180 The Strand, 20Hz, 35MW, 50Hz, 840 Series, 85A Collective, A History of the Universe in Sound, A4 Bratislava, ACCA, ACCA Melbourne, Action Research, Adriana Knouf, Afroditi Psarra, Agency Gallery, AHRC, Al-Jabr, Alfred Hitchcock, Allegorical Portrait of J. Robert Oppenheimer, Alternating Current, Alva Noto, Alvin Lucier, Amanda Stuart, Ambisonic, Ambisonics, Amit D Patel, Amplified, An Allegorical Portrait of J. Robert Oppenheimer, Anna Friz, AnOther Magazine, AnOtherMag, Antiopic, Antiphony, Appau Jnr Boakye-Yiadom, Arebyte Gallery, Art Blocks, Art Blocks x Pace Verso, Art Contemporary, Art on the Underground, Artangel, Artlaw, Artquest, Arts & Humanities Research Council, Arts Catalyst, Arts Council England, Artsadmin, Ash International, Assembly 2020, Atau Tanaka, Audint, Audio Art, Audrey Briot, Australian Centre for Contemporary Art, AV Festival, AV Festival Newcastle, Électromagnétisme, Ö1 Kunstradio, B-Side Festival, Baltic, Baltic Centre, Baltic Centre for Contemporary Art, Baltic Gateshead, Banner Repeater, Bastard Assignments, BBC4, Bea De Souza, Beatrice Dillon, Blast First, Bold Tendencies, Brian Eno, Brilliant Noise, Café Oto, Café Oto London, Call & Response, Call and Response, Call and Response Studios, Camden Art Centre, Cameron Perry Fraser, Carsten Nicolai, Carsten Seiffarth, Centre Point, Changing Signals, Channel, Channel Somerset House, Charing Cross Road, Charlie Fox, Chateau Denmark, Chloe Wong, Christian Marclay, Christina Kubisch, Chus Martinez, Claudio Zamperoni, Close Lightning, Close Lightning Spherics, CM von Hausswolff, Construction of an Act, Contemporary Art, Coram Foundation, Critical Sonic Practice, Cryptic, CTM, CTM Festival, CTM Festival Radio Lab, CTM Radio Lab, Currents, Damien Hirst, Dan Tapper, Daniel Birnbaum, David and Indrė Roberts Collection, David Briggs, David Roberts, David Roberts Art Foundation, David Toop, Dazed and Confused, DazedDigital, DDMMYY, De La Warr Pavilion, Denmark Street, Detektors, Deutschlandfunk Kultur, Dhangsha, Dirty Electronics, Disinformation, Disinformation Art, Disinformation Art Project, Disinformation Artist, Disinformation Artist Project, Disinformation Artist's Project, Disinformation John Squire, Disinformation My Misinformation, Disinformation War, Disobey, Dissonant Wave, Dneiper Hydro-Electric Power Station, Dorit Chrysler, Douglas Kahn, Dr Simon Foster, DRAF, DRAF Studio, Dub Morphology, Dubmorphology, Dushume, E-werk, E-werk Luckenwalde, Ear Tells The Eye, Ear Tells The Eye Where To Look, Earth Sound Earth Signal, Edelmat, Eigen+Art, Eigen-Art, Ele Carpenter, Electric Sublime, Electrical Currents of the City, Electrical Pulse of London, Electrical Walks, Electricity, Electricity The Spark of Life, Electro Putere, Electromagnetic Audio, Electromagnetic Bubblebath, Electromagnetic Field Recording, Electromagnetic Fields, Electromagnetic Interactions, Electromagnetic Interference, Electromagnetic Recordings, Electromagnetic Sound, Electromagnetic Spectrum, Electromagnetism, Electronic Music, Elektrizitätswerk, Eleonora Oreggia, Embodied Interaction, Emerging Paradigm, Emiddio Vasquez, Empty Set, Emptyset, Ephemera, Ephemera Festival, Ephemery, Ephemery Festiwalu, Eric Demetriou, Erratum, Es Devlin, Ewa Justka, Experimental Sound, Exploring Cultural Diversity, Fabrica, Fabrica Gallery, Festiwalu, Field, Fieldwave, Filthy Lucre, Flatpack Festival, Fluc Bloeder Mittwoch, Forma, Forma Arts, Forma Arts & Media, Forma HQ, Forum Stadtpark, Forum Stadtpark Graz, Foundling Museum, Francesco Fusaro, Freunde Guter Musik, From Signal to Decay, Futurism, Gabriel Prokofiev, Galeria OMR, Gary Stewart, Gazelle Twin, George Frideric Handel, Gesture Music, Ghost Shells, Giya Kancheli, Goethe Institut, Goethe Institute, Goethe-Institut London, Goldsmiths, Goldsmiths CCA, Goldsmiths College, Goldsmiths Media, Goldsmiths Press, Goldsmiths Shorts, GR-Uniforma, Grid Music, Groenewegen, GV Art, Hari Kunzru, Haroon Mirza, Haroon Mirza: The Construction of an Act, Haus der Kulturen der Welt, Haus der Kulturen der Welt Berlin, Hayward Gallery, Heather Phillipson, HEK Haus der elektronischen Künste, Helen Czerski, Her Noise, Here at Outernet, Hestercombe Gallery, HKW, HKW - Haus der Kulturen der Welt Berlin, Homage with Minimal Disinformation, Honor Harger, House of Arts, Huddersfield Art Gallery, Hyperdub, i-D magazine, Iklectik, Iklectik Art Lab, Iklectik Offsite, Ilia Rogatchevski, Illusions, Image Music Text, Imber, Immersive Sound, Immersive Spatial Sound, IMT Gallery, In Focus: Hogarth and Copyright, Indrė Roberts, Information, Information Disinformation, Inigo Wilkins, Installation Art, Institute of Contemporary Arts, International Media Futures, International MediaFutures, Intonarumori, Invisible Dust, Irreversible Noise, Isn’tses, Όταν το αυτί λέει στο μάτι πού να κοιτάξει, Θκιό Ππαλιές, J. Robert Oppenheimer, James Ginzburg, Jeremy Keenan, Joe Banks, John Richards, John Squire, John Squire: Disinformation, Joyce Hinterding, Julius Meytuss, Karst, Karst Gallery, Karst Plymouth, Kate Carr, Katharina Worf, Körper im Elektromagnetischen Feld, Keith Sargent, Kettle's Yard, Kinetic Art, King's Place, Klangkunst, Kode 9, Kohn Gallery, Koppel Project, Kornhausforum Bern, Kristen Floos, Kunstradio, Kunststrom, Language, Laura McLean-Ferris, Leafcutter John, Lee Berwick, Leeds 2023, Leeds2023, Leila Dear, Leila Hasham, Leonardo Music Journal, Lindsay Seers, Line of Beauty & Grace, Line of Grace, Liquid Architecture, Lisa McKendrick, Lisson Gallery, Listenpony, Live Mains Electricity, Living With Ghosts, LLC, Lovely Music, Lower Third, Luckenwalde, Luigi Russolo, Luma Arles, Magnetic Signals, Magneticsignals, Marc Langlois, Marco Brambilla, Maria Chehonadskih, Marina Benetti, Mark Leckey, Mark Peter Wright, Marko Peljhan, Marta Zapparoli, Martin Howse, Martin Messier, Matt Lewis, Matt’s Gallery, Matts Gallery London, Media Futures, MediaFutures, Meta Gesture, Meta Gesture Music, Metaverse, Metaverse Spatial Audio, MFZ Records, Michael Joo, Mike Fell, Minimal Disinformation, Misinformation, Montréal, MTV Awards, Multiverse Music, Museum of Installation, Musica Dispersa, Musica Dispersa Radio, Musica Dispersa Records, Mute Frequencies, Mute Magazine, Mute Records, Nahmad Contemporary, NASA, NASA Sound Archive, Natalie Kancheli, National Grid, Nebula Rosa, Nebularosa, Nebularosa 02, Nebularosa 02: Electromagnetic Interactions, Nebularosa Records, Ned McConnell, New Instruments, Newport Street, Newport Street Gallery, Nik Nak, Nikki Sheth, NikNak, Nkisi, No Idea Festival, Noise, Non-Classical, Nonclassical, Nottingham Contemporary, Now Arcade, Now Building, Now Pop-Up, Now Pop-Up 2, Now Trending, NTT ICC, Nuclear Culture, Off City, Off City Divadlo, Old Timber Yard Yamaguchi, Olga Panades, Oliver Fuke, Oppenheimer, ORF Musikprotokoll, Otoroku, Otoroku Label, Otoroku Records, Outernet, Outernet Arts, Outernet Global, Outernet Live, Outernet London, Oxford Contemporary Music, Oxford Street, Pace, Pace Gallery, Pace Verso, Palais de Tokyo, Palais de Tokyo Paris, Patrick Sykes, Paul Purgas, Peltz Gallery, Performance Electrics, Peter Eramian, Phantasmata, Phantasmata & Illusions, Phantasmata and Illusions, Poetics of Time, Poison Ivy Rorschach, Polisonic, Polisonics, Politics and Sound, Politics of Sound, Power Nights, Prelude, Preludes, Quad Derby, R&D, Radio Art, Radio Lab 2022, Radio Revolten, Radioqualia, Raster Noton, Ray Lee, Recording The Spirit Level, Reference Studios, Reference Studios x Selfridges, Resonance FM, Resonanzen, Richard Humphreys, Robbie Thomson, Robert Oppenheimer, Roberts Collection, Roberts Institute, Roberts Institute of Art, Robin Rimbaud, Royal College of Art, Royal Institution, Ruth Garde, Ryoji Ikeda, S. J. Groenewegen, Sabine Himmelsbach, Saint Jerome, Samizdat, Sasha Engelmann, Scanner, Science Limited, Science Ltd, Selfridges, Semiconductor, Semiconductor Films, Serpentine Gallery, Serpentine Gallery London, Serpentine Line, Sferics, Shannen SP, Shintaro Miyazaki, Shoppinghour, Shoppinghour Magazine, Signal to Decay, Silent Sound, Simon Foster, Simulation/Skin, Singuhr Sound Gallery, SODA Gallery, Sofia Lemos, Some Call it Noise, Some Call it Noise - Turbulent Forms, Somerset House, Somerset House Assembly 2020, Somerset House Channel, Somerset House Studios, Sonar Festival, Sonic Anomaly, Sonic Anomaly Sideshow, Sonic Art, Sonic Boom, Sonic Continuum, Sonic Continuum: On Sound and Poetics of Time, Sonic Immersion, Sonic Practice, Sonic Ray, Sonic Scope, Sonic Studies, Sonica, Sonica 2016, Sound & Music, Sound and Poetics, Sound and Poetics of Time, Sound and Politics, Sound Mirrors, Sound Politics, Sound Practice, Sound Studies, Sound Theory, Sound Waves, Sounding the Body Electric, South Hill Park, South London Gallery, Space Station MIR, Spark, Spark Transmission, Spark-Gap, Spark-Gap Transmission, Spatial Audio, Spatial Sound, Spectral, Spellbound, Spike Island, Stargate, Stephen McGreevy, Steven Connor, Strange Attractor Press, Subtext Recordings, Sunsong, Sylvia Ross, Tacita Dean, Tate Modern, TBA21, Technology, Tectonic Recordings, TED Talks, TFL, The Agency, The Agency Gallery, The Analysis of Beauty, The Disinformation War, The Foundry, The Hayward Gallery, The ICA, The Motherland of Electricity, The Noise, The Now Building, The Origin of Painting, The Power of Electricity, The Process, The Quietus, The Rumble, The Situationist, The Symphony of Physics, The Vinyl Factory, The Wire, The Wire Magazine, Theophany, Thkio Ppalies, Thomas Coram, Thyssen Bornemisza, Thyssen-Bornemisza Art Contemporary, Tim Drage, Tim Shaw, Titans in the Landscape, Today Art Museum, Tom McCarthy, Tom Morton-Smith, Tony Tremlett, Torsten Lauschmann, Touch Records, Transmediale, Transmission Ecologies, Transmission Lines, Trevor Mathison, Trevor Paglen, Tricor, Troika, Turbulent Forms, Turner Contemporary, Turner Contemporary Margate, Unsound: Undead, Unsoundu, Unsoundu Festiwal, Urbanomic, Urbanomic Press, Vašulka Kitchen, Vašulka Kitchen Brno, Verso, Very Low Frequency, Very Low Frequency Radio, Very Low Frequency Radio Art, Victor Mazon Gardoqui, Video Installation, Vinyl Factory, VLF, VLF Interference, VLF Noise, VLF Radio, VLF Radio Art, VLF Sound, Volks Nicosia, Volksbühne Berlin, Volta, VRHAM Hamburg, War, Waveform, We Break Strings, Wellcome Trust, When The Ear Tells The Eye Where To Look, William Hogarth, Wireless, Wyndham Lewis, Wysing Arts Centre, Wysing Polyphonic, X-Name, XFRMR, Xname, Yang Li, Yates Norton, ZKM, ZKM Karlsruhe
Disinformation exhibition catalogue on sale through Strange Attractor Press…
Featuring a critical essay by the art historian, curator and Wyndham Lewis biographer Richard Humphreys, “The Analysis of Beauty” is a profusely-illustrated, high-quality 204mm-square 48-page perfect-bound paperback, which documents the activities of the installation art and electronic music project Disinformation. Described by The Metro newspaper as “the black-ops unit of the avant-garde”, and by the author Hari Kunzru as (the) “poet of noise”, from 1995 onwards Disinformation began work on a program of research which led to a series of highly-influential and innovative LPs and CDs, which initially focussed on exploring the creative potential of recordings of electromagnetic (often VLF radio) noise phenomena – electrical interference from live mains electricity, electric storms, underground railway systems, industrial and IT hardware, and even the sun.
“The Analysis of Beauty” catalogue documents the evolution of Disinformation’s artistic strategies, including numerous concerts, gallery installations and solo exhibitions, also focussing on the title-exhibit (“The Analysis of Beauty” – which is named after the book by the artist William Hogarth), the “Spellbound” video installation (“An Allegorical Portrait of J. Robert Oppenheimer”), “Theophany” (“The Voice of God”), “National Grid” (sound from live mains electricity), “Stargate” (solar radio noise recordings), the “Rorschach Audio” research project, and Disinformation’s equally influential work at the abandoned village of Imber on Salisbury Plain, and documentation of the UK’s extraordinary coastal air-defence Sound Mirrors. The Guardian wrote that “Disinformation combine scientific nous with poetic lyricism to create some of the most beautiful installations around”.
http://strangeattractor.co.uk/shoppe/the-analysis-of-beauty/
“The ear, the organ of fear, could have evolved as greatly as it has only in the night and twilight of obscure caves and woods, in accordance with the mode of life of the age of timidity, that is to say the longest human age there has ever been… That is how music acquired the character of an art of night and twilight.” – Friedrich Nietzsche “Daybreak” 1881 (“The Analysis of Beauty” catalogue, page 38)
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