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Acoustic Anthropology, Acoustic Inkblot, Art & Illusion for Sound, Ash International, Audio Apophenia, Audio Art, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Auditory Ambiguity, Auditory Apophenia, Auditory Inkblot, Auditory Projective Test, Auditory Rorschach, Aura Satz, Aural History, Brian Dillon, Casino Luxembourg, CM von Hausswolff, Disembodied Voice, Disinformation, Drone Rorschach, Duke University Press, Electronic Voice Phenomena, EVP, Ghost Orchid, Haunted Media, Hearing Lips & Seeing Voices, Hearing Voices in the Noise, Installation Art, Jean Cocteau, Jo Burzynska, Joe Banks, Jon Wozencroft, Larry Sider, Mark Underwood, McGurk Effect, Mishearings, New York University, Pedagogies of the Ear, RCA, Rorschach Audio, Royal College of Art, Salome Voegelin, School of Sound, Science Museum, Serpentine Gallery, Sonic Art, Sonic Inkblot, Sonic Pareidolia, Sonic Phantoms, Sonic Possible Worlds, Sonic Rorschach, Sonic Studies, Sound Installation, Sound Studies, The Auricle, Touch Records, Vocal Phantoms, ZKM

Rorschach Audio at The Royal College of Art

December 15, 2012

Thanks to everyone who came along to the talk at The Royal College of Art on 12/12/12, and thanks to Jon Wozencroft for the invitation.

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