0.0MHz Film, A Brief History of EVP, A Human History of Sound and Listening, A Scientific Odyssey of Sound, A Spectre, A Spectre - Haunting, Aaron Mahnke, Abi Warburg, Academic Cut-Up, Acoustic Ambiguity, Acoustic Environment, Acoustic Environments, Acoustic Paradigm, Acoustic Rorschach, AHRC, Ale Hop, Alessandro Bosetti, Alois Riegl, Alva Noto, Always Alive Recordings, Ambiguity, Ambiguous Audio, Ambiguous Auditory Stimuli, Ambiguous Sound, An Academic Cut-Up, An Adventure In Apophenia, Anòmia, Ancient Phonograph, Anders Monrad, Andrew Hugill, Andrew O'Hagan, Angus Carlyle, Ann Winsper, Anna Colin, Ansuman Biswas, Anthony Enns, Apocryphal Media, Apocryphal Psychtechnologies, Apophenia, Apophenia Audio, Apophenia Cloud Travel Apparatus, Apophenia Delay, Apophenia Delay Pedal, Apophenia Guitar Pedal, Apophenia Luxmorph, Apophenia Press, Apophenia Research, Appliance, Archive 81, Archive81, Archives From Konstantin Raudive, Arsenale, Arsenale Venice, Art, Art & Illusion, Art & Illusion for Sound, Art and Culture, Art and Science, Art Words, Art-Sci, Art-Science, Artefact, Artist, Arts & Humanities, Arts & Humanities Research, Arts & Humanities Research Council, Assembly, Attila von Szalay, Audio, Audio Ambiguity, Audio Apophenia, Audio Art, Audio Ghost, Audio Hallucination, Audio Illusion, Audio Inkblot, Audio Object, Audio Paredolia, Audio Pareidolia, Audio Phantom, Audio Phantoms, Audio Rorschach, Audiograft, Audiograft 2022, Auditory Ambiguity, Auditory Hallucination, Auditory Hallucinations, Auditory Illusion, Auditory Illusions, Auditory Inkblot, Auditory Pareidolia, Auditory Perception, Auditory Phantasm, Auditory Phantasmatic Presence, Auditory Phantasmic Presence, Auditory Phantom, Auditory Projective Test, Auditory Rorschach, Aura Satz, Aural Diversity, Aural Inkblot, Aural Inkblot Test, Aural Pluralities, Aural Pluralities Network, Autonomedia, Autonomedia Archives, Autonomedia Publishing, Barbara Ellison, Barnaby Wright, Barry C. Smith, Barry Smith, Barry Truax, Basalt, Basalt Rennes, BBC, BBC Monitoring Service, BBC Radio, BBC Radio 4, BBC Radiophonic Workshop, BBC TV, BBC Wales, Beaconsfield, Beaconsfield Gallery, Beaconsfield Primary Research, Bearpark Poltergeist, Beholder's Share, Belus, Ben Cutmore, Ben Murphy, Bernard Geoghegan, Biennale di Venezia, Black Tapes, Black Tapes Podcast, Blaze TV, Bloomsbury, Bloomsbury Academic, Bloomsbury Publishing, Bon Accueil, Bon Accueil Rennes, Book Works, Bookworks, Boundary Condition, BPS, Brandon LaBelle, British Psychological Society, Broadcast, Buh Records, Cachichi, Cadavre Magnétique, Caleb Kelly, Calla, Camden Art Centre, Camden Arts Centre, Carl Michael Von Hausswolf, Caroline Bergvall, Carsten Nicolai, Caterina Barbieri, Catherine Wood, Cathy Lane, Cégeste, Centre for the Study of the Senses, Centre Pompidou, Channel, Channel One Channel Two and Channel Three, Channel Somerset House, Charlie McDowell, Charlotte Charbonnel, Charlotte White, China Mieville, Choi Yoon-Young, Chris French, Christian Duka, Christina Kubisch, Christine Kim Sum, Christine Van Assche, Christof Migone, Ciaran O’Keeffe, Claire Elliott, Claire Williams, CM Von Hausswolf, CM von Hausswolff, Cognitive Ambiguity, Cognitive Illusion, Cognitive Psychology, Cognitive Science, Collective Books, Confounded by Apophenia, Contamination, Continent, Creative Research, Creative Research into Sound Arts Practice, Creative Technologies Research Centre, Cripta 747, Cripta747, CRISAP, CTM Discourse, Curse of Luibeilt, Damien Simon, Dani Gal, Daniel Powell, Daphne Oram, Daphne Xanthopoulou, Dark Histories, Dark Histories Podcast, Dave Tompkins, David Hendy, David Toop, David Wesley Sutton, Dead Lines, Dead Signals, Dead Signals Podcast, Deadly Sounds From Above, Deborah Hyde, Delicious Audio, Devonshire Collective, Diana Deutsch, Diana Pasulka, Die Macht der Sprache, Digital Ghosts, Digital Ghosts: Voice and Migratory Hauntings, Dirk Huelstrunk, Discovery, Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation Artist Project, Disinformation Artist's Project, Divine Illusion, DJ Spooky, Douglas Kahn, Dr Milo Taylor, Dr. J. Milo Taylor, Dr. Konstantin Raudive, Dragan Spasov, Drawing Phantoms, Drone Rorschach, Due Qui, Due Qui / To Hear, Duke University Press, Dyslex, E.H. Gombrich, E.H. Gombrich & Sound, E.H. Gombrich and Sound, Ears To The Ground, Earslips, Earslips: Of Mishearings and Mondegreens, Earwitness, Earwitness Testimony, Eddie Ruscha, Editions Mego, EH Gombrich, Eigen+Art, Eigen-Art, Electronic Voice Phenomena, Electronic Voice Phenomenon, Elisa Troiano, Ellen Moffat, Elton’s Phone, Empirical Approaches to Language, Erik Davis, Erik Deerly, Erminio Alekos Serpente, Ernst Gombrich, Ernst Gombrich & Sound, Ernst Gombrich and Sound, Ernst Gombrich: L’Expérience Radiophonique d’un Historien de L’Art, Ernst Vegelin, Ernst Vegelin van Claerbergen, Esprits de Paris, Estelle Chaigne, Evelyn Hollow, EVP, EVP Recording, EVP Recordings, EVPs, Ex Anima, Expérience Radiophonique, Experimental Phastasmogenesis, Faster Circuits, Felicia Barr, Field Notes, Field Notes Live, Field Notes Magazine, Fieldnotes, Fieldnotes Live, Fieldnotes Magazine, Florian Decker, Florian Hecker, Forgotten Wires, Forma, Forma Arts, Forma Arts & Media, Forma HQ, Fortean Society, Fortean Times, Fortean Times Magazine, Foundation for the Arts, Francisco Lopez, Freud Museum, Friedrich Jürgenson, Frieze, Frieze Magazine, Frith Street Gallery, Galerie Le Bon Accueil, Gallery Sound, Gascia Ouzounian, Gavin Bryars, Gazelle Twin, Geography of Sounds, Gerhard Stempnik, Ghost, Ghost & Spirit, Ghost and Spirit, Ghost Horses of Averham, Ghost in the Machine, Ghost Machine, Ghost Quartet, Ghost Semantics, Ghost Stories, Ghost Voice, Ghost Voice Research, Ghost Watch, Ghost Zone, Ghosts, Ghosts and Demons, Ghosts In The Machine, Ghostwatch, Giulia Lenti, Glasgow International, Goldsmiths, Gombrich & Sound, Gombrich and Sound, Gonzo Circus, Goodman Gallery, Graham Dunning, Greenwich University, Grey Room, Hallucination, Halluzination Perspektive, Halluzination Perspektive Synthese, Halluzination Synthese, Harpers Bazaar, Haunted Landscape, Haunted Machine, Haunted Machines, Haunted Media, Haunted Technology, Haunting, Hauntology, Hearing, Hearing Lips, Hearing Lips and Seeing Voices, Hearing Voices in the Noise, Heavier Than Words, Heinrich Hertz, Hermann Rorschach, High Static, High Static Dead Lines, Historien de L’Art, Holistic 4.0, Holistic 4.0 - Miscommunications, Holographic Skies, Homage with Minimal Disinformation, Homophone, Homophones, How To Wreck A Nice Beach, Humanities Research, Humour in the Water Coolant, ICA, ICA London, If The Spirit Moves You, Iklectik 2025, Iklectik Art Lab, Iklectik Nomadik, Ikon Birmingham, Ikon Gallery, Illusion in Speech and Language, Illusion of Sound, Illusions & Paradoxes, Image Research, Image Text Sound, Imogen Stidworthy, Inaudible Becomes Audible, Inigo Wilkins, Institute of Philosophy, Instrumental Transcommunication, Inter.Sonix, Interdimensional Technology, International Media Futures, International MediaFutures, International Necronautical Society, Into The Uncanny, Inua Phaze Ellams, Invisible Generation, Irini Papadimitriou, Irreversible Noise, Italian Pavilion, ITC, J. Milo Taylor, Jaap Blonk, Jamie Allen, Jana Winderen, Jane Hamlyn, Jean Cocteau, Jeffrey Sconce, Jem Finer, Jess M. Williams, Jo Burzynska, Joan La Barbara, Joe Banks, Joel Cahen, Joerg Piringer, John Drever, John Levack Drever, John Wynne, Jon Culshaw, Julian Weaver, Julie Wolfe, Jung Eun-Ji, Justin Lader, Justine Picardie, K-Punk, Kali Malone, Katharine Norman, Kathelin Gray, Koladé Spirit, Konstantin Raudive, Kristen Gallerneaux, Kunsthalle Wien, Kunstverein Gartenhaus, Kythera, Kythera Gallery, La Biennale di Venezia, Laetitia Rouiller, Language, Language Is, Language is Meta-Technology, Language is MetaTechnology, Language Removal Services, Language Technology, Languaged, Languaging, Larry Sider, Larry Wendt, Lars Bang Larsen, Lars-Gunnar Bodin, Last Tuesday Society, Laurie Anderson, Laurie Taylor, Lawrie Shabibi, L’Art et L’Illusion, LCC Crisap, Le Bon Accueil, Le Bon Accueil – Lieu d’Art Contemporain, Lee Fraser, Lee Ranaldo, Left of the Dial, Left of the Dial Podcast, Leigh Landy, Leila Dear, Lending An Ear, Leverhulme, Leverhulme Trust, Lieu d'Art Contemporain, Listening, Listening Across Disciplines, Listening Arts Channel, Listening for Ghosts, Living With Ghosts, Loco-Lab, London College of Communication, London Consortium, London Fortean, London Fortean Society, London Southbank University, Lore, Lore Podcast, Luca Cerizza, Lumisokea, LXV, Machine, Machine and the Ghost, Macht der Sprache, Magic Lantern, Mara Mills, Marc Sollinger, Marco Maldarella, Marco Pasi, Marina Warner, Mark Blagrove, Mark Fisher, Mark Leckey, Mark Pilington, Mark Underwood, Massimo Bartolini, Massimo de Carlo, Matt Bernico, Matt Collier, McGurk Effect, Meaning in Randomness, Media Futures, Media@McGill, MediaFutures, Mego Records, Mentalizing Sound, Meta-Technology, Metatechnology, Michael Esposito, Michael Vincent, Migratory Hauntings, Mike Kelley, Mike Kelley Foundation, Mike Kelley Foundation for the Arts, Milo Taylor, Minimal Disinformation, Mirage Men, Miscommunication, Miscommunications, Mishearings, Misinformation, MIT Press, MIT Press Reader, Modus, Modus Arts, Mondegreens, Monitor Books, Mounir Fatmi, Mr. Bill, Murray R. Schaeffer, Musical Ear, Musical Ear Syndrome, Musical Illusion, Musical Illusions, Musical Illusions & Paradoxes, Musical Illusions & Phantom Words, National Poetry, National Poetry Library, Natural Phantoms, Navigating Sound, Neil Matheson, Nermin Saybasili, Netflix, Neuroscience, New King of Pop, New Music, New York University, Nicholson Heal, Nicoletta Costa, Nigel Kneale, Nkisi, NMC Recordings, Noise, Nye Parry, Objects of Sound, OCM, October Gallery, Offprint London, Olga Sureda, Oliver Brown, Olivia Erlanger, On Listening, Orphée, Orpheus, Orpheus Institute, Oswaldo Macià, Otolith, Otolith Group, Otoloci, Otoloci Ltd, Outline Platform, Oxford Brookes, Oxford Brookes University, Oxford Contemporary Music, Oxford Exorcism, Oxford University, Padiglione Italia, Pamela Z, Paradox, Paranormal, Paranormal Experiences, Parapsychological, Paréidolie, Paréidolie Salon, Paredolia, Pareidolia, Pareidolia and Apophenia, Pareidolia Research, Patrik Lechner, Paul Bae, Paul Lansky, Paul Purgas, Paul Rooney, Paul Whitty, Pedagogies of the Ear, Penguin, Penguin Random House, Perceptual Ambiguity, Perspektive Synthese, Pete Bebergal, Peter Bebergal, Peter Keene, Phantasma Humana, Phantasmatic Audio, Phantasmatic Sound, Phantasmic Presence, Phantom Audio, Phantom Portraits, Phantom Signals, Phantom Sound, Phantom Sounds, Phantom Within, Phantom Words, Phastasmogenesis, Philosophical and Empirical Approaches to Language, Philosophy and Language, Phonograph, Plastic Language, Playing with Words, PLOS, PLoS ONE, Poetry Library, Poi Marr, Politics of Listening, Poltergeist, Postmodernism, Power of Language, Powers of Hearing, Predictive Network, Predictive Processing, Primary Information, Primary Research, Printed Matter, Printed Matter Chelsea, Prof. Chris French, PRS Foundation, PRSF, Psycho Acoustics, Psycho Sonic, Psychoacoustics, Psychoacoustics & Sonic Illusion, Psychoacoustics and Sonic Illusion, Psychological Society, Psychologist, Psychosonic, Public Knowledge, Public Library of Science, Public Listening, Quest for the Supernatural, Radical Radio, Radio 4, Radio International, Radio International Collective, Radiophilia, Radiophonic Music, Radiophonic Workshop, Radiophrenia 87.9FM, Radiosthésie, Radiothesia, Rahma Khazam, Random House, Raster Noton, Ràdio Macba, Ràdio Web Macba, Reece Shearsmith, Repeater Books, Repeater Radio, Research Council, Research Group, Research Unit, Residual Haunting, Resonant Dialogues, Richard Birkett, Rob Mullender, Rob Mullender-Ross, Robert Redford, Robin Rimbaud, Rorschach, Rorschach Audio, Rorschach Device, Rorschach Devices, Rorschach Ink-Blot, Rorschach Sound, Routledge, Royal Conservatory, Ruede Hagelstein, Ryan Electric, Ryan Electric Products, Sainsŵn, Salome Voegelin, Sam Ridout, Samuel Brzeski, Sarah Sparkes, SARU, Sas Mays, Save Manhattan, Séance, Scanner, School of Sound, Sci-Art, Science, Science and Art, Science Art, Science in Culture, Science of Sound, Scii Tenaph, Sean O’Connor, Seeing Frequencies, Seeing Voices, Senate House, Senses, Sensoramics, Sensory Deception, Sensory Deception: Psychoacoustics and Sonic Illusion, Serpentine Gallery, Seth Ayyaz, Shane Butler, Shin Joo-Hwan, Sianed Jones, Simon Grant, Sir E.H. Gombrich, Sir Ernst Gombrich, Site Gallery, Site Sessions, Sofia Lemos, Soft Opening, Somerset House, Somerset House Channel, Somerset House Studios, Sonic Ambiguity, Sonic Art, Sonic Arts, Sonic Arts Research Unit, Sonic Continuum, Sonic Cultures, Sonic Diversity, Sonic Field, Sonic Illusion, Sonic Inkblot, Sonic Pareidolia, Sonic Phantom, Sonic Phantoms, Sonic Process, Sonic Research, Sonic Research Group, Sonic Rorschach, Sonic Rubbish, Sonic Somatic, Sonic Spectres, Sonic Studies, Sonic Wonderland, Sonic Youth, Sonology, Sonology Education, Sophie Scott, Soul in the Machine, Sound, Sound & Music, Sound and Music, Sound and Space, Sound and Space in Science Technology and the Arts, Sound Art, Sound Artist, Sound Arts Now, Sound Arts Practice, Sound Body, Sound Fjord, Sound Group, Sound Image Research Group, Sound in Museums, Sound Object, Sound Research Group, Sound Studies, Sound-Art-Text, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Soundscape, Soundscapes, South Bank, South Bank Centre, Space, Speaking Out, Spectral Communication, Spectre, Speech and Language, Speech Perception, Spiral House, Spiral House Editions, Spirit, Spirit Collector, Spirit Voices, Spirits, Spiritualism, Spiritualist, Spoken Language, Spoken Word, Stanier Black Five, Static Man, Stefan Goldmann, Sten Hanson, Stephen Connor, Stereo, Stereophonic, Stereophonica, Sternberg, Sternberg Press, Steve Rajam, Steven Connor, Steven Rajam, Stone Tape, Stone Tape Theory, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Strange Frequencies, Stuart Comer, Studio Fatmi, Studio Fatmi Nomad, Study of the Senses, STUK, Sue Tompkins, Supernatural, Susan Hiller, Susan Philipsz, Susan Treister, Suspect Language, Taskerlands, Tate Britain, Tate Gallery, Tate Liverpool, Tate Modern, Team IF, Technological Imaginary, Technological Quest, Technological Quest for the Supernatural, Technologies of the Soul, Technologized Listening, Technology, Technology and Spiritualism, Technology of the Soul, Technology of the Spirit, Terry Miles, Text Sound, Text Sound Art, The Act of Magic, The Ancient Phonograph, The Arts, The Black Tapes, The Black Tapes Podcast, The Broadcast, The Discovery, The Extraordinary Story of the Technological Quest for the Supernatural, The Grey Room, The Hague, The Leverhulme Trust, The Machine and the Ghost, The MIT Press, The New King of Pop, The New King of Pop: Dr. Konstantin Raudive, The Phantom Within, The Poltergeist, The Power of Language, The Power of Speech, The Process, The Psychologist, The Soul in the Machine, The Static Man, The Stone Tape, The Uncanny, The Uncommon Senses, The Voices Of The Dead: Archives From Konstantin Raudive And Gerhard Stempnik, The Weird and the Eerie, The Word, The Word: Voice Language and Technology, There Are Two Paths Now, They Might Be Giants, Thomas B.W. Bailey, Thomas Bey, Thomas Bey William Bailey, Thomas Gardner, Three Receivers, Tiziano Scarpa, To Hear, Tobias Ewé, Tom McCarthy, Tomomi Adachi, Tony Cornell, Transmaterialization, Trevor Cox, Trevor Wishart, Trickster, Trolley Books, Two Here, Uncanny, Uncanny Con 2024, UncannyCon 2024, Uncommon Senses, Uniform Books, Uniformbooks, Unit for Sound Practice Research, University of Brighton, University of Greenwich, University of Huddersfield, University of Oxford, Urbanomic, V01CE, V01CE: Vocal Aesthetics, Value Export, Véronique Béland, Venetian Veil, Venice, Venice Biennale, Vibrational Semantics, Villa Arson, Vincenzo Santarcangelo, Vis Journal, Viv Corringham, Vocal Aesthetics, Vocal Phantoms, Voice, Voice and Migratory Hauntings, Voice Language & Technology, Voice Noise, Voice Of The Dead, Voices from Beyond, Voices of the Dead, Vowel, Vowels, W.S. Burroughs, Warburg, Warburg Institute, Warburg Institute Kythera Gallery, We Haunt You While You Watch, We’re All Bats, Weird and Eerie, Weird and the Eerie, Whispered Stories, Whispered Stories of Forgotten Wires, William Bailey, William Burroughs, William S. Burroughs, Word, Word & Image, Word and Image, Word Art, Words, Words Fail Me, Yoo Sun-Dong, Zone, Zone Books, ]Sub Rosa
Hard-copy research materials used in “Rorschach Audio”
A selection of the hard-copy research materials used in the “Rorschach Audio” project (not including academic research papers or newspaper and magazine articles).
“Rorschach Audio” reviewed (in Dutch) in Gonzo Circus (Muziek, Kunst, Meer)…
https://www.gonzocircus.com/rorschach-audio/
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