0.0MHz Film, 4’33”, A Ghost Dance, A Ghost In Your Ear, A Human History, A Spectre, A Spectre - Haunting, Aaron Mahnke, Abi Warburg, Academic Cut-Up, Acoustic Ambiguities, Acoustic Ambiguity, Acoustic Environment, Acoustic Environments, Acoustic Inkblot, Acoustic Paradigm, Acoustics, Acoustics and Psychoacoustics, After Post-Truth, AHRC, Alain Badiou, Alan Hall, Ale Hop, Alice Kemp, Alois Riegl, Alva Noto, Always Alive Recordings, Ambiguous Audio, Ambiguous Auditory Stimuli, Ambiguous Sound, An Academic Cut-Up, An Adventure In Apophenia, Analyst A-113, Anòmia, Ancient Phonograph, Anders Monrad, Andrew Hugill, Angus Carlyle, Anla Courtis, Anna Santomauro, Annie Goh, Anomalous Speech, Anomalous Voices, Antonis Antoniou, Apophenia, Apophenia Art, Apophenia Artwork, Apophenia Audio, Apophenia Cloud Travel Apparatus, Apophenia Delay, Apophenia Delay Pedal, Apophenia Exhibition, Apophenia Guitar Pedal, Apophenia Luxmorph, Apophenia Press, Apophenia Research, Archival sonics, Archive 81, Archive81, Archives From Konstantin Raudive, Arebyte, Arebyte Gallery, Arsenale, Arsenale Venice, Art, Art & Illusion, Art & Illusion for Sound, Art and Science, Art Center, Art Foundation, Art Institute of Chicago, Art Research, Art Words, Art-Sci, Art-Science, Artangel, Artangel London, Artangel Projects, Artist, Artistic Research, Arts & Humanities, Arts & Humanities Research, Arts & Humanities Research Council, Arts and Humanities, Arts Catalyst, Arts Catalyst 2026, Arts Council, Arts Council National Lottery, Arts Research, Artwords, Ash International, Ashtray Navigations, Assembly, Attila von Szalay, Audint, Audint Undead, Audint Unsound, Audint Unsound Undead, Audio, Audio Ambiguity, Audio Apophenia, Audio Art, Audio Forensics, Audio Ghost, Audio Hallucination, Audio History, Audio Illusion, Audio Ink Blot, Audio Ink Blot Test, Audio Inkblot, Audio Inkblot Test, Audio Object, Audio Paredolia, Audio Pareidolia, Audio Phantom, Audio Phantoms, Audio Projection, Audio Projections, Audio Projective Test, Audio Projective Tests, Audio Rorschach, Audio Rorschach Test, Audio Summator, Audio Tape, Audio Tape Recorder, Audioscopic Research, Auditory Ambiguity, Auditory Apophenia, Auditory Hallucination, Auditory Hallucinations, Auditory History, Auditory Illusions, Auditory Ink Blot, Auditory Ink-Blot Test, Auditory Inkblot, Auditory Inkblot Test, Auditory Pareidolia, Auditory Phantasm, Auditory Phantasmatic Presence, Auditory Phantasmic Presence, Auditory Phantom, Auditory Projection, Auditory Projections, Auditory Projective Test, Auditory Projective Tests, Auditory Rorschach, Auditory Rorschach Test, Auditory Summator, Aura Satz, Aura Satz Spell Cards, Aural Auras, Aural Auras and Haunting Echoes, Aural Diversity, Aural Diversity Network, Aural Diversity Project, Aural Ink Blot, Aural Ink Blot Test, Aural Inkblot, Aural Inkblot Test, Aural Pluralities, Aural Pluralities Network, Aural Rorschach, Aural Rorschach Test, Auto Italia, Auto Italia South East, Autonomedia, Autonomedia Archives, Autonomedia Publishing, Autotelic, Autotelic Foundation, Ayesha Hameed, B.F. Skinner, Background Noise, Backmasking, Bankside, Barbara Ellison, Barnaby Wright, Barry C. Smith, Barry Smith, Basalt, Basalt Rennes, BBC, BBC Monitoring Service, BBC Radio, BBC Radio 4, BBC Radio 4 Extra, BBC TV, BBC World Service, Be Language, Bearpark Poltergeist, Belus, Benjamin Radford, Bernard Geoghegan, Bernie Grant Arts Centre, Beulah Ezeugo, Biennale di Venezia, Bill Davies, Bill Thompson, Black Cat Systems, Black Tapes, Black Tapes Podcast, Bloomsbury, Bloomsbury Academic, Bloomsbury Publishing, Bodies of Sound, Bon Accueil, Bon Accueil Rennes, Book Works, Bookworks, BPS, Brandon LaBelle, British Psychological Society, Broadcast, Bruce Nauman, Buh Records, Cadavre Magnétique, Café Oto, Caitlin Evans, Caleb Kelly, Calla, Camden Art Centre, Camden Arts Centre, Carl Michael Von Hausswolf, Carsten Nicolai, Cassette Culture, Catalyst Arts, Caterina Barbieri, Catherine Wood, Cathy Lane, Cégeste, Centre for Radiophonic Studies, Centre for the Study of the Senses, Centre Pompidou, Centro di Ricerca per la Radiofonia, Channel Somerset House, Charles Matthews, Charlie Fox, Charlie McDowell, Charlotte Charbonnel, China Mieville, Choi Yoon-Young, Chris French, Christian Duka, Christine Van Assche, Christof Migone, Ciaran O’Keeffe, Claire Elliott, Claire Williams, Claudia Lastra, CM Von Hausswolf, CM von Hausswolff, Cognitive Ambiguity, Cognitive Illusion, Collective Books, Colour and Form, Confounded by Apophenia, Constellations of Listening, Continent, Continent Journal, Cripta 747, Cripta747, CRISAP, CTM 2026, CTM × Transmediale, CTM Discourse, CTM Festival 2026, Curse of Luibeilt, Cybernetic Serendipity, Damien Simon, Daniel Powell, Daphne Oram, Dark Mofo, Dave Tompkins, David Toop, David Walsh, David Wesley Sutton, Days, Dead Lines, Dead Signals, Dead Signals Podcast, Deborah Hyde, Delicious Audio, Des Moines, Des Moines Art, Des Moines Art Center, Detail and Whole, Detail and Whole Movement, Detail and Whole; Movement Colour and Form, Devi Ever, Devonshire Collective, Diana Deutsch, Diana Pasulka, Diarmuid Donahoe, Diffusion 919 FM, Digital Ghosts, Digital Ghosts: Voice and Migratory Hauntings, Discovery, Disinformation, Disinformation Network, Disinformation War, Dissonant Wave, Divine Illusion, DIY Radio, DJ Rorschach, DJ Spooky, Dr Eleonora Oreggia, Dr. Konstantin Raudive, Dragan Spasov, Drawing Phantoms, Due Qui, Due Qui / To Hear, Dundee Radio Club, Dyslex, E.H. Gombrich & Sound, E.H. Gombrich and Sound, Earwitness, Earwitness Testimony, Eddie Ruscha, Editions Mego, EH Gombrich, Eigen+Art, Eigen-Art, Eleanor McDowall, Electromagnetic Communication, Electronic Voice Phenomena, Electronic Voice Phenomenon, Eleni Ikoniadou, Eleonora Oreggia, Elisa Troiano, Ellen Greig, Elton’s Phone, Emerging Art, Emerging Art Foundation, Empirical Approaches to Language, EmU, Erasmus Mundus, Erik Davis, Erik Deerly, Erminio Alekos Serpente, Ernst Gombrich, Ernst Gombrich & Sound, Ernst Gombrich and Sound, Ernst Vegelin, Ernst Vegelin van Claerbergen, Esprits de Paris, Estelle Chaigne, Ether, Evelyn Hollow, Evocative Object, Evocative Object: Auditory Inkblot, EVP, EVP Recording, EVP Recordings, EVPs, Ex Anima, Experimental Phastasmogenesis, Experimental Radio, Fabulation, Falk Wolf, Falling Tree, Falling Tree Productions, Faster Circuits, Felicia Barr, Felipe Pineda, Fiontán Moran, Florian Decker, Florian Hecker, Flux & Phantoms, Forensic Audio, Fortean Society, Fortean Times, Fortean Times Magazine, Foundation for the Arts, Foundation Foundation, Francisco Lopez, Freeman Rorschach, Freud Museum, Friedrich Jürgenson, Frith Street Gallery, Future Artists, Future Artists Programme, Gallery Sound, Gavin Bryars, Gavin Everall, Gender of Sound, Geography of Sounds, Gerhard Stempnik, Ghost, Ghost & Spirit, Ghost and Spirit, Ghost Code, Ghost Dance, Ghost Formula, Ghost Horses of Averham, Ghost in the Loop, Ghost In Your Ear, Ghost of Electricity, Ghost Quartet, Ghost Semantics, Ghost Stories, Ghost Tunes, Ghost Voice, Ghost Voice Research, Ghost Voices, Ghost Watch, Ghost Zone, Ghostcode, Ghosts, Ghosts and Demons, Ghosts of Electricity, Ghostwatch, Giulia Lenti, Glasgow International, Glenn Branca, Goldsmiths CCA, Goldsmiths College, Goldsmiths Media, Goldsmiths Press, Goldsmiths University, Gombrich & Sound, Gombrich and Sound, Grey Room, Groenewegen, Gwion, Hallucination, Halluzination Perspektive, Halluzination Perspektive Synthese, Hannah Kemp-Welch, Haroon Mirza Outputs, Haunted Circuit, Haunted Circuits, Haunted Landscape, Haunted Media, Haunting, Haunting Echoes, Hearing Care, Hearing Sciences, Hearing Technologies, Hearing Voices in the Noise, Hecker, Heinrich Hertz, Helen Frosi, Henry Moore Foundation, High Static, High Static Dead Lines, Historic Ear, Historical Ear, History of Sound, Holistic 4.0, Holistic 4.0 - Miscommunications, Holographic Skies, Holy Island, Homophone, Homophones, How To Wreck A Nice Beach, HRM199, HRM199 Ltd, HRM199 Outputs, Humanities Research, ICA, ICA London, Iklectik 2025, Iklectik Art Lab, Iklectik Nomadik, Illusion of Sound, Illusions, Illusions & Paradoxes, IMCC, In Praise of Love, In Transmission, Inaudible Becomes Audible, Inigo Wilkins, Ink Blot, Ink Blot Audio, Ink Blot Test, Inkblot, Inkblot Audio, Inkblot Test, INS, Insidious, Insidious 2, Insidious Chapter 2, Institute for Contemporary Arts, Institute of Philosophy, Instrumental Transcommunication, Inter.Sonix, Interdimensional Technology, International Necronautical Society, Internoise, Internoise 2022, Into the Ether, Into The Uncanny, Invisible Generation, Irini Papadimitriou, Italian Pavilion, ITC, J. Milo Taylor, J.D. Talasek, Jack Coventry, Jack Jelfs, Jane Hamlyn, Jasia Reichardt, Jenn Ashworth, Jeremy Millar, Jess M. Williams, Jesse Darling, Joe Banks, John Cage, John Drever, John Levack Drever, Jon Culshaw, Jon Wozencroft, Journal for Artistic Research, Juergen Teller, Julie Wolfe, Jung Eun-Ji, Justin Lader, Kali Malone, Ken Hollings, Klavikon, Kode9, Koladé Spirit, Konstantin Raudive, Kristen Gallerneaux, Kunsthalle Wien, Kythera, Kythera Gallery, La Biennale di Venezia, Laetitia Rouiller, Lafayette College, Langham Research, Langham Research Centre, Language, Language Analysis, Language Technology, Larry Sider, Lars Bang Larsen, Last Tuesday Society, LAURA Salford, Laurel, LCC Crisap, Leah Clements, Lee Fraser, Lee Ranaldo, Left of the Dial, Left of the Dial Podcast, Lending An Ear, Leonardo, Leonardo Magazine, Let There, Let There Be, Let There be Language, Leverhulme, Leverhulme Aural Diversity, Leverhulme Aural Diversity Doctoral Research Hub, Leverhulme Aural Diversity Research Hub, Leverhulme Trust, Life Is Unfair, Lisson Gallery, Listening, Listening Across Disciplines, Listening Arts Channel, Listening for Ghosts, Loco-Lab, London College of Communication, London Fortean, London Fortean Society, Lore, Lore Podcast, Lost in Transmission, Louisa Bailey, Luca Cerizza, Luigi Monteanni, Lumisokea, LXV, Mack Hagood, Magic Lantern, Magnetic Minds, Mara Mills, Marc Sollinger, Marco Maldarella, Marco Pasi, Mariam Zulfiqar, Mark Blagrove, Mark Fisher, Mark Pilington, Mark Underwood, Martyn Riley, Massimo Bartolini, Massimo de Carlo, Matt Collier, Matt’s Gallery, Max Syedtollan, Meaning in Randomness, Mego Records, Melika Kolongo, Mentalizing Sound, Michael Esposito, Michael Grindle, Michael Nees, Michael Zeltner, Migratory Hauntings, Mike Kelley, Mike Kelley Foundation for the Arts, Milo Taylor, Mirage Men, Miscommunication, Miscommunications, Misha Farrant, Misinformation, Misinformation Network, Misophenia Distortion, Misophonia, Misophonic, Misophonics, MIT, MIT Press, MIT Press Journals, Mix Tate, Mixtate, Mobile Radio, Modus, Modus Arts, Modus Sandbox, Momentum, MONA, Mona Foma, Mona Tasmania, Morphology, Mounir Fatmi, Movement Colour and Form, Mr. Bill, Music of the Mind, Musical Ear, Musical Ear Syndrome, Musical Illusions, Musical Illusions & Paradoxes, Musical Illusions & Phantom Words, Nastassja Simensky, National Lottery, Natural Phantoms, Neil Luck, Nermin Saybasili, Netflix, Network, Neural Circuits, Neuro Aesthetics, Neuro Art, Neuro Arts, Neurorealist Listening, New Instruments, New King of Pop, Nicholson Heal, Nicoletta Costa, Nigel Kneale, Nkisi, NMC Recordings, Noise, Objects of Sound, On Listening, On Words, Open Sound, Orphée, Orpheus, Oto Projects, Otoloci, Otoloci Ltd, Out of Thin Air, Outline Platform, Outputs, Oxford Brookes University, Oxford Exorcism, Padiglione Italia, Paracoustics, Paralyze AI, Paranormal, Paranormal Acoustics, Paranormal Audio, Paranormal Experiences, Paranormal Sound, Parapsychological, Paréidolie, Paréidolie Salon, Paredolia, Pareidolia, Pareidolia and Apophenia, Pareidolia Research, Patrik Lechner, Paul Bae, Paul Mellon, Paul Mellon Centre, Paul Purgas, Pedagogies of the Ear, Peer, Peer Gallery, Penguin, Penguin Random House, Perceptual Ambiguity, Perspektive Synthese, Pete Bebergal, Peter Bebergal, Peter Keene, Phaidon, Phantasma Humana, Phantasmata, Phantasmata and Illusions, Phantasmatic Audio, Phantasmatic Sound, Phantasmic Presence, Phantom Audio, Phantom Circuit, Phantom Portraits, Phantom Power, Phantom Sound, Phantom Sounds, Phantom Within, Phantom Words, Phastasmogenesis, Philosophical and Empirical Approaches to Language, Philosophy and Language, Phonograph, Play on Words, Playing with Words, PLOS, PLoS ONE, Poetic Transmission, Poi Marr, Politics of Listening, Poltergeist, Polymorphic Vitality, Post Theory, Post Theory Art, Post-Truth, Predictive Mechanisms, Printed Matter, Printed Matter Chelsea, Prof Bill Davies, Prof. Chris French, Proof of Ghosts, Protozoic Rock Express, Psycho Acoustics, Psycho Sonic, Psychoacoustics, Psychoacoustics & Sonic Illusion, Psychological Society, Psychologist, Psychosonic, Public Knowledge, Public Library of Science, Public Listening, Quest for the Supernatural, Quietus, Radical Philosophy, Radio, Radio 4, Radio 4 Extra, Radio Art, Radio Art 106, Radio Art Zone, Radio Atlas, Radio Benjamin, Radio Bern RaBe, Radio International, Radio International Collective, Radio Rorschach, Radio Rorschach Test, Radiofonia, Radiophilia, Radiophonic Studies, Radiophrenia, Radiophrenia 2026, Radiophrenia 87.9FM, Radiophrenia FM, Radiophrenia Glasgow, Radiophrenia Schizophonic, Radiosthésie, Radiothesia, Rahma Khazam, Random House, Raster Media, Raster Noton, Raw Story, Ràdio Macba, Ràdio Web Macba, RCH Rorschach, Reboot FM, Reece Shearsmith, Repeater Books, Repeater Radio, Research Centre, Research Centre for Radiophonic Studies, Research Council, Research Now, Research Unit, Residual Haunting, Resonance Extra, ReSound, Ricerca per la Radiofonia, Richard Birkett, Rob Mullender, Rob Mullender-Ross, Robert Redford, Robin Rimbaud, Rorschach Audio, Rorschach Audio Generator, Rorschach Device, Rorschach Devices, Rorschach Fuzz, Rorschach Fuzz Distortion, Rorschach Sound, Rorschach Trauma, RorschachDV, Rorshak, Rough Trade Bristol, Rough Trade East, Rough Trade Editions, Rough Trade Nottingham, Rough Trade NYC, Rough Trade Soho, Rough Trade West, Routledge, Royal Conservatory, Ruede Hagelstein, Ryan Electric, Ryan Electric Products, S. J. Groenewegen, Sadie Coles, Sadie Coles HQ, Sahko, Sahko Recordings, Sahko Records, SAIC Chicago, Salford University, Sam Ridout, Samuel Brzeski, Sandbox, Sarah Hayden, Sarah Shin, Sarah Sparkes, Sarah Washington, SARU, SARU Oxford, Séance, Séance: Technology of the Spirit, Scanner, Schizophonic, Schizophonic Audio, School of Machines, School of Sound, Sci-Art, Science, Science and Art, Science Art, Science in Culture, Scii Tenaph, Sean O’Connor, Seeing Frequencies, Senate House, Senses, Senses of Vibration: A History of the Pleasure and Pain of Sound, Sensory Deception, Sensory Deception: Psychoacoustics and Sonic Illusion, Serpentine Gallery, Seth Ayyaz, Shane Butler, Shelley Trower, Shin Joo-Hwan, Shortwave Collective, Signal, Signal Warfare, Signal Warfare Research, Signal Warfare Research Unit, Silver Press, Simon Grant, Site Gallery, Site Sessions, Skeptical Inquirer, Slavoj Žižek, Sofia Lemos, Somerset House, Somerset House 2026, Somerset House Future Artists, Somerset House Studios, Somerset House: Future Artists Programme, Sonic, Sonic Acts, Sonic Ambiguity, Sonic Apophenia, Sonic Archive, Sonic Archives, Sonic Art, Sonic Arts, Sonic Arts Research Unit, Sonic Continuum, Sonic Cultures, Sonic Diversity, Sonic Fantastic, Sonic Fantasy, Sonic Field, Sonic Heritage, Sonic Illusion, Sonic Imagination, Sonic Imaginations, Sonic Immersion, Sonic Ink Blot, Sonic Ink Blot Test, Sonic Inkblot, Sonic Inkblot Test, Sonic Paredolia, Sonic Pareidolia, Sonic Phantasm, Sonic Phantom, Sonic Phantoms, Sonic Phenomena, Sonic Process, Sonic Research, Sonic Rorschach, Sonic Rorschach Test, Sonic Rubbish, Sonic Scope, Sonic Series, Sonic Somatic, Sonic Studies, Sonic Youth, Sonics, Sonics Series, Sonology, Sonology Education, Sonorama, Soul in the Machine, Sound, Sound Archive, Sound Art, Sound Art UK, Sound Artist, Sound Arts Now, Sound Arts UK, Sound Body, Sound Diaries, Sound Escapes, Sound Fjord, Sound Forms, Sound Object, Sound Practice, Sound Practices, Sound Studies, Sound Studies Working Group, Sound-Art-Text, Soundscape, Soundscape and Sound Studies, Soundscapes, Soundworks, South Bank, South Bank Centre, Speak Spirit, Speak Spirit Speak, Speaking in Tongues, Spectral Communication, Spectre, Spectre Haunting, Speculative Fabulation, Speech Coding, Speech Muse, Speech Muse Fest, Speech Muse Festival, Speech Processing, Speech Recognition, Speech Science, Speech Synthesis, Speech Technology, Spell Card, Spell Cards, Spiral House, Spiral House Editions, Spirit, Spirit Speak, Spirit Technology, Spirits, Stanley Picker, Stanley Picker Gallery, Static Man, Stefan Goldmann, Sternberg, Sternberg Press, Steve Goodman, Stone Tape, Stone Tape Theory, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Strange Frequencies, Strange History, Strange Transmission, Strange Transmissions, Strange Transmissions: The World Of Experimental Radio, Studio for Audioscopic Research, Studio HRM199, Study of the Senses, Subjectivity, Supernatural, Susan Hiller, Susan Philipsz, Susanna Davies-Crook, Susanne Gaensheimer, Swirl of Words, SWRU, Tape Recorder, Taskerlands, Tate, Tate Bankside, Tate Gallery, Tate Modern, Team IF, Technological Quest, Technological Quest for the Supernatural, Technologies of the Soul, Technology, Technology of the Soul, Technology of the Spirit, Terror to Skull, Terry Miles, Text Sound, Text Sound Art, The Ancient Phonograph, The Aural Diversity Project, The Black Tapes, The Black Tapes Podcast, The Broadcast, The Conversation, The Discovery, The Disinformation War, The Ether, The Extraordinary Story of the Technological Quest for the Supernatural, The Foundation Foundation, The Ghost Formula, The Ghosts of Effingham, The Grey Room, The Hague, The Leverhulme Trust, The MIT Press, The New King of Pop, The New King of Pop: Dr. Konstantin Raudive, The Phantom Within, The Poltergeist, The Psychologist, The Quietus, The Soul in the Machine, The Sound Diaries, The Static Man, The Stone Tape, The Uncanny, The Uncommon Senses, The Voice in Art, The Voices Of The Dead: Archives From Konstantin Raudive And Gerhard Stempnik, The Wave Epoch, The Weird and the Eerie, The Wire, The Wire Magazine, The Word, The Word: Voice Language and Technology, The Words, The World Of Experimental Radio, The Year of Dreaming Dangerously, There Be Language, They Might Be Giants, Thin Air, Thomas B.W. Bailey, Thomas Bey, Thomas Bey William Bailey, Tiziano Scarpa, To Hear, Tobias Ewé, Toby Heys, Tokoro Studio, Tom McCarthy, Tonal Manipulator, Tony Cornell, Tony Kiernan, Tony Oursler, Tony Oursler EmU, Tottenham, Tottenham Hale, Touch Records, Transmaterialization, Transmediale 2026, Transmission, Transmissions, Trebuchet, Trebuchet Magazine, Trebuchet Talks, Trickster, Two Here, UCL Discovery, Unannounced Voices, Uncanny, Uncanny Con 2024, UncannyCon 2024, Uncommon Senses, Undead, Uniform Books, Uniformbooks, Unit for Sound Practice Research, University of Huddersfield, University of Salford, University of San Marino, University of San Marino - Research Centre for Radiophonic Studies, University of Westminster, Unsound, Unsound Methods, Unsound: Undead, Urbanomic, Urbanomic Books, V&A Late, V&A London, V01CE, V01CE: Vocal Aesthetics, Véronique Béland, Venetian Veil, Venice, Venice Biennale, Vesen, Vibrational Semantics, Victoria & Albert Museum, Vincenzo Santarcangelo, Visual Apophenia, Visualizing Noise, Vocal Aesthetics, Vocal Phantoms, Voice, Voice and Migratory Hauntings, Voice Art, Voice in Art, Voice Language & Technology, Voice Noise, Voice Of The Dead, Voices from Beyond, Voices of the Dead, Vowel, Vowels, Wajid Yaseen, Walter Benjamin, War, Warburg, Warburg Institute, Warburg Institute Kythera Gallery, Wave Epoch, Weightless Ghost, Weightless Ghosts, Weird and Eerie, Weird and the Eerie, Weird Noise, Weird Noise Zine, Westminster University, What Is Research Now, Whisper EVP, William Bailey, Wire, Woo!, Word, Word & Image, Word and Image, Word Art, Word Play, Wordplay, Words, Words Fail Me, World Of Experimental Radio, World Service, Xname, Yale Sound Studies, Yale Sound Studies Working Group, Yale University, Yale University Press, Yanny, Yanny or Laurel?, Yoko Ono, Yoo Sun-Dong, Zdenka Badovinac, Zero Theorem, Zone, Zone Books, ]Sub Rosa