Acoustic Inkblot, Acoustic Rorschach, Acuity, AJ Ayer, Ambiguity, Archive File Nguyen Van Phong, Art, Audint, Audio, Audio Anthropology, Audio Art, Audio Inkblot, Audio Parediolia, Audio Rorschach, Auditory Inkblot, Auditory Projective Test, Auditory Rorschach, Baker Street Irregulars, D-Day, Defasten, Delusions Of The Living Dead, Disambiguation, Disinformation, Disinformation Technology, Espionage, Freddie Ayer, Ghostcode, Hyperdub, Imperial War Museum, International, IREX2, IWM Contemporary, Joe Banks, Kode9, Listening, LLUFC, Loop Berlin, Low Level Urban Funk Campaign, Manchester Metropolitan University, Martial Hauntology, Ministry of Ungentlemanly Warfare, Noise, Partisans, Patrick Doan, Perception, Politics of Listening, Recognition, Reel Torque Volume 32, Resistance, Rorschach Audio, SOE, Sonic Art, Sonic Inkblot, Sonic Pareidolia, Sonic Rorschach, Sonic Studies, Sonic Warfare, Sound, Sound Art, Sound Artist, Sound Studies, Sound Weapons, Souzanna Zamfe, Special Operations Executive, Steve Goodman, Toby Heys, University of East London, WW2
SOE Auditory Disambiguation Training During WW2
A dramatised reconstruction of auditory recognition and disambiguation training for prospective field-agents of the Special Operations Executive, preparing espionage, sabotage, reconnaissance and resistance operations behind enemy lines during WW2. The role of sound in military intelligence is a critical focus of the “Rorschach Audio” book. SOE were colloquially known as The Baker Street Irregulars and The Ministry of Ungentlemanly Warfare…
“Now listen. Was that a freight train or a 155mm shell passing overhead? A door latch or the cocking of a .45 calibre pistol? A jungle bird, or a falling bomb? Someone tapping on a champagne glass, or Swiss bells?”
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Rorschach Audio + Disinformation 
Great delivery. Sound arguments. Кeep up the ɡreat effort.