+Electrification, 180 Strand, 180 Studios, 180 The Strand, 1831 Studio, 50 Hertz, 50 Hz, 50Hz, 60 Hz, 60Hz, A Monday Night in Middlesbrough, A---Z, Acoustic Ecology, Across the Sonic Border, Across the Sonic Border (Variations on 50Hz), Action Noise, Action:Noise, Adam Lovelock, Afroditi Panagiotakou, Afroditi Psarra, Akeelah Bertram, Akis Chontasis, Alex Purcell, Alexandra Fierra, Alexandra Rodale Fierra, Algorave, Alternating Current, Alt_R, Alva Noto, Amina Abbas-Nazari, Amit Dinesh Patel, Amit Patel, Andrea Salazar, Andrew Knight-Hill, Ani Das, Aniruddha Das, Anna Barham, Anna Mahler, Anne Duffau, Antithesis, Antonio Roberts, APT Studios & Gallery, Arcade, Archive of Listening, Archivo Audible, Archivo de lo Audible, Are You Listening, Arebyte, Arebyte Gallery, Arika, Ars Electronica, Art & Ideas, Art & Science Collide, Art Foundation, Art In Perpetuity Trust, Art Lab, Art Monthly, Art Monthly Magazine, Art of Noise, Art Of Noises, Art of Not Making, Art Ubicua, Art-Science, Arte Sonoro, Artistic Research, Artists Programme, Arts Council England, Artworks, Assembly Somerset House, Astrid Bowron, Atau Tanaka, Atay Ilgun, Atmosférica, Atmosféricas, Atmospheric Listening, Atmospheric Noise, Audible Light, Audimat, Audint, Audio, Audio Art, Audio Art Lab, Audio Installation, Audio Landscape, Audioblast, Audiosfera, Audiosphere, Aural, Aural Atmosférica, Aural Atmosféricas, Autotelic, Autotelic Foundation, AV Festival, AV Festival Newcastle, AV Newcastle, Aviva Studios, AWOL, AWOL Collective, B.A.S.E. Tsonami, Background Noise, Bankside, Bankside Power Station, Bantu, Barbican Art, Barbican Art Gallery, Barbican Centre, Barbican Immersive, Barbican London, Barry Burns, Barry Miles, Basalt, Basalt Rennes, BASE Tsonami, Bastien Gallet, Battersea, Battersea Power Station, Bauhaus Stadtbad, BBC, BBC Home Service, BBC Radio, BBC Radio 3, BBC Radio 4, BBC Radiophonic Workshop, Beaconsfield, Beaconsfield Gallery, Beatrice Zaidenberg, Bellenden Road, Ben Foot, Bhavisha Panchia, Bill Corrigan, Bill Kouligas, Black Industrial, Black Noise, Blast First, Bomb Factory, Bomb Factory Art, Bomb Factory Art Foundation, Borderline, Borderline Festival, Bornemisza, BRDCST, Brian Eno, Brighton, Broadway Cinema, Broadway Media Centre, Broadway Nottingham, Bruce Gilbert, Bruce Nauman, Bryn Nieboer, Café Oto, Capital, Carsten Nicolai, Cavafy, Cavafy Archive, CCA Glasgow, Centre for Radiophonic Studies, Centre for Sound and Image, Centre for Sound Technology & Culture, Centro di Ricerca per la Radiofonia, Channel Somerset House, Chisenhale, Chisenhale Gallery, Chisenhale Gallery London, Chris Stark, Chris Watson, Christelle Havranek, Christian Marclay, Christina Kubisch, CM von Hausswolff, Cold Light, Collective Listening, Collective Listening Across Distance, Coma, Coma Flight Eulogy Arcade, Concrete Projects, Constellations of Listening, Contemporary Art Society, Counterflows, Counterflows Festival, Counterflows Glasgow, Creative Technologies, Creative Technologies Fellowship, CSTC, CSTC Goldsmiths, CSTC x Iklectik, CTM, CTM Festival, CTM Festival Berlin, CTM Radio Lab, CTM x ICA, CTM x ICA 2025, Currents, Damien Simon, Dan Edelstyn, Dan Tapper, Dark Energy Studio, Dark Field, Dark Field Events, Dark Field Events Ltd, Dark Mofo, Dark Radio, Darkfield, Darkfield Arcade, Darkfield Coma, Darkfield Coma Flight Eulogy Arcade, Darkfield Eulogy, Darkfield Events, Darkfield Events Ltd, Darkfield Flight, Dave Tompkins, David Clegg, David Crawforth, David Gothard, David Roberts, David Rosenberg, David Toop, David Van Eyssen, David Walsh, DeForrest Brown Jnr. Kristen Gallerneaux, Deleuzine, Delta Listening, Demdike Stare, Demon Box, Deptford High Street, Deptford X, Destruction in Art Symposium, Destructive Circuits, Development, Devonshire Collective, Dhangsha, DIAS, Diffusion 919 FM, Dimitris Theodoropoulos, Dinzu Artefacts, Dirty Electronics, Disgraceland, Disgraceland Middlesbrough, Disinformation, Disobey, Disruptive Frequencies, DIY Radio, Dubmorphology, Due Qui, Due Qui / To Hear, Dushume, Dyana Gravina, E-werk, E-werk Luckenwalde, Eckehard Güther, Eddie Ruscha, Editions MF, Eduard Solaz, Einstürzende Neubauten, Electric Dreams, Electric Grid, Electric Grid Flux, Electric Infrastructure, Electric Signals, Electrical Hum, Electrical Infrastructure, Electrical Infrastructures, Electrical Interference, Electrical Network Hum, Electrical Signals, Electrical Walk, Electrical Walks, Electricity, Electricity in Art, Electricity of the Mind, Electricity Pylon, Electricity The Spark of Life, Electrmagnetic Grid, Electro State, Electro States, Electromagnetic Art, Electromagnetic Audio, Electromagnetic Black, Electromagnetic Black Noise, Electromagnetic Field, Electromagnetic Grid, Electromagnetic Interference, Electromagnetic Listening, Electromagnetic Noise, Electromagnetic Radiation, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetic Spectrum, Electromagnetic Transmissions, Electromagnetism, Electromancy, Electronic Music Studios, Electrostate, Electrostates, Eleni Ikoniadou, Empty Set, Emptyset, EMS Goldsmiths, Enclave, Enclave Projects, Encounter, End of The Dial, Energetic Devices, Energy Revolution, Energy System, Energy System Operator, Ephemera Festival, Estorick, Estorick Collection, Eternal Research, Eternal Research LLC, Eulogy, Eva Jäger, Eva LeWitt, Eva She, Eva She Demon, EvaShe, EvaSheDemon, Fabrica, Fabrica Brighton, Fabrica Gallery, Fabrica Gallery Brighton, FACT, FACT Liverpool, Fact Magazine, Factory International, Faraday Memorial, Farsight, Farsight Collective, Farsight Gallery, Fatos Üstek, Feel The Sound, Field Notes, Field Notes Live, Field Notes Magazine, Fieldnotes, Fieldnotes Live, Fieldnotes Magazine, Filipa Ramos, Filippo Marinetti, Flight, Flora Yin-Wong, Florencia Curci, FM Einheit, Focal Point, Focal Point Gallery, Fort Process, Fort Process Festival, Foundation, Francisco Lopez, Freq Out, Frequencies, Frieze, Frieze Art Fair, Frieze London, Frieze Magazine, Frieze Week, Frieze Week 2024, Frith Street, Frith Street Gallery, FTHo, Future Architecture, Future Architecture Platform, Future Art Ecosystems, Future Artists, Future Artists Programme, FutureEverything Proto, Futurism, Futurist Noise Music, Gabriel Prokofiev, Gaika, Galen Joseph-Hunter, Gallery Installation, Gareth Gardner Gallery, Gary Stewart, Geoffrey Grigson, Gina Prat Lilly, Glasgow CCA, Glasgow Tramway, Glen Neath, Godspeed You Black Emperor, Gold SF, Goldsmiths, Goldsmiths CCA, Goldsmiths College, Goldsmiths EMS, Goldsmiths London, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goldsmiths SPR, Goldsmiths University, Gossamer Fog, Gossamer Fog CIC, Great Waves, Greenwich, Greenwich Power Station, Greenwich University, Grid Music, Grounding, Gustav Metzger, Guy Robertson, Hannah Kemp-Welch, Haroon Mirza, Hauser & Wirth, Hayley Newman, Hayward Gallery, Hayward London, HEK Basel, Helen Turner, Hellocatfood, High Voltage, Hilary Powell, Hito Steyerl, Holly Herndon, House, House of Music, HRM 119, HRM 199, HRM119, HRM199, Hybrid, Hyper Chromatic, Hyper Chromatic Music, Hyper Chromatic Music Festival, Hyperchromatic, Hyperchromatic Music, Hyperchromatic Music Festival, Ian Thompson, Ikeda, Iklectik, Iklectik Art, Iklectik Art Lab, Iklectik Nomadik, Iklectika, Iklectika 2024, Iklectika 2025, Illuminated, Immersion, Immersive, Immersive Arts, Immersive Audio, Immersive Audio Experience, Immersive Audio Experiences, Immersive Media, Immersive Noise, In The Dark Radio, In the Shadow of a Rose, In Transmission, In Vitro, Incidental Music, Industrial, Industrial Coast, Industrial Coast Records, Industrial Coast Tapes, Industrial Music, Industrial Noise, Industrial Records, Infrastructures, Installation Art, Installation Art in the New Millennium, Institute of Art, Institute of Fine Arts, Inter.Sonix, Interference, Intonal Festival, Intonarumori, Invention, Invention of Wonder, Invisible Forces, ISAST, Ivan Juritz, Ivan Juritz Prize, Jade Y. Turanlı, James Ginzburg, Javier Marchan, Jeremy Wood, Jimi Hendrix, Joe Banks, Joe Gerhardt, John Latham, John Richards, Juan Duarte, Katharina Worf, Katie Edwards, Keiko Owada, Keith Sargent, Kettle's Yard, Kiasma, Kiasma Helsinki, Kiasma Museum, Kinetismus, Kinetismus: 100 Years of Electricity in Art, King's Place, Konrad Fischer, Konrad Fischer Galerie, Kristen Gallerneaux, Kunststrom, L.M. Ramsey, Lake Space, Late Junction, Laura Netz, Lawrence Abu Hamdan, LCB Depot, LCC Crisap, Le Son 7, Le Son Sept, Lee Ranaldo, Legrand Jäger, Leonardo, Leonardo Journal, Leonardo Music Journal, Leonardo/ISAST, Liam Howe, Library & Archive, Light at The End of The Dial, Lindsay Seers, Link Wray, Lisson Gallery, Listen Club, Listening, Listening Archive, Listening Futures, Listening Together, Live Mains Electricity, LMJ, London, London was the capital of the electricity of the mind, Lost in Transmission, Luca Cerizza, Lucia Pietroiusti, Luckenwalde, Luigi Russolo, Machine Music, Magneto Sonic, Mahler & LeWitt Studios, Mahler and LeWitt Studios, Mahler LeWitt, Maholo Uchida, Mains Electrical Network Frequency, Manchester Metropolitan University, Marcus Boon, Marina Mahler, Mark Leckey, Mark Vernon, Martin Creed & Owada, Maschine Musik, Massimo Bartolini, Mat Dryhurst, Mat Jenner, Matt Williams, Matt’s Gallery, Matthew Blake, Maureen Paley, Maureen Paley Gallery, Medial Dark Ages, Melika Kolongo, Melika Ngombe Kolongo, Mensch Maschine Musik, Mensch-Maschine, Michael Petry, Middlesbrough, Middlesbrough Art, Middlesbrough Art Weekend, Mika Vainio, Mike Fell, Mirror Mirror, Mobile Radio, MOCA London, Modal, Modal Gallery, Modal Manchester, Modern Art, Modern Art Oxford, MOI Archive, MOI Depford, MOI London, Moma, MOMA Oxford, Mon Takanawa, MONA, Mona Foma, Mona Tasmania, Monday Night, Monday Night in Middlesbrough, Moonquake, Moving Image Art, MSCTY.SPACE, Museo Reina Sofia, Museum of Contemporary Art, Museum of Contemporary Art London, Museum of Installation, Museum of Installation Archive, Museum of Narratives, Musica Falsa, Musicity, Mute Records, Nadim Samman, Naomi Siderfin, Natasha Bird, National Energy System, National Energy System Operator, National Grid, National Grid Music, Nature Morte, Near Now, NESO, New Millennium, Next Gen, Nick Luscombe, Nick Morris, Nicola Oxley, Nicolas de Oliveira, Nicole Raymond, Nik Nak, Nik Novak, Nik Void, NikNak, Nkisi, Nkisi Mwana, Noise, Noise Art, Noise Machine, Noise Machines, Noise Music, Noise Night, Noise Noise Noise, Noise Surround System, Non-Classical, Nonclassical, Nothing to Commit, Noton, NYU, Ocean of Sound, OCM, OCM Oxford, Of Music, Olive Gingrich, Olive Gingrich Group, Olive Gingrich Group Projects, Omer Corlaix, On 50Hz, Onassis, Onassis Air, Onassis Channel, Onassis Culture, Onassis ONX, Onassis Ready, Onassis Stegi, Onassis Stegi Radio, Open Wave, Open Wave Radio, Open Wave-Receivers, Open Weather, Original Projects, Orleans House, Orleans House Gallery, Oxford Contemporary Music, Pablo Wendel, Pace Gallery, Pacific Standard Time, Pacific Standard Time Art, Palais de Tokyo, Pan Sonic, Panasonic, Panayiotis Vassilakis, Patricia Bossio, Paul Burwell, Paul Purgas, People vs. Power, Performance Electrics, Peter Doig, Peter Simon, Peter Weibel, Philosophical Table, Phoenix Leicester, Pi, Pi Art, Pi Art Works, Pi Artworks, Pi Sound, Pi Sound Works, Pi Soundworks, Pink Flag, Playground of Sound, Plicnik Space, Plus Electrification, Politics of Vibration, Power of Sound, Power Station, Primary, Primary Nottingham, Process Somerset House, Project Arts, Project Arts Centre, PST Art, PST Art: Art & Science Collide, PSW, Pure Gold, Pure Gold Presents, Pure Gold [Redux], PureGold, PureGold Presents, PureGold [Redux], Pylon, Pylonia, Quetempo, Quietus, R&D, R10.EMS, Radio 3, Radio Art, Radio Art 106, Radio Art Research, Radio Art Zone, Radio Bern RaBe, Radio Forever, Radio Forever Festival, Radio Papesse, Radio Worm, Radiofonia, Radiophonic Art, Radiophonic Artwork, Radiophonic Studies, Radiophonic Workshop, Radiophrenia, Radiophrenia 2025, Radiophrenia 2026, Radiophrenia 87.9FM, Radiophrenia Glasgow, Radiophrenia Live, Radiophrenia Live-to-Air, Radiotopia, Rahma Khazam, Raster Media, Raster Noton, Ratcliffe-on-Soar, Ratcliffe-on-Soar Power Station, Ray Lee, Ràdio Macba, Ràdio Web Macba, Re:Search, Reboot FM, Reina Sofía Madrid, Research & Development, Research Centre for Radiophonic Studies, Resonance Extra, Resonance FM, Resonant Frequencies, Resonant Frequency, Reverb, Revue Musica Falsa, Ricerca per la Radiofonia, Rich Irvine, Robert Worby, Roberts Institute, Roberts Institute of Art, Robin Klassnik, Royal College of Art, Rural Electrification, Ruth Jarman, Ryan Boultbee, Ryoji, Ryoji Ikeda, S. Ayesha Hameed, Saatchi Gallery, Sabine Himmelsbach, Sahko, Sahko Recordings, Sahko Records, Samson Young, Samuel Capps, Sarah Readman, Sarah Washington, SARC Belfast, Sasha Engelmann, Saturation Point, Sónar 2024, Sónar 2025, Sónar Barcelona, Sónar by Day, Sónar Festival Barcelona, Sónicas, SB16, Scenics, School of Digital Arts, Science Museum, SDNA, SE8 Gallery, Seasferic, Seeing Frequencies, Seisma, Seisma Magazine, Semibreve, Semiconductor, Semiconductor Films, Sentient, Sentient Currents, Serpentine, Serpentine Arts Technologies, Serpentine Gallery, Serpentine Gallery London, Serpentine London, Serpentine South, Serpentine South Gallery, Sharjah Art, Sharjah Art Biennial, Sharjah Biennial, Sharjah Biennial 16, She Demon, SheDemon, Shortwave Collective, Signals, Social Broadcast, Social Broadcasts, Soda Manchester, Sofia Lemos, Sofia Victorino, Sol LeWitt, Solstice Radio, Somaphon, Somaphon Festival, Somerset House, Somerset House Assembly, Somerset House Assembly Residency, Somerset House Channel, Somerset House Creative Technologies Fellowship, Somerset House Future Artists, Somerset House Process, Somerset House Residency, Somerset House Studies, Somerset House Studios, Somerset House Studios Assembly, Somerset House Studios Assembly Residency, Somerset House Studios Residency, Somerset House: Future Artists Programme, Sonar, Sonar Festival, Sonic Acts, Sonic Acts Biennial, Sonic Acts Festival, Sonic Art, Sonic Art Lab, Sonic Art Week, Sonic Arts, Sonic Arts Research, Sonic Arts Research Centre, Sonic Arts Week, Sonic Boom, Sonic Border, Sonic Continuum, Sonic Faction, Sonic Fiction, Sonic Field, Sonic Futures, Sonic Lab, Sonic Landscape, Sonic Phenomenologies, Sonic Phenomenology, Sonic Urbanism, Sonica, Sonica 2025, Sonica 2026, Sonica Festival, Sonica Glasgow, Sonica Next Gen, Sonica Tramway, Sonica Tramway Festival, SonicLab, Sonics, Sonics & Scenics, Sonics & Scenics Festival, Sonics Immersive Media, Sonics Immersive Media Lab, Sonics Series, Sono-Electro, Sono-Electro Festival, Soph Dyer, Sophie Dyer, Sophie Trudeau, Sound, Sound and Image, Sound Art, Sound Art Lab, Sound Image Festival, Sound Image Research Group, Sound Installation, Sound Landscape, Sound of the Future, Sound Pressure, Sound Service, Sound Technology & Culture, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Sound/Image 2024, Sound/Image 2024 Festival, Sound/Image Research Centre, Soundhouse, SoundImage 2024, SoundImage 2024 Festival, Soundings, Sounds of the Future, Soundworks, Soviet Hauntology, Spare Steps, Spark of Life, Spectrum, Speculative Listening, Speculative Voicing, Stadtbad Live, Stadtbad Live Luckenwalde, Stefan Brüggemann, Stefan Bruggenamm, Stegi, Stegi Radio, Stereolux, Steve Goodman, Steve Kennedy, Steve Kirby, Steven Kennedy, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Stuart Heyes, Studio Chapple, Submarine Base, Sukhdev Sandhu, Swarm, Synthetic Sonics, Taco, TACO Thamesmead, Taco!: Blurt, Takis, Tania Daniel, Tate, Tate Archive, Tate Britain, Tate Britain Archive, Tate Britain Library, Tate Britain Library & Archive, Tate Etc, Tate Gallery, Tate Library, Tate Modern, Tati au Miel, TBA, TBA 21, TBA 21 Academy, TBA 21 Collection, TBA 21 Current, TBA 21 Foundation, TBA21, TBA21 Collection, TBA21 Current, TBA21 Foundation, TBA21–Academy, Technology & Culture, Teylers Museum, Thames & Hudson, Thamesmead Arts & Culture Office, The Albany, The Art of Noise, The Art of Noises, The Art of Not Making, The Bomb Factory, The Bomb Factory Art Foundation, The Current, The Dial, The End of The Dial, The Eyesite, The Factory, The Hayward Gallery, The Invention of Wonder, The Light at The End of The Dial, The Listener, The Museum of Narratives, The Politics of Vibration, The Quietus, The Sound, The Spark of Life, The Vinyl Factory, The Wapping Project, The Who, The Wire, The Wire Magazine, The Word is Art, Third Text, This Museum Is (Not) Obsolete, Thyssen, Thyssen Bornemisza, Thyssen Bornemisza Art, Thyssen-Bornemisza Art Contemporary, Tim Burgess, To Hear, Toby Heys, Tom Burgess, Tom Harris, Tommaso Faraci, Tracey Ain't Coming Out, Tramway, Tramway Glasgow, Transmediale, Transmission, Transmission Arts, Transmission Artwork, Transmission Ecologies, Transmissions, Trevor Mathison, Trinity Laban, Tsonami, Tsonami Arte, Tsonami Arte Sonoro, Ubicua Gallery, Ubicua London, Ultra Magnetic, Unit, Unit for Sound Practice Research, Unit Gallery, Unit London, Unit London Digital, Unit London Gallery, University of Greenwich, University of San Marino, University of San Marino - Research Centre for Radiophonic Studies, Unsound Adelaide, Unsound Dispatch, Unsound Kraków, Unsound Osaka, Uwe Rüth, Valentina Floris, Valentino Catricalà, Variations on 50Hz, Vinyl Factory, Vinyl Factory Reverb, Vivid, Vivid Birmingham, Vivid Projects, VLF Antenna, VLF Band, VLF Radio, VLF Radio Receiver, VLF Receiver, VLF-band Radio, Volksbühne Berlin, Volt, Volt Eastbourne, Volt Gallery, Voltage, Voltnoi, Voltnoi Brege, Volts, Vorticism, VSSL Studio, Wapping Project, Warp, Warp Records, Wave Catcher, Wave Farm, Wave Farm Radio, Wellcome Collection, Whitstable, Will Dutta, Will Harvey, Wire, Word is Art, Workfortheeyetodo, Worm Rotterdam, Wyndham Lewis, Wysing, Wysing Arts, Wysing Arts Centre, Wysing Polyphonic, Xin Wang, Xxijra Hii, Yarmonic, Yarmonics, Yoko Ono, Yorgos Konstantinidis, Yoshitaka Mori, ZKM Karlsruhe