+Electrification, 180 Studios, 180 The Strand, 2220 Arts, 2220 Arts + Archives, 50 Hertz, 50 Htz or Thereabouts, 50 Hz, 50Hz, 50Hz or Thereabouts, 60 Hz, 60Hz, 674.FM, A Sonic Urbanism, A---Z, AC Electricity, AC/DC, Across the Sonic Border, Afroditi Psarra, Afterall, Afterall Research, Aga Paulina Młyńczak, Akademie der Künst, Akashic Tapes, Akeelah Bertram, Alan Dunn, Alessandro Volta, Alex Fierra, Alex Pearl, Alexandra Fierra, Alice Amati, Alice Amati Gallery, Alistair Gentry, All Under, All Under One Magnetosphere, Alternating Current, Alva Noto, Alyssa Moxley, Ambitions Graveyard, Amina Abbas-Nazari, Ana Luisa Cubas, Analyst A-113, Ancestral Intelligence, Andrew Knight-Hill, Anna Barham, Anne Duffau, Anne Zeitz, Anti Festival, Antonia Shaw, Antonio Roberts, Aphex Twin, Archive of Listening, Archivo Audible, Archivo de lo Audible, Are Friends Electric, Are You Listening, Ari Kerssens, Art Brighton, Art Lab, Art on Air, Art Radio, Art Research, Artangel, Artangel London, Arte Sonoro, Artica, Artica Svalbard, Artistic Research, Arts Admin, Artsadmin, Artsadmin London, Atmosférica, Atmosféricas, Atmospheric Archaeology, Atmospheric Listening, Atmospheric Noise, Atmospherics, Atonal 2025, Audible Matter, Audimat, Audio Art, Audio Artist, Audio Club, Auditive Social Network, Audrey Desjardins, Aural, Aural Atmosférica, Aural Atmosféricas, Aural Sensation, Autechre, Auto Italia, Auto Italia South East, Autotelic, Autotelic Foundation, AV Festival, AV Festival Newcastle, AV Newcastle, Avalon Cafe, Aviva Studios, AWOL, AWOL Collective, Aya, Aye-Aye Books, Þverárlón, B.A.S.E. Tsonami, Babel, Background Noise, Bankside Power Station, Barbican Art, Barbican Art Gallery, Barbican Centre, Barbican Immersive, Barbican London, Barry Burns, Basalt, Basalt Rennes, BASE Tsonami, Battersea Power Station, BBC, BBC Radio, BBC Radio 3, BBC Radio 4, BBC Radio 5, BBC Radio 6, BBC Radio 6 Music, BBC Radio Five, BBC Radio Four, BBC Radio Six, BBC Radio Three, BBC Radiophonic Workshop, Beaconsfield, Beaconsfield Gallery, Benjamin Fallon, Beth Ross, Beyond the Visual, Bhavisha Panchia, Bill Corrigan, Bjólfs Power Plant, Black Industrial, Black Industrial Research, Black Industrial Research Group, Black Noise, Blast First, Bodies of Sound, Box, BRDCST, Brian Eno, Brigitte Hart, Broadside, Broadside Gallery, Broadside Glasgow, Broadside Space, Brut Wien, Bryn Nieboer, Buena Vida, Café Oto, Calum Stirling, Candice Jacobs, Caroline Heron, Carrie Chan, Carsten Nicolai, Cashmere Radio, Cathy Lane, Cathy Rose, CCA, CCA Glasgow, Centre for Radiophonic Studies, Centre for Sound, Centre for Sound and Image, Centro di Ricerca per la Radiofonia, Channel Somerset House, Chisenhale, Chisenhale Gallery, Chisenhale Gallery London, Chooc Ly Tan, Chris Rawcliffe, Chris Stark, Christian Marclay, Christina Bennett, Christina Kubisch, Chromaplane Electromagnetic Synthesiser, Cildo Meireles, City of Sound, CM von Hausswolff, Cobalt, Cobalt Newcastle, Cobalt Studio, Cobalt Studios, Coded Geometry, Col Self, Cold Light, Coleman Stewart, Community Radio, Concrete Projects, Conduction Series, Constellations of Listening, Contemporary Art Society, Contemporary Quarters, Corridor8, Cory Arcangel, Cos Ahmet, Counterflows, Counterflows Festival, Crafting a Sonic Urbanism, Creative Research, Creative Research in Sound Arts Practice, CRISAP, Cryptic, Cryptic Glasgow, Cryptic Night, Cryptic Nights, Cryptic Sonica, Cryptician, CTM, CTM 2026, CTM × Transmediale, CTM Festival, CTM Festival 2026, CTM Festival Berlin, CTM x ICA, CTM x ICA 2025, Curates, Damien Simon, Dan Edelstyn, Dan Tapper, Dark Field, Dark Field London, Darkfield, Darkfield London, David Blandy, David Falkner, David Palliser, David Roberts, David Toop, DC Electricity, Dead Hand, Dead Hand Radio Hour, Delta Listening, Demon, Demon Box, Destructive Circuits, Deutschlandfunk, Deutschlandfunk Kultur, Deutschlandfunk Nova, Deutschlandfunk Radio, Devonshire Collective, Diagonal, Diagonal Records, Dieter Roth, Diffusion 919 FM, Digital Radio, Diogenes, Diogenes Bunker, Direct Current, Discursive Fragments, Disinformation, Disobey, Divergent Listening, DIY Radio, Dneiper Hydro-Electric, Dneiper Hydro-Electric Power Station, Dneiper Water Power Station, Dnieprostroi, Dnieprostroi Hydro-Electric, Dnieprostroi Hydro-Electric Power Station, Dorkbot, Dorkbot London, Dr Eleonora Oreggia, Dr John Wild, Drífa Arnþórsdóttir, Drone Music, Dronica, Dronica Festival, Dublin Digital, Dublin Digital Radio, Юлій Мейтус, Юлій Сергійович Мейтус, E-werk, E-werk Luckenwalde, E.ON Stiftung, E.ON Stiftung gGmbH, Eclectic Electronic, Eclectic Electronics, Eddie Peake, Electric Artefact, Electric Artefacts, Electric Fields, Electric Grid, Electric Infrastructure, Electric London, Electric Pylon, Electric Signals, Electric Sound, Electric Sounds, Electrical Hum, Electrical Infrastructure, Electrical Infrastructures, Electrical Signals, Electrical Substation, Electrical Walk, Electrical Walks, Electricity, Electricity Generation, Electricity Infrastructure, Electricity Pylon, Electricity The Spark of Life, Electro State, Electro States, Electro-Magnetic Field, Electro-Magnetic Fields, Electro-Magnetism, Electromagnetic, Electromagnetic Art, Electromagnetic Black Noise, Electromagnetic Commons, Electromagnetic Communication, Electromagnetic Environment, Electromagnetic Field, Electromagnetic Fields, Electromagnetic Grid, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Radiation, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetic Spectrum, Electromagnetic Spiral, Electromagnetic Synthesiser, Electromagnetic Transmissions, Electromagneticsm, Electromagnetism, Electronic Audio, Electronic Audio Club, Electronic Music, Electronic Music Studios, Electronic Noosphere, Electronic Spark, Electronics Spark, Electrostate, Electrostates, Elektronik Chromaplane, Elena Botts, Eleonora Oreggia, Elisa Balmaceda, Elliott Burns, Embassy of Iceland, Emerging Exits, EMF, Emptyset, EMS Goldsmiths, Energetic Devices, Energy Revolution, Energy System, Energy System Operator, Entangled Electromagnetic Environment, Entangled Environment, Entanglement, Entso-E, Ephemera Festival, Era of Megaphonics, Esther Schipper, Esther Schipper Gallery, Eternal Research, Eternal Research LLC, Eternal Research Music, Expanded Radio, Expected Music, Experiential Audio, Experimenta, Experimental Listening, Experimental Listening Room, Extra Extra, Fabrica, Fabrica Brighton, Fabrica Gallery, Factory International, Faraday Memorial, Farsight Collective, Farsight Gallery, Feel The Sound, Festival Résonance, Field Notes, Field Notes Live, Field Notes Magazine, Fieldnotes, Fieldnotes Live, Fieldnotes Magazine, Filipa Ramos, Fjarðará, Fjarðará Power Plant, Fjarðarheiði, Fjarðarsel Power Plant, Fjarðarsel Power Plant Museum, Fjarðaselsvirkjun, Flannels, Flannels London, Florencia Curci, Focal Point, Focal Point Gallery, Forma, Forma Arts, Forma Arts & Culture, Forma HQ, Fractured City, Fran Hayes, Franchesca Casauay, Fraser Mullen, Freak Zone, Freak Zone Playlist, Freq Out, Frequencies, Frequenseer, Frequenseers, Friends Electric, Fundacja Tone Muzyka, Fundacja Tone Muzyka i Nowe Formy Sztuki, Future Architecture, Future Artists, Future Artists Programme, FutureEverything Proto, Gagarin, Gaika, Galen Joseph-Hunter, Gæoudjiparl, Gúls Power Plant, Generateur, Geography of Colour, Geopolitics of Infrastructure, Georgia Leigh-Münster, Glasgow, Glasgow CCA, Goldsmiths College, Goldsmiths EMS, Goldsmiths London, Goodiepal, Grant Mooney, Greenwich Power Station, Grid, Grid Music, Groupwork, Hannah Kemp-Welch, Hard Painting, Hardpainting, Harnessing the Highlands, Haroon Mirza, Haroon Mirza Outputs, Harpa Concert Hall, Harpa Reykjavik, Hayward Gallery, Hear and Now, Heart of Noise, Heart of Noise Festival, Heiðarvatn, HEK Basel, Helga Fannon, Hellocatfood, Her Noise, High Voltage, Hilary Powell, Hito Steyerl, Hlustunarpartý, Horse Hospital, House of Music, HRM 119, HRM119, HRM199, HRM199 Ltd, HRM199 Outputs, HS Orka, Hull Art, Hull Art Lab, Hum, Humber Street, Humber Street Art Gallery, Humber Street Gallery, Hybrid, Hydro-electricity, Hydroelectric, Hydroelectric Dam, Hydroelectric Power, Hyper Chromatic Music, Hyper Sonica, Hyper Sonica Festival, Hyperchromatic Music Festival, Hypersonica, Hypersonica Festival, Ian Boutell, Ian Thompson, ICA London, Iceland, Iceland Embassy, Iceland Symphony Orchestra, Icelandic Arts, Icelandic Embassy, Icelandic Sound Art, Icelandic Space Program, Icelandic Visual Arts, Icelandic Visual Arts Fund, Iklectik Art, Iklectik Art Lab, Ilan Volkov, Illuminated, Image Music Text, Immersive, Immersive Noise, IMT Gallery, IMT Gallery London, In Motion, In Motion 2025, In Motion 2026, In Transmission, Incidental Music, Industrial Coast, Industrial Music, Industrial Noise, Industrial Overture, Infrastructure, Infrastructure Politics, Infrastructures, Institute of Art, Inter.Sonix, Interact Digital Arts, Interferences, Interferenza, Intonarumori, Invisible Currents, Invisible Geographies, ISAST, Iulia Boșcu, Jacco Ouwerkerk, Jack Jelfs, James Ginzburg, Jay Goodbrave, Jennifer Lucy Allan, Jesse May Fisher, Jim Ricks, Joe Namy, John Bingham-Hall, John Wild, Jordan Bortner, Josh Hall, Joshua Bonnetta, Juan Duarte, Julian Carandini, Julius Meytuss, Junge Akademie, Junge Akademie der Akademie der Künst, Kamilla Gylfadóttir, Karen Werner, Karl England, Katharina Bévand, Katharina Worf, Kathy Hinde, KCL, KCL London, KCRW, Keeling Curve, Keh Ng, Keith Sargent, Kersten Glandien, Kettle's Yard, Kettle’s Yard Cambridge, Kettle’s Yard Gallery, Kiasma, Kiasma Helsinki, Kiasma Museum, Kimbal Bumstead, King’s College, Kings College London, Kingston University, Klangendum, Klangzeit, Klangzeit Festival, Klāvs Liepiņš, Kodwo Eshun, Koma Elektronik, Koma Elektronik Chromaplane, Koma Elektronik Chromaplane Electromagnetic Synthesiser, Konrad Fischer, Konrad Fischer Galerie, Krafthaus Arts, Krafthaus Arts CIC, Kraftwerk Berlin, Kristen Gallerneaux, Kunst Radio, Kunsthal Charlottenborg, Kunstradio, Kyoto, Kyoto City, Kyoto City University, Kyoto City University of Arts, Kyoto City University of Arts Art Gallery, Kyoto Experiment, Kyoto Experiment 2025, Lahmacun Radio, Lake Radio, Language, Late Junction, LCB Depot, LCB Depot Leicester, LCC Crisap, LCC London, Le Generateur, Le Son 7, Le Son Sept, Leaky Transmission, Leaky Transmissions, Lee Ranaldo, Leonardo, Leonardo Journal, Leonardo Music Journal, Leonardo/ISAST, Leslie Deere, Liberty Smith, Lindsay Seers, Lisa Hall, Lisson Gallery, Listen, Listen Club, Listen Gallery, Listen with Crisap, Listen With Others, Listening, Listening Archive, Listening Biennial, Listening Party, Listening Room, Listening Together, Listening with Crisap, Live Mains Electricity, Live to Air, Living Radio, Living Radio Lab, Liz Blum, LMJ, Loes Verstappen, Lomond Campbell, London, London College of Communication, London Electric, London Electricity, Lost in Transmission, Loudspeaker Orchestra, Loughborough University, Low End, Low End Theory, Lucia Pietroiusti, Lucie Biek, Lucie Jelfs, Luckenwalde, Luigi Monteanni, LungA School, LungA Skólinn, Lyd Galleriet, Lydgalleriet, Machina Bristronica, Machine Music, Machines That Go Beep, Maggie Roberts, Magnetic, Magnetic Alternatives, Magnetic Field, Magnetic Mystic, Magnetic Mystics, Magnetic Resonance, Magneto Sonic, Magnetosphere, Magz Hall, Maholo Uchida, Mains Electricity, Making Time, Marcia Teusink, Maria Papadomanolaki, Mariam Zulfiqar, Marianna Simnett, Marie Therese Ross, Marijn Bril, Mark Jackson, Mark Peter Wright, Mark Pilkington, Mark Rohtmaa-Jackson, Mark Vernon, Markus Rhein, Maschine Musik, Mat Jenner, Mateus Domingos, Matt Deslauriers, Matt’s Gallery, Matthew Stock, May Day Radio, May Day Rooms, MayDay Radio, Mayday Rooms, München, Megaphonics, Meira Asher, Meitheal, Melika Kolongo, Mengi, Mengi Reykjavik, Mensch Maschine Musik, Micro-broadcast, Mika Vainio, Mike Fell, Mobile Radio, Mon Takanawa, Movement Radio, Moving The Grid, Moving The Grid Forward, Multisensory Modes, Multisensory Perception, Mumbling Eye, Mundi, Museum of Narratives, Museum of Sound, Music Tectonics, Mystics, Nadim Samman, Nastassja Simensky, Natalie Kay, Natasha Bird, Nathan Bissette, Nathan Gray, National, National Energy System, National Energy System Operator, National Grid, National Grid Music, Natural Radio, NESO, Nicola Colclough, Nicolas Middleton, Nkisi, Noise, Noise Colloquium, Noise Night, Noise Radio, Noise Surround System, Non Worldwide, Nothing to Commit, Noton, Nowe Formy Sztuki, NTS Radio, Ocean of Sound, Od Arts Festival, Off Site, Off Site Project, Off Site Projects, Offsite, Offsite Project, Offsite Projects, Old Hair, Oliver Hottner, Oliver Payne, Oliver Sanders Matt Parker, Olivia Aherne, Olivier Renaud-Clément, Onassis, Onassis Culture, Onassis Foundation, Onassis Library, Onassis ONX, Onassis Publications, Onassis Stegi, One Magnetosphere, ONX, Open Weather, ORF, ORF Kunst, ORF Kunst Radio, ORF Kunstradio, ORF Radio, Orphan Drift, Otolith Group, Out of Office Radio, OUT.RA, Outputs, Over Voltage, Overvoltage, Pablo Sanz, Pablo Wendel, Pan Sonic, Panasonic, Parham Ghalamdar, Parl Kristian Vester, Patrick O'Donnell, Paul Mazzitelli, Paul Purgas, Paul Vivian, Pedro Almiro, Performance Electrics, Performing Sound, Peter Weibel, Petra Abousleiman, Philip Cole, Philomene Pirecki, Phonica, Phonica Records, Pita Arreola, Pita Arreola-Burns, Planetary Electromagnetic, Planetary Electromagnetic Grid, Planetary Grid, Plural Radio, Plural Radio Listening, Plus Electrification, Points of Listening, Politics, Politics of Electrification, Politics of Infrastructure, Politics of Listening, Post Card, Post Card for Seyðisfjörður, Post Cards, Post Cards for Seyðisfjörður, Postcard, Postcard for Seyðisfjörður, Postcards, Postcards for Seyðisfjörður, Power of Sound, Power Station, Project, Project Arts, Project Arts Centre, Projects, Publishing, Pulse Arc Generator, Punch Drunk, Punchdrunk, Pure Gold, Pure Gold Presents, Pure Gold [Redux], PureGold, PureGold Presents, PureGold [Redux], Pylon, R&D, R10, R10 Collective, R10 Heritage, R10 Heritage Studios, R10.EMS, Radar, Radar Loughborough, Radiant Static, Radical Matter, Radical Matter Journal, Radio, Radio After Radio, Radio Art, Radio Art 106, Radio Art Research, Radio Art Zone, Radio Artist, Radio Artwork, Radio as Social Sculpture, Radio Bern RaBe, Radio Buena Vida, Radio Dream, Radio Interference, Radio Lab, Radio Listening, Radio Naba, Radio Netzwerk, Radio Noise, Radio Oracle, Radio Papesse, Radio Play, Radio Relay, Radio Research, Radio Serpentine, Radio Thamesmead, Radio Thamesmead (RTM), Radio Underground, Radio Worm, Radio-dreaming, Radiofonia, Radiophonic, Radiophonic Art, Radiophonic Institute, Radiophonic Studies, Radiophonic Workshop, Radiophonic X, Radiophonics, Radiophonicx, Radiophrenia, Radiophrenia 2026, Radiophrenia 87.9FM, Radiophrenia FM, Radiophrenia Glasgow, Radiophrenia Live, Radiophrenia Live-to-Air, Radiophrenia Scotland, RadiOrakel, Rapsodica, Raster, Raster Artistic Platform, Raster Media, Raster Noton, Reboot FM, Refuge Worldwide, Repeater Books, Repeater Radio, Research Centre for Radiophonic Studies, Research Group, Research Unit, Resonance, Resonance Extra, Resonance FM, Resonant Frequencies, Resonant Frequency, ReSound, Reykjavik, Ricerca per la Radiofonia, Rieko Whitfield, Ringing World, Rite, Rite of the Demon, River Fjarðará, Robert Worby, Roberts Institute, Roberts Institute of Art, Robin Klassnik, Robin Mackay, Romulus, Romulus Studio, Rosa Barba, Royal College of Art, RTM, RTM.FM, Rural Electrification, Ruth Jones, Ryoji Ikeda, Sabine Himmelsbach, Sahko, Sahko Recordings, Sahko Records, Sally Applin, Sampler, Sampler Mixtape, Sandra Crisp, Sarah Washington, Sarah Wishart, Sarahsson, SARC Belfast, SARU, SARU Oxford, Sasha Engelmann, Sónicas, Science Gallery, Science Gallery London, Sean Clark, Search for Power, Seasferic, Seán Talbot, Secret Institute, Seisma, Seisma Magazine, Semiconductor, Semiconductor Films, Sendiráð Íslands, Sensing Threats, Serpentine Radio, Serpentine South, Serpentine South Gallery, Seth Price, Seyðisfjörður, Seyðisfjörður Community Radio, Seydisfiord, Sferic Project, Sferics, Shifting Ether, Shiro Fujioka, Shortwave Collective, Shortwave Encounters, Shortwave Radio, Shortwave Radio Noise, Shubbak Festival, Signal Warfare, Signal Warfare Research, Signal Warfare Research Unit, Simon Lee Dicker, Skaņu Mežs, Skúli Sverrisson, Sluice Expo, Sluice Expo 2025, Sluice Film, Sluice Magazine, Sluice Radio, Social Broadcast, Social Broadcasts, Social Sculpture, Sofia Lemos, Sofia Victorino, Soho Electric, Solar Radio Noise, Solstice Radio, Somaphon, Somaphon Festival, Somerset House, Somerset House 2026, Somerset House Future Artists, Somerset House Studio, Somerset House Studios, Somerset House: Future Artists Programme, Sonic, Sonic Acts, Sonic Acts 2026, Sonic Acts Biennial, Sonic Acts Festival, Sonic Art, Sonic Art Practice, Sonic Art Research Unit, Sonic Arts, Sonic Arts Forum, Sonic Arts Practice, Sonic Arts Research, Sonic Arts Research Centre, Sonic Arts Research Unit, Sonic Boom, Sonic Border, Sonic Continuum, Sonic Dialogues, Sonic Field, Sonic Frontiers, Sonic Labs, Sonic Research, Sonic Sphere, Sonic Spheres, Sonic Texture, Sonic Textures, Sonic Urbanism, Sonica, Sonica 2024, Sonica 2025, Sonica 2026, Sonica Festival, Sonica Glasgow, Sonica Istanbul, Sonics, Soph Dyer, Sophia Archontis, Sophie Dyer, Sound, Sound and Image, Sound and Listening, Sound Art, Sound Art Brighton, Sound Art Future, Sound Art Futures, Sound Art Lab, Sound Art Laboratory, Sound Art Practice, Sound Art UK, Sound Artist, Sound Arts, Sound Arts Practice, Sound Arts UK, Sound City, Sound City Festival, Sound Image Festival, Sound Image Research Group, Sound System, Sound System Outernational, Sound Unheard, Sound Unseen, Sound Unseen/Unheard, Sound Work, Sound Works, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Sound/Image 2025, Sound/Image Festival 2025, Soundhouse, Soundings, Sounds of Performance, Soundwork, Soundworks, Spark of Life, Spark-Gap, Spectrum, Sphere Music, Staalplaat, Stanley Picker, Stanley Picker Gallery, Stargate, Stedelijk Museum, Stegi, Stegi Radio, Steven Kennedy, Stig Evans, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Struer Tracks, Stuart Bowditch, Stuart Maconie, Stuart Maconie’s Freak Zone, Studio, Studio HRM199, Sukhdev Sandhu, Supersonic, Supersonic 2026, Supersonic Festival, Supersonic Festival 2026, Susan Schuppli, Svalbard, Swarm, Taco, TACO Thamesmead, Talk About Sound, Tania Daniel, Tania El Khoury, Tape Op, Tape Op Magazine, Tash Kahn, Tati au Miel, Tazelaar Stevenson, Tectonics, Tectonics Festival, Tectonics Reykjavik, Teleplasmiste, Test Department, Test Dept, Text-Sound-Voice, Text-Sound-Vox, Teylers Museum, The Conduction Series, The Cryptician, The Demon, The Demon Box, The Era of Megaphonics, The Factory, The Geopolitics of Infrastructure, The Grid, The Horse Hospital, The Keeling Curve, The Lake Radio, The Listening Biennial, The Museum of Narratives, The Museum of Sound, The Network, The Radiophonic Institute, The Ringing World, The Search for Power, The Secret Institute, The Sferic Project, The Sound, The Spark of Life, The Vinyl Factory, The Wave Epoch, The Wire, The Wire Magazine, Theatrum, Theatrum Mundi, Theatrum Mundi Collective, There Are No Birds Here, This Museum Is (Not) Obsolete, Thulani Rachia, Tim Hecker, Tim Shaw, Timothy Hecker, TLK, Tolbooth Stirling, Tom Ravenscroft, Torsten Lauschmann, Transference TV, Transmediale, Transmediale 2026, Transmediale Festival, Transmission, Transmission Ecologies, Transmission Tower, Transmissions, Tsonami, Tsonami Arte, Tsonami Arte Sonoro, Turbine Hall, Turbine Symphony, Tweaks, Tīrkultūra, UAL Crisap, Ultra Magnetic, Ultra-Red, Under One Magnetosphere, Unit, Unit Gallery, Unit London, Unit London Digital, Unit London Gallery, University of Greenwich, University of Kingston, University of San Marino, University of San Marino - Research Centre for Radiophonic Studies, University of the Arts, University of the Arts London, University of Warwick, Unsound Adelaide, Unsound Dispatch, Unsound Kraków, Unsound NYC, Unsound Osaka, Upplýsingafölsun, Upplýsingafölsun Hlustunarpartý, Urban Sonic, Urban Sound, Urban Sound Institute, Urbanomic, Urbanomic Press, User07453677, Variation on 50Hz, Variations on 50Hz, Verity Sharp, Vernon & Burns, Very Low Frequency Radio, Victory Over the Sun, Villa Lontana, Villa Lontana Records, Vinyl Factory, VLF, VLF Antenna, VLF Band, VLF Radio, VLF Radio Receiver, VLF Receiver, VLF-band Radio, Volksbühne Berlin, Volt, Volt Art Gallery, Volt Eastbourne, Volt Gallery, Volt Gallery Eastbourne, Voltage, Volts, Vorspiel, Vorspiel 2026, W1, W1 Curates, W1 Curates Studios, W1 Events, W1 Immersive, Walter Maioli, Warp, Warp Records, Warwick, Warwick Institute, Warwick Institute of Engagement, Warwick University, Wave Epoch, Wave Farm, Waves of Resistance, Wellcome Collection, Whistlers, Whitstable, Will Dutta, Will Gresson, Wire, Wire Magazine, Wired, Wired Magazine, Wireless Forces, World Building, Worm Radio, Worm Rotterdam, Worm Sound, Worm Sound Studio, Worm Studio, Written Word, Wysing, Wysing Arts, Wysing Arts Centre, Wysing Polyphonic, X-Name, XMTR.FM, Xname, Yarmonics, Yoshitaka Mori, Yuliy Meitus, Yuliy Serhiyovych Meitus, Zach Oakman, Zeno van den Broek, Ziad Abu-Rish, ZKM, ZKM Karlsruhe, Zustände, Zustände in München, [In]audible, Ģirts Reiniks
Electromagnetic Sound Art in Seyðisfjörður ****
Following the Upplýsingafölsun Hlustunarpartý at Mengi, Reykjavik, in March 2016, which featured the Disinformation “Stargate” recordings (shortwave radio noise from the sun, first published in 1996), the Sluice Expo at LungA Skólinn, Seyðisfjörður, May 2025, features the Disinformation sound artwork “National Grid” (electromagnetic noise from live mains electricity, published on the same “Stargate” LP in 1996) –
https://sluice.info/events/seydisfjordur
The programming of “National Grid” is particularly appropriate, since Iceland’s first mains AC distribution network was powered by the hydro-electric plant at Fjarðaselsvirkjun, Seyðisfjörður, with the lights switching on in Seyðisfjörður in October 1913 –
https://nat.is/fjardarsel-power-plant/
The Sluice Radio programme features the “National Grid” audio documentary (recorded for the Listening Arts Channel, March 2021); alongside programming by Cos Ahmet, There Are No Birds Here, Keh Ng, Ruth Jones, Beth Ross, Kimbal Bumstead, LungA School, Corridor8, Yarmonics, Matthew Stock, Will Gresson, Iulia Boșcu, Contemporary Quarters, Elena Botts, Ari Kerssens, Geography of Colour, TLK, Ambitions Graveyard, Josh Hall, Jay Goodbrave, Meitheal, Sarah Wishart, Oliver Payne, Tazelaar Stevenson, Leslie Deere, Jim Ricks, Stuart Bowditch, Nicola Colclough, Lucie Biek, Julian Carandini and Alan Dunn.
The Sluice Film programme also features the “National Grid” video installation (commissioned by Fabrica Gallery, Brighton, for exhibition in November 2001); alongside film and video works by the artists Klāvs Liepiņš, Christina Bennett, Liz Blum, Paul Vivian, Marie Therese Ross, Marcia Teusink, Nicolas Middleton, Fran Hayes, Seán Talbot, Sophia Archontis, User07453677, Rieko Whitfield, Jesse May Fisher, Zach Oakman, Simon Lee Dicker, Liberty Smith, Coleman Stewart, Sandra Crisp, Alex Pearl and Parham Ghalamdar.
From → Uncategorized