+Electrification, 180 Studios, 180 The Strand, 50 Hertz, 50 Hz, 50Hz, A Sonic Urbanism, A---Z, AC Electricity, AC/DC, ACE England, Across the Sonic Border, Afroditi Psarra, Afterall, Afterall Research, Aga Paulina Młyńczak, Akademie der Künst, Akeelah Bertram, Alan Dunn, Alessandro Volta, Alex Fierra, Alex Pearl, Alexandra Fierra, Alice Amati, Alice Amati Gallery, All Under, All Under One Magnetosphere, Alternating Current, Alva Noto, Alyssa Moxley, Ambitions Graveyard, Amina Abbas-Nazari, Amit Patel, Ana Luisa Cubas, Ancestral Intelligence, Andrew Knight-Hill, Andy Jenkinson, Anna Barham, Anne Duffau, Anne Zeitz, Anti Festival, Antonia Shaw, Aphex Twin, Archivo Audible, Archivo de lo Audible, Arebyte, Arebyte Gallery, Arebyte Studio, Arebyte Studios, Ari Kerssens, Ars Electronica, Art Lab, Art Research, Arte Sonoro, Artist, Artistic Research, Arts Admin, Arts Council, Arts Council England, Artsadmin, Artsadmin London, Ash International, Atmosférica, Atmosféricas, Atmospheric Listening, Atonal 2025, Attenborough Arts, Attenborough Arts Centre, Audible Matter, Audio Art, Audio Artist, Audio Club, Auditive Social Network, Aural, Aural Atmosférica, Aural Atmosféricas, Aural Sensation, Autechre, Auto Italia, Auto Italia South East, Autotelic Foundation, Auxiliary, Auxiliary Project Space, Avalon Cafe, Aviva Studios, Aya, Þverárlón, B.A.S.E. Tsonami, Babel, Background Noise, Bankside Power Station, Barry Burns, BASE Tsonami, Battersea Power Station, BBC, BBC Radio, BBC Radio 3, BBC Radio 4, BBC Radio 5, BBC Radio 6, BBC Radio 6 Music, BBC Radio Five, BBC Radio Four, BBC Radio Six, BBC Radio Three, Beaconsfield, Beaconsfield Gallery, Beth Ross, Bhavisha Panchia, Bill Corrigan, Bjólfs Power Plant, Björn Larsson, Black Industrial, Black Industrial Research, Black Industrial Research Group, Black Noise, Blast First, Bozar Electronic Arts Festival, Bozar Festival, BRDCST, Brian Eno, Brigitte Hart, Brilliant Noise, Brut Wien, Bryn Nieboer, Café Oto, Candice Jacobs, Caroline Heron, Carrie Chan, Carsten Nicolai, Cashmere Radio, Cathie Boyd, Cathy Lane, CCA, CCA Glasgow, CCA Goldsmiths, Centre for Radiophonic Studies, Centre for Sound, Centre for Sound and Image, Centro di Ricerca per la Radiofonia, Channel Somerset House, Chisenhale Gallery, Chris Rawcliffe, Chris Stark, Christian Marclay, Christina Bennett, Christina Kubisch, Chromaplane Electromagnetic Synthesiser, Cildo Meireles, City of Sound, Clot Magazine, CM von Hausswolff, Cobalt, Cobalt Newcastle, Cobalt Studio, Cobalt Studios, Coded Geometry, Coleman Stewart, Computer Arts Society, Constellations of Listening, Contemporary Art Society, Contemporary Quarters, Contemporary Sound Art, Contemporary Sound Practice, Corridor8, Cos Ahmet, Counterflows, Counterflows Festival, Crafting a Sonic Urbanism, Creative Research, Creative Research in Sound Arts Practice, CRISAP, Cryptic, Cryptic Commission, Cryptic Glasgow, Cryptic Night, Cryptic Nights, Cryptic Sonica, Cryptician, CTM, CTM Festival, CTM Festival Berlin, CTM x ICA, CTM x ICA 2025, Curates, Dan Edelstyn, Dan Tapper, Dark Field, Dark Field London, Darkfield, Darkfield London, David Blandy, David Toop, DC Electricity, Dead Hand, Dead Hand Radio Hour, Demon, Demon Box, Deutschlandfunk, Deutschlandfunk Kultur, Deutschlandfunk Nova, Deutschlandfunk Radio, Devonshire Collective, Diagonal, Diagonal Records, Dieter Roth, Diffusion 919 FM, Dillon Bastan, Diogenes, Diogenes Bunker, Direct Current, Discursive Fragments, Disinformation, Disobey, Disruptive Frequencies, Divergent Listening, DIY Radio, Dneiper Hydro-Electric, Dneiper Hydro-Electric Power Station, Dneiper Water Power Station, Dnieprostroi, Dnieprostroi Hydro-Electric, Dnieprostroi Hydro-Electric Power Station, Dorkbot, Dorkbot London, Dr Eleonora Oreggia, Dr John Wild, Drone, Drone Music, Dronica, Dronica Festival, Dundee Contemporary Arts, Dushume, DXARTS, Юлій Мейтус, Юлій Сергійович Мейтус, E-werk Luckenwalde, E.ON Stiftung, E.ON Stiftung gGmbH, Eclectic Electronic, Eclectic Electronics, Electric Artefact, Electric Artefacts, Electric Fields, Electric London, Electric Pylon, Electric Sound, Electric Sounds, Electrical Hum, Electrical Infrastructure, Electrical Infrastructures, Electrical Noise, Electrical Substation, Electrical Walks, Electricity, Electricity Generation, Electricity Infrastructure, Electricity Pylon, Electricity The Spark of Life, Electro State, Electro States, Electro-Magnetic Field, Electro-Magnetic Fields, Electro-Magnetism, Electromagnetic, Electromagnetic Art, Electromagnetic Black Noise, Electromagnetic Commons, Electromagnetic Environment, Electromagnetic Field, Electromagnetic Fields, Electromagnetic Grid, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetic Spectrum, Electromagnetic Spiral, Electromagnetic Synthesiser, Electromagnetic Transmissions, Electromagneticsm, Electromagnetism, Electronic Audio, Electronic Audio Club, Electronic Music, Electronic Noosphere, Electronic Spark, Electronics Spark, Electrostate, Electrostates, Elektronik Chromaplane, Elena Botts, Eleonora Oreggia, Elisa Balmaceda, Elliott Burns, Emerging Exits, EMF, EMST Athens, Energy Revolution, Energy System, Energy System Operator, Entangled Electromagnetic Environment, Entangled Environment, Entanglement, Entso-E, Era of Megaphonics, Esther Schipper, Esther Schipper Gallery, Eternal Research, Eternal Research Music, Expanded Radio, Expected Music, Experiential Audio, Experimental Music, Experimental Sound Art, Eyeo, Eyeo Festival, Fabrica, Fabrica Brighton, Fabrica Galery, Fabrica Gallery, Factory International, Faraday Memorial, Farsight Collective, Farsight Gallery, Festival Résonance, Fieldwave, Fjarðará, Fjarðará Power Plant, Fjarðarheiði, Fjarðarsel Power Plant, Fjarðarsel Power Plant Museum, Fjarðaselsvirkjun, Flannels, Flannels London, Flickr, Florencia Curci, Focal Point, Focal Point Gallery, Forma, Forma Arts, Forma Arts & Culture, Forma HQ, FPG Sounds, Fractured City, Fran Hayes, Franchesca Casauay, Fraser Mullen, Freak Zone, Freak Zone Playlist, Frequenseer, Frequenseers, Fundacja Tone Muzyka, Fundacja Tone Muzyka i Nowe Formy Sztuki, Future Architecture, Gabriel Prokofiev, Gaika, Galen Joseph-Hunter, Gæoudjiparl, Gúls Power Plant, Generateur, Geography of Colour, Geopolitics of Infrastructure, Georgia Leigh-Münster, Gina Prat Lilly, Glasgow, Glasgow CCA, Glitch Art, Glitch Audio, Goldsmiths CCA, Goldsmiths College, Goodiepal, Grant Mooney, Greenwich Power Station, Gregory Kramer, Grid, Grid Music, Hackspace, Hannah Kemp-Welch, Harnessing the Highlands, Haroon Mirza, Harpa Concert Hall, Harpa Reykjavik, Hayward Gallery, Hear and Now, Heart of Noise, Heart of Noise Festival, Heiðarvatn, HEK Basel, Her Noise, High Voltage, Hilary Powell, Hito Steyerl, Hlustunarpartý, Horse Hospital, House of Music, HRM199, HS Orka, Hull Art, Hull Art Lab, Hum, Humber Street, Humber Street Art Gallery, Humber Street Gallery, Hundred Years Gallery, Hydro-electricity, Hydroelectric, Hydroelectric Dam, Hydroelectric Power, Hypha Studios, Ian Thompson, ICA London, Iceland, Iceland Symphony Orchestra, Iklectik, Iklectik Art Space, Iklectik London, Iklectik Nomadik, Ilan Volkov, Ilpo Väisänen, Immersive, Immersive Noise, In Motion, In Motion 2026, In Transmission, Incidental Music, Industrial Coast, Industrial Music, Industrial Noise, Industrial Overture, Infrastructure, Infrastructure Politics, Infrastructures, Inter.Sonix, Interact Digital Arts, Interferences, Intonarumori, Invisible Currents, Invisible Geographies, Iulia Boșcu, Jacco Ouwerkerk, Jacob Driver, Jake Parry, James Ginzburg, Jay Goodbrave, Jennifer Lucy Allan, Jesse May Fisher, Jim Ricks, Joe Banks, John Bingham-Hall, John Wild, Jordan Bortner, Josh Hall, Joshua Bonnetta, Juan Duarte, Julian Carandini, Julius Meytuss, Junge Akademie, Junge Akademie der Akademie der Künst, Kamilla Gylfadóttir, Karen Werner, Karl England, Kate Donovan, Katharina Bévand, Katharina Worf, Keh Ng, Keith Sargent, Kettle's Yard, Kettle’s Yard Cambridge, Kettle’s Yard Gallery, Kiasma, Kiasma Helsinki, Kiasma Museum, Kimbal Bumstead, King's Place, Klangzeit, Klangzeit Festival, Klāvs Liepiņš, Kodwo Eshun, Koma Elektronik, Koma Elektronik Chromaplane, Koma Elektronik Chromaplane Electromagnetic Synthesiser, Krafthaus Arts, Kraftwerk Berlin, Kristen Gallerneaux, Kunst Radio, Kunsthal Charlottenborg, Kyoto, Kyoto City, Kyoto City University, Kyoto City University of Arts, Kyoto City University of Arts Art Gallery, Kyoto Experiment, Kyoto Experiment 2025, Language [as] Meta-Technology, Last Friday, Late Junction, LCB Depot, LCB Depot Leicester, LCB Gallery, LCC, LCC Crisap, LCC London, Le Generateur, Lee Ranaldo, Leicester, Leicester Cultural Quarter, Leicester Phoenix, Leicester University, Leslie Deere, Liberty Smith, Lindsay Seers, Lisa Hall, Lisson Gallery, Listen, Listen Club, Listen Gallery, Listen with Crisap, Listening, Listening Biennial, Listening Party, Listening with Crisap, Live Mains Electricity, Liz Blum, Lomond Campbell, London, London College of Communication, London Electric, London Electricity, Lost in Transmission, Loudspeaker Orchestra, Low End, Low End Theory, Lucia Pietroiusti, Lucie Biek, LungA School, LungA Skólinn, Lyd Galleriet, Lydgalleriet, Machina Bristronica, Machines That Go Beep, Maggie Roberts, Magnetic, Magnetic Alternatives, Magnetic Field, Magnetic Movie, Magnetic Mystic, Magnetic Mystics, Magnetosphere, Magz Hall, Mains Electricity, Mains Hum, Marcia Teusink, Maria Papadomanolaki, Marie Therese Ross, Marijn Bril, Mark Jackson, Mark Peter Wright, Mark Pilkington, Mark Rohtmaa-Jackson, Mark Vernon, Mat Jenner, Mateus Domingos, Matt Deslauriers, Matt’s Gallery, Matthew Stock, May Day Radio, May Day Rooms, MayDay Radio, Mayday Rooms, Megaphonics, Meira Asher, Meitheal, Mengi, Micro-broadcast, Middlesbrough Art Week, Mika Vainio, Mike Fell, Mobile Radio, Modus Arts, Movement Radio, Moving The Grid, Moving The Grid Forward, Mundi, Museum of Installation, Museum of Installation Archive, Museum of Sound, Music Hackspace, Music Tectonics, Mystics, Nadim Samman, Natasha Bird, Nathan Bissette, National, National Energy System, National Energy System Operator, National Grid, National Grid Music, NESO, Nick Luscombe, Nicola Colclough, Nicolas Middleton, Nkisi, Noise Music, Noise Radio, Non-Classical, Nonclassical, Notorische Ruhestoerung, Nowe Formy Sztuki, NTS Radio, Obsolete Technology, October Gallery, Od Arts Festival, Off Site, Off Site Project, Off Site Projects, Offsite, Offsite Project, Offsite Projects, Oliver Payne, Oliver Sanders Matt Parker, Olivier Renaud-Clément, Onassis Culture, Onassis Foundation, Onassis ONX, Onassis Stegi, One Magnetosphere, Open Weather, ORF, ORF Kunst, ORF Kunst Radio, ORF Kunstradio, ORF Radio, Orphan Drift, Oto Projects, Otolith Group, OUT.RA, Outernet Arts, Over Voltage, Overvoltage, Pablo Wendel, Palais de Tokyo, Pan Sonic, Panasonic, Parham Ghalamdar, Parl Kristian Vester, Paul Carey-Kent, Paul Mazzitelli, Paul Purgas, Paul Vivian, Performance Electrics, Peter Weibel, Phoenix Leicester, Phonica, Phonica Records, Pi Artworks, Pi Soundworks, Piksel, Piksel Fest, Piksel Festival, Pita Arreola, Pita Arreola-Burns, Planetary Electromagnetic, Planetary Electromagnetic Grid, Planetary Grid, Plus Electrification, Politics, Politics of Electrification, Politics of Infrastructure, Politics of Listening, Power Station, Primary, Primary Nottingham, Project, Project Arts, Project Arts Centre, Projects, PRS Foundation, PRSF, Pulse Arc Generator, Punch Drunk, Punchdrunk, Pylon, R&D, R10, R10 Collective, R10 Heritage Studios, R10.EMS, Radiant Static, Radical Matter, Radical Matter Journal, Radio After Radio, Radio Art, Radio Art 106, Radio Art Research, Radio Art Zone, Radio as Social Sculpture, Radio Bern RaBe, Radio Dream, Radio Interference, Radio Netzwerk, Radio Noise, Radio Oracle, Radio Papesse, Radio Research, Radio Thamesmead, Radio Thamesmead (RTM), Radio-dreaming, Radiofonia, Radiophonic, Radiophonic Art, Radiophonic Studies, Radiophonic X, Radiophonics, Radiophonicx, Radiophrenia, Radiophrenia 2026, Radiophrenia 87.9FM, Radiophrenia Glasgow, Radiophrenia Live, Radiophrenia Live-to-Air, Radiophrenia Scotland, Raster Media, Raster Noton, Reboot FM, Recycling, Research Centre for Radiophonic Studies, Research Group, Research Unit, Resonance, Resonance Extra, Resonance FM, Reykjavik, Ricerca per la Radiofonia, Rieko Whitfield, Ringing World, River Fjarðará, Robert Worby, Robin Mackay, Rorschach Audio, Royal College of Art, RRRepurpose, RTM, RTM.FM, Ruth Jones, Ryoji Ikeda, Sabine Himmelsbach, Sahko, Sahko Recordings, Sahko Records, Sally Applin, Sandra Crisp, Sarah Washington, Sarah Wishart, Sarahsson, SARC Belfast, SARU, SARU Oxford, Sasha Engelmann, Sónicas, Sean Clark, Search for Power, Seasferic, Seán Talbot, Seisma, Seisma Magazine, Semiconductor, Semiconductor Films, Sensing Threats, Sergey Khismatov, Serpentine South, Serpentine South Gallery, Seyðisfjörður, Seydisfiord, Shifting Ether, Shiro Fujioka, Shortwave, Shortwave Collective, Shortwave Encounters, Shortwave Radio, Shortwave Radio Noise, Shubbak Festival, Simon Lee Dicker, Skaņu Mežs, Skúli Sverrisson, Sluice Art, Sluice Expo, Sluice Expo 2025, Sluice Film, Sluice Magazine, Sluice Radio, Social Broadcasts, Social Sculpture, Sofia Lemos, Soho Electric, Solar Radio Noise, Somerset House, Somerset House 2026, Somerset House Studio, Somerset House Studios, Sonic Acts, Sonic Acts Biennial, Sonic Acts Festival, Sonic Art, Sonic Art Practice, Sonic Art Research Unit, Sonic Art Week, Sonic Arts, Sonic Arts Practice, Sonic Arts Research, Sonic Arts Research Centre, Sonic Arts Research Unit, Sonic Arts Week, Sonic Boom, Sonic Border, Sonic Continuum, Sonic Dialogues, Sonic Field, Sonic Frontiers, Sonic Labs, Sonic Research, Sonic Texture, Sonic Textures, Sonic Urbanism, Sonica, Sonica 2024, Sonica 2025, Sonica Festival, Sonica Glasgow, Sonica Istanbul, Sono-Electro, Sono-Electro Festival, Soph Dyer, Sophia Archontis, Sound, Sound & Music, Sound 2025, Sound and Image, Sound and Listening, Sound Art, Sound Art Lab, Sound Art Laboratory, Sound Art Practice, Sound Art UK, Sound Artist, Sound Arts, Sound Arts Practice, Sound Arts UK, Sound City, Sound City Festival, Sound Image Festival, Sound Image Research Group, Sound Practice, Sound System, Sound System Outernational, Sound Unheard, Sound Unseen, Sound Unseen/Unheard, Sound Work, Sound Works, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Sound/Image 2025, Sound/Image Festival 2025, Soundwork, Soundworks, Soviet Power Plus Electrification, Spark of Life, Spark-Gap, Spectrum, Sphere Music, St. Leonards, Stargate, Stedelijk Museum, Steelpan Sam, Stegi Radio, Steven Kennedy, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Stuart Bowditch, Stuart Maconie, Stuart Maconie’s Freak Zone, Susan Eyre, Taco, TACO Thamesmead, Talbot Rice, Talbot Rice Gallery, Tate Britain, Tate Modern, Tazelaar Stevenson, Tectonics, Tectonics Festival, Tectonics Reykjavik, Teleplasmiste, Test Department, Test Dept, The Auxiliary, The Cryptician, The Cryptician: Sonica Istanbul, The Demon, The Demon Box, The Era of Megaphonics, The Factory, The Geopolitics of Infrastructure, The Grid, The Horse Hospital, The Listening Biennial, The Network, The Ringing World, The Search for Power, The Spark of Life, The Vinyl Factory, The Wire, The Wire Magazine, Theatrum, Theatrum Mundi, Theatrum Mundi Collective, There Are No Birds Here, Thulani Rachia, Tim Hecker, Tim Shaw, Timothy Hecker, Tina Gallery, TLK, Tolbooth Stirling, Tommi Gronlund, Topovoros Books, Torsten Lauschmann, Touch Music, Transference TV, Transmediale, Transmediale 2025, Transmediale Festival, Transmission Art, Transmission Ecologies, Transmission Tower, Transmissions, Tsonami, Tsonami Arte, Tsonami Arte Sonoro, Turbine Hall, Turbine Symphony, UAL Crisap, Ultra-Red, Under One Magnetosphere, Unit Gallery, Unit London, University of Greenwich, University of Leicester, University of San Marino, University of San Marino - Research Centre for Radiophonic Studies, University of the Arts, University of the Arts London, Unsound NYC, Unsound Osaka, Upplýsingafölsun, Upplýsingafölsun Hlustunarpartý, Urban Sonic, Urban Sound, Urban Sound Institute, Urbanomic, Urbanomic Press, User07453677, Vanya Nesterets, Variation on 50Hz, Variations on 50Hz, Verity Sharp, Very Low Frequency, Very Low Frequency Radio, Victory Over the Sun, Vidal Montgomery, Video Art, Video Artist, Villa Lontana, Villa Lontana Records, Vinyl Factory, VLF, VLF Radio, VLF Radio Art, Volksbühne Berlin, Volt, Volt Art Gallery, Volt Eastbourne, Volt Gallery, Volt Gallery Eastbourne, Voltage, Volts, W1, W1 Curates, W1 Curates Studios, W1 Events, W1 Immersive, Walter Maioli, Wave Farm, Wave Farm Radio, Waves of Resistance, Wellcome Collection, Whitstable, Will Dutta, Will Gresson, Wire, Wire Magazine, Wired, Wired Magazine, Wireless Forces, Worm Rotterdam, WRO Biennale, Wysing, Wysing Arts, Wysing Arts Centre, Wysing Polyphonic, X-Name, XMTR, XMTR Audio, XMTR Audio Arts, XMTR Festival, XMTR Festival St. Leonards, Xname, Yarmonics, Yuliy Meitus, Yuliy Serhiyovych Meitus, Yyuri, Zach Oakman, Zeno van den Broek, ZKM, ZKM Karlsruhe