Aleks Kolkowski, Aleksander Kolkowski, Anton Shagin, Art-Science, Audio Art, Audio History, Audio Rorschach, Baltic, Bones, Brian Dillon, Cabinet Magazine, Calvert 22, Concretia, Curves of the Needle, Damien Simon, David Ellis, Disinformation, DIY Culture, кости, Eduardo Cadava, Ekaterina Vilkova, Evgeniya Khirivskaya, Flexidisc, Horse Hospital, Igor Voynarovskiy, Kino, Le Bon Accueil, Le fantôme dans la machine, Leftovers, Luke Jerram, Maksim Matveev, Mashina Vremeni, Music on bones, Musicology, Nautilius Pompilius, рентгениздат, рёбра, Oksana Akinshina, Phillip Oltermann, Pierre Bastien, Playing the X-Record, Politics of Listening, Punk, Recording Technology, Ribs, Roentgenizdat, Rorschach Audio, Samizdat, School of Thought, Sci-Art, Self-Publishing, Simon Tyszko, Sina Najafi, Sonic Art, Sonic Art & Medicine, Sonic Culture, Sonic History, Sonic Studies, Sound & Music, Sound Art, Sound Studies, Soviet, Stephen Coates, Stilyaga, Tilman Küntzel, Transnational Genealogies of Dissidence, Underground, Victoria Bazoeva, Vinyl Factory, X-Ray, X-Ray Audio, Xenia Vytuleva
X-Ray Audio – Soviet “Bones” [кости] + Stilyagi [Стиляги]
“Roentgenizdat” (X-ray) sequence – 0:36 to 2:50 – from the film “Stilyagi” by Valery Todorovsky; underground distribution and the politics of listening!
https://rorschachaudio.com/2014/07/23/soviet-bones-кости-ribs-рёбра-roentgenizdat-рентгениздат/
From → Uncategorized
Rorschach Audio + Disinformation 
Trackbacks & Pingbacks