Acoustic Inkblot, AHRC, Anna Gritz, Apophenia Research, Art, Art & Illusion for Sound, Arts & Humanities Research Council, Audio Inkblot, Audio Pareidolia, Auditory Hallucinations, Auditory Illusions, Auditory Inkblot, Auditory Phantasm, Auditory Phantasmic Presence, Auditory Projective Test, Auditory Rorschach, Baltic, Barbara Ellison, Bluecoat, BPS, Brandon LaBelle, British Psychological Society, Bruce Nauman, Charlie McDowell, Claire Elliott, CM von Hausswolff, David Tompkins, Day of the Dead, Diana Deutsch, Discovery, Disinformation, EH Gombrich, Electronicvoicephenomena.net, Erica MacArthur, EVP, Experimental Music, FACT, Fortean Times, Francisco Lopez, Ghost Hosting, Ghost Voice Research, Hannah Silva, Haunted Media, Hauntology, Hayward Gallery, Hayward Touring, How To Wreck A Nice Beach, Huib Emmer, Illusions & Paradoxes, Joe Meek, Jon Wozencroft, Jonathan Calver, Justin Lader, K-Punk, Ken Hollings, Listening, Liverpool, Meaning in Randomness, Mercy, Mercy Liverpool, Mercyonline, Mike Kelley, Mojo magazine, Musical Illusions, Musical Illusions & Paradoxes, Musical Illusions & Phantom Words, Nathan Jones, No Such Thing As Gravity, Norwich University, Outfit, Pareidolia and Apophenia, Pareidolia Research, Penned in the Margins, Phantasma Humana, Phantasmic Presence, Phantom Within, Phantom Words, Psychological Society, Raymond Roussel, Robert Redford, Robin Rimbaud, Rorschach Audio, Ross Sutherland, Sam Belinfante, Sarah Sparkes, Scanner, Sheffield Institute of Arts, Site Gallery, SJ Fowler, Sonic Boom, Sonic Field, Sonic Inkblot, Sonic Pareidolia, Sonic Rorschach, Sonic Studies, Sound Installation, Sound Studies, South London Gallery, Susan Hiller, The Discovery, The Phantom Within, The Psychologist, Thomas B.W. Bailey, Thomas Bey, Thomas Bey William Bailey, Times Literary Supplement, TLS, Vocal Phantoms, William Bailey
Rorschach Audio reviews in The TLS, The Quietus & Mojo Magazine + The ICA and Liverpool Biennial talks
The “Rorschach Audio” book has been reviewed in the Times Literary Supplement and by Mojo Magazine – “Engaging… packed with interest” (TLS 5707, page 30), ”Fascinates” (Mojo, Oct 2012, page 110), and a substantial feature’s been posted by The Quietus magazine, which describes the book as “wonderfully argued” (see link below). The other speakers have been confirmed for the event at The ICA on Sept 15 as Brandon LaBelle, Erica MacArthur and Jon Wozencroft, with a discussion chaired by ICA curator Anna Gritz, and for the Blade Factory, Liverpool, 5pm, Oct 6th, the other speaker is “How to Wreck a Nice Beach” author David Tomkins.
http://thequietus.com/articles/09899-joe-banks-disinformation-rorschach-audio
Full ICA details – http://www.ica.org.uk/whats-on/part-ii-acoustic-ambiguities
Full Liverpool details – http://tinyurl.com/c348f5a
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