13.10 MHz, 2009 A-Z, Abi Warburg, After Gombrich, After Post-Truth, Aldous Huxley, All the Light We Cannot See, Alternating Current, Alva Noto, Alyssa Moxley, Ami Clarke, Andrew Knight-Hill, Anil Seth, Answerbient, Answering Machine, Anthony Doerr, Antithesis, Antonis Antoniou, Apophenia, Archival sonics, Are You Listening, Art & Illusion, Art & Illusion for Sound, Art & The Book, Art Book, Art of Noise, Art Publishing, Art Research, Artangel, Artangel Everywhere, Artangel Projects, Artist Publishing, Artists Publishing, Artworks, Audimat, Audio Apophenia, Audio Archive, Audio Archives, Audio Forensics, Audio Landscape, Auditory Apophenia, Auditory History, Aural Auras, Aural Auras and Haunting Echoes, Édouard Dermit, Élisabeth Lebovici, Bahar Noorizadeh, Bankside, Bankside Power Station, Barbican Art, Barbican Art Gallery, Barbican Centre, Barbican Immersive, Barbican London, Barnaby Wright, Basalt, Basalt Rennes, Battersea, Battersea Power Station, BBC, BBC Radio, BBC Radio 4, BBC Radiophonic Workshop, BBC TV, Be Language, Bearpark Poltergeist, Beatrice Zaidenberg, Bernard Wolfe, Bianca Roden, Bidston Observatory, Bill Sherman, BOARC, Bon Accueil, Bon Accueil Rennes, Bornemisza, Brigitte Hart, Broadcast, Cabinet, Cabinet Books, Cabinet Gallery, Cabinet Magazine, Café des Poètes, Carl Michael Von Hausswolf, Carsten Nicolai, Caylie Stapes, Cégeste, Ceal Foyer, Celeste, Centre for Sound and Image, Channel Somerset House, Chisenhale, Chisenhale Gallery, Chisenhale Gallery London, Chris Firth, Chris French, Chris Watson, Christopher Kulendran Thomas, Ciaran O’Keeffe, CM Von Hausswolf, CM von Hausswolff, Coco Fusco, Cold Light, Constellations of Listening, Conversations, Cory Doctorow, Creative Technologies, Creative Technologies Fellowship, Creative Technology, Cripta 747, Cripta747, CTM, CTM Festival, CTM Festival 2025, CTM Radio Lab, CTM x ICA, CTM x ICA 2025, Culture After Gombrich, Curating Magic, Curse of Luibeilt, Damien Simon, DDAP, Dead Fingers Talk, Deborah Hyde, Derek Acorah, Dieter Roth, Digital Archive, Digital Archive of Artists Publishing, Disinformation, Disinformation Network, Dr Eleonora Oreggia, Du Yodel à la Physique Quantique, Due Qui, Due Qui / To Hear, E-werk Luckenwalde, E.H. Gombrich, E.H. Gombrich & Sound, Earwitness Testimony, Eddie Ruscha, Electric Infrastructure, Electrical Infrastructure, Electromagnetic Sound Art, Electromagnetic Spectrum, Electromagnetic Waves, Electromagnetism, Electronic Voice Phenomena, Elektrizitätswerk, Elena Biserna, Eleonora Oreggia, Elisa Troiano, Elton’s Phone, Embodied Listening, Energetic Devices, Ephemera Festival, Ernst Gombrich, Ernst Gombrich & Sound, Ernst Vegelin, Ernst Vegelin van Claerbergen, Evelyn Hollow, EVP, Experimental Phastasmogenesis, FACT, FACT Liverpool, Fact Magazine, Fallow Media, Farsight, Farsight Collective, Feel The Sound, Field Notes, Field Notes Live, Field Notes Magazine, Fieldnotes, Fieldnotes Live, Fieldnotes Magazine, Forensic Audio, Franchesca Casauay, Frédéric Grossi, Fredy Perlman, Free to Choose, Frequencies, Frieze, Frieze Art Fair, Frieze London, Frieze Magazine, Frieze Week, Frieze Week 2024, Frith Street, Frith Street Gallery, From Yodeling to Quantum Physics, Gabriel Prokofiev, Galen Joseph-Hunter, Georgia Leigh-Münster, Ghost Horses of Averham, Ghost Radio, Ghost Semantics, Ghost Voices, Giulia Lenti, Glasgow International, Glass Salt, Global Culture, Global Culture after Gombrich, Going Out, Gold SF, Goldsmiths CCA, Goldsmiths College, Goldsmiths Press, Goldsmiths Press - Sonics Series, Gombrich, Gombrich & Sound, Gombrich Archive, Granta, Granta Magazine, Greenwich, Greenwich Power Station, Greenwich University, Hannah Kemp-Welch, Harris Benson, Haunting Echoes, Hauntological Transmission, Hayward Gallery, Henry David Thoreau, Hidden Words, House, House of Music, Ian Maleney, Iarlaith Fheorais, Iarlaith Ni Fheorais, Ikeda, Iklectik Art, Iklectik Art Lab, Illusions, Immersion, Immersive Audio, Immersive Noise, Industrial Coast, Inigo Wilkins, INS, International Necronautical Society, Into The Uncanny, Invisible Forces, ISAST, J.G. Ballard, Jade Y. Turanlı, Jean Cocteau, Jean Marais, Johann Diedrick, Jon Culshaw, Jonathan Cape, José Alejandro Rivera, Karen Werner, Kate Donovan, Katharina Worf, Keith, Keith Sargent, Ken Hollings, Kiasma, Kiasma Helsinki, Kiasma Museum, Knopf, Kythera Gallery, Language, Language Analysis, Language Experiment, Languaged, Languaging, Lars Bang Larsen, LCB Depot, Le Pavillon, Lee Fraser, Leonardo, Leonardo Journal, Leonardo Music Journal, Leonardo/ISAST, Les Presses du Reel, Let There, Let There Be, Let There be Language, Liam Howe, Liminal Sound, Lindsay, Lindsay Seers, Lindsay Seers & Keith Sargent, Lisa Hall, Listening, Listening Across Distance, Little Palais, Liverpool Biennial, Living Radio, Living Radio Lab, LMJ, Luca Cerizza, Maitreyi Maheshwari, María Casares, Marc-Olivier Wahler, Marcel Duchamp, Marco Pasi, Maria Papadomanolaki, Mark Alizart, Mark Leckey, Mark Pilkington, Marwan T Assaf, Massimo Bartolini, Matt’s Gallery, Matthew Harle, Meira Asher, Mentalizing Sound, Mika Vainio, Misinformation, Misinformation Network, Modern Language, Modern Language Experiment, Mon Takanawa, Monitor Books, Montez Press Radio, MSCTY.SPACE, Murray Bookchin, Museum of Narratives, Musicity, Mute Records, Nate Young, National Grid, National Poetry, National Poetry Library, Network, Nick Luscombe, Nicola Triscott, Nikola Tesla, Nine Elms, Nkisi, Non-Classical, Nonclassical, Ocean of Sound, OCM Oxford, Of Music, Olive Gingrich, Olive Gingrich Group, Olive Gingrich Group Projects, Ormside Projects, Orphée, Orpheus, Orpheus and Eurydice, Orpheus Mix, Oto Projects, Oxford Brookes, Oxford Brookes University, Oxford Brookes University - Sonic Arts Research Unit, Oxford Contemporary Music, Oxford Exorcism, Palais de Tokyo, Palais de Tokyo 2009 A-Z, Palais / (Magazine), Pan Sonic, Panasonic, Paracoustics, Paranormal Acoustics, Paréidolie, Paul Fletcher, Paul Laffoley, Peter Doig, Phantasmata, Phantasmata and Illusions, Phantasmic Audio, Phantastic Sound, Phantom Sound, Phantom Sounds, Phastasmogenesis, Phillip Ball, Philosophy Now, Pi, Pi Art, Pi Art Works, Pi Artworks, Pi Sound, Pi Sound Works, Pi Soundworks, Planetary Radio, Plastic Language, Play on Words, Playing with Words, Plural Radio, Plural Radio Listening, Poetry Library, Poi Marr, Political Voice, Post Theory, Post Theory Art, Post-Truth, Power of Sound, Process Somerset House, Prof. Chris French, Proxemia, PSW, Public Enemy, Radio 4, Radio Ballads, Radio International, Radio International Collective, Radio Lab, Radio Listening, Radio Technology, Radio Transmissions, Radiophonic Workshop, Rahma Khazam, Rare Frequency, Raster Noton, Raven Row, Ray Lee, Répondeur, Reaktion, Reaktion Books, Reece Shearsmith, Research Unit, Richard Birkett, Richard Woodfield, Robin Klassnik, Rorschach Audio, Rorschach Audio - Orpheus Mix, Rorschach Effect, Ryan Gander, Ryoji, Ryoji Ikeda, Safe Zone, Sahko, Sahko Recordings, Sahko Records, Sally A. Applin, Sally Applin, Sam Ridout, Samuel Brzeski, San Francisco Museum of Modern Art, Sarah Hayden, Sargent, SARU, Sasha Englemann, Séance, Séance: Technology of the Spirit, Sónar 2025, Sónar Barcelona, Sónar by Day, SB16, Scii Tenaph, Sean O’Connor, Seeing Frequencies, Seers, Seers/Sargent Exhibition Circle, Serpentine, Serpentine Gallery, Serpentine London, Seth Ayyaz, SF MOMA, Sharjah Art, Sharjah Art Biennial, Sharjah Biennial, Sharjah Biennial 16, Short Wave Collective, Short Wave Radio, Shortwave 13.10, Shortwave Collective, Shortwave Listening, Shortwave Radio, Shortwave Thirteen Ten, Simon Grant, Sofia Victorino, Somatic Abstraction, Somatic Audio, Somatics, Somerset House, Somerset House Channel, Somerset House Creative Technologies Fellowship, Somerset House Process, Somerset House Studies, Sonar, Sonar Festival, Sonic Agency, Sonic Apophenia, Sonic Archive, Sonic Archives, Sonic Arts, Sonic Arts Forum, Sonic Arts Research, Sonic Arts Research Unit, Sonic Days, Sonic Landscape, Sonic Phenomena, Sonic Phenomenologies, Sonic Phenomenology, Sonic Research, Sonics Series, Sonorama, Sound, Sound Archive, Sound Archives, Sound Art UK, Sound Arts UK, Sound Capture, Sound Escapes, Sound Image Festival, Sound Image Research Group, Sound in Museums, Sound Landscape, Sound Season, Sound Service, Sound-Image, Sound-Image Research, Sound/Image 2024, Sound/Image 2024 Festival, Sound/Image Research Centre, Soundhouse, SoundImage 2024, SoundImage 2024 Festival, Soundings, Soundmaking, Soundworks, South Bank, South Bank Centre, Southbank Centre, Spare Steps, Speak Spirit Speak, Speech Muse, Speech Muse Fest, Speech Muse Festival, Spirit Technology, Spoken Word, Steve Kennedy, Stone Tape, Stone Tape Theory, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Sukhdev Sandhu, Susan Philipsz, Tate, Tate Modern, TBA, TBA 21, TBA 21 Academy, TBA 21 Collection, TBA 21 Current, TBA 21 Foundation, TBA21, TBA21 Collection, TBA21 Current, TBA21 Foundation, TBA21–Academy, Technologies of the Soul, Technology of the Soul, Technology of the Spirit, Testament d'Orphée, Text Sound, The Art of Noise, The Book, The Broadcast, The Conversations, The Current, The Gombrich Archive, The Hayward Gallery, The Kythera Gallery, The Making of Incarnation, The Museum of Narratives, The Sound, The Uncanny, The Voice in Art, The Warburg, The Warburg Institute, There Be Language, This Museum Is (Not) Obsolete, Thyssen, Thyssen Bornemisza, Thyssen Bornemisza Art, Thyssen-Bornemisza Art Contemporary, Tim Dixon, To Hear, Tobias Ewé, Tom McCarthy, Tom McCarthy - C, Transmissions, Transmit Receive, Turner Contemporary, UCL Discovery, Uncanny, Uncanny Con 2024, UncannyCon 2024, Unit for Sound Practice Research, University of Greenwich, Unsound Adelaide, Unsound Dispatch, Unsound Kraków, V&A Late, V&A London, Vibrational Semantics, Victoria & Albert Museum, Vincenzo Santarcangelo, Vis Journal, Voice Art, Voice Box, Voice in Art, Voice Mail, Voicebox, Voiced Sound, Voicemail, Warburg, Warburg Institute, Warburg London, Warburg Renaissance, Warp, Warp Records, Wave Farm, Wave Farm Radio, Wave Farm Radio WGXC-90.7 FM, Wave Farm Radio WGXC90.7FM, Wave Farm WGXC-90.7 FM, Wave Farm WGXC90.7FM, WGXC 90.7-FM, Wolf Eyes, x AI, xAI, Xname
“Rorschach Audio: Orpheus Mix” – Palais de Tokyo, 2009 to 2011
Orpheus Mix – https://www.flickr.com/disinfo/53805202392/
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