180 Strand, 180 Studios, 2220 Arts, 2220 Arts + Archives, 50 Hertz, 50 Hz, 50Hz, 674.FM, 90.7FM, A Sonic Urbanism, A---Z, Absolute Value, Absolute Value of Noise, AC Electricity, AC/DC, Acoustic Commons, Across the Sonic Border, Adaadat, Adaadat Records, Afroditi Psarra, Afterall, Afterall Research, Aga Paulina Młyńczak, Agents of the Culture Industry, Akademie der Künst, Akeelah Bertram, Alex Fierra, Alexandra Fierra, All Under, All Under One Magnetosphere, Alternating Current, Alternative, Alternatives, Alva Noto, Alyssa Moxley, American Radio, Amias Hanley, Amina Abbas-Nazari, Ana Luisa Cubas, Ancestral Intelligence, Anna Barham, Anna Friz, Anne Duffau, Anne Zeitz, Annie Goh, Anti Festival, Antithesis, Archivo Audible, Archivo de lo Audible, Ars Electronica, Ars Electronica Festival, Art Brighton, Art Lab, Art on Air, Art Park Audio, Art Radio, Art Research, Arte Sonoro, Artist, Artistic Research, Artists & Airwaves, Arts Admin, Artsadmin, Artsadmin London, Ash International, Assembly, Assembly Somerset House, Atmosférica, Atmosféricas, Atmospheric Listening, Audible Matter, Audio Art, Audio Artist, Audio Commentary, Audiosfera, Audiosphere, Aural, Aural Atmosférica, Aural Atmosféricas, Autonomedia, Avalon Cafe, Aviva Studios, Aya Sinclair, B.A.S.E. Tsonami, Babel, Background Noise, Bana Haffar, Barbican, Barbican Centre, Barbican Immersive, Barbican London, Barry Burns, BASE Tsonami, BBC Radio, BBC Radio 4, BBC Radio Four, Benedict Drew, Between Scylla and Charybdis, Bianca Biberaj, Bill Corrigan, Bill Kouligas, Black Industrial, Black Noise, Bobby Barry, Bodies of Sound, Box, BRDCST, Brian Eno, Brigitte Hart, British Council, British Council Selector Radio, Bruce Gilbert, Bruno Schulz, Brut Wien, Café Oto, Carsten Nicolai, Cashmere Radio, Cathy Lane, CCA, CCA Glasgow, CCCB Barcelona, CCCB Sonar Festival, Centre for Radiophonic Studies, Centro di Ricerca per la Radiofonia, Channel, Channel Somerset House, Cildo Meireles, City of Sound, Clot Magazine, Cobalt, Cobalt Newcastle, Cobalt Studio, Cobalt Studios, Coded Geometry, Cold Light, Commentary, Computing Art, Constellations of Listening, Corsica Studios, Counterflows, Counterflows Festival, Crafting a Sonic Urbanism, Creative Research, Creative Research in Sound Arts Practice, CRISAP, Cryptic, Cryptic Glasgow, Cryptic Night, Cryptic Nights, Cryptic Sonica, Cryptician, CTM, CTM Festival, CTM Festival Berlin, Curates, Dan Edelstyn, Dark Field, Dark Field London, Darkfield, Darkfield London, David Palliser, David Toop, DC Electricity, Demon, Demon Box, Detektors, Deutschlandfunk Radio, Devonshire Collective, Diagonal, Diagonal Records, Diffusion 919 FM, Digital Arts and Experimental Media, Diogenes, Diogenes Bunker, Direct Current, Disinformation, Divergent Listening, DIY Radio, Dnieper Hydro-Electric, Dnieper Hydro-Electric Power Station, Dnieprostrot, Dorkbot, Dorkbot London, Dr John Wild, Drone Music, Dronica, Dronica Festival, DXARTS, Dynamos, E.ON Stiftung, E.ON Stiftung gGmbH, Ealing Extranormal, Ear Room, Editions Mego, Electric Fields, Electric Sound, Electric Sounds, Electrical Hum, Electrical Infrastructure, Electricity, Electricity Infrastructure, Electro Studios, Electro Studios Project Space, Electromagnetic, Electromagnetic Black Noise, Electromagnetic Commons, Electromagnetic Environment, Electromagnetic Field, Electromagnetic Fields, Electromagnetic Grid, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetic Spectrum, Electromagnetic Spiral, Electromagnetic Transmissions, Electromagneticsm, Electromagnetism, Electronic Noosphere, Electronic Spark, Electronics Spark, Elisa Balmaceda, Emerging Exits, EMF, Energy Revolution, Energy System, Entangled Electromagnetic Environment, Entangled Environment, Entanglement, Entso-E, Era of Megaphonics, Ernest Edmonds, Esther Schipper, Esther Schipper Gallery, Eternal Research, Eternal Research LLC, Expanded Radio, Experiential Audio, Experimental Media, Experimental Radio, Experimental Radio Broadcast, Experimental Sound, Extra Extra, Fabrica, Fabrica Brighton, Fabrica Gallery, FACT, FACT Liverpool, Fact Magazine, Factory International, False Locust, Farsight Collective, Farsight Gallery, Farsight London, Field Notes, Field Notes Live, Fieldnotes, Fieldnotes Live, Flannels, Flannels London, Flat Time House, Florencia Curci, Fort Process, Fort Process Festival, Four Sided Triangle, Fractured City, Franchesca Casauay, Francisco Lopez, Fraser Mullen, Freak Zone, Frequenseer, Frequenseers, Fundacja Tone Muzyka, Fundacja Tone Muzyka i Nowe Formy Sztuki, Future Architecture, Galen Joseph-Hunter, Galerie für Zeitgenössische Kunst, Gamma Rays, Generateur, Geopolitics of Infrastructure, Georgia Leigh-Münster, Glasgow, Gold SF, Goldsmiths, Goldsmiths CCA, Goldsmiths College, Goldsmiths Press, Gosia Płysa, Gustav Metzger, H.G. Wells, Hannah Kemp-Welch, Harnessing the Highlands, Haroon Mirza, Hayward Gallery, Her Noise, High Voltage, Hilary Powell, Horse Hospital, HRM 199, HRM199, HTRK, Hull Art, Hull Art Lab, Hum, Humber Street, Humber Street Art Gallery, Humber Street Gallery, Hundred Years Gallery, Hydro-electricity, Hydroelectric, Hydroelectric Power, ICA London, Ilan Manouach, Ilpo Väisänen, Immersive, Immersive Noise, In Motion, In Motion 2026, In Transmission, Industrial Coast, Industrial Music, Industrial Noise, Industrial Overture, Infrared Waves, Infrastructure, Infrastructure Politics, Inter.Sonix, Interact Digital Arts, Interferences, Invisible Geographies, Jacco Ouwerkerk, Jack Jelfs, Joe Banks, Joe Namy, John Bingham-Hall, John Wild, Jonathan Knoblauch, Jonnine Standish, Joshua Bonnetta, Juan Duarte, Junge Akademie, Junge Akademie der Akademie der Künst, Karen Werner, Katharina Bévand, KCRW, Keith Sargent, Kersten Glandien, Kettle's Yard, Kettle’s Yard Cambridge, Kettle’s Yard Gallery, Kiasma, Kiasma Helsinki, Kiasma Museum, KMRU, Krafthaus Arts, Krafthaus Arts CIC, Kristen Gallerneaux, Kunst Radio, Kunsthal Charlottenborg, Kunstradio, Kyoto, Kyoto City, Kyoto City University, Kyoto City University of Arts, Kyoto City University of Arts Art Gallery, Kyoto Experiment, Kyoto Experiment 2025, Langham Research, Langham Research Centre, Late Junction, LCB Depot, LCB Depot Leicester, LCC, LCC Crisap, LCC London, Le Generateur, Leicester, Leicester Phoenix, Lindsay Seers, Liquid Architecture, Lisa Hall, Lisson Gallery, Listen, Listen Club, Listen Gallery, Listening, Listening Biennial, Listening Party, Live Mains Electricity, Live to Air, Loes Verstappen, London, London College of Communication, Lord of the Dynamos, Lost in Transmission, Loudspeaker Orchestra, Low End, Low End Theory, LungA School, LungA Skólinn, Lyd Galleriet, Lydgalleriet, Magnetic, Magnetic Alternative, Magnetic Alternatives, Magnetic Field, Magnetic Mystic, Magnetic Mystics, Magnetosphere, Magz Hall, Mains Electricity, Malgorzata Plysa, Marcus West Retrospective, Maria Papadomanolaki, Marijn Bril, Mark Peter Wright, Mark Pilkington, Mark Vernon, Markus Rhein, Martin Howse, Mat Schulz, Matt’s Gallery, May Day Radio, May Day Rooms, MayDay Radio, Mayday Rooms, München, Megaphonics, Mego, Mego Records, Meira Asher, Menai Reykjavik, Mengi, Mengi Reykjavik, Meredith Kooi, Micro-broadcast, Microwaves, Mika Vainio, Mike Harding, Mobile Radio, Movement Radio, Mundi, Museo Reina Sofia, Museum of Sound, Mystic, Mystics, Nastassja Simensky, Nathan Gray, National Grid, New American Radio, New Art City, New Forms, Nigel Yang, Nkisi, Nowe Formy Sztuki, Oliver Hottner, Oliver Sanders Matt Parker, Olivier Renaud-Clément, Onassis Culture, Onassis Foundation, Onassis ONX, Onassis Stegi, One Magnetosphere, Open Ears, Open Weather, Optimal Records, ORF, ORF Kunst, ORF Kunst Radio, ORF Kunstradio, ORF Radio, Oto Projects, Outernet Arts, Over Voltage, Overvoltage, PAJ Publications, Palais de Tokyo, Pan, Pan Sonic, Panasonic, Paradigm Shift, Paul Carey-Kent, Paul Mazzitelli, Pedro Almiro, Peter Rehberg, Phoenix, Phoenix Café Bar, Phoenix Leicester, Piksel, Piksel 25, Piksel 25 Festival, Piksel Fest, Piksel25, Piksel25 Festival, Pikselfest, Planetary Electromagnetic, Planetary Electromagnetic Grid, Planetary Grid, Plastic Language, Plural Radio Listening, Plus Electrification, Politics, Politics of Infrastructure, Politics of Listening, Power Station, Project Arts, Project Arts Centre, PRS Foundation, PRSF, Pulse Arc Generator, Punch Drunk, Punchdrunk, Quietus, R10, R10 Collective, R10 Heritage, R10 Heritage Studios, Radiant Static, Radical Matter, Radical Matter Journal, Radio, Radio 4, Radio After Radio, Radio Art, Radio Art 106, Radio Art Archive, Radio Art Research, Radio Art Zone, Radio Artist, Radio Artwork, Radio Bern RaBe, Radio Broadcast, Radio for Open Ears, Radio Four, Radio Listening, Radio Naba, Radio of the Future, Radio Oracle, Radio Papesse, Radio Research, Radio Serpentine, Radio Thamesmead, Radio Underground, Radio Waves, Radiofonia, Radiophonic, Radiophonic Art, Radiophonic Studies, Radiophonic X, Radiophonics, Radiophonicx, Radiophrenia, Radiophrenia 2026, Radiophrenia 87.9FM, Radiophrenia Glasgow, Radiophrenia Live, Radiophrenia Live-to-Air, Radiophrenia Scotland, Raster Media, Raster Noton, RCA London, Reboot FM, Reina Sofía, Repeater Books, Repeater Radio, Research Centre, Research Centre for Radiophonic Studies, Research Unit, Resonance, Resonance Extra, Resonance FM, Reverb, Reykjavik, Rhizome, Ricerca per la Radiofonia, Rite, Rite of the Demon, Roberts Institute, Roberts Institute of Art, Robin Klassnik, Rorschach Audio, Rose Hill, Rose Hill Brighton, Royal College of Art, RTM.FM, Ryan Boutlbee, Ryoji Ikeda, Sahko, Sahko Recordings, Sahko Records, Sally Applin, Sarah Washington, SARC Belfast, SARU, SARU Oxford, Sasha Engelmann, Sónar Barcelona, Sónicas, Scylla and Charybdis, Sean Carroll, Sean Clark, Search for Power, Seasferic, Seisma, Seisma Magazine, Selector After Dark, Selector Archive, Selector Behind the Music, Selector Radio, Selector Sessions, Sensing Threats, Serpentine Radio, Serpentine South, Serpentine South Gallery, Seyðisfjörður, Shifting Ether, Shintaro Miyazaki, Shiro Fujioka, Shortwave Collective, Shortwave Encounters, Shubbak Festival, Skaņu Mežs, Sklepy Cynamonowe, Sluice Art, Sluice Expo, Sluice Expo 2025, Sluice Film, Sluice HQ, Sluice Magazine, Sluice Radio, Sofia Lemos, Solar Radio, Somerset House, Somerset House Assembly, Somerset House Channel, Somerset House Studio, Somerset House Studios, Sonic Acts, Sonic Acts Biennial, Sonic Acts Festival, Sonic Art, Sonic Art Practice, Sonic Art Research Unit, Sonic Arts, Sonic Arts Practice, Sonic Arts Research, Sonic Arts Research Centre, Sonic Arts Research Unit, Sonic Boom, Sonic Border, Sonic Commune, Sonic Continuum, Sonic Dialogues, Sonic Field, Sonic Sculptures, Sonic Texture, Sonic Textures, Sonic Urbanism, Sonic Youth, Sonica, Sonica 2024, Sonica 2025, Sonica Festival, Sonica Glasgow, Sono-Electro, Sono-Electro Festival, Soph Dyer, Sound, Sound & Music, Sound and Listening, Sound Art, Sound Art Brighton, Sound Art Lab, Sound Art Laboratory, Sound Art Practice, Sound Art Radio, Sound Artist, Sound Arts, Sound Arts Practice, Sound City, Sound Image Festival, Sound Unheard, Sound Unseen, Sound Unseen/Unheard, Sound Work, Sound Works, Sound-Image, Sound/Image 2025, Sound/Image Festival 2025, Soundwork, Soundworks, Spark-Gap, Standing Wave, Standing Wave Radio, Stegi Radio, Steim, Steim Amsterdam, Stephen Prince, Steve Goodman, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Struer Tracks, Stuart Maconie, Sue Gollifer, Susan Schuppli, Susanna Hertrich, Taco, TACO Thamesmead, Talbot Rice, Talbot Rice Gallery, Tape Op, Tape Op Magazine, Tectonics, Tectonics Festival, Teleplasmiste, Test Dept, The Cryptician, The Demon, The Demon Box, The Dynamos, The Era of Megaphonics, The Factory, The Geopolitics of Infrastructure, The Hayward Gallery, The Horse Hospital, The ICA, The Listening Biennial, The Lord of the Dynamos, The Network, The Quietus, The Radio of the Future, The Roberts Institute of Art, The Rose Hill, The Search for Power, The Vinyl Factory, The Vinyl Factory Reverb, The Wire, The Wire Magazine, Theatrum, Theatrum Mundi, Theatrum Mundi Collective, Thulani Rachia, Tim Hecker, Tim Shaw, Timothy Hecker, Tina Gallery, Tom Harris, Tom Ravenscroft, Tom Roe, Tommi Gronlund, Topovoros, Topovoros Books, Torsten Lauschmann, Touch Music, Transmediale, Transmission, Transmission Art, Transmission Arts, Transmission Arts: Artists & Airwaves, Transmission Artwork, Transmission Ecologies, Transmissions, Trebuchet, Trebuchet Magazine, Tsonami, Tsonami Arte, Tsonami Arte Sonoro, UAL Crisap, Ultra-Red, Ultraviolet Waves, Under One Magnetosphere, University of San Marino, University of San Marino - Research Centre for Radiophonic Studies, University of the Arts, University of the Arts London, University of Washington, Unsound, Unsound Festival, Unsound Kraków, Unsound London, Unsound Toronto, UP Projects, Urban Sonic, Urban Sound, Urban Sound Institute, Using Electricity, Value of Noise, Variation on 50Hz, Variations on 50Hz, Velimir Khlebnikov, Very Low Frequency, Very Low Frequency Radio, Victory Over the Sun, Villa Lontana, Villa Lontana Records, Vinyl Factory, Vinyl Factory Reverb, Visible Light Rays, VLF, VLF Band, VLF Radio, VLF-band Radio, Volt, Volt Art Gallery, Volt Eastbourne, Volt Gallery, Volt Gallery Eastbourne, Voltage, Volts, W1, W1 Curates, W1 Curates Studios, W1 Events, W1 Immersive, Walter Maioli, Wave Farm, Wave Farm Artist Residency, Wave Farm Artist Residency Program, Wave Farm Radio, Wave Radio, Waves of Resistance, WGXC, WGXC 90.7-FM, WGXC 90.7FM, Whitstable, Will Dutta, William F. Temple, Wire, Wire Magazine, Wired, Wired Magazine, Wysing, Wysing Arts, Wysing Arts Centre, Wysing Polyphonic, X-Rays, XMTR.FM, Yuliy Sergeievitch Meitus, Zeno van den Broek, Zustände, Zustände in München, Ģirts Reiniks
“National Grid” audio commentary on Wave Farm “Audio Buffet”…
WGXC 90.7-FM and on-line, 10 Oct 2025, 3pm USA, 8pm UK
https://wavefarm.org/radio/wgxc/schedule/11vz9p
Special thanks to Bianca Biberaj & Meredith Kooi
From → Uncategorized
Δ
180 Strand, 180 Studios, 2220 Arts, 2220 Arts + Archives, 50 Hertz, 50 Hz, 50Hz, 674.FM, 90.7FM, A Sonic Urbanism, A---Z, Absolute Value, Absolute Value of Noise, AC Electricity, AC/DC, Acoustic Commons, Across the Sonic Border, Adaadat, Adaadat Records, Afroditi Psarra, Afterall, Afterall Research, Aga Paulina Młyńczak, Agents of the Culture Industry, Akademie der Künst, Akeelah Bertram, Alex Fierra, Alexandra Fierra, All Under, All Under One Magnetosphere, Alternating Current, Alternative, Alternatives, Alva Noto, Alyssa Moxley, American Radio, Amias Hanley, Amina Abbas-Nazari, Ana Luisa Cubas, Ancestral Intelligence, Anna Barham, Anna Friz, Anne Duffau, Anne Zeitz, Annie Goh, Anti Festival, Antithesis, Archivo Audible, Archivo de lo Audible, Ars Electronica, Ars Electronica Festival, Art Brighton, Art Lab, Art on Air, Art Park Audio, Art Radio, Art Research, Arte Sonoro, Artist, Artistic Research, Artists & Airwaves, Arts Admin, Artsadmin, Artsadmin London, Ash International, Assembly, Assembly Somerset House, Atmosférica, Atmosféricas, Atmospheric Listening, Audible Matter, Audio Art, Audio Artist, Audio Commentary, Audiosfera, Audiosphere, Aural, Aural Atmosférica, Aural Atmosféricas, Autonomedia, Avalon Cafe, Aviva Studios, Aya Sinclair, B.A.S.E. Tsonami, Babel, Background Noise, Bana Haffar, Barbican, Barbican Centre, Barbican Immersive, Barbican London, Barry Burns, BASE Tsonami, BBC Radio, BBC Radio 4, BBC Radio Four, Benedict Drew, Between Scylla and Charybdis, Bianca Biberaj, Bill Corrigan, Bill Kouligas, Black Industrial, Black Noise, Bobby Barry, Bodies of Sound, Box, BRDCST, Brian Eno, Brigitte Hart, British Council, British Council Selector Radio, Bruce Gilbert, Bruno Schulz, Brut Wien, Café Oto, Carsten Nicolai, Cashmere Radio, Cathy Lane, CCA, CCA Glasgow, CCCB Barcelona, CCCB Sonar Festival, Centre for Radiophonic Studies, Centro di Ricerca per la Radiofonia, Channel, Channel Somerset House, Cildo Meireles, City of Sound, Clot Magazine, Cobalt, Cobalt Newcastle, Cobalt Studio, Cobalt Studios, Coded Geometry, Cold Light, Commentary, Computing Art, Constellations of Listening, Corsica Studios, Counterflows, Counterflows Festival, Crafting a Sonic Urbanism, Creative Research, Creative Research in Sound Arts Practice, CRISAP, Cryptic, Cryptic Glasgow, Cryptic Night, Cryptic Nights, Cryptic Sonica, Cryptician, CTM, CTM Festival, CTM Festival Berlin, Curates, Dan Edelstyn, Dark Field, Dark Field London, Darkfield, Darkfield London, David Palliser, David Toop, DC Electricity, Demon, Demon Box, Detektors, Deutschlandfunk Radio, Devonshire Collective, Diagonal, Diagonal Records, Diffusion 919 FM, Digital Arts and Experimental Media, Diogenes, Diogenes Bunker, Direct Current, Disinformation, Divergent Listening, DIY Radio, Dnieper Hydro-Electric, Dnieper Hydro-Electric Power Station, Dnieprostrot, Dorkbot, Dorkbot London, Dr John Wild, Drone Music, Dronica, Dronica Festival, DXARTS, Dynamos, E.ON Stiftung, E.ON Stiftung gGmbH, Ealing Extranormal, Ear Room, Editions Mego, Electric Fields, Electric Sound, Electric Sounds, Electrical Hum, Electrical Infrastructure, Electricity, Electricity Infrastructure, Electro Studios, Electro Studios Project Space, Electromagnetic, Electromagnetic Black Noise, Electromagnetic Commons, Electromagnetic Environment, Electromagnetic Field, Electromagnetic Fields, Electromagnetic Grid, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetic Spectrum, Electromagnetic Spiral, Electromagnetic Transmissions, Electromagneticsm, Electromagnetism, Electronic Noosphere, Electronic Spark, Electronics Spark, Elisa Balmaceda, Emerging Exits, EMF, Energy Revolution, Energy System, Entangled Electromagnetic Environment, Entangled Environment, Entanglement, Entso-E, Era of Megaphonics, Ernest Edmonds, Esther Schipper, Esther Schipper Gallery, Eternal Research, Eternal Research LLC, Expanded Radio, Experiential Audio, Experimental Media, Experimental Radio, Experimental Radio Broadcast, Experimental Sound, Extra Extra, Fabrica, Fabrica Brighton, Fabrica Gallery, FACT, FACT Liverpool, Fact Magazine, Factory International, False Locust, Farsight Collective, Farsight Gallery, Farsight London, Field Notes, Field Notes Live, Fieldnotes, Fieldnotes Live, Flannels, Flannels London, Flat Time House, Florencia Curci, Fort Process, Fort Process Festival, Four Sided Triangle, Fractured City, Franchesca Casauay, Francisco Lopez, Fraser Mullen, Freak Zone, Frequenseer, Frequenseers, Fundacja Tone Muzyka, Fundacja Tone Muzyka i Nowe Formy Sztuki, Future Architecture, Galen Joseph-Hunter, Galerie für Zeitgenössische Kunst, Gamma Rays, Generateur, Geopolitics of Infrastructure, Georgia Leigh-Münster, Glasgow, Gold SF, Goldsmiths, Goldsmiths CCA, Goldsmiths College, Goldsmiths Press, Gosia Płysa, Gustav Metzger, H.G. Wells, Hannah Kemp-Welch, Harnessing the Highlands, Haroon Mirza, Hayward Gallery, Her Noise, High Voltage, Hilary Powell, Horse Hospital, HRM 199, HRM199, HTRK, Hull Art, Hull Art Lab, Hum, Humber Street, Humber Street Art Gallery, Humber Street Gallery, Hundred Years Gallery, Hydro-electricity, Hydroelectric, Hydroelectric Power, ICA London, Ilan Manouach, Ilpo Väisänen, Immersive, Immersive Noise, In Motion, In Motion 2026, In Transmission, Industrial Coast, Industrial Music, Industrial Noise, Industrial Overture, Infrared Waves, Infrastructure, Infrastructure Politics, Inter.Sonix, Interact Digital Arts, Interferences, Invisible Geographies, Jacco Ouwerkerk, Jack Jelfs, Joe Banks, Joe Namy, John Bingham-Hall, John Wild, Jonathan Knoblauch, Jonnine Standish, Joshua Bonnetta, Juan Duarte, Junge Akademie, Junge Akademie der Akademie der Künst, Karen Werner, Katharina Bévand, KCRW, Keith Sargent, Kersten Glandien, Kettle's Yard, Kettle’s Yard Cambridge, Kettle’s Yard Gallery, Kiasma, Kiasma Helsinki, Kiasma Museum, KMRU, Krafthaus Arts, Krafthaus Arts CIC, Kristen Gallerneaux, Kunst Radio, Kunsthal Charlottenborg, Kunstradio, Kyoto, Kyoto City, Kyoto City University, Kyoto City University of Arts, Kyoto City University of Arts Art Gallery, Kyoto Experiment, Kyoto Experiment 2025, Langham Research, Langham Research Centre, Late Junction, LCB Depot, LCB Depot Leicester, LCC, LCC Crisap, LCC London, Le Generateur, Leicester, Leicester Phoenix, Lindsay Seers, Liquid Architecture, Lisa Hall, Lisson Gallery, Listen, Listen Club, Listen Gallery, Listening, Listening Biennial, Listening Party, Live Mains Electricity, Live to Air, Loes Verstappen, London, London College of Communication, Lord of the Dynamos, Lost in Transmission, Loudspeaker Orchestra, Low End, Low End Theory, LungA School, LungA Skólinn, Lyd Galleriet, Lydgalleriet, Magnetic, Magnetic Alternative, Magnetic Alternatives, Magnetic Field, Magnetic Mystic, Magnetic Mystics, Magnetosphere, Magz Hall, Mains Electricity, Malgorzata Plysa, Marcus West Retrospective, Maria Papadomanolaki, Marijn Bril, Mark Peter Wright, Mark Pilkington, Mark Vernon, Markus Rhein, Martin Howse, Mat Schulz, Matt’s Gallery, May Day Radio, May Day Rooms, MayDay Radio, Mayday Rooms, München, Megaphonics, Mego, Mego Records, Meira Asher, Menai Reykjavik, Mengi, Mengi Reykjavik, Meredith Kooi, Micro-broadcast, Microwaves, Mika Vainio, Mike Harding, Mobile Radio, Movement Radio, Mundi, Museo Reina Sofia, Museum of Sound, Mystic, Mystics, Nastassja Simensky, Nathan Gray, National Grid, New American Radio, New Art City, New Forms, Nigel Yang, Nkisi, Nowe Formy Sztuki, Oliver Hottner, Oliver Sanders Matt Parker, Olivier Renaud-Clément, Onassis Culture, Onassis Foundation, Onassis ONX, Onassis Stegi, One Magnetosphere, Open Ears, Open Weather, Optimal Records, ORF, ORF Kunst, ORF Kunst Radio, ORF Kunstradio, ORF Radio, Oto Projects, Outernet Arts, Over Voltage, Overvoltage, PAJ Publications, Palais de Tokyo, Pan, Pan Sonic, Panasonic, Paradigm Shift, Paul Carey-Kent, Paul Mazzitelli, Pedro Almiro, Peter Rehberg, Phoenix, Phoenix Café Bar, Phoenix Leicester, Piksel, Piksel 25, Piksel 25 Festival, Piksel Fest, Piksel25, Piksel25 Festival, Pikselfest, Planetary Electromagnetic, Planetary Electromagnetic Grid, Planetary Grid, Plastic Language, Plural Radio Listening, Plus Electrification, Politics, Politics of Infrastructure, Politics of Listening, Power Station, Project Arts, Project Arts Centre, PRS Foundation, PRSF, Pulse Arc Generator, Punch Drunk, Punchdrunk, Quietus, R10, R10 Collective, R10 Heritage, R10 Heritage Studios, Radiant Static, Radical Matter, Radical Matter Journal, Radio, Radio 4, Radio After Radio, Radio Art, Radio Art 106, Radio Art Archive, Radio Art Research, Radio Art Zone, Radio Artist, Radio Artwork, Radio Bern RaBe, Radio Broadcast, Radio for Open Ears, Radio Four, Radio Listening, Radio Naba, Radio of the Future, Radio Oracle, Radio Papesse, Radio Research, Radio Serpentine, Radio Thamesmead, Radio Underground, Radio Waves, Radiofonia, Radiophonic, Radiophonic Art, Radiophonic Studies, Radiophonic X, Radiophonics, Radiophonicx, Radiophrenia, Radiophrenia 2026, Radiophrenia 87.9FM, Radiophrenia Glasgow, Radiophrenia Live, Radiophrenia Live-to-Air, Radiophrenia Scotland, Raster Media, Raster Noton, RCA London, Reboot FM, Reina Sofía, Repeater Books, Repeater Radio, Research Centre, Research Centre for Radiophonic Studies, Research Unit, Resonance, Resonance Extra, Resonance FM, Reverb, Reykjavik, Rhizome, Ricerca per la Radiofonia, Rite, Rite of the Demon, Roberts Institute, Roberts Institute of Art, Robin Klassnik, Rorschach Audio, Rose Hill, Rose Hill Brighton, Royal College of Art, RTM.FM, Ryan Boutlbee, Ryoji Ikeda, Sahko, Sahko Recordings, Sahko Records, Sally Applin, Sarah Washington, SARC Belfast, SARU, SARU Oxford, Sasha Engelmann, Sónar Barcelona, Sónicas, Scylla and Charybdis, Sean Carroll, Sean Clark, Search for Power, Seasferic, Seisma, Seisma Magazine, Selector After Dark, Selector Archive, Selector Behind the Music, Selector Radio, Selector Sessions, Sensing Threats, Serpentine Radio, Serpentine South, Serpentine South Gallery, Seyðisfjörður, Shifting Ether, Shintaro Miyazaki, Shiro Fujioka, Shortwave Collective, Shortwave Encounters, Shubbak Festival, Skaņu Mežs, Sklepy Cynamonowe, Sluice Art, Sluice Expo, Sluice Expo 2025, Sluice Film, Sluice HQ, Sluice Magazine, Sluice Radio, Sofia Lemos, Solar Radio, Somerset House, Somerset House Assembly, Somerset House Channel, Somerset House Studio, Somerset House Studios, Sonic Acts, Sonic Acts Biennial, Sonic Acts Festival, Sonic Art, Sonic Art Practice, Sonic Art Research Unit, Sonic Arts, Sonic Arts Practice, Sonic Arts Research, Sonic Arts Research Centre, Sonic Arts Research Unit, Sonic Boom, Sonic Border, Sonic Commune, Sonic Continuum, Sonic Dialogues, Sonic Field, Sonic Sculptures, Sonic Texture, Sonic Textures, Sonic Urbanism, Sonic Youth, Sonica, Sonica 2024, Sonica 2025, Sonica Festival, Sonica Glasgow, Sono-Electro, Sono-Electro Festival, Soph Dyer, Sound, Sound & Music, Sound and Listening, Sound Art, Sound Art Brighton, Sound Art Lab, Sound Art Laboratory, Sound Art Practice, Sound Art Radio, Sound Artist, Sound Arts, Sound Arts Practice, Sound City, Sound Image Festival, Sound Unheard, Sound Unseen, Sound Unseen/Unheard, Sound Work, Sound Works, Sound-Image, Sound/Image 2025, Sound/Image Festival 2025, Soundwork, Soundworks, Spark-Gap, Standing Wave, Standing Wave Radio, Stegi Radio, Steim, Steim Amsterdam, Stephen Prince, Steve Goodman, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Struer Tracks, Stuart Maconie, Sue Gollifer, Susan Schuppli, Susanna Hertrich, Taco, TACO Thamesmead, Talbot Rice, Talbot Rice Gallery, Tape Op, Tape Op Magazine, Tectonics, Tectonics Festival, Teleplasmiste, Test Dept, The Cryptician, The Demon, The Demon Box, The Dynamos, The Era of Megaphonics, The Factory, The Geopolitics of Infrastructure, The Hayward Gallery, The Horse Hospital, The ICA, The Listening Biennial, The Lord of the Dynamos, The Network, The Quietus, The Radio of the Future, The Roberts Institute of Art, The Rose Hill, The Search for Power, The Vinyl Factory, The Vinyl Factory Reverb, The Wire, The Wire Magazine, Theatrum, Theatrum Mundi, Theatrum Mundi Collective, Thulani Rachia, Tim Hecker, Tim Shaw, Timothy Hecker, Tina Gallery, Tom Harris, Tom Ravenscroft, Tom Roe, Tommi Gronlund, Topovoros, Topovoros Books, Torsten Lauschmann, Touch Music, Transmediale, Transmission, Transmission Art, Transmission Arts, Transmission Arts: Artists & Airwaves, Transmission Artwork, Transmission Ecologies, Transmissions, Trebuchet, Trebuchet Magazine, Tsonami, Tsonami Arte, Tsonami Arte Sonoro, UAL Crisap, Ultra-Red, Ultraviolet Waves, Under One Magnetosphere, University of San Marino, University of San Marino - Research Centre for Radiophonic Studies, University of the Arts, University of the Arts London, University of Washington, Unsound, Unsound Festival, Unsound Kraków, Unsound London, Unsound Toronto, UP Projects, Urban Sonic, Urban Sound, Urban Sound Institute, Using Electricity, Value of Noise, Variation on 50Hz, Variations on 50Hz, Velimir Khlebnikov, Very Low Frequency, Very Low Frequency Radio, Victory Over the Sun, Villa Lontana, Villa Lontana Records, Vinyl Factory, Vinyl Factory Reverb, Visible Light Rays, VLF, VLF Band, VLF Radio, VLF-band Radio, Volt, Volt Art Gallery, Volt Eastbourne, Volt Gallery, Volt Gallery Eastbourne, Voltage, Volts, W1, W1 Curates, W1 Curates Studios, W1 Events, W1 Immersive, Walter Maioli, Wave Farm, Wave Farm Artist Residency, Wave Farm Artist Residency Program, Wave Farm Radio, Wave Radio, Waves of Resistance, WGXC, WGXC 90.7-FM, WGXC 90.7FM, Whitstable, Will Dutta, William F. Temple, Wire, Wire Magazine, Wired, Wired Magazine, Wysing, Wysing Arts, Wysing Arts Centre, Wysing Polyphonic, X-Rays, XMTR.FM, Yuliy Sergeievitch Meitus, Zeno van den Broek, Zustände, Zustände in München, Ģirts Reiniks
Electromagnetic Sound Art on Wave Farm Radio
“National Grid” audio commentary on Wave Farm “Audio Buffet”…
WGXC 90.7-FM and on-line, 10 Oct 2025, 3pm USA, 8pm UK
https://wavefarm.org/radio/wgxc/schedule/11vz9p
Special thanks to Bianca Biberaj & Meredith Kooi
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