolf, CM von Hausswolff, Cognitive Ambiguity, Cognitive Illusion, Cognitive Psychology, Cognitive Science, Collective Books, Confounded by Apophenia, Constellations of Listening, Contamination, Continent, Continent Journal, Creative Research, Creative Research into Sound Arts Practice, Creative Technologies Research Centre, Cripta 747, Cripta747, CRISAP, CTM Discourse, Curse of Luibeilt, Damien Simon, Dani Gal, Daniel Powell, Daphne Oram, Daphne Xanthopoulou, Dark Histories, Dark Histories Podcast, Dave Tompkins, David Hendy, David Toop, David Wesley Sutton, Dead Lines, Dead Signals, Dead Signals Podcast, Deadly Sounds From Above, Deborah Hyde, Delicious Audio, Des Moines, Des Moines Art, Des Moines Art Center, Devonshire Collective, Diana Deutsch, Diana Pasulka, Diarmuid Donahoe, Die Macht der Sprache, Diffusion 919 FM, Digital Ghosts, Digital Ghosts: Voice and Migratory Hauntings, Dirk Huelstrunk, Discovery, Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation Artist Project, Disinformation Artist's Project, Divine Illusion, DIY Radio, DJ Spooky, Douglas Kahn, Dr Milo Taylor, Dr. J. Milo Taylor, Dr. Konstantin Raudive, Dragan Spasov, Drawing Phantoms, Drone Rorschach, Due Qui, Due Qui / To Hear, Duke University Press, Dyslex, E.H. Gombrich, E.H. Gombrich & Sound, E.H. Gombrich and Sound, Ears To The Ground, Earslips, Earslips: Of Mishearings and Mondegreens, Earwitness, Earwitness Testimony, Eddie Ruscha, Editions Mego, EH Gombrich, Eigen+Art, Eigen-Art, Electronic Voice Phenomena, Electronic Voice Phenomenon, Elisa Troiano, Ellen Greig, Ellen Moffat, Elton’s Phone, Emerging Art, Emerging Art Foundation, Empirical Approaches to Language, EmU, Erasmus Mundus, Erik Davis, Erik Deerly, Erminio Alekos Serpente, Ernst Gombrich, Ernst Gombrich & Sound, Ernst Gombrich and Sound, Ernst Gombrich: L’Expérience Radiophonique d’un Historien de L’Art, Ernst Vegelin, Ernst Vegelin van Claerbergen, Esprits de Paris, Estelle Chaigne, Evelyn Hollow, Evocative Object, Evocative Object: Auditory Inkblot, EVP, EVP Recording, EVP Recordings, EVP Research, EVPs, Ex Anima, Expérience Radiophonique, Experimental Phastasmogenesis, Faster Circuits, Felicia Barr, Felipe Pineda, Field Notes, Field Notes Live, Field Notes Magazine, Fieldnotes, Fieldnotes Live, Fieldnotes Magazine, Florian Decker, Florian Hecker, Forgotten Wires, Forma, Forma Arts, Forma Arts & Media, Forma HQ, Fortean Society, Fortean Times, Fortean Times Magazine, Foundation for the Arts, Foundation Foundation, Francisco Lopez, Freud Museum, Friedrich Jürgenson, Frieze, Frieze Magazine, Frith Street Gallery, Galerie Le Bon Accueil, Gallery Sound, Gascia Ouzounian, Gavin Bryars, Gazelle Twin, Gender of Sound, Geography of Sounds, Gerhard Stempnik, Ghost, Ghost & Spirit, Ghost and Spirit, Ghost Box, Ghost Horses of Averham, Ghost in the Loop, Ghost in the Machine, Ghost Machine, Ghost Quartet, Ghost Science, Ghost Semantics, Ghost Stories, Ghost Tube, Ghost Tube App, Ghost Tube Seer, Ghost Voice, Ghost Voice Research, Ghost Watch, Ghost Zone, Ghosts, Ghosts and Demons, Ghosts In The Machine, Ghosts of Electricity, Ghostwatch, Giulia Lenti, Glasgow International, Goldsmiths, Gombrich & Sound, Gombrich and Sound, Gonzo Circus, Goodman Gallery, Graham Dunning, Greenwich University, Grey Room, Hallucination, Halluzination Perspektive, Halluzination Perspektive Synthese, Halluzination Synthese, Harpers Bazaar, Haunted Landscape, Haunted Machine, Haunted Machines, Haunted Media, Haunted Technology, Haunting, Hauntology, Hearing, Hearing Lips, Hearing Lips and Seeing Voices, Hearing Voices in the Noise, Heavier Than Words, Heinrich Hertz, Henry Moore Foundation, Hermann Rorschach, High Static, High Static Dead Lines, Historien de L’Art, Holistic 4.0, Holistic 4.0 - Miscommunications, Holographic Skies, Homage with Minimal Disinformation, Homophone, Homophones, How To Wreck A Nice Beach, Humanities Research, Humour in the Water Coolant, ICA, ICA London, If The Spirit Moves You, Iklectik 2025, Iklectik Art Lab, Iklectik Nomadik, Ikon Birmingham, Ikon Gallery, Illusion in Speech and Language, Illusion of Sound, Illusions & Paradoxes, Image Research, Image Text Sound, Imogen Stidworthy, Inaudible Becomes Audible, Inigo Wilkins, Ink Blot Audio, Inkblot Audio, Insidious, Insidious 2, Insidious Chapter 2, Institute of Philosophy, Instrumental Transcommunication, Inter.Sonix, Interdimensional Technology, International Media Futures, International MediaFutures, International Necronautical Society, Into The Uncanny, Inua Phaze Ellams, Invisible Generation, Irini Papadimitriou, Irreversible Noise, Italian Pavilion, ITC, J. Milo Taylor, J.D. Talasek, Jaap Blonk, Jamie Allen, Jana Winderen, Jane Hamlyn, Jean Cocteau, Jeffrey Sconce, Jem Finer, Jenn Ashworth, Jess M. Williams, Jo Burzynska, Joan La Barbara, Joe Banks, Joel Cahen, Joerg Piringer, John Cage, John Drever, John Levack Drever, John Wynne, Jon Culshaw, Journal for Artistic Research, Julian Weaver, Julie Wolfe, Jung Eun-Ji, Justin Lader, Justine Picardie, K-Punk, Kali Malone, Katharine Norman, Kathelin Gray, Ken Hollings, Koladé Spirit, Konstantin Raudive, Kristen Gallerneaux, Kunsthalle Wien, Kunstverein Gartenhaus, Kythera, Kythera Gallery, La Biennale di Venezia, Laetitia Rouiller, Langham Research, Langham Research Centre, Language, Language Is, Language is Meta-Technology, Language is MetaTechnology, Language Removal Services, Language Technology, Languaged, Languaging, Larry Sider, Larry Wendt, Lars Bang Larsen, Lars-Gunnar Bodin, Last Tuesday Society, Laurel, Laurie Anderson, Laurie Taylor, Lawrie Shabibi, L’Art et L’Illusion, LCC Crisap, Le Bon Accueil, Le Bon Accueil – Lieu d’Art Contemporain, Leah Clements, Lee Fraser, Lee Ranaldo, Left of the Dial, Left of the Dial Podcast, Leigh Landy, Leila Dear, Lending An Ear, Leonardo, Leonardo Magazine, Leverhulme, Leverhulme Trust, Lieu d'Art Contemporain, Listening, Listening Across Disciplines, Listening Arts Channel, Listening for Ghosts, Living With Ghosts, Loco-Lab, London College of Communication, London Consortium, London Fortean, London Fortean Society, London Southbank University, Lore, Lore Podcast, Luca Cerizza, Lumisokea, LXV, Machine, Machine and the Ghost, Macht der Sprache, Mack Hagood, Magic Lantern, Mara Mills, Marc Sollinger, Marco Maldarella, Marco Pasi, Marina Warner, Mark Blagrove, Mark Fisher, Mark Leckey, Mark Pilington, Mark Underwood, Massimo Bartolini, Massimo de Carlo, Matt Bernico, Matt Collier, McGurk Effect, Meaning in Randomness, Media Futures, Media@McGill, MediaFutures, Mego Records, Mentalizing Sound, Meta-Technology, Metatechnology, Michael Esposito, Michael Nees, Michael Vincent, Migratory Hauntings, Mike Kelley, Mike Kelley Foundation, Mike Kelley Foundation for the Arts, Milo Taylor, Minimal Disinformation, Mirage Men, Miscommunication, Miscommunications, Misha Farrant, Mishearings, Misinformation, Misophonia, Misophonic, Misophonics, MIT, MIT Press, MIT Press Journals, MIT Press Reader, Mobile Radio, Modus, Modus Arts, Mondegreens, Monitor Books, Morphology, Mounir Fatmi, Mr. Bill, Murray R. Schaeffer, Musical Ear, Musical Ear Syndrome, Musical Illusion, Musical Illusions, Musical Illusions & Paradoxes, Musical Illusions & Phantom Words, National Lottery, National Poetry, National Poetry Library, Natural Phantoms, Navigating Sound, Necrophonic, Necrophonic App, Necrosonic, Neil Matheson, Nermin Saybasili, Netflix, Neural Circuits, Neuro Aesthetics, Neuro Art, Neuro Arts, Neuroscience, New King of Pop, New Music, New York University, Nicholson Heal, Nicoletta Costa, Nigel Kneale, Nkisi, NMC Recordings, Noise, Nye Parry, Objects of Sound, OCM, October Gallery, Offprint London, Olga Sureda, Oliver Brown, Olivia Erlanger, On Listening, On Words, Orphée, Orpheus, Orpheus Institute, Oswaldo Macià, Otolith, Otolith Group, Otoloci, Otoloci Ltd, Outline Platform, Oxford Brookes, Oxford Brookes University, Oxford Contemporary Music, Oxford Exorcism, Oxford University, Padiglione Italia, Pamela Z, Paradox, Paranormal, Paranormal Experiences, Parapsychological, Paréidolie, Paréidolie Salon, Paredolia, Pareidolia, Pareidolia and Apophenia, Pareidolia Research, Patrik Lechner, Paul Bae, Paul Lansky, Paul Purgas, Paul Rooney, Paul Whitty, Pedagogies of the Ear, Peer, Peer Gallery, Penguin, Penguin Random House, Perceptual Ambiguity, Perspektive Synthese, Pete Bebergal, Peter Bebergal, Peter Keene, Phantasma Humana, Phantasmatic Audio, Phantasmatic Sound, Phantasmic Presence, Phanto Spectra, Phantom Audio, Phantom Portraits, Phantom Power, Phantom Signals, Phantom Sound, Phantom Sounds, Phantom Within, Phantom Words, Phastasmogenesis, Philosophical and Empirical Approaches to Language, Philosophy and Language, Phonograph, Plastic Language, Play on Words, Playing with Words, PLOS, PLoS ONE, Poetry Library, Poi Marr, Politics of Listening, Poltergeist, Polymorphic Vitality, Postmodernism, Power of Language, Powers of Hearing, Predictive Mechanisms, Predictive Network, Predictive Processing, Primary Information, Primary Research, Printed Matter, Printed Matter Chelsea, Prof. Chris French, PRS Foundation, PRSF, Psycho Acoustics, Psycho Sonic, Psychoacoustics, Psychoacoustics & Sonic Illusion, Psychoacoustics and Sonic Illusion, Psychological Society, Psychologist, Psychosonic, Public Knowledge, Public Library of Science, Public Listening, Quest for the Supernatural, Radical Radio, Radio, Radio 4, Radio 4 Extra, Radio Art, Radio Art 106, Radio Art Zone, Radio Bern RaBe, Radio International, Radio International Collective, Radio Rorschach, Radio Rorschach Test, Radiofonia, Radiophilia, Radiophonic Music, Radiophonic Studies, Radiophonic Workshop, Radiophrenia, Radiophrenia 2026, Radiophrenia 87.9FM, Radiophrenia Glasgow, Radiosthésie, Radiothesia, Rahma Khazam, Random House, Raster Noton, Ràdio Macba, Ràdio Web Macba, Reboot FM, Reece Shearsmith, Repeater Books, Repeater Radio, Research Centre, Research Centre for Radiophonic Studies, Research Council, Research Group, Research Unit, Residual Haunting, Resonant Dialogues, ReSound, Ricerca per la Radiofonia, Richard Birkett, Rob Mullender, Rob Mullender-Ross, Robert Redford, Robin Rimbaud, Rorschach, Rorschach Audio, Rorschach Device, Rorschach Devices, Rorschach Ink-Blot, Rorschach Sound, Routledge, Royal Conservatory, Ruede Hagelstein, Ryan Electric, Ryan Electric Products, SAIC Chicago, Sainsŵn, Salome Voegelin, Sam Ridout, Samuel Brzeski, Sarah Shin, Sarah Sparkes, Sarah Washington, SARU, Sas Mays, Save Manhattan, Séance, Scanner, School of Machines, School of Sound, Sci-Art, Science, Science and Art, Science Art, Science in Culture, Science of Sound, Scii Tenaph, Sean O’Connor, Seeing Frequencies, Seeing Voices, Seer, Senate House, Senses, Sensoramics, Sensory Deception, Sensory Deception: Psychoacoustics and Sonic Illusion, Serpentine Gallery, Seth Ayyaz, Shane Butler, Shin Joo-Hwan, Sianed Jones, Signal, Silver Press, Simon Grant, Sir E.H. Gombrich, Sir Ernst Gombrich, Site Gallery, Site Sessions, Sofia Lemos, Soft Ground, Soft Opening, Somerset House, Somerset House 2026, Somerset House Channel, Somerset House Studios, Sonic, Sonic Acts, Sonic Ambiguity, Sonic Archive, Sonic Archives, Sonic Art, Sonic Arts, Sonic Arts Research Unit, Sonic Continuum, Sonic Cultures, Sonic Diversity, Sonic Fantastic, Sonic Fantasy, Sonic Field, Sonic Heritage, Sonic Illusion, Sonic Ink Blot, Sonic Ink Blot Test, Sonic Inkblot, Sonic Inkblot Test, Sonic Pareidolia, Sonic Phantasm, Sonic Phantom, Sonic Phantoms, Sonic Process, Sonic Research, Sonic Research Group, Sonic Rorschach, Sonic Rorschach Test, Sonic Rubbish, Sonic Somatic, Sonic Spectres, Sonic Studies, Sonic Wonderland, Sonic Youth, Sonology, Sonology Education, Sophie Scott, Soul in the Machine, Sound, Sound & Music, Sound and Music, Sound and Space, Sound and Space in Science Technology and the Arts, Sound Archive, Sound Art, Sound Artist, Sound Arts Now, Sound Arts Practice, Sound Body, Sound Fjord, Sound Forms, Sound Group, Sound Image Research Group, Sound in Museums, Sound Object, Sound Practice, Sound Practices, Sound Research Group, Sound Studies, Sound-Art-Text, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Soundscape, Soundscapes, South Bank, South Bank Centre, Space, Speak Spirit, Speak Spirit Speak, Speaking in Tongues, Speaking Out, Spectral Anomaly, Spectral Communication, Spectre, Speech and Language, Speech Perception, Speech Processing, Spell Card, Spell Cards, Spiral House, Spiral House Editions, Spirit, Spirit Collector, Spirit Communication, Spirit Music Box, Spirit Speak, Spirit Voices, Spirits, Spiritualism, Spiritualist, Spoken Language, Spoken Word, Stanier Black Five, Static Man, Stefan Goldmann, Sten Hanson, Stephen Connor, Stereo, Stereophonic, Stereophonica, Sternberg, Sternberg Press, Steve Rajam, Steven Connor, Steven Rajam, Stone Tape, Stone Tape Theory, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Strange Frequencies, Strange History, Stuart Comer, Studio Fatmi, Studio Fatmi Nomad, Study of the Senses, STUK, Subjectivity, Sue Tompkins, Supernatural, Susan Hiller, Susan Philipsz, Susan Treister, Suspect Language, Tape Recorder, Taskerlands, Tate Britain, Tate Gallery, Tate Liverpool, Tate Modern, Team IF, Technological Imaginary, Technological Quest, Technological Quest for the Supernatural, Technologies of the Soul, Technologized Listening, Technology, Technology and Spiritualism, Technology of the Soul, Technology of the Spirit, Terry Miles, Text Sound, Text Sound Art, The Act of Magic, The Ancient Phonograph, The Arts, The Black Tapes, The Black Tapes Podcast, The Broadcast, The Discovery, The Extraordinary Story of the Technological Quest for the Supernatural, The Foundation Foundation, The Grey Room, The Hague, The Leverhulme Trust, The Machine and the Ghost, The MIT Press, The New King of Pop, The New King of Pop: Dr. Konstantin Raudive, The Phantom Within, The Poltergeist, The Power of Language, The Power of Speech, The Process, The Psychologist, The Soul in the Machine, The Static Man, The Stone Tape, The Uncanny, The Uncommon Senses, The Voices Of The Dead: Archives From Konstantin Raudive And Gerhard Stempnik, The Weird and the Eerie, The Word, The Word: Voice Language and Technology, The Words, There Are Two Paths Now, They Might Be Giants, Thomas B.W. Bailey, Thomas Bey, Thomas Bey William Bailey, Thomas Gardner, Three Receivers, Tiziano Scarpa, To Hear, Tobias Ewé, Tom McCarthy, Tomomi Adachi, Tony Cornell, Tony Kiernan, Tony Oursler, Tony Oursler EmU, Transmaterialization, Transmissions, Trebuchet, Trebuchet Magazine, Trebuchet Talks, Trevor Cox, Trevor Wishart, Trickster, Trolley Books, Two Here, Unannounced Voices, Uncanny, Uncanny Con 2024, UncannyCon 2024, Uncommon Senses, Uniform Books, Uniformbooks, Unit for Sound Practice Research, University of Brighton, University of Greenwich, University of Huddersfield, University of Oxford, University of San Marino, University of San Marino - Research Centre for Radiophonic Studies, Urbanomic, V01CE, V01CE: Vocal Aesthetics, Value Export, Véronique Béland, Venetian Veil, Venice, Venice Biennale, Vibrational Semantics, Villa Arson, Vincenzo Santarcangelo, Vis Journal, Visual Apophenia, Visualizing Noise, Viv Corringham, Vocal Aesthetics, Vocal Phantoms, Voice, Voice and Migratory Hauntings, Voice Language & Technology, Voice Noise, Voice Of The Dead, Voices from Beyond, Voices of the Dead, Vowel, Vowels, Vox, W.S. Burroughs, Warburg, Warburg Institute, Warburg Institute Kythera Gallery, We Haunt You While You Watch, We’re All Bats, Weightless Ghost, Weightless Ghosts, Weird and Eerie, Weird and the Eerie, Whispered Stories, Whispered Stories of Forgotten Wires, White Noise, William Bailey, William Burroughs, William S. Burroughs, Wire, Word, Word & Image, Word and Image, Word Art, Word Play, Wordplay, Words, Words Fail Me, Yale University, Yale University Press, Yanny, Yanny or Laurel?, Yoo Sun-Dong, Zdenka Badovinac, Zone, Zone Books, ]Sub Rosa
Hard-copy research materials used in “Rorschach Audio”
A selection of the hard-copy research materials used in the “Rorschach Audio” project (not including academic research papers or newspaper and magazine articles).
“Rorschach Audio” reviewed (in Dutch) in Gonzo Circus (Muziek, Kunst, Meer)…
https://www.gonzocircus.com/rorschach-audio/
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