180 The Strand, Acute Art, Ammonite, Antiphony, Antithesis, Artist, Audio Rorschach, Beat Port, Beat Portal, Beatport, Bloomsbury, British Library, British Museum, Central Saint Giles, China Mieville, Circa Art, Citadel, Citadels, Citadels of the Underworld, Closed Circuit, Club Colours, Covent Garden, Daniel Birnbaum, Days Of The Underground, Denmark Street, Disinformation, Domo Baal Gallery, Electricity of the Mind, Elms Lesters Painting Rooms, Farsight Collective, Flitcroft Street, Foundling Museum, Geoffrey Grigson, Gin Lane, Google London, Guy Debord, Hare & Hounds, Hawkwind, Hawkwind: Days Of The Underground, Holborn, Iain Sinclair, In Girum Imus Nocte et Consumimur Igni, Ivan Chtcheglov, Joe Banks, Josh Lilley Gallery, Kings College London, Language [as] Meta-Technology, London Underground, Lower Third, Mapping the Urban Unconscious, National Grid, Now Building, October Gallery, Outernet Arts, Peter Ackroyd, Phillida Reid, Places of the Mind, Psychogeography, Renzo Piano, Rorschach Audio, Seisma Magazine, Senate House, Sense Data & Perception, Shaftestbury Avenue, Sir John Soane’s Museum, SOAS, Somerset House Studios, Sound Artist, Spellbound, St. George’s Church, St. Giles Church, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Stunning Joe Banks, Stunning to the other Joe Banks, Swedenborg House, The Act of Creation, The Analysis of Beauty, The Holy Land, The Origin of Painting, The Perimeter, The Rapture, The Rookery, The Slade, The Underground, The Underworld, Theophany, Tin Pan Alley, Tottenham Court Road, Underground London, Underworld, University of Westminster, Urban Unconscious, Vinyl Factory, William Hogarth
“Citadels of the Underworld” ****
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