A Spectre, A Spectre - Haunting, Aaron Mahnke, Acoustic Anthropology, Acoustic Inkblot, Archive 81, Archive81, Art & Illusion for Sound, Artist, Ash International, Audio Apophenia, Audio Art, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Auditory Ambiguity, Auditory Apophenia, Auditory Inkblot, Auditory Projective Test, Auditory Rorschach, Aura Satz, Aural History, Black Tapes, Black Tapes Podcast, Brian Dillon, Casino Luxembourg, China Mieville, CM von Hausswolff, Daniel Powell, Dead Signals, Dead Signals Podcast, Disembodied Voice, Disinformation, Drone Rorschach, Duke University Press, Electronic Voice Phenomena, EVP, Forma, Forma Arts, Forma Arts & Media, Forma HQ, Ghost Orchid, Haunted Media, Haunting, Hearing Lips & Seeing Voices, Hearing Voices in the Noise, Installation Art, Jean Cocteau, Jo Burzynska, Joe Banks, Jon Wozencroft, Larry Sider, Left of the Dial, Left of the Dial Podcast, Lore, Lore Podcast, Marc Sollinger, Mark Underwood, McGurk Effect, Mishearings, Netflix, New York University, Paul Bae, Pedagogies of the Ear, RCA, Rorschach Audio, Rorschach Sound, Royal College of Art, Salome Voegelin, School of Sound, Science Museum, Serpentine Gallery, Sonic Art, Sonic Inkblot, Sonic Pareidolia, Sonic Phantoms, Sonic Possible Worlds, Sonic Rorschach, Sonic Studies, Sound Artist, Sound Installation, Sound Studies, Spectre, Spectre Haunting, Static Man, Terry Miles, The Auricle, The Black Tapes, The Black Tapes Podcast, The Static Man, Touch Records, Vocal Phantoms, ZKM
Rorschach Audio at The Royal College of Art
Thanks to everyone who came along to the talk at The Royal College of Art on 12/12/12, and thanks to Jon Wozencroft for the invitation.
Related
From → Uncategorized