13.10 MHz, 50Hz, A---Z, Abstract Untitled, Abstract_Untitled, Accidental Records, Acid Folk, Acoustic Ecology, Adaadat, Adaadat Records, Adventures In Sound and Music, Ain Bailey, Alexandra Fierra, Alice Hoffmann, Alice Hoffmann-Fuller, Alison Turnbull, All the Light We Cannot See, Alternating Current, Alt_R, Amit Dinesh Patel, Amit Patel, Ana Fosca, Analema, Analema Group, Andrew Shallcross, Andy Votel, Ani Das, Aniruddha Das, Anne Bean, Anne Duffau, Annet Dekker, Annka Kultys, Annka Kultys Gallery, Anthony Doerr, Antithesis, Arcane Research Project, Architectural Brutalism, Architectural Minimalism, Archival Television, Arebyte, Arebyte Gallery, Arebyte Skills, Arebyte Studios, Ars Electronica, Ars Electronica Festival, Art and Media, Art Centre, Art Electricity, Art Lab, Art of Noise, Art Of Noises, Art on the Underground, Art Zone, Artangel, Artist, Artists Programme, Arts Centre, Arts Council England, As Quiet As A Campfire, Ash International, Assembly Somerset House, Atomic Fruit, Attenborough Arts, Attenborough Arts Centre, Attenborough CCA, Attenborough Centre, Attenborough Centre for the Creative Arts, Audio Art, Audio Installation, Audio Rorschach, Audio Visability, Audiovisability, Aural Culture, Aural Cultures, Aural Diversity, Bandcamp Radio, Barry Burns, Barry Hale, Barry Miles, Bathtub Sailing, BBC, BBC Home Service, BBC Radio, BBC Radiophonic Workshop, BBS Community Radio, Beaconsfield, Beaconsfield Gallery, Ben Drew, Benedict Drew, Benjamin Myers, Benny Lichtner, Berberian Sound Studio, Black Industrial, Black Meadow, Black Noise, Blind Ditch, Boards of Canada, Book of the Lost, Breugel the Elder, Brian Catling, Brian Eno, Brighton, Brighton CCA, Broadcast, Broadside, Broadside Gallery, Broadside Glasgow, Broadside Space, Bruckenmusik 27, Brutal London, Brutalism, Brutalist Architecture, Bryn Nieboer, Bunker Archaeology, Burial, Cabinet, Cabinet Books, Cabinet Gallery, Cabinet Magazine, Café Oto, Camden, Camden Art, Camden Art Centre, Capital, Caroline Katz, Castles In Space, Cathie Boyd, CCA Glasgow, CCI x Somerset House Studios, Center for Art and Media, Centre for Contemporary Art, Centre for the Creative Arts, Channel, Channel Somerset House, Charlie Poulet, Children of the Stones, Chloée Maguille, Christiane Riedel, Christina Kubisch, Circuit Blasting, Cire Noir, Cire Noire, Claudel Goy, CM von Hausswolff, Cold Light, Collaboradio, Collegium Helveticum, Colour Factory, Company of Wolves, Control Voltage, Corsica Studios, Cosey Fanni Tutti, Counterflows, Counterflows Festival, Counterflows Glasgow, Courtauld, Courtauld Institute, Creative Arts, Creative Research into Sound Arts Practice, Creative Technologies, Creative Technologies Fellowship, Creative Technology, Creative Technology Fellowship, CRISAP, Cryptician, Cultural Circuitry, Cultural Landscape, Culture & Community Spaces at Risk, Culture Lab, Curating Sound, Curating Sound Art, Daphne Oram, Dave Evans, David Crawforth, David Keenan, David Troostwyk, Day of the Triffids, Dean Kenning, Delia Derbyshire, Demon Box, Destruction in Art Symposium, Detectorists, Dhangsha, DIAS, Digital Art, Digital Arts, Digital Arts Blog, Digital Artwork, Dirty Electronics, Disinformation, Disruptive Frequencies, Doppelgänger, Doppelgänger Variations, Dream Transmissions, Dubmorphology, Dushume, E-werk, E-werk Luckenwalde, Eccentronic Research Council, Edgeland Documents, Edward Chell, Eerie Landscape, Egg Meat, Elaine Mitchener, Electric Dreams, Electric Eden, Electric Spirit, Electric Spirits, Electric Spirits: Sonic Shadows, Electrical Audio, Electrical Interference, Electrical Noise, Electrical Walks, Electricity, Electricity & Amour, Electricity of the Mind, Electricity The Spark of Life, Electro-Magnetic Field, Electro-Magnetic Fields, Electro-Magnetic Noise, Electro-Magnetic Sound Art, Electromagnetic Audio Art, Electromagnetic Black, Electromagnetic Black Noise, Electromagnetic Field, Electromagnetic Fields, Electromagnetic Grid, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetic Spectrum, Electromagnetic Waves, Electronic Audio Club, Electronic Voice Phenomena, Elena Biserna, Elephant & Castle, Elephant Square, EMF, EMFs, Enchanted Landscape, End of The Dial, erloo Station, Estorick, Estorick Collection, Eternal Research, Eternal Research Kickstarter, EVP, Excalibur, Experimental Music, Experimental Radio, Experimental Technology, Fabrica, Fabrica Brighton, Fabrica Gallery, Fabrica Gallery Brighton, Falmer, Faraday Memorial, Farhad Mirza, Fielding Hope, Filipa Ramos, Filippo Marinetti, Finders Keepers, Finders Keepers Records, Fiona Crisp, Flaming Pines, Flora Yin-Wong, Folk Horror, Folk Police, Folk Police Recordings, Folklore Tapes, Forma, Forma Arts, Forma Arts & Media, Fort Process, Fort Process Festival, Fragile X, Framework Radio, Francesca Fornasari, Furtherfield, Furtherfield Gallery, Future Artists, Future Artists Programme, Futurism, Futurist Noise Music, Gabriel Prokofiev, Gary Stewart, Gatherings, Geoffrey Grigson, Georgia, Gerard Hemsworth, Ghost Box, Ghost Box Records, Ghost Shells, Ghosts & Shadows, Ghosts In The Machine, Gina Prat Lilly, Glasgow, Glasgow CCA, Glasgow Centre for Contemporary Art, Glasgow International, Glasgow Tramway, Going Out, Goldsmiths, Goldsmiths CCA, Goldsmiths College, Goldsmiths College - Unit for Sound Practice Research, Goldsmiths Press, Goldsmiths Press - Sonics Series, Gone to Earth, Gossamer Fog, Gossamer Fog Alt_R, Gossamer Fog In Vitro, Gossamer Fog Technonatural, Grid Music, Hannah Kemp-Welch, Hannah Peel, Hare And The Moon, Haroon Mirza, Hauntology, Hayley Newman, Hayward Gallery, Heartwood Institute, Heather Leigh, Helen Turner, Howlround, HRM 199, Ian McKeever, Iklectik Art Lab, Iklectik Nomadik, Imaginary Soundtracks, Immersive, Immersive Audio, Immersive Audio Art, Immersive Noise, Immersive Sound, Immersive Sound Art, Imogen Stidworthy, In Praise of Shadows, In Vitro, Industrial, Industrial Music, Industrial Noise, Industrial Records, Inside Listening, Interference, Intonarumori, Irene Shubik, Iris Light Records, Ivan Chtcheglov, James Bulley, Jan Hicks, Jane Weaver, Jeremy Deller, Jimi Hendrix, Joe Banks, Joe Namy, John Carpenter, John Wyndham, Jonny Trunk, Jordan Baseman, Joseph Namy, Josephine Poole, Jun'ichirō Tanizaki, Katalin Varga, Kate Carr, Kate Smith, Katharina Worf, Kathy Hinde, KCL London, Keith Sargent, Kiasma, Kiasma Helsinki, Kiasma Museum, Kill List, Kima, Kima Noise, King's Place, Kings College London, Kokoro, Kunst und Medien, Kunststrom, Kwaidan, Kwaidan Editions, Kwaidan Part 1, Kwaidan Part 3, Lafcadio Hearn, Lanfranco Aceti, Language, LAURA, Lawrence Lek, LCB Depot, LCB Depot Leicester, LCB Depot Sound, LCB Depot Sound Season, LCC Crisap, Lea Dickely, Leicester, Leicester Art Gallery, Leicester Museum, Leicester Museum & Art Gallery, Leicester Phoenix, Les Presses du Reel, Leverhulme Trust, Leverhulme Trust Aural Diversity Doctoral Research, Leverhulme Trust Aural Diversity Doctoral Research Hub, LI-MA, Lia Mazzari, Light at The End of The Dial, Liminal Landscape, Lindsay Seers, Link Wray, Lisson Gallery, Listen Gallery, Listening, Listening Space, Listening Workshop, Live Mains Electricity, Living Media Art, London, London College of Communication, London Underground, London was the capital of the electricity of the mind, Long Wave, Lottie Lou Poulet, Louise Sudell, Lucia Pietroiusti, Luckenwalde, Lucy Gunning, Lucy Shanahan, Luigi Russolo, Lyli J, Machine and the Ghost, Machines That Go Beep, Maggie West, Magic Lantern, Magpahi, Mags Hall, Magz Hall, Mains Electricity, Map Magazine, Marc Garrett, Marion Adnams, Mark Fisher, Mark Pilkington, Mark Vernon, Masaki Kobayashi, Mat Jenner, Materialism, Matt Davies, Matt Nordstrom, Matt’s Gallery, Matthew Herbert, Matthew Tickle, Maureen Paley, Maureen Paley Gallery, Max Syedtollan, Mayor of London, Meagre Resource, Media Art, Melanie Jackson, Melika Kolongo, Melika Ngombe Kolongo, Metro Magnetics, Michael Faraday, Michael Faraday Memorial, Mika Vainio, Mike Fell, Ministry of Sound, Mixed Electricals, MOCA London, MOI Deptford, Montez Press Radio, Museum of Installation, Naomi Siderfin, Narendra Dabholkar, Natasha Bird, Nathaniel Mellors, National Grid, National Grid Music, Natural World, Neil Luck, New Art City, New Corsica Studios, New Walk Art Gallery, New Walk Museum, Newcastle University, Newcastle University Culture Lab, Nick Luscombe, Nicole Raymond, Nigel Kneale, Nik Nak, Nik Void, NikNak, Nimrod Vardi, Nkisi, Noise, Noise Art, Noise Machine, Noise Machines, Noise Music, Non-Classical, Nonclassical, Norman Records, Now Arcade, Now Building, Now Trending, Nuke Watch, Open Wave, Open Wave Radio, Open Wave-Receiver, Or Ettlinger, Orleans House, Orleans House Gallery, Ormside Projects, Ormside Projects Radio, Ormside Radio, Other Cinemas, Otoloci, Otoloci Ltd, Outernet, Owl Service, Ozden Sahin, Pablo Wendel, PAL Music, PAL Music UK, Palais de Tokyo, PalMusic, PalMusic UK, Pan Sonic, Panasonic, Paper Dollhouse, Pataphonic, Pataphonic Studies, Paul Bonaventura, Paul Burwell, Paul Nash, Paul Weller, Penda's Fen, Performance Electrics, Peripheries, Peter Breugel, Peter Breugel the Elder, Peter Strickland, Phantom Power, Phoenix, Phoenix Leicester, Places of the Mind, Platform for Art, Points of Failure, Pools, Praise of Shadows, Process Somerset House, Psycho Geography, Psychogeography, Public Art, Publishing, Puffball, Pulselovers, Quatermass, Quiet As A Campfire, Radio Art, Radio Art Lab, Radio Art Zone, Radio Fabulism, Radio Realism, Radio Technology, Radio Underground, Radio: Situationism, Radiophrenia, Radiophrenia 2025, Radiophrenia Glasgow, Radiophrenia Live, Radiophrenia Live-to-Air, Rafael Toral, Raven, Raven Row, Ravishing the Senses, Ray Lee, Resistance, Resonance Extra, Resonance FM, Riah Naief, Richard Wilson, Rob Young, Robert MacFarlane, Robin Klassnik, Rodney Gordon, Romulus, Romulus Studio, Rorschach Audio, Royal Institution, Ruth Garde, Ruth Timmermans, Sahko, Sahko Recordings, Sahko Records, Sally O'Reilly, Samuel Capps, San Francisco Museum of Modern Art, Sanatan Sanstha, Sanneke Huisman, Savion Glover, Sähkö Record, Sónar 2025, Sónar by Day, Schemata, Schemata Arts, Science and Industry Museum, Science Gallery, Science Gallery Bengaluru, Science Gallery Dublin, Science Gallery London, Science Gallery Melbourne, Scintillating Scotoma, See Blue Audio, Sense Data & Perception, Serpentine, Serpentine Gallery, Serpentine London, SF MOMA, Shadow, Shadows, Short Wave Listening, Short Wave Radio Listening, Shortwave 13.10, Shortwave Listening, Shortwave Radio Listening, Shortwave Thirteen Ten, Sister Midnight, Soft Estate, Somerset House, Somerset House Assembly, Somerset House Channel, Somerset House Creative Technologies Fellowship, Somerset House Creative Technology Fellowship, Somerset House Future Artists, Somerset House Process, Somerset House Studies, Somerset House Studios, Somerset House: Future Artists Programme, Sonar Festival, Sonic Art, Sonic Arts, Sonic Boom, Sonic Sculpture, Sonic Sculptures, Sonic Shadows, Sonic Stories, Sonica 2024, Sonica Festival, Sonica Glasgow, Sonica Glasgow 2024, Sonics Series, Sono-Electro, Sono-Electro Festival, Sound, Sound & Music, Sound 2024, Sound Art, Sound Artist, Sound Curating, Sound Drift, Sound Practice Research, Sound Season, Sound Season 2024, Sound Shadow, Soundmaking, Southbank Centre, Spark, Spark of Life, SPR, Steve Urquhart, Stevie Jones, Stone Tape, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Strange Transmissions, Strange Transmissions: The World Of Experimental Radio: Materialism, Structural Media, Studio, Studio 53, Submarine Base, Susan Cooper, Susan Hiller, Suzanne Treister, Taco, Taco Gallery, TACO Thamesmead, Taco!: Blurt, Tam Lin, Tank 432, Tate Archive, Tate Britain, Tate Gallery, Tate Library, Tate Modern, Technonatural, Terra, Texte und Tone, Teylers Haarlem, Teylers Museum, Teylers Museum Haarlem, TFL, Thamesmead, Thamesmead Arts & Culture Office, Thamesmead Arts and Culture Office, The Analysis of Beauty, The Art of Noise, The Art of Noises, The Changes, The Courtauld Institute, The Cryptician, The Demon Box, The Dial, The End of The Dial, The Hayward Gallery, The Light at The End of The Dial, The Listener, The Now Building, The Process, The Seasons, The Senses, The Tower of Babel, The Underground, The Who, The Wire, The Wire Magazine, The World Of Experimental Radio, Throbbing Gristle, Tim Burgess, Tim Shaw, Timeslip Echoes, Timothea Armour, Tommi Gronlund, Tomorrow's People, Touch Music, Tower of Babel, Tracey Ain't Coming Out, Tramway, Tramway Glasgow, Transmission, Transmission Lines, Transmissions, Transmissions: Radio Art Lab, Transport for London, Trevor Mathison, Turner Contemporary, Twisted Nerve, Twisted Nerve Records, UAL London, Ultraviolet, Umfang, Under Construction, Underground London, Underground Radio, Unit for Sound Practice Research, Unofficial Countryside, Urban Wyrd, Uveitis, Vashti Bunyan, Vehicle Arts, Verity Lambert, Video Artist, Village of the Damned, Violators of the English Language, Virtual Exhibition, Virtual Exhibition Space, Virtual Space, Virtual Space Theory, Visionary Music, Volcanic Tongue, Vorticism, Walking Festival of Sound, Watcher in the Woods, Waterloo, Waterloo Station, Waterloo Underground, Weird Walk, Wellcome, Wellcome Collection, Wellcome Trust, White Reindeer, Wicker Man, Willie Doherty, Wire, Witness, Witt Library, Wladd Wuta, Wolfen, World Of Experimental Radio, World Service, Written Word, Wyndham Lewis, Wyrd England, Wyrd UK, Wysing Arts Centre, X Marks the Bökship, Yoko Ono, Zentrum für Kunst und Medien, ZKM Center for Art and Media, ZKM Karlsruhe, ZKM: Zentrum für Kunst und Medien
Disinformation “Antithesis” review by Farhad Mirza
The Disinformation “Antithesis” exhibition reviewed by the Glasgow based journalist Farhad Mirza…
https://newart.city/blog/electric-spirits
To provide a little context for some of the material used in this article, the quote from Lafcadio Hearn – author of “Kokoro” (meaning “heart”) and “Kwaidan” (“scary stories”) – viz. “very possibly all sense of art, as well as all sense of the supernatural, had its simple beginnings in the study of shadows”, features prominently in the catalogue for the Disinformation touring exhibition (“The Analysis of Beauty” exhibition catalogue, published 2003); plus the tracks “Kwaidan part 1” and “Kwaidan part 3” feature on the Disinformation CD “Sense Data & Perception” (published 2005).
Also note in particular the material about “Antithesis” curator Alice Hoffmann-Fuller’s 3D model of the Michael Faraday Memorial at the Elephant & Castle in London. Special thanks to Farhad Mirza, Alice Hoffmann-Fuller and Benny Lichtner.
From → Uncategorized