+Electrification, 180 Studios, 180 The Strand, 2220 Arts, 2220 Arts + Archives, 35MW, 3D Audio, 3D Instrument, 3D Sound, 50 Hertz, 50 Hz, 50Hz, 60 Hz, 60Hz, A Monday Night in Middlesbrough, A Ripple in Time, A Sonic Urbanism, A Train, A---Z, A-Alaska, AC Electricity, AC/DC, ACE England, Acoustic Archaeology, Acoustic Ecology, Acoustics, Across the Sonic Border, Across the Sonic Border (Variations on 50Hz), Action Noise, Action:Noise, Acute Art, Adaadat, Adaadat Records, Adam Lovelock, Ade Balogun, Adriana Tranca, Adventures in the Electroverse, Afroditi Panagiotakou, Afroditi Psarra, After New Media, Afterall, Afterall Research, Aga Paulina Młyńczak, AHRC, Akademie der Künst, Akeelah Bertram, Akis Chontasis, Alaska, Alaska Alaska, Alessandra Grignaschi, Alessandro Volta, Alex Fierra, Alex Flowers, Alex Petalas, Alex Purcell, Alexandra Fierra, Algorave, Ali Hossaini, Alice Amati, Alice Amati Gallery, Alien Tunic, Alistair McClymont, All is Joy, All is Joy Ltd, All is Joy Studio, All is Joy Studios, All Under, All Under One Magnetosphere, Alley Cat, Alley Cat Bar, Alley Cat Bar Denmark St, Alley Cat Bar Denmark Street, Alley Cat Denmark St, Alley Cat Denmark Street, Alternating Current, Alternative, Alternatives, Alva Noto, Amias Hanley, Amina Abbas-Nazari, Amit Dinesh Patel, Amit Patel, Ana Luisa Cubas, Anastasiia Soroka, Ancestral Intelligence, Andrea Salazar, Andrew Hill, Andrew Knight-Hill, Andy Robinson, Ani Das, Aniruddha Das, Anna Barham, Anna Marazuela Kim, Anne Duffau, Anne Zeitz, Anneke Kampman, Anti Festival, Antithesis, Antonia Shaw, Antonio Roberts, Aoife Blair, Aphex Twin, Appau Jnr Boakye-Yiadom, Arcade, Archaeo-Acoustics, Architectural Acoustics, Architectural Association, Architectural Association - School of Architecture, Archive of Listening, Archivo Audible, Archivo de lo Audible, Are You Listening, Arebyte, Arebyte Gallery, Ariane Koek, Ars Electronica, Ars Electronica Festival, Art, Art & Ideas, Art After New Media, Art Brighton, Art Contemporary, Art Ecosystems, Art Foundation, Art Lab, Art Laboratory Berlin, Art of Noise, Art Of Noises, Art Research, Art Ubicua, Art-Science, Artangel, Arte Sonoro, Artistic Research, Artists & Airwaves, Artists Programme, Arts & Humanities Research Council, Arts Admin, Arts at CERN, Arts Catalyst, Arts Council, Arts Council England, Arts Science, Arts Technologies, Artsadmin, Artsadmin London, Artworks, Ash International, Assembly, Assembly Somerset House, Atau Tanaka, Atay Ilgun, Atmosférica, Atmosféricas, Atmospheric Listening, Atmospheric Noise, Atonal 2025, Audible Matter, Audimat, Audint, Audio, Audio Archaeology, Audio Art, Audio Art Lab, Audio Artist, Audio Club, Audio Installation, Audio Landscape, Audio Research, Audio-Kinetic Art, Audioblast, Auditive Social Network, Audrey Teichmann, Augmenting the Void, Aural, Aural Atmosférica, Aural Atmosféricas, Aural Sensation, Autechre, Auto Italia, Auto Italia South East, Auto-Creative Art, Auto-Destructive Art, Autonomedia, Autotelic, Autotelic Foundation, Auxiliary Middlesbrough, Auxiliary Project Space, AV Festival, AV Festival Newcastle, AV Newcastle, Avalon Cafe, Aviva Studios, AWOL, AWOL Collective, Aya, B.A.S.E. 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Pan Sonic, Panayiotis Vassilakis, Pangolin London, Patricia Bossio, Paul Bonaventura, Paul Mazzitelli, Paul Purgas, Performance Electrics, Perimeter, Peter Doig, Peter Gregson, Peter Harris, Peter Weibel, Petra Abousleiman, Phill Wilson Perkin, Philomene Pirecki, Philosophical Table, Phoenix Leicester, Phonica, Phonica Records, Pi, Pi Art, Pi Art Works, Pi Artworks, Pi Sound, Pi Sound Works, Pi Soundworks, Piece Hall, Piksel, Piksel 25, Piksel 25 Festival, Piksel Fest, Piksel Festival, Piksel25, Piksel25 Festival, Pikselfest, Pinchuk Art Centre, Pita Arreola, Pita Arreola-Burns, Planetary Electromagnetic, Planetary Electromagnetic Grid, Planetary Grid, Plus Electrification, Politics, Politics of Electrification, Politics of Infrastructure, Politics of Listening, Politics of Vibration, Pop Group, Power of Sound, Power Station, Prix Ars, Prix Ars Electronica, Process Somerset House, Prof Eric Jauniaux, Prof. Sarah Cook, Project, Project Arts, Project Arts Centre, Project DARK, Project Divfuse, Project Space, Projects, PRS Foundation, PRSF, PSW, Pulse Arc Generator, Punch Drunk, Punchdrunk, Pure Gold, Pure Gold Presents, Pure Gold [Redux], PureGold, PureGold Presents, PureGold [Redux], Pylon, Pylonia, QEH, Quantum Futurism, Queen Elizabeth, Queen Elizabeth Hall, Quetempo, Quietus, R&D, R10, R10 Collective, R10 Heritage Studios, R10.EMS, Radiant Static, Radical Matter, Radical Matter Journal, Radio 3, Radio After Radio, Radio Art, Radio Art 106, Radio Art Research, Radio Art Zone, Radio Artwork, Radio as Social Sculpture, Radio Bern RaBe, Radio Dream, Radio Forever, Radio Forever Festival, Radio Netzwerk, Radio of the Future, Radio Oracle, Radio Papesse, Radio Research, Radio Revolten, Radio Thamesmead, Radio Thamesmead (RTM), Radio Waves, Radio Worm, Radio-dreaming, Radiofonia, Radiophonic, Radiophonic Art, Radiophonic Artwork, Radiophonic Broadcast, Radiophonic Institute, Radiophonic Studies, Radiophonic Travel Agency, Radiophonic Workshop, Radiophonic X, Radiophonics, Radiophonicx, Radiophrenia, Radiophrenia 2025, Radiophrenia 2026, Radiophrenia 87.9FM, Radiophrenia Glasgow, Radiophrenia Live, Radiophrenia Live-to-Air, Radiophrenia Scotland, Radiotopia, Raitis Smits, Random International, Rasa Smite, Raster Media, Raster Noton, Raven Row, Raven Row Gallery, Raviv Ganchrow, Ray Lee, Ràdio Macba, Ràdio Web Macba, RCA London, Reboot FM, Regent Sounds, Regent Sounds Denmark St, Regent Sounds Denmark Street, Regent Sounds Studios, Renzo Piano, Research Centre, Research Centre for Radiophonic Studies, Research Gallery, Research Group, Research Project, Research Unit, Resonance, Resonance Extra, Resonance FM, Resonant Frequencies, Resonant Frequency, Rethinking Curating, Rethinking Curating: Art After New Media, Reverb, Rhizome, Ricerca per la Radiofonia, Rich Irvine, Richie Culver, Riding the A Train, Riding the A Train with Electromagnetic Inducer, Ringing World, Ripple in Time, Rite, Rite of the Demon, Rob Bowman, Robert Worby, Roberts Institute, Roberts Institute of Art, Robin Mackay, Rock & Roll Public Library, Rock n' Roll Public Library, Rogatchevski, Rookery, Rorschach Audio, Rough Trade, Rough Trade Books, Rough Trade Denmark St, Rough Trade Denmark Street, Rough Trade Records, Royal College of Art, Rozemin Keshvani, RRPL, RRPL Magazine, RTM, RTM.FM, Rural Electrification, Ruth Catlow, Ruth Garde, Ruth Jarman, Ruth Waters, Ryoji, Ryoji Ikeda, S. Ayesha Hameed, Sabine Himmelsbach, Sadie Coles, Sadie Coles HQ, Safe Zone, Sahko, Sahko Recordings, Sahko Records, Saint Giles, Sampler Mixtape, Samson Young, Sarah Cook, Sarah Readman, Sarah Washington, Sarahsson, SARC Belfast, SARU, SARU Oxford, Sasha Engelmann, Sónar 2025, Sónar Barcelona, Sónar by Day, Sónicas, Scenics, School of Architecture, School of Digital Arts, Science Art, Science Art Research Gallery, Science Museum, SDNA, Sean Bidder, Sean Clark, Sean Dower, Sean McLusky, Search for Power, Seasferic, Secret Institute, Seed, Seed 130, Seed130, Seisma, Seisma Magazine, Semibreve, Semiconductor, Semiconductor Films, Sensing the City, Sensing Threats, Sentient, Sentient Currents, Serpentine, Serpentine Arts, Serpentine Arts Technologies, Serpentine Civic, Serpentine Civic Projects, Serpentine Gallery, Serpentine Gallery London, Serpentine London, Serpentine South, Serpentine South Gallery, She Demon, SheDemon, Shifting Ether, Shiro Fujioka, Shortwave Collective, Shortwave Encounters, Shubbak Festival, Signals, Silkarmour, Sinead McCarthy, Skaņu Mežs, Sklepy Cynamonowe, Smart’s Place, Social Broadcast, Social Broadcasts, Social Sculpture, Soda Manchester, Sofia Lemos, Sofia Victorino, Soho Electric, Solstice Radio, Somaphon, Somaphon Festival, Somerset House, Somerset House 2026, Somerset House Assembly, Somerset House Channel, Somerset House Future Artists, Somerset House Studio, Somerset House Studios, Somerset House: Future Artists Programme, Sonar, Sonar Festival, Sonic Acts, Sonic Acts Biennial, Sonic Acts Festival, Sonic Archaeology, Sonic Art, Sonic Art Lab, Sonic Art Practice, Sonic Art Research Unit, Sonic Art Week, Sonic Artist, Sonic Arts, Sonic Arts Forum, Sonic Arts Practice, Sonic Arts Research, Sonic Arts Research Centre, Sonic Arts Research Unit, Sonic Arts Week, Sonic Boom, Sonic Border, Sonic Continuum, Sonic Dialogues, Sonic Fiction, Sonic Field, Sonic Frontiers, Sonic Futures, Sonic Hastings, Sonic Lab, Sonic Labs, Sonic Landscape, Sonic Phenomenologies, Sonic Phenomenology, Sonic Research, Sonic Texture, Sonic Textures, Sonic Urbanism, Sonic Womb, Sonic Womb Research Project, Sonica, Sonica 2024, Sonica 2025, Sonica 2026, Sonica Festival, Sonica Glasgow, Sonica Istanbul, SonicLab, Sonics, Sonics & Scenics, Sonics & Scenics Festival, Sonics Hastings, Sonics Immersive Media, Sonics Immersive Media Lab, Sonics Series, Sono-Electro, Sono-Electro 2024, Sono-Electro Festival, Sony Ultra, Soph Dyer, Sophie Dyer, Sophie Forbat, Sophie Trudeau, Sound, Sound & Music, Sound and Image, Sound and Listening, Sound Art, Sound Art Brighton, Sound Art Lab, Sound Art Laboratory, Sound Art Practice, Sound Art UK, Sound Artist, Sound Arts, Sound Arts Practice, Sound Arts UK, Sound City, Sound City Festival, Sound Field, Sound Image Festival, Sound Image Research Group, Sound Installation, Sound Landscape, Sound of the Future, Sound Pressure, Sound Research, Sound Service, Sound Sparks, Sound System, Sound System Outernational, Sound Technology & Culture, Sound Unheard, Sound Unseen, Sound Unseen/Unheard, Sound Work, Sound Works, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Sound/Image 2024, Sound/Image 2024 Festival, Sound/Image 2025, Sound/Image Festival 2025, Sound/Image Research Centre, Sound/Image Research Centre - University of Greenwich, Soundhouse, SoundImage 2024, SoundImage 2024 Festival, Soundings, Sounds of the Future, Soundwork, Soundworks, South Bank, South Bank Centre, South London Gallery, Southbank, Southbank Centre, Soviet Hauntology, Soviet Power, Soviet Power Plus Electrification, Space House, Space House Kingsway, Space House London, Spare Steps, Spark, Spark of Life, Spark-Gap, Spectrum, Speculative Listening, Speculative Voicing, Sphere Music, St. Giles, Stadtbad Live, Stadtbad Live Luckenwalde, Stedelijk Museum, Stegi, Stegi Radio, Steve Goodman, Steve Kennedy, Steve Kirby, Steve Urquhart, Steven Kennedy, Stevie Jones, Stone Nest, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Strange Transmissions, Strange Transmissions: The World Of Experimental Radio: Materialism, Struer Tracks, Stuart Heyes, Stuart Maconie, Stuart Maconie’s Freak Zone, Studio Wayne McGregor, Submarine Base, Sukhdev Sandhu, Supernormal Festival, Susan Eyre, Susan Schuppli, Swarm, Synthetic Sonics, Tabitha Thorlu-Bangura, Taco, TACO Thamesmead, Takis, Talbot Rice, Talbot Rice Gallery, Tania Daniel, Tania El Khoury, Tape Letters, Tape Letters Scotland, Tape Op, Tape Op Magazine, Tartini Tones, Tartini Tuning, Tate, Tate Britain, Tate Gallery, Tate Modern, Tati au Miel, Tawanda Chiweshe, TBA21, TBA21 Collection, TBA21–Academy, Technology & Culture, Teleplasmiste, Telluric Currents, Test Department, Test Dept, Teylers Museum, The Art of Noise, The Art of Noises, The Auxiliary, The Auxiliary Project Space, The Barbican, The Bomb Factory, The Bomb Factory Art Foundation, The Clash, The Cryptician, The Cryptician: Sonica Istanbul, The Demon, The Demon Box, The Dial, The DOE, The Electroverse, The End of The Dial, The Era of Megaphonics, The Factory, The Farsight Collective, The Farsight Gallery, The Fateful Symmetry, The Future is Sound, The Geopolitics of Infrastructure, The Grid, The Holy Land, The Horse Hospital, The Human League, The Invention of Wonder, The Light at The End of The Dial, The Listener, The Listening Biennial, The Museum of Narratives, The Museum of Sound, The Network, The October Gallery, The Other Earth, The Perimeter, The Politics of Vibration, The Pop Group, The Quietus, The Radio of the Future, The Radiophonic Institute, The Ringing World, The Rookery, The Rumble, The Search for Power, The Secret Institute, The Sound, The Spark of Life, The Stone Nest, The View from Nowhere, The Vinyl Factory, The Void, The Wapping Project, The Who, The Wire, The Wire Magazine, Theatrum, Theatrum Mundi, Theatrum Mundi Collective, This Museum Is (Not) Obsolete, Thulani Rachia, Thyssen Bornemisza, Thyssen-Bornemisza Art Contemporary, Tim Burgess, Tim Hecker, Tim Shaw, Timothea Armour, Timothy Hecker, To Hear, Toby Heys, Tolbooth Stirling, Tom Burgess, Tony Birch, Tony Cokes, Torsten Lauschmann, Touch Music, Tramway, Tramway Arts Centre, Tramway Glasgow, Transference TV, Transmediale, Transmediale 2025, Transmediale Festival, Transmission, Transmission Art, Transmission Arts, Transmission Arts: Artists & Airwaves, Transmission Artwork, Transmission Ecologies, Transmission Tower, Transmissions, Transmitter Audio Arts, Transmitter Audio Arts Festival, Trebuchet, Trebuchet Magazine, Trevor Mathison, Tsonami, Tsonami Arte, Tsonami Arte Sonoro, Turbine Hall, Turbine Symphony, UAL Crisap, Ubicua Gallery, Ubicua London, UCL Institute for Women's Health, ULCY, Ultra Magnetic, Ultra Records, Ultra-Red, Ultraviolet Waves, Under One Magnetosphere, Unit, Unit Gallery, Unit London, Unit London Digital, Unit London Gallery, University of Glasgow, University of Greenwich, University of San Marino, University of San Marino - Research Centre for Radiophonic Studies, University of the Arts, University of the Arts London, Unsound, Unsound Adelaide, Unsound Brussels, Unsound Dispatch, Unsound Festival, Unsound Kraków, Unsound London, Unsound New York, Unsound NYC, Unsound Osaka, UP Projects, Urban Sonic, Urban Sound, Urban Sound Institute, Urbanomic, Urbanomic Press, Using Electricity, Valentin Rajenkov, Valentina Floris, Valentino Catricalà, Variation on 50Hz, Variations on 50Hz, Vašulka Kitchen, Velimir Khlebnikov, Verity Sharp, Vestalia Chilton, Victory Over the Sun, View from Nowhere, Villa Lontana, Villa Lontana Records, Vinyl Factory, Virgil Abloh, Visible Light Rays, Viviana Checchia, Vivid, Vivid Birmingham, Vivid Projects, Vladimir Ilyich Lenin, VLF Antenna, VLF Band, VLF Radio, VLF Radio Receiver, VLF Receiver, VLF-band Radio, Void, Voids, Volksbühne Berlin, Volt, Volt Art Gallery, Volt Eastbourne, Volt Gallery, Volt Gallery Eastbourne, Voltage, Voltnoi, Voltnoi Brege, Volts, Vorticism, W1, W1 Curates, W1 Curates Studios, W1 Events, W1 Immersive, Wajid Yaseen, Walter Maioli, Wapping Project, Warp, Warp Records, Wave Farm, Wave Farm Radio, Waves of Resistance, Wayne McGregor, We Are All Bats, Wellcome, Wellcome Collection, Wellcome Trust, Whitechapel Gallery, Whitstable, Will Dutta, William F. Temple, Wire, Wire Magazine, Wired, Wired Magazine, Wireless Forces, World Of Experimental Radio, World Service, Worm Rotterdam, WRO Biennale, Wyndham Lewis, Wysing, Wysing Arts, Wysing Arts Centre, Wysing Polyphonic, X-Name, X-Rays, Xin Wang, XMTR, XMTR (Transmitter) Festival, XMTR Audio Arts Festival, XMTR Festival, XMTR Transmitter, Xname, Yarmonic, Yarmonics, Yasmeen Baig-Clifford, Yoko Ono, Yorgos Konstantinidis, Yoshitaka Mori, Yuliy Meitus, Yuliy Sergeievitch Meitus, Zabludowicz, Zeno van den Broek, Zentrum für Kunst und Medien, Ziad Abu-Rish, ZKM, ZKM Center for Art and Media, ZKM Karlsruhe, ZKM: Zentrum für Kunst und Medien, [A-A]