13 Ways, 13 Ways of Looking at AI, 50 Hertz, 50Hz, A Monday Night in Middlesbrough, Abby Aresty, Abi Warburg, Absolute Value, Absolute Value of Noise, Acoustic Commons, Action Noise, Action:Noise, Adaadat, Adaadat Records, Adriana Knouf, Aesthetica Magazine, Afroditi Panagiotakou, Afroditi Psarra, Afterlives, AHRC, Akeelah Bertram, Akis Chontasis, Alejo Duque, Alexandra Fierra, Alexandra Rodale Fierra, Algorave, Alice Hoffmann, Alice Hoffmann-Fuller, All is Joy, All is Joy Ltd, All is Joy Studio, All is Joy Studios, Alternative, Alternatives, Alva Noto, Alyssa Moxley, American Radio, Amias Hanley, Ancestral Intelligence, Animal Music, Anna Friz, Anna Mahler, Antithesis, Antonio Roberts, Aphex Twin, Apo33, Arebyte, Arebyte Gallery, Arika, Ars Electronica, Ars Electronica Festival, Ars Electronica Linz, Art & Ideas, Art & Illusion for Sound, Art & Science Collide, Art Lab, Art Park Audio, Art-Science, Artist, Artists & Airwaves, Arts & Humanities Research Council, Arts Catalyst, Arts Council England, Ash International, Atau Tanaka, Atay Ilgun, Athens, Atonal 2025, Audimat, Audint, Audio Art Lab, Audio Rorschach, Audio-Kinetic Art, Audioblast, Audiokinetic Art, Audrey Briot, Austin Osman Spare, Autechre, Auto Italia, Auto Italia South East, Autonomedia, AV Festival, AV Festival Newcastle, AV Newcastle, AWOL, AWOL Collective, Bantu, Basalt, Basalt Rennes, Bauhaus Stadtbad, BBC, BBC Radio, BBC Radio 3, BBC Radio 4, BBC Radio 5, BBC Radio 6, BBC Radio 6 Music, BBC Radio Five, BBC Radio Four, BBC Radio Six, BBC Radio Three, BBC Radiophonic Workshop, Beatrice Zaidenberg, Begotten, Between Scylla and Charybdis, Bibliothek Warburg, Bill Kouligas, Bjørn Hatleskog, Black Industrial, Black Industrial Research, Black Industrial Research Group, Blast First, Bon Accueil, Bon Accueil Rennes, Bone Music, Borderline, Borderline Festival, Boris Magrini, Brian Eno, Brighton, Brigitte Hart, Broadway Cinema, Broadway Media Centre, Broadway Nottingham, Bryn Nieboer, Café Oto, Camden Arts Centre, Cameron Perry Fraser, Carl Michael Von Hausswolf, Carsten Nicolai, Carsten Seiffarth, Cavafy, Cavafy Archive, CCA Glasgow, Centre for Sound, Centre for Sound Technology, Centre for Sound Technology & Culture, Channel Somerset House, Chienvoler, Chisenhale Gallery, Christelle Havranek, Christina Kubisch, Christina Kubisch - Electrical Walks, Chromaplane Electromagnetic Synthesiser, Circuit Bending, Circuit Blasting, Claire Williams, CM Von Hausswolf, CM von Hausswolff, Cold Light, Collective Listening, Collective Listening Across Distance, Communications, Concrete Atlantis, Conduction Series, Constantine Katsiris, Constanza Piña, Constanza Piña Pardo, Corsica Studios, Creative Electricity, Critical Media Lab, Critical Media Lab Basel, Cryptic Nights, CSTC, CSTC Goldsmiths, CSTC x Iklectik, CTM, CTM Festival, CTM Radio Lab, CTM Radiolab, CTM x ICA, CTM x ICA 2025, Curates, Currents, Dan Tapper, Daphne Oram, Dark Energy Studio, Dark Mofo, Dark Radio, David Keenan, David Roberts, David Toop, David Walsh, Dead Hand, Dead Hand Radio Hour, Dead Lines, Delia Derbyshire, Delta Listening, Demdike Stare, Demon Box, Demystification of Electronic Art, Desmond Briscoe, Detach, Detektors, Development, Digicult, Dimitris Theodoropoulos, Dinzu Artefacts, Dirty Electronics, Disgraceland, Disgraceland Middlesbrough, Disinformation, Disobey, Disruptive Frequencies, DIY Radio, Dorkbot, Dorkbot London, Drone Music, DXARTS, DXARTS Collective, Dyana Gravina, E-werk, E-werk Luckenwalde, Eastern Bloc, Eastern Bloc Lab, Eckehard Güther, Eclectic Electronic, Eclectic Electronics, Eddie Ruscha, Eduard Solaz, Einstürzende Neubauten, Electric Artefact, Electric Artefacts, Electric Dreams, Electric Grid, Electric London, Electric Signals, Electrical Interference, Electrical Noise, Electrical Signals, Electrical Sound Art, Electrical Walk, Electrical Walks, Electricity, Electricity in Art, Electro-Kinetic Sound Art, Electromagnetic Commons, Electromagnetic Drone, Electromagnetic Grid, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetic Spectrum, Electromagnetic Synthesiser, Electromancy, Electronic Music, Electronic String Quartet, Electronic Tanpura, Eleftherios Krysalis, Elektronik Chromaplane, Eleni Ikoniadou, Eleonora Oreggia, Empty Set, Emptyset, End of The Dial, England’s Hidden Reverse, Erin Lewis, Es Devlin, Esteban Agosin, Esther Bourdages, Esther Schipper, Eternal Research, Eternal Research LLC, Eternal Research Music, Eternal Resesarch, Eva Jäger, Exarcheia, Fabrica, Fabrica Brighton, Fabrica Gallery, Fabrica Gallery Brighton, Fachhochschule Nordwestschweiz, Fachhochschule Nordwestschweiz Basel, FACT, FACT Liverpool, Fact Magazine, False Locust, Farsight, Farsight Collective, Fatos Üstek, Feel The Sound, FHNW, FHNW Basel, Flannels, Flannels London, Flora Yin-Wong, FM Einheit, FM Mutiny, Focal Point, Focal Point Gallery, Fort Process, Fort Process Festival, Fort Process Newhaven, Foundation, Franchesca Casauay, Freak Zone, Freak Zone Playlist, Frequenseer, Frequenseers, Frieze, Frieze Art Fair, Frieze London, Frieze Magazine, Frieze Week, Furtherfield, Future Art Ecosystems, Future Artists Programme, Gabriel Prokofiev, Gaika, Galen Joseph-Hunter, Gallery, Gambletron, Gamma Rays, Gary Stewart, Georgia Leigh-Münster, Giuseppe Tartini, Glasgow Tramway, Goldsmiths, Goldsmiths CCA, Goldsmiths College, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goldsmiths University, Grant Mooney, Great Waves, Grounding, Hannah Kemp-Welch, Haroon Mirza, Haus der Elektronischen Künste, Haus der Elektronischen Künste Basel, Hawkwind, Hayward Gallery, Hear and Now, Heart of Noise, Heart of Noise Festival, HeK, HEK Basel, Helen Turner, Hellocatfood, High Static, High Static Dead Lines, High Voltage, Hito Steyerl, Holly Herndon, Horse Hospital, House of Electronic Arts, House of Electronic Arts Basel, HRM 119, HRM119, HRM199, Hybrid, Hyper Chromatic, Hyper Chromatic Music, Hyper Chromatic Music Festival, Hyperchromatic, Hyperchromatic Music, Hyperchromatic Music Festival, ICA London, Iklectik, Iklectik Art, Iklectik Art Lab, Iklectik Nomadik, Iklectika, Iklectika 2024, Iklectika 2025, Ikon Gallery, Ilan Manouach, Illuminated, IMCC, Immersive, Immersive Arts, Immersive Media, In Motion, In Motion 2025, In The Dark Radio, In the Shadow of a Rose, Industrial Coast, Industrial Coast Records, Industrial Coast Tapes, Infrared Waves, Institute, Institute of Art, Intonal Festival, Invisible Currents, Invisible Forces, Irene Posch, Iris Light, Iris Light Records, Ivan Juritz, Ivan Juritz Prize, IXDM FHNW, IXDM FHNW Basel, Jaime Carvajal, James Ginzburg, James Parker, Jeff Kolar, Jennifer Lucy Allan, Jennifer Walshe, Jenny Picket, Jim O'Rourke, Joe Banks, Joe Gerhardt, Joel Stern, John Hansard Gallery, John Richards, John Wild, Julian Henriques, Julien Ottavi, Karen Werner, Kate Donovan, Katharina Worf, Keith Sargent, Kelly Ruth, Kettle's Yard, Kinetic Art, Kinetic Sound Art, Kinetismus, Kinetismus: 100 Years of Electricity in Art, Klangzeit, Klangzeit Festival, Knife Loop, Kodwo Eshun, Koma Elektronik, Koma Elektronik Chromaplane, Koma Elektronik Chromaplane Electromagnetic Synthesiser, Konrad Fischer, Konrad Fischer Galerie, Kraftwerk Berlin, Kristen Gallerneaux, Kristen Roos, Kulturwissenschaftliche Bibliothek Warburg, Kunsthal Charlottenborg, Kunststrom, Kwaidan, Kythera, Kythera Gallery, L.M. Ramsey, Langham Research, Langham Research Centre, Language, Lara C. Cory, Lara Cory, Late Junction, Laura Netz, Laurie Anderson, Lawrence Abu Hamdan, LCB Depot, Lee Gamble, Legrand Jäger, Light at The End of The Dial, Lindsay Seers, Lisa Hall, Lisson Gallery, Listening Together, Lomond Campbell, London Electric, London Electricity, Looking at AI, Lucia Pietroiusti, Luckenwalde, Luke Stewart, Luminous Foundation, Machina Bristronica, Machine Listening, Maggie Roberts, Magnetic, Magnetic Alternative, Magnetic Alternatives, Magnetic Field, Magnetic Movie, Magnetic Mystic, Magnetic Mystics, Mahler & LeWitt Studios, Mahler and LeWitt Studios, Mahler LeWitt, Malgorzata Plysa, Manchester Metropolitan University, Map Magazine, Marcus Boon, Maria Papadomanolaki, Marinos Koutsomichalis, Mark O Pilkington, Mark Pilkington, Markus Steffens, Martín Rodríguez, Martin Howse, Mat Dryhurst, Mat Schulz, Mateus Domingos, Matt Deslauriers, Matt Williams, Matt’s Gallery, Medial Ages, Medial Dark Ages, Meira Asher, Mensch-Maschine, Michael Faraday, Micro-Tuning, Microtuning, Microwaves, Middlesbrough, Middlesbrough Art, Middlesbrough Art Weekend, MIT Press, MMus Sonic Arts, MMus Sonic Arts - Goldsmiths, Modal, Modal Gallery, Modal Manchester, Models, Modern Art, Modern Art Oxford, MONA, Mona Foma, Mona Tasmania, Monday Night, Monday Night in Middlesbrough, Moonquake, Movement Radio, MSCTY.SPACE, Museum of Installation, Museum of Sound, Music Tectonics, Musicity, Mystic, Mystics, Nathan Bissette, National Grid, Nature, Nature & Electricity, Near Now, New American Radio, Next Gen, Nick Luscombe, Nkisi, Nkisi Mwana, Noise Collective, Noise Colloquium, Noise Music, Noise Noise, Noise Noise Noise, Noise Radio, Nomex, Non Worldwide, Non-Classical, Nonclassical, Noton, Ocean of Sound, OCM, OCM Oxford, Of Nature & Electricity, Olivier Renaud-Clément, Onassis, Onassis Air, Onassis Channel, Onassis Foundation, Onassis ONX, Onassis Ready, Onassis Stegi, Onassis Stegi Radio, Open Ears, Open Wave, Open Wave Radio, Open Wave-Receivers, Original Projects, Origins, Origins & Afterlives, Orphan Drift, Otolith Group, OUT.RA, Oxford Brookes, Oxford Brookes University, Oxford Contemporary Music, Pablo Wendel, Pacific Standard Time, Pacific Standard Time Art, PAJ Publications, Panayiotis Vassilakis, Patrick Breiner, Paul Purgas, People vs. Power, Perception, Performance Electrics, Peter Simon, Peter Weibel, Philippe Battikha, Philomene Pirecki, Philosophical Table, Piksel, Piksel 25, Piksel 25 Festival, Piksel Fest, Piksel25, Piksel25 Festival, Pikselfest, Playground of Sound, Politics of Vibration, Power Station, Primary, Primary Nottingham, PST Art, PST Art: Art & Science Collide, Queen's University Belfast, Quetempo, Quietus, R&D, R10.EMS, Radio 3, Radio Art, Radio Art Archive, Radio Dream, Radio Forever, Radio Forever Festival, Radio Noise, Radio Noise Collective, Radio of the Future, Radio Oracle, Radio Waves, Radio Worm, Radio-dreaming, Radiophonic Art, Radiophonic Artwork, Radiophonic Institute, Radiophonic Music, Radiophonic Workshop, Radiophonics, Radiophrenia, Radiophrenia 2025, Radiophrenia 2026, Radiophrenia 87.9FM, Radiophrenia Glasgow, Radiophrenia Live, Radiophrenia Live-to-Air, Radiotopia, Rahma Khazam, Raster Media, Raster Noton, Ratcliffe-on-Soar, Ratcliffe-on-Soar Power Station, Raviv Ganchrow, Ray Lee, Ràdio Macba, Ràdio Web Macba, RCA, RCA London, Re:Search, Research & Development, Research Centre, Research Group, Resonance Extra, Resonance FM, Rhizome, Ringing World, Robert Worby, Roberts Institute, Roberts Institute of Art, Robin Klassnik, Robin Mackay, Rorschach Audio, Rorschach Audio - Art & Illusion for Sound, Royal College of Art, Royal Institution, Ruth Jarman, Ryan Boultbee, Sabine Himmelsbach, Sally Applin, Sampler Mixtape, Sarahsson, SARU, Sasha Engelmann, Sónar 2024, Sónar 2025, Sónar Barcelona, Sónar by Day, Scant Intone, Scenics, Schemata Arts, School of Advanced Study, School of Digital Arts, Science Museum, Scylla and Charybdis, SDNA, Seamus O’Donnell, Sean Dockray, Secret Institute, Seeing Frequencies, Semibreve, Semiconductor, Semiconductor Films, Sense Data, Sense Data & Perception, Sentient, Sentient Currents, Serpentine, Serpentine Arts Technologies, Serpentine Gallery, Serpentine Gallery London, Serpentine London, Shadows of the Unseen, Shintaro Miyazaki, Shiro Fujioka, Shortwave Collective, Sight + Sound, Signals, Singuhr Hoergalerie, Skaņu Mežs, Social Broadcast, Social Broadcasts, Soda Manchester, Sofia Lemos, Soho Electric, Sol LeWitt, Solar Radio, Solstice Radio, Somaphon, Somaphon Festival, Somerset House, Somerset House 2026, Somerset House Assembly, Somerset House Assembly Residency, Somerset House Channel, Somerset House Residency, Somerset House Studios, Somerset House Studios Assembly, Somerset House Studios Assembly Residency, Somerset House Studios etc, Somerset House Studios Residency, Somerset House: Future Artists Programme, Sonar, Sonar Festival, Sonic Art, Sonic Art Lab, Sonic Art Research Unit, Sonic Art Research Unit - Oxford Brookes University, Sonic Art Week, Sonic Arts, Sonic Arts Forum, Sonic Arts Research Centre, Sonic Arts Research Centre - Queen's University Belfast, Sonic Arts Week, Sonic Boom, Sonic Faction, Sonic Frontiers, Sonic Lab, Sonic Labs, Sonic Scope, Sonic Signature, Sonic Urbanism, Sonic Youth, Sonica, Sonica 2025, Sonica 2026, Sonica Festival, Sonica Glasgow, Sonica Istanbul, Sonica Next Gen, Sonica Tramway, Sonica Tramway Festival, SonicLab, Sonics, Sonics & Scenics, Sonics & Scenics Festival, Sonics Immersive Media, Sonics Immersive Media Lab, Sonics Series, Sound Art, Sound Art Lab, Sound Artist, Sound Image Festival, Sound of the Future, Sound Pressure, Sound Studies, Sound Technology, Sound Technology & Culture, Sound-Image, Sound/Image 2025, Sounding Objects, Soundings, Sounds of the Future, South London Gallery, Sphere Music, SPR, SPR Goldsmiths, Spring Reverb, Stadtbad Live, Stadtbad Live Luckenwalde, Standing Wave, Standing Wave Radio, State 51, State 51 Conspiracy, Stedelijk Museum, Stegi, Stegi Radio, Stelios Manousakis, Stephen Coates, Stereolux, Steve Bates, Steve Goodman, Steve Kirby, Stoffel Debuysere, Stone Circle Sampler, Stonecirclesampler, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, String Quartet, Stuart Maconie, Stuart Maconie’s Freak Zone, Subcontinental Synthesis, Supernormal, Supernormal Festival, Taco, Takis, Tanpura, Tarot, Tarot - Origins, Tarot - Origins & Afterlives, Tartini, Tartini Tones, Tartini Tuning, Tate, Tate Gallery, Tate Modern, TBA21, Technology & Culture, Teleplasmiste, Teylers Museum, The Begotten, The Conduction Series, The Dial, The End of The Dial, The Guardian, The Horse Hospital, The Invention of Wonder, The Light at The End of The Dial, The Metro, The MIT Press, The Museum of Sound, The Politics of Vibration, The Quietus, The Radio of the Future, The Radiophonic Institute, The Ringing World, The Secret Institute, The State 51 Conspiracy, The Wapping Project, The Warburg Institute, The Wire, The Wire Magazine, Thulani Rachia, Tim Shaw, Tobias Fischer, Toby Heys, Tolbooth Stirling, Tom Harris, Topovoros, Topovoros Books, Touch Music, Touch Records, Tramway, Tramway Glasgow, Transmission, Transmission Art, Transmission Arts, Transmission Arts: Artists & Airwaves, Transmission Artwork, Transmission Ecologies, Travis Elborough, Trebuchet, Trebuchet Magazine, Trevor Mathison, Turbine Hall, Turbine Symphony, Ultraviolet Waves, Unit for Sound Practice Research, Unit for Sound Practice Research - Goldsmiths, Unit Gallery, Unit London, University of London, University of Westminster, Unsound, Unsound Brussels, Unsound Dispatch, Unsound Festival, Unsound Kraków, Unsound London, Unsound New York, Unsound NYC, Urbanomic, Urbanomic Press, Using Electricity, Uwe Rüth, Valentino Catricalà, Value of Noise, Velimir Khlebnikov, Verity Sharp, Victor Mazon Gardoqui, Virtual String Quartet, Visible Light Rays, Vivid, Vivid Birmingham, Vivid Projects, Volt, Voltage, Voltnoi, Voltnoi & Quetempo, Voltnoi Brege, Volts, W1, W1 Curates, W1 Curates Studios, W1 Events, W1 Immersive, Wapping Project, Warburg, Warburg Institute, Wave Catcher, Wave Farm, Wave Farm Artist Residency, Wave Farm Artist Residency Program, Wave Farm Radio, Wave Radio, Westbourne Studios, WGXC 90.7-FM, WGXC 90.7FM, Will Harvey, Wire, Wire Magazine, Wired, Wired Magazine, Wireless Forces, Worm Rotterdam, X-Ray Audio, X-Rays, Xname, Yarmonic, Yarmonics, Yorgos Konstantinidis, Zentrum für Kunst und Medien, Zentrum für Kunst und Medien Karlsruhe, Zero BPM, ZKM, ZKM Karlsruhe