00 Zhang, 0rphan Drift, 0xSalon, 101 TV Sets, 1100, 180 Studios, 180 The Strand, 1995 UK VHS, 20th Century, 81 Questions, A Film for the Future, A Ghost in Stone, A Journey, A Journey With Tom Hanks, Abelardo Gil-Fournier, Abiogenesis, Abstract Art, Abu Dhabi, Aby Warburg, Act of Creation, Acute Art, Acute Arts, Adam Heardman, Adam Lockhart, Adam Scovell, Adina Glickstein, Advertising, Advertising is Folk Art, Advertising is the Folk Art of the 20th Century, Aesthetica Film, Aesthetica Magazine, Aesthetics, Affirmation, After Cybernetic Serendipity, Against Immersion, Age of Heat, Age of Media, Agustin Vidal Saavedra, AHA Research, AHA Research Network, AI and Octopus, AI Lab, Ai vs AI, Ai Weiwei, AI x Culture, Aipysurus Fuscus, Alan Turing, Alasdair Milne, Albert Sloman, Albert Sloman Library, Alberto Giacometti, Alchemy Festival, Alchemy Film, Alchemy Film & Arts, Alchemy Film Festival, Alchemy Hawick, Aldo Tambellini, Aldo Tambellini Archive, Aldo Tambellini Art Foundation, Alessandra Grignaschi, Alex Estorick, Alex Sainsbury, Alfred Barr, Alfred H. Barr Jr, Alfredo Jaar, Algorave, Algorithm, Algorithm Art, Algorithm Artwork, Algorithmic, Algorithmic Art, Algorithmic Artwork, Algorithmic Pattern, Algorithmic Patterns, Algorithmic Patterns in Creative Arts, Algorithmic Patterns in the Creative Arts, Ali Hossaini, Alia Swastika, Alice Channer, Alien Shores, Alienated, Alistair Hudson, All about Videotape, All is Joy, All is Joy Ltd, All is Joy Studio, All is Joy Studios, All Media is Training Data, Alpaca, Alpaca 2025, Alpaca Conference, Alpaca Festival, Alpaca Festival Sheffield, Alt_R, Alva Noto, Alvaro Barrington, Amal Khalaf, Amanda Geitner, Amar Kanwar, Amazon, Ambika P3, Amiangelika, Amiangelika & 1100, Ammonite, Ammonite Under Sun & Thyme, Ammonite Video Installation, Ammonites, Ammonites Live Sessions, Amol Rajan, Ana Teresa Vicente, Analogue Video, Analogue Video Art, Ancestral Intelligence, Andrea Khora, Andrea Muendelein, Andrew Curtis, Andy Holden, Andy Lomas, Andy Robinson, Anika Meier, Anise Gallery, Anna Gruetzner Robins, Anna Marazuela Kim, Annka Kultys Art, Annka Kultys Gallery, Annka Kultys Phygital, Antony Hewish, AOTO Electronics, Apophenia, April Lin, Aquaculture, Aquaculture Sciences, Aquatic, Aquatic Art, Aquatic Artwork, Aquatic Observatory, Aqueous Humours, Arabesque, Archaeological Art, Archaeology, Archaeology & Heritage, Archaeology Heritage Art, Archaeology Heritage Art Network, Archaeology-Heritage-Art Research Network, Architectural Association, Architectural Association - School of Architecture, Architecture, Architecture + Video, Architecture and Light, Architecture and Sound, Archive, Archive 81, Archive Live, Arctic Lumina, Arebyte, Arebyte Digital, Arebyte Digital Art, Arebyte Digital Art Centre, Arebyte Gallery, Arebyte Laser, Arebyte London, Arebyte on Screen, Arebyte Skills, Arebyte Studios, Argos Brussels, Ariel Hudes, Armin Linke, Arnaud Gerniers, Ars Electronica, Art, Art & Ecology, Art & Ideas, Art & Technology, Art and Cinema, Art and Science, Art and Science Summit, Art and Technology, Art and Technology BA, Art and Technology Before the Internet, Art Centre, Art Contemporary, Art Ecosystems, Art Exchange, Art Exchange University of Essex, Art Forum, Art Journal, Art Lab, Art Laboratory, Art Laboratory Berlin, Art Link, Art Machine, Art Magazine, Art Meets Science, Art Monthly, Art Moorhouse, Art Moorhouse London, Art Moorhouse Projects, Art of Sound, Art on the Underground, Art PA, Art Platform, Art Research, Art Research Group, Art Review, Art Technologies, Art Video, Art Week, Art x Advanced Technologies, Art x Decentralised Tech, Art x Metaverse, Art-Science, Artangel, Artangel Collection, Artangel Projects, Arte Museum, Arte Museum New York, Arte Museum NY, Arte Museum NYC, Artec House, Artec House DC, Artec House NYC, Artechouse, Artechouse DC, Artechouse NYC, Artemis II, Artificial Life, Artillery Lane, Artist, Artist Moving Image, Artistic Research, Artists and Cinema, Artists Moving Image, Arts & Media, Arts at CERN, Arts Blog, Arts Catalyst, Arts Technologies, Artwork as a Living System, Assembly, Assembly 2024, Assembly Podcast, Assembly Somerset House, Assembly Somerset House 2024, Astrid Korporaal, At Home, ATI Suffix, Atrbute, Audiovisual Space, Auto-Creative Art, Auto-Creative Artwork, Automata, Automated Fantasy, Automated Fantasy Procedure, Avebury Imaginary, Aviva Studios, Awaken Metamagical, Awaken Metamagical Hands, Axis, Axis Magazine, Azabudai Hills, Azabudai Hills Gallery, Azabudai Hills Tower, Bahar Noorizadeh, Barbara Hepworth, Barbara Kruger, Barbara London, Barbican, Barbican Centre, Barbican Centre Immersive, Barbican Immersive, Barbican London, Bargehouse, Barry Hale, Beatrice Zaidenberg, Beautiful City, Beauty of Early Life, Becoming Ocean, Becoming Octopus Meditations, Before and After Cybernetic Serendipity, Before the Internet, Below Stone Nest, Ben Kovach, Ben Mor, Ben Rivers, Ben Vickers, Benedict Singleton, Benjamin Bratton, Berlin Art Link, Berwick Film & Media Arts, Berwick Film & Media Arts Festival, Berwick Film Festival, Bettina Korek, Beyond the Light, BFI, BFI Expanded, BFI Experimenta, BFI LFF Expanded, BFI London Film Festival Expanded, BFMAF, BFMAF Berwick, Bi Xin, Biblioteka, Big Screen, Big Screen Southend, Bilderatlas Mnemosyne, Bill Viola, Bio Art, Bio Art Society, Bio Media, Biocentrism, Biocentrism & Modernism, Biofriction, Biogenesis, Biolab, Biological Evolution, Biomachine, Biome Lumina, Biomedia, Biomorph, Biomorphic, Biomorphic Art, Biomorphism, Biomorphology, Biophilia, Biophilic Art, Biophilic Artwork, Biophilic Sound, Bird, Birding, Birds & Beasts, Birkbeck, Birkbeck College, Birkenstock, BIX Façade, BIX Light and Media Façade, BIX Media Façade, Bjarne Melgaard, Bjork, Black Is, Black Matters, Black Plus X, Black Spiral, Black Spirals, Black Sun, Black Trip, Black TV, Black Zero, Blackout, Blck Sun, Blinc Digital, Blinc Digital Festival, Blue Movement, Bmedia, BMW, Body Is Yours, Body Mind Soul, Bornemisza, Botanic, Box Media Lab, Box Plymouth, Brandon LaBelle, Break Free, Brendan Dawes, Brian Reffin Smith, Brighton Digital, Brighton Digital Festival, Brion Gysin, Bristol, British Film Institute, British Film Institute LFF, British Library, British Library Sound Archive, British Museum, Bronac Ferran, Brooklyn Rail, Bruce Nauman, Burberry, Burlington Contemporary, Butterfly Trail, Button Happening, Cabinet Gallery, Cacophony In Stillness, Candice Breitz, Cansu Pecker, Cansu Waldron, Cao Fei, Carl Michael von Hausswolff, Carnival, Carnival Through the Lens of Ian Watts, Carolee Schneemann, Carolin Lange, Caroline Bergvall, Caroline Busta, Carsten Nicolai, Catch the Light, Caterina Avataneo, Catherine Bird, Catherine Elwes, Catherine Wood, Catherine’s Room, César Chirinos, CCA Glasgow, CCI, CCI x Somerset House, CCI x Somerset House Studios, Cecília Mello, Ceiling Projection, Cellular Automata, Cem, Cem Hasimi, Cement Fields, Center for Land Use Interpretation, Central St Giles, Centre for Research, Centre for Research and Education in Art and Media, Centre for the Study of the Networked Image, Centre Point, Cephalopod, Cephalopod Intelligence, Ceri Hand, CERN, CERN Art and Science, CERN Art and Science Summit, CERN Science Gateway, Chanel, Changing Currents, Changing Future, Channel Somerset House, Chaos Inc, Chaos Theory, Chili Hawes, China Mieville, Chisenhale Gallery, Chris Corner, Chris King, Chris Patten, Chris Whitehead, Christiane Paul, Christiane Riedel, Christopher Kulendran Thomas, Chronus Art, Chronus Art Centre, Chus Martinez, Cinema, Cinesite, Cinesonic, Cinesonics, Cira Art Market, Circa, Circa 2025, Circa 20:24, Circa Art, Circa Arts, Circa Economy, Circa London, Circa Piccadilly, Circa Piccadilly Circus, Circa Pipeline, Circa Prize, Circa Public Art, Circa Public Art Program, Circuits of Art, Circuits of Art & Technology, Civic Projects, Claire Catterall, Clara, Clara Pais, Claudel Goy, Cliff Lauson, Clot Magazine, CM von Hausswolff, Coded, Cold Feed, Coldplay, Coldplay: A Film for the Future, Collectif Scale, Collective Scale, Color Stripe Study, Color Stripe Theory, Computational Art, Computational Thinking, Computer Art, Computer Art Pioneers, Computer Art Society, Computer Arts Society, Computer Museum Leicester, Concepción Huerta, Connie Bakshi, Conscious Subconscious, Constantin Brâncuși, Constructs Colour Code, Consumimur Igni, Contemporary Art, Contested Landscapes, Continuity Flaws, Continuity Flaws: The Loophole, Continuum, Control, Control Magazine, Cornucopia, Cornwall Diary, Coronal Mass Ejection, Coronal Mass Ejections, Cory Arcangel, Cosmotechnic, Cosmotechnics, CP 1919, CP 1919 Pulsar, CP1919, Cream, Creative Art, Creative Arts, Creative Electricity, Creative Technologies, Creative Technologies Fellowship, Creative Technology, Cristina La Porta, Critical AI, Critical Ecologies, Crosslucid, Crossover Labs, Crossrail, Crossrail Art, Crossrail Art Programme, Cryptic, Cryptic Glasgow, Cryptician, CSNI, Cubism, Cubism & Abstract Art, Cultural Institute, Cultural Institute of Radical Contemporary Arts, Culture Machine, Cultus, Cura Magazine, Curates, Curatorial Methodology, Curatorial Studies, Current, Cursive Binary, Cursive Binary: Fragments, Curtain Call, Cyber Cocoon, Cybernetic Serendipity, Cybernetic Serendipity: Towards AI, D'Arcy Wentworth Thompson, Daata, Daata Art, Daata Editions, Daito Manab, Dana Centre, Dana-Fiona Armour, Daniel, Daniel & Clara, Daniel and Clara, Daniel Birnbaum, Daniel Fawcett, Daniel Fawcett & Clara Pais, Daniel Felstead, Daniel Langlois, Daniel Langlois Foundation, Daniel Palmer, Daniel Rubinstein, Dara Birnbaum, Daria Mille, Darien Brito, Dark Mofo, Data, Data / Set / Match, Data Animism, Data Land Art, Data Land Inc, Data You Are, Data You Shall Return, Data-Verse, Dataland, Dataland Art, Dataland Inc, Dataverse, Dave Griffiths, David Bering-Porter, David Blandy, David Cronenberg, David Gates, David Hall, David Kendall, David Walsh, Daytime Viewing, D’strict, DCA Dundee, De Montfort University, De Montfort University Gallery, Dean Street, Deep Time Culture, Deleuzine, Delfina Foundation, Demo Moving Image, Denmark Street, Derek Holtzer, Derek Jarman, Device Control, Diane Kruger, Digital Art, Digital Art Centre, Digital Art House, Digital Art Week, Digital Arts, Digital Arts Blog, Digital Artwork, Digital Creativity, Digital Direction, Digital Festival, Directory of Experimental Landscape Films, Disarm, Disinformation, Disonare, Disonare Magazine, Dogwoof Films, Dominic Boreham, Domo Baal, Domo Baal Gallery, Doreen Rios, Dotcom Séance, Double Acts, Double Vision, Douglas Gordon, Dr Cliff Lauson, Dr Matthew Bowman, Dr Nick Warr, Dream Machine, Dreaming Species, Dreamy Place, Dreamy Place 2024, Dronica, Dronica Festival, Dry Cask, Dry Cask (Peacock), Dry Cask (Silk Cut), Dshed, Dual, Dumb Type, Dundee Contemporary Art, Dust Breeding, DVD, Dystopia, Dystopia Festival, E-werk, E-werk Luckenwalde, E.on, E.on Foundation, Earth Day 2026, Ebony Haynes, Echoes in the Fossils, Echoes of the Sanctuary, Echoes of Tomorrow, Eclipse, Eco Art, Ecological Art, Ecological Artwork, Ecological Futurism, Ecstatic Integration, Ed Juler, Edith Russ Haus, Edith-Russ-Haus für Medienkunst, Education in Art and Media, Edward Enninful, Edward Juler, Efsun Erkılıç, Eigen-Art, El Callao, Elaine Shemilt, Electric Dreams, Electric Dreams: Art and Technology Before the Internet, Electric Op, Electricity, Electro-Kinetic Art, Electroacoustic Music, Electromagnetic Spiral, Electromagnetic Video Art, Electromedia, Electronic Arts Intermix, Electronic Music, Electronic Musician, Eleri Fanshawe, Elisabeth Lalouschek, Elizabeth Howie, Elizabeth Line, Ella Finer, Elms Lesters, Elms Lesters Painting Rooms, Emergence, Emergence Magazine, Emergent Form, Emmanuel Vaughan-Lee, En Plein Air, Enclave Projects, Engineering Patterns, Entangled Others, Entering, Environment, Environmental Artwork, Eon, Eon Foundation, Eric Hu, Erika Balsom, Ernest Edmonds, Errant Bodies, Errant Sound, Es Devlin, Eva Jaeger, Eva Jäger, Evening Standard, Event for a Stage, Evolution, Evolutionary Artwork, Excelsior Ruth, Exchange, Expanded Art, Expanded Cinema, Experiential Art, Experimental Ecosystems, Experimental Film, Experimental Geography, Experimental Landscape Films, Experimental Sound, Experimental Technology, Experimental Technology Fellowship, Experimental Television, Experimental Television Center, Experimental TV, Experimental TV Center, Experimental Video, Experimental Video Art, Experiments in Synthetic Data, Ext. Fire at Fairlight Glen, Eye Film, Eye Film Amsterdam, Eye Magazine, Fabian Aerts, Fabienne Nicholas, Fabrica, Fabrica Brighton, Fabrica Gallery, Fabrica Gallery Brighton, FACT, FACT Liverpool, Fact Mag, Fact Magazine, Factory International, Factory Records, FAE Serpentine, FAE1, FAE2, FAE3, Fairlight Glen, Fantasy Procedure, Farah Nayeri, Farah Nyeri, Farsight, Farsight Collective, Farsight Collective Flitcroft Street, Farsight Collective Flitcroft Street Limited, Farsight Gallery, Farsight London, Feedback, Feileacan McCormick, Felice Moramarco, Fiat Lux, Fieldwork, Filipa Ramos, Film, Film & Arts, Film & Video, Film & Video Umbrella, Film and Video Umbrella, Film for the Future, Film London, Film Material, Film Material Collective, Film Panic, Film Sound, Film Studies, Fine Tuned, Finetuned, Fiona Banner, Fire at Fairlight Glen, Flannels, Flannels London, Flash Art, Flavia Visconte, Flickr, Flitcoft Street, Flitcroft Street, Florian Ortkass, Flow, Fluid, Fluid Dynamics, Fluid Ground, Focal Point, Focal Point Gallery, Focal Point Southend, Folk Art, Folkestone, Folkestone Fringe, Folkestone Triennial, Folkestone Triennial 2025, Fondation Beyerler, For Data You Are, For Data You Are And To Data You Shall Return, Ford, Foreign Body Productions, Forensic Architecture, Forensic Oceanography, Form Grow, Forma, Forma Arts, Forma Arts & Media, Forma HQ, FormGrow, Formulary for a New Urbanism, Forsaken, Fossil, Fossils, Foundation, Foundation Foundation, Foundational Evolution, Four Hands, Four Tet, FPG Sounds, FPG Southend, Fragments, Fragments of a Changing Future, Frameless, Frameless London, Frameless Rembrandt, Frances Carey, Frances Prokofiev, Francesca Bria, Francesca Thyssen-Bornemisza, Francis Alÿs, Frank Bowling, Frederic Fol Leymarie, Free to Choose, Freq Wave, Frequenseer, Frequenseers, Freq_Wave, Frieder Nake, Frieze, Frieze Art Fair, Frieze London, Frieze Magazine, Frieze Week, Frieze Week 2024, Frith Street, Frith Street Gallery, Frith Street Gallery - Moving Image Programme, Frith Street Gallery at Home, From Here To The End, Frozen Music, Fruitmarket Gallery, Furtherfield, Furtherfield Gallery, Furtherfield London, Future Art, Future Art Ecosystems, Future Art Technologies, Future City, Future City Ltd, Future Fossils, Future Pace, Future Rural, Future Rural Collective, Futurecity, Futurecity Ltd, Fvckrender, FVU, Gabriel Massan, Gabriel Prokofiev, Gabriela Spangenthal, Gaia Fugazza, Gallerie Thaddeus Ropac, Gallery, Gareth Evans, Gary Hill, Gathering, Gazell.io, Gazell.io Project Space, Gazelli, Gazelli Art, Gazelli Art Gallery, Gazelli Art House, Gazelli Art House Window Project, Günseli Yalcinkaya, Gen/Gen, Gen:Gen, Generative AI, Generative Art, Generative Art 2024, Generative Art Video, Generative Artwork, Generative Artworks, Generative Computer Art, Generative Generations, Generative Video, Generative Video Art, Generative Video Artwork, Genesis, Genetic Moo, Geo-Materiality, Geoffrey Grigson, Geological Society, Geological Unconscious, Geology, Georg Nees, George Keatos, GHD, Ghosts, Ghosts in the Garden, Giant, Giant Art Gallery, Giant Bournemouth, Giant Gallery, Gilles Ivain, Giulia Civardi, Glass Eye, Glass House, Glasseye, Glitch, Glitch Art, Glitch Artwork, Global Groove, Gmunk, Go Go Penguin, GoGo Penguin, Golan Levin, Goldsmiths CCA, Goldsmiths Press, Google, Gordon Pask, Gossamer Fog, Grace Weir, Graeme Miller, Graham Bate, Graham High, Grandine, Green Letters, Greenpeace, Greenpeace International, Greenpeace UK, Gretchen Bender, Gustav Metzger, Guy Debord, Guy Pearce, H&M, Habib William Kherbek, Hajime Sorayama, Halina Rice, Hana Noorali, Hanna Tuulikki, Hannah Nijsten, Hannes Koch, Hans Arp, Hans Erni, Hans Ulrich Obrist, Harold Cohen, Harold Craft, Harold D. Craft Jr, Haroon Mirza, Haunted Ecologies, Haunted Ecology, Haunting, Hauntological Transmission, Hauntologies, Hauntology, Hauser & Wirth, Hayward Gallery, Hearing, Heaven’s Gate, Helen Knowles, Henry Moore, Herbert Read, Here at Outernet, Heritage, Hernando Chindoy Chindoy, Heute Will Ich Frei Sein, Hidden Shadows, High Files, Highway, Hilma af Klint, Hinterland, Hito Steyerl, Holly Herndon, Holoclouds, Holy Land, Homage To Quan Âm, Hot Salvation, How to Speak Machine, How to Speak Machine: Computational Thinking, How Video Transformed the World, Howard Caygill, Hugo Berger, Human Cell Atlas, Hydrodynamic, Hydrodynamics, Hydrologic Gaze, Hydrological Gaze, Hydrology, Hydropoetic, Hydropoetics, Hypha HQ, Hypha Studios, I See Letters, I See Letters in the Sky, I See Myself, Ian Curtis, Ian Watts, IBM, If AI Were Cephalopod, Ignota, Ignota Books, Ignota Gathering, Ignota Gathering: The Spiral, Ikeda, Ikon Gallery, Image Atlas, Image Atlas of Remembrance, Image Lab, Image Laboratory, Image Music Text, Images in the Age of Heat, IMCC, Immersive, Immersive Art, Immersive Arts, Immersive Arts UK, Immersive Artwork, Immersive Audio, Immersive Experience, Immersive Light Art, Immersive Light Installation, Immersive Sound, Immersive Sound Installation, Immersive Technology, Immersive Video Art, Immortal Jellyfish, Impressions Gallery, IMT Gallery, Imus Nocte, In Girum, In Girum Imus Nocte, In Girum Imus Nocte et Consumimur Igni, In the Studio, In the Studio with Daniel & Clara, In-Ruins, Inês Costa, Industrial Coast, Infinite Bodies, Infinite Images, Infinite Space, InfraMunk, Ingram Collection, Insanely Alive, Institute, Institute Art Gender Nature, Institute of Contemporary Arts, Int. Landscapes, Intangible Forms, Interact Digital Arts, International Lawns, International Surrealist Exhibition, Into the Mind of AI, Invible Dust, Invisible Dust, Iris Light, Iris Xiaoyu Qu, Isaac Julien, ISAST, Iteration, Ivan Chtcheglov, Ivan Vladimirovitch Chtcheglov, J.G. Ballard, Jack Dartford, Jack Jelfs, Jake Elwes, Jakob Kudsk Steensen, James Cohan, James Cohan Gallery, James Lingwood, James Ravinet, James Turrell, James Whitney, Jamie Sutcliffe, Jana Winderen, Jane Hamlyn, Janine Sarbu, Jasia Reichardt, Jason Groves, Jean Hélion, Jeff Noon, Jennifer Higgie, Jennifer Steinkamp, Jeremy Deller, Jeremy Fassio, Jess Twyman, Jesse Woolston, Jessica Feather, JG Ballard, Jim Moir, Jo Baring, Jo Hyde, Joan Jonas, Joan Miró, Jocelyn Bell Burnell, Joe Banks, Joe Frankland, Joe Gerhardt, Joel McKim, Joelle Snaith, Joey Holder, John Akomfrah, John Berger, John Constable, John Craxton, John Hansard Gallery, John L. Walters, John Maeda, John Piper, John S. Cohen Foundation, John Whitney, John Woodman, Jonas Mekas, Josef O'Connor, Joseph Hyde, Joseph Moore, Josh Jen, Joshua Davis, Joshua Woolford, Journal of Curatorial Studies, Joy Division, Joy Division Archive, Juanita Onzaga, Julia Stoschek, Julia Stoschek Collection, Julia Stoschek Foundation, Julian Weaver, Julie F. Hill, Julie Hill, Julius Horsthuis, Jump Cuts, Junko Theresa Mikuriya, Justin Sutcliffe, K Allado-McDowell, Kamau Brathwaite, Karel Doing, Karl England, Karsh, Karst Gallery, Karst Plymouth, Kate Briggs, Kate Winslet, Kate Woodward, Katie Peyton Hofstadter, Kay Watson, Kei Kreutler, Kembra Pfahler, Kerry Strand, Kettle's Yard, Kevin Gauld, Kiasma, Kiasma Helsinki, Kill Your TV, Kim Knowles, Kim Sloan, Kinetic Art, Kinetic Artwork, Kinetic Landscape Art, Kinetic Light Artwork, Kinetic Painting, Kinetic Paintings, Kira Xonorika, Knowing Machines, Kornhausforum Bern, Krista Kim, Kunsthaus Graz, Kunstmuseum Appenzell, Kunststrom, Kyle Lapidus, Kythera, Kythera Gallery, Laboratory of Images, Lafayette Anticipations, Lance Putnam, Landscape, Landscape and Moving Image, Landscape and the Moving Image, Landscape Art, Landscape Film, Landscape Films, Landscape Imaginary, Landscape is You, Landscape Is You & Me, Landscape Video, Landscapes, Landscapes of the Mind, Language, Language [as] Meta-Technology, Language [as] Metatechnology, Lara Goodband, Lara Thompson, Larry Achiampong, Las Vegas, Last Days, Latent Space, Laura Leuzzi, Laura Marks, Laure Genillard, Laure Genillard Gallery, Laure Prouvost, Laurie Anderson, Lawrence Abu Hamdan, Lawrence Lek, LCB Depot, Le Collectif Scale, Leaky Transmissions, Lee Ranaldo, Legrand Jäger, Leicester Computer Art Pioneers, Leicester Gallery, Leicester Phoenix, Leicester School of Art, Leicester Technical College, Leonardo, Leonardo Music Journal, Leonor Fini, Les Walkling, Let There be Language, Let there be Light, Letters, Letters in the Sky, LFF, LFF Expanded, Lia Something, Libby Heaney, Licia He, Life-Like Behavior, Lifeworld, Light, Light Art, Light Artwork, Light Breeze, Light Installation, Light Observer, Light Wall, Light | Sensitive | Material, Lightbox Gallery, Lightbox Woking, Lightroom, Lightroom King’s Cross, Lightroom KX, Lightroom UK, Lijnbaan Center, Lilly Marks, Lilly Markaki, LIMA, Liminal Lands, Linda Ward, Liquid Architecture, Liquid Modern, Liquid Modernity, Lis Rhodes, Lisson Gallery, Listen, Little Tokyo, Live / Archive, Live Coding, Live Nation, Liverpool Biennial, Living Organism, Living System, Liz Pelly, Liz Watkins, Lizzie Carey-Thomas, London Barbican, London Centre Point, London Creative Advertising Competition, London Film Festival, London Film Festival Expanded, London Handel Festival, London International, London International Surrealist Exhibition, London Newcastle, London Tunnel, London Tunnels, London Underground, London Video Arts, LondonNewcastle, Looking/Seeing, Looking/Seeing: On Daniel & Clara, Loren Bednar, Lost Estate, Lost in Light, Lost In Light Art, Lost Souls, Lost Souls of Saturn, Louise K Wilson, Lovid, Lower Third, Luba Elliott, Lucia Pietroiusti, Luckenwalde, Lucy Mensah, Lucy Reynolds, Lula Criado, Luma Arles, Lumen, Lumen Art Projects, Lumen Studios, Lux, Lux Distribution, Lux Moving Image, Lux Online, Lux Scotland, Luxonline, Lynton Talbot, MA Art & Ecology, Machine Art, Machine as Art, Machine as Artist, Maggie Roberts, Maggie West, Magnetic, Magnetic Field, Magnetic Mystic, Magnetic Mystics, Mail Art, Maitreyi Maheshwari, Mandelbrot Set, Manifesto Circa 20:24, Manual of Action, Maotik, María Palacios Cruz, Marble Arch, Marc Quinn, Marco Brambilla, Marcus Coates, Marek Wolynski, Margaret Boden, Marguerite Humeau, Maria Than, Maria Thuy Hien Than, Marianna Simnett, Marie McPartlin, Mariia Timoshenko, Marina Abramović, Marine Ecology, Maritime Ecology, Mark Blacklock, Mark Davy, Mark Leckey, Mark Pilkington, Mark Webber, Markus Reymann, Marshall McLuhan, Marta Ferreira De Sá, Martin Creed, Martin Gayford, Martin Katz, Martin Pošta, Martine Syms, Maschine, Mat Dryhurst, Math Art, Mathieu Le Sourd, Matt Flix, Matt Flix Archive, Matt Nordstrom, Matt’s Gallery, MattFlix, MattFlix Archive, Matthew Bowman, Matthew Harle, Max Cooper, Mónica Nepote, McGloughlin Brothers, ME by Melia, ME London, Meandering, Meaning of Landscape, Meanings of Landscape, Media Archaeology, Media Art, Media Lab Gallery, Media Sandbox, Media with Life-Like Behavior, Medienkunst, Medium, Medium Hot, Medium Hot - Images in the Age of Heat, Medium is the Message, Melanie Lenz, Melanie Wilson, Melissa Gronlund, Melissa Wiederrecht, Memo Akten, Mensch, Mensch Maschine: Return to Earth, Mensch-Maschine, Mental Space, Mer, Meritxell Rosell, Mersea Island, Merve Yücel, Message, Meta Filter, Meta-Haus, Meta-Haus Paris, Meta-Magic of Math, Meta-Magic of Mathematics, Meta-Magic of Maths, Meta-Technology, Metahaus, Metahaus Paris, Metamagic, Metamagic of Math, Metamagic of Mathematics, Metamagic of Maths, Metamagical, Metamagical Hands, Metatechnology, Methieu Le Sourd, Mfanwy Evans, Mfanwy Piper, MIA Journal, MIA Journal 2, Michael Mazière, Michael Morris, Michaela Kinghorn, Michèle Lamy, Micheal Maziere, Michelle Henning, Michelle Kuo, Mick Jones RRPL, Microworld, Mika Rottenberg, Mike Kelley, Mike Knight, Mike Nelson, Mila Askarova, Milagro, Millennium Centre, Milton Keynes Gallery, MIMA Middlesborough, Mind of a Fish, Mind of AI, Mind’s Eye, Mindshare, Mineral Art, Mineral Imaginary, Ming Wong, Minimal Rituals, MIRAJ, Miraj - Cream, MIRAJ 12.2, Miraj Journal, MIRGe Bristol, Misinformation, MIT Press, Mix Tate, Mixed Metaphors, Mixtate, MKG, Mnemosyne, Moco Museum, Mocoverse, Modern Art Oxford, Modernism, Moma, MoMA New York, MONA, Mona Foma, Mona Hatoum, Mona Tasmania, Monash University Museum of Art, Monica Bello, Monica Rizzolli, Monolith, MonteVideo, Moon is the Oldest TV, Moonwalkers, Morphogenesis, Morphology, Motus in Lucem, Movement Radio, Moving Image, Moving Image Art, Moving Image Artist, Moving Image Artists, Moving Image Artists Journal, Moving Image Network, Moving Image Programme, Moving Image Research, Moving Image Research Group, Moving Image Review, Moving Image Review & Art Journal, Moving Image Review and Art Journal, MSCTY, MSCTY.SPACE, MSG Sphere, Muhil Venkatesh, MUMA Melbourne, Murcof, Museo Reina Sofia, Museum & Art Gallery, Museum Is Not Obsolete, Museum of Everything, Museum of Modern Art, Museum of Old & New Art, Music of the Mind, Musicity, Mutator, Mutator VR, Mute Magazine, My Beautiful City, My Trip 2023, Mystic, Mystics, Nahmad Contemporary, Nalada Taechanarong, Nam June Paik, Nanzuka, NASA experience, Natalia Grabowska, Natasha Ginwala, National Grid, Natural Environment, Natural World, Naturalist, Naturalist Letters, Nature, Nature's Confetti, NBC Universal, Negative Entropy, Negative Feedback, Neom, Neon Sign, Nerve Centre Belfast, Nerve Centre Derry, Nerve Centre Londonderry, Netflix, Networked Image, Neural Patterns, New Burlington Galleries, New Generations, New Media, New Media Art Club, New Oxford Street, New Red Order, New Urbanism, New Verse, New World Aura, New York, Niall Monro, Nick Luscombe, Nick Thurston, Nick Warr, Nicky Hamlyn, Nicola Serra, Nicola Triscott, Nicolò Becciu, Nicoletta Fiorucci, Niharika Dinkar, Nike, Nimrod Vardi, Nine Brains, No Bounds Festival, Noémie Goudal, Non-Classical, Nonclassical, Nontak, Norbert Weiner, Norman Rosenthal, Norwich Castle, Norwich Castle Art Gallery, Norwich Castle Museum, Norwich Castle Museum & Art Gallery, Not Obsolete, Notes From A Journey, Nottingham Contemporary, Now Arcade, Now Building, Now Pop, Now Pop 2, Now Pop-Up, Now Pop-Up 2, Now Trending, Now Trending Building, Now. Gather. Change., NTT ICC Gallery, NTT ICC Tokyo, Object To Be Destroyed, Observatory, Ocean, Ocean Action, Ocean Ecology, Ocean Imagination, Ocean Literacy, Ocean Literacy Portal, Ocean Space, Oceanic Art, Oceanic Artwork, Oceanic Gaze, Oceanic Thinking, Oceanic Vision, Oceanic Visions, Oceanography, Oceans, Oceans in Transformation, October Gallery, October Gallery London, Octopus Meditations, Odyssey, Ohad Zehavi, OHSH, OHSH Projects, Olafur Eliasson, Oliver A.I. Botar, Olivier Assayas, On Growth & Form, On The Island, On The Other Earth, On The Way, Onassis Foundation, Onassis Stegi, Onformative, Op Art, Open Fund, Optical Art, Optical Unconscious, Optics, Optokinetic, Optokinetic Art, Optokinetic Arts, Optokinetics, Optronica, Organism, Organismo, Origin of Painting, Orms, Orms Architects, Orms Designers, Orms Designers and Architects, Orphan Drift, Other Earth, Other Minds, Oto Projects, Outernet, Outernet Arts, Outernet Global, Outernet Live, Outernet London, Outernet Revolut, Outernet Studio, Outlands, Outlands Network, Overheard, Overheard Underground, Oxford Street, Oxo Tower, Oxo Tower Wharf, Pablo Picasso, Pace, Pace Gallery, Pace London, Pace Verso, Palais de Tokyo, Palgrave, Pallant House, Pallant House Gallery, Panadol, Paper Tiger Television, Paper Tiger TV, Pareidolia, Passengers, Passengers Offsite, Patricia Domínguez, Patterns of the Organism, Patterns Symposium, Paul Carey-Kent, Paul Frosh, Paul Nash, Paul Proctor, Paul Stolper, Pauline Julier, Péter Bergmann, Peacock, Peltz Gallery, Penumbra, Perception Research, Performing Rights Society, Pervasive Media, Pervasive Media Studio, Peter Bennett, Peter Buse, Peter Campus, Peter Donebauer, Peter Godfrey-Smith, Peter Pelgrin, Peter Saville, Peter Todd, Peter Treherne, Peter Weibel, Petra Cortright, Petroc Sesti, Peugeot, Phenomena, Philipp Ziegler, Philippa Adams, Phoenix Leicester, Photographer’s Gallery, Photographers Gallery London, Photomontage, Photosytem II, Phygital, Physical Structure of the Brain, Piccadilly, Piccadilly Circus, Piccadilly Lights, Pierre Pernuit, Pipilotti Rist, Pita Arreola, Piter Pasma, Pixel Artworks, Pixel Element, Pixel Elements, Places of the Mind, Platform for Arts, Plein Air, POE Consulting, Poetics, Poetics of Water, Poetry of Data, Pollocks, Pools, Pop 2, Pop Art, Porsche, Portapak, Positive Feedback, Post-Photographic, Post-Photography, Prada, Prada Paradoxe, Prada Paradoxe Fragrance, Praystation, Prequell, Primavera De Filippi, Prisoner of the Coral Deep, Process Somerset House, Profound Sound, Project Space, Prospecting Ocean, Prospero Pictures, PRS Foundation, PRSF, PSR B1919+21 Pulsar, Psychogeographer, Psychogeography, Public Art, Public Art Platform, Public Art Program, Public Arts, Public Artwork, Pulsar, Qu Junktions, Quan Âm, Quayola, Rachel O'Dwyer, Rachel Rose, Radiante, Radiante Lab, Radical Contemporary, Radical Contemporary Arts, Radical Landscape, Radical Landscapes, Radical Landscapes: Soundscape, Radio Arts Catalyst, Radio Benjamin, Radio Reverb, Rami Khalifé, Ramita Navai, RAMM, RAMM Exeter, Random International, Random International Studio, Rankin, Ranu Mukherjee, Rapture, Raster Media, Raster Noton, Raven Row, Raven Row Gallery, Ravi Deepres, Rayban, RCA, RCA London, Re-Exhibit, Re.Memory, Re:Voir, Re:Voir Films, Rebeca Romero, Rebecca Allen, Rebecca Birch, Rebecca Edwards, Rebecca Goddard, Rebel Moon, Rebel Moon Orb, Reference Point, Reference Studios, Reference Studios x Selfridges, Refik Anadol, Refik Anadol Studio, Relay, Rembrandt, Rencontres Internationales, Rencontres Internationales Berlin, Rencontres Internationales Paris, Renzo Piano, Research & Development, Research Network, Resonance FM, Retina of the Mind, Retina of the Mind’s Eye, Retro Computer, Retro Computer Museum, Retro Computer Museum Leicester, Return to Earth, Reverb Worship, Revisiting, Revolut, Revolutionaries, Rewind, Rewind Artists Video, Rewind Media Preservation Lab, Rewind Video, Rewire, Rewire 2024, Rewire Festival, Re_Exhibit, Rhea Myers, Ricardo Sierra, Richard Ashrowan, Richard Jefferies, Ridley Scott Creative Group, Ro McVeigh, Rob Bowman, Robbie Barrat, Robert Devcic, Robert Norton, Robert Smithson, Roberts Institute of Art, Robin Klassnik, Rock Art, Rock n' Roll Public Library, Rock The Outernet, Roger Caillois, Roland Lane, Rorschach Audio, Rosalind Krauss, Rosy Gray, Royal Albert Memorial Museum, Royal Albert Memorial Museum and Art Gallery, Royal College of Art, Royal Society of Sculptors, Rozi Rexhepi, RRPL, RRPL Magazine, Rudolf Frieling, Ruini Shi, Ruins and Resilience, Rupert Newman, Rural College of Art, Ruth Garde, Ruth Jarman, Ruth Waters, Ryoji, Ryoji Ikeda, S+T+Arts, Sabeen Chaudhry, Sabine Himmelsbach, Sadie Coles HQ, Safe Distance, Safe Zone, Said Ben Said, Sainsbury Centre, Sainsbury Centre for Visual Arts, Saltburn Artists Projects, Salvador Dali, Sam Nightingale, Sam Smiles, Samia Halaby, Santiago Torres, Saoirse Ronan, Sarah Donderer, Sarah Shin, Sasha Stiles, Saturation Point, Sónar 2025, Sónar Barcelona, Sónar by Day, SB16, SBS International, Scale, Scale Collective, Scanimate, Scene 13, Scene 13 - The Crow, Schemata Arts, Schering Stiftung, Schirn Kunsthalle, School of Architecture, School Of Experimental Geography, Science Gateway, Science Museum, Scratch Video, Sculpture in the City, Sea, Sea Lovers, Sea Snake, Sea Soil, Sea Soil or Stone, Sea Soil Stone, Sean Clark, Sean Cubitt, Sean Vicary, Seascape, Sebastiano Vitale, Sebastiano Vitale x High Files, Sebastián Mira, Seed, Seed 130, Seed130, Seeing Sound, Seisma, Seisma Magazine, Seismic, Seismic - Art Meets Science, Seismic Exhibition, Selected Nonfiction, Selfridges, Semiconductor, Semiconductor Films, Semiotics, Senate House, Senscapes, Serena Korda, Serpentine, Serpentine Art, Serpentine Art Gallery, Serpentine Art Technologies, Serpentine Arts, Serpentine Arts Technologies, Serpentine Civic, Serpentine Civic Projects, Serpentine Current, Serpentine Currents, Serpentine Galleries, Serpentine Gallery, Serpentine Gallery AI Lab, Serpentine Gallery London, Serpentine London, Serpentine North, Serpentine South, Serpentine South Gallery, SET Kensington, Seth Troxler, Seven Seas, Sha Li, Shape of a Circle, Sharjah Art, Sharjah Art Biennial, Sharjah Biennial, Sharjah Biennial 16, Shezad Dawood, Shifting Landscapes, Shiro Fujioka, Shohei Fujimoto, Short Films, Shroud, Shrouds, Siggraph, Signal Festival, Signal Playground, Signal Space, Signal Space CZ, Signal Space Prague, Signals, Signals: How Video Transformed the World, Signe Pierce, Signes, Silent Writing, Silent Writings, Silk Cut, Silvija Daniunaite, Simar, Simar Films, Simon Denny, Simulated Growth, Sinead McCarthy, Site Gallery, Sluice HQ, Sluice Magazine, SODA Gallery, Sofia Crespo, Sofia Malemina, Soft Ground, Soft Life, Soho House, Soho House Magazine, Soho Radio, Soil Stone, Solar, Solar / Relay, Somerset House, Somerset House 2024, Somerset House 2026, Somerset House Assembly, Somerset House Chanel, Somerset House Channel, Somerset House Creative Technologies Fellowship, Somerset House Podcast, Somerset House Process, Somerset House Studies, Somerset House Studios, Somerset House Studios Assembly, Somerset House Studios Experimental Technology Fellowship, Sonar, Sonar Festival, Sondra Perry, Sonia Levy, Sonic Commons, Sonica, Sonica 2023, Sonica Glasgow, Sony, Sony Portapak, Sonya Robinson, Sook-Kyung Lee, Sophia Olver, Sophie Forbat, Sophie Netchaef, Sougwen Chung, Soul Expanding Ocean, Sound, Sound & Music, Sound and Image, Sound Archive, Sound Artist, Sound Mirrors, Sounds from the Ground, Soundscape, Source, South By Southwest, South London Gallery, Southbank Centre, Southend, Space, Spaces In-Between, Spaghetti Blockchain, Spalter Collection, Speak Machine, Spectral Cinema, Spectral Cinema & Contested Landscapes, Spellbound, Sphere, Sphere Stratford, Spike Art, Spike Art Magazine, Spiral, Spiral Jetty, Spirals, Sprüth Magers, Squares Cubed, Squid, Squid Soup, Squidie, St Giles Circus, St James’s Church, St James’s Church Piccadilly, St. Giles, St. Ives, Stan Vanderbeek, Standard Definition, Stanley Picker, Stanley Picker Fellow, Stanley Picker Fellowship, Stanley Picker Gallery, Stefanie Hessler, Steina & Woody Vasulka, Steina and Woody Vasulka, Steina Vasulka, Stephen Bell, Stephen Morris, Stephen Partridge, Stephen Scrivener, Stephen Todd, Stephen Turner, Stephen Vitiello, Stephen Willats, Sternberg Press, Steve Etches, Steve McQueen, Steven Pinker, Stiftung Niedersachsen, Stiftung Niedersachsen für Medienkunst, Stone, Stone Circle Sampler, Stone Consciousness, Stone Nest, Stonecirclesampler, Stones, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Stratford, Stroud Cornock, Struan Gray, Structure of the Brain, Stuart Comer, Stuart Semple, Stuart Wood, Studies in Motion, Studio Diary Series, Studio Wayne McGregor, Summer Palace, Summer Screen, Super Radiance, Superblue, Supernormal Festival, Superradiance, Surrealism, Surrealist, Surrealist Exhibition, Surrender, Surrender: Ways of Hearing, Surrender: Ways of Hearing John Berger, Susan Eyre, Susan Hiller, Susan Owens, Susan Philipsz, Susanna Collinson, Susanna Davies-Crook, Susanna Greeves, Suzanne Anker, Suzanne Treister, Swedenborg House, Sweeping Sun Black, Sweeping Sun White, Sylvia Grace Borda, Synthetic Data, Tacita Dean, Taco, TACO Thamesmead, Taco VHS/DTV, Tag Heuer, Takami Nakamoto, Talbot Rice, Talbot Rice Gallery, Tali Hinkis, Tamar Clarke-Brown, Tambellini Archive, Tamiko Thiel, Tamsin Hong, Taphonomy, Tarotgpt.xyz, Tate, Tate Britain, Tate Etc, Tate Gallery, Tate Modern, Tate Research, Tate St. Ives, Tate Tanks, TBA, TBA 21, TBA 21 Academy, TBA 21 Collection, TBA 21 Current, TBA 21 Ocean Space, TBA 21 Organismo, TBA21, TBA21 Collection, TBA21 Current, TBA21 Ocean Space, TBA21 Organismo, TBA21–Academy, Team Lab, Team Lab Phenomena, Team Lab Phenomena Abu Dhabi, TeamLab, TeamLab Phenomena, TeamLab Phenomena Abu Dhabi, Techno Fossil, Technology, Telematic, Telematic Gallery, Television, Television Art, Television Artwork, Television Screen, Temporal School Of Experimental Geography, Ten Ent Net, Tenentnet, Tentacle, Terra, Terramorph, Terramorphosis, Terramorphosis I, Terramorphosis II, Terrestrial University, Territorial Agency, Tezos Foundation, TFL, Thaddeus Ropac, Thamesmead Arts and Culture Office, The Act of Creation, The Age of Heat, The Age of Media, The Age of Media with Life-Like Behavior, The Analysis of Beauty, The Aquatic Observatory, The Art PA, The Art PA: In the Studio with Daniel & Clara, The Artangel Collection, The Auxillary, The Beauty of Early Life, The Body, The Body Is Yours, The Body The Mind The Soul, The Box, The Box Plymouth, The Butterfly Trail, The Call, The Crow, The Cryptician, The Current, The Etches Collection, The Factory, The Farsight Collective, The Farsight Gallery, The Foundation, The Foundation Foundation, The Future Rural Collective, The Garden, The Holy Land, The Island, The Kitchen, The Kythera Gallery, The Light Observer, The Lightbox, The Lightroom, The Loophole, The Lost Estate, The Manual of Action, The Medium is the Message, The Mind, The Mind of a Fish, The Mind of AI, The Moonwalkers, The Naturalist, The Naturalist Letters, The Now Building, The Ocean, The October Gallery, The Open Fund, The Origin of Painting, The Other Earth, The Photographers Gallery, The Piazza, The Poetics of Water, The Quietus, The Rapture, The Revolutionaries, The Scale Collective, The Sea, The Shape of a Circle, The Shape of a Circle in the Mind of a Fish, The Showroom, The Shroud, The Shrouds, The Slade, The Snail, The Snail by Kerry Strand, The Soul, The Soul Expanding Ocean, The Sphere, The Sphere at the Venetian Resort, The Spiral, The Stone Nest, The Temple, The V01d, The Vanity Press, The Vasulkas, The Vinyl Factory, The Void, The Warburg, The Warburg Institute, The Watcher and the Bird, The Wire, Theatrum Mundi, Theatrum Mundi Collective, Theresa Mikuriya, Thinking Machine, Thinking Photography, This Museum Is (Not) Obsolete, Thomas Pausz, Threaded Frequencies, Three Transitions, Thyssen, Thyssen Bornemisza, Thyssen Bornemisza Art, Thyssen-Bornemisza Art Contemporary, Tidal Ecology, Tidalectic, Tidalectic Art, Tidalectic Curating, Tidalectics, Tim Daly, Tim Dixon, Tim Smit, Time Based Arts, Time Capsules, Time Travel, Time’s Arrow, Times Square, Times Square Arts, Tin Pan Alley, Tina Gallery, Tina London, To Data You Shall Return, Toby Tatum, Today Art Museum, Tom Hanks, Tom McCarthy, Tomas Dvorak, Tomorrow Now, Tonje Sorenson, Tony Cokes, Tony Oursler, Tony Tremlett, Tottenham Court Road, Tottenham Court Road Tube Station, Tottenham Court Road Underground Station, Touch Music, Towards AI, Towner Eastbourne, TPG London, TPG Names, Traces of Early Life, Tracey Ain't Coming Out, Tramway, Tramway Glasgow, Transference TV, Transitions, Transmedia, Transport for London, Trending, Trending Building, Tribes, Turner Contemporary, TV, TV Art, TV Artwork, TV Interruption, Twilight in the Garden, Twin Vision, Tyler Hobbs, Tyva Kyzy, Ubicua Gallery, UCL Illuminated, UK VHS, Ulrich Schrauth, Ultraviolet, Uncontained, Undead Matter, Underground, Underground Overheard, Undershed, Undershed Bristol, Understanding Media, Unit, Unit Gallery, Unit London, Unit London Digital, Unit London Gallery, University of East Anglia, University of Westminster, Unknown, Unknown & Uncontained, Unknown Pleasures, Unreal Engine, Unsound Dada, UnSpooling, Unthinking Photography, Untitled Ceiling, Untitled Ceiling Projection, Ursula Bieman, Utamo, Uzumaki, V&A, V&A London, V&A Museum, V-Tape, Val Ravaglia, Valentina Ravaglia, Vanessa Wagner, Vanity Press, Vasari, Vasari Research, Vasari Research Centre, Vasari Research Centre for Art and Technology, Vašulka Kitchen, Vašulka Kitchen Brno, Venetian Resort, Verisart, Verity Adriana, Verse, Verso, Verso Books, Verso Publishing, Vestalia Chilton, VHS, VHS PAL, VHS/DTV, VHS/DTV/DVD, Vi Trinh, Vibeke Mascini, Vic Reeves, Vica Pacheco, Victor dos Reis, Victoria & Albert Museum, Victoria Fard, Victoria Ivanova, Victoria Matthews, Victoria Miro, Victoria Miro Gallery, Viddy Horror Show, Viddy Horrorshow, Video, Video + Architecture, Video Art, Video Artwork, Video as Public Art, Video Circuits, Video Club, Video Feedback, Video Installation, Video Killed the Radiostar, Video Montage, Video Organism, Video Show, Video Transformed, Video Transformed the World, Video Umbrella, Video Wall, Videoclub, Videodrome, Videotape, Vidicon Inscriptions, Vidicon Tube, Vik Vukovic, Viktor Wynd, Viktor Wynd Fine Art, Vincent Cassel, Vinyl Factory, Visible Press, Vision Research, Visual Arts, Visual Music, Visual Music Film, Visual Research, Visual Research Centre, Visual Studies, Vitamin V, Vitamin V: Video, Vitamin V: Video and the Moving Image, Vitamin V: Video and the Moving Image in Contemporary Art, Vitrine Digital, Vitrine Fitzrovia, Vitrine Gallery, Vivid Projects, Void, Vollut, Volta, Volta Artists Moving Image, Volta Eastbourne, Von Archives, Vortic, Vortic Curated, VRHAM Hamburg, Vrinda Seksaria, VTape, W1, W1 Curates, W1 Curates Gallery, W1 Curates Studios, W1 Curates x Nanzuka, W1 Events, W1 Immersive, W1 Studios, Wales Millennium Centre, Walter Benjamin, Waltham Forest, Warburg, Warburg Institute, Warburg Renaissance, Watcher, Watcher and the Bird, Water, Watershed, Watershed Bristol, Watershed Media, Watershed Media Centre, Wavelength, Wayne McGregor, We Present, Wellcome, Wellcome Collection, WePresent, Westminster University, Wet Matter, Wet Matters, Whale Fall, When I Look At You, When I Look at You I See Myself, White Box, White Box Blackheath, White Box Gallery, White Cube, White Cube Bermondsey, White Cube Gallery, Whitechapel Gallery, Wiliam Succumbs, William Fowler, William Kherbek, William Latham, William Morris, William Morris Gallery, Window Project, Winter in London, Winter In Motion, Wolfgang Tillmans, Woody and Steina Vasulka, Woody Vasulka, Workplace, Workplace Gallery, World of Light, Worlds of Light, Wounds & Repair, Writing, Writing of Stones, Wulf Herzogenrath, Wysing Arts, Wysing Arts Centre, Wysing Cambridge, Xin Liu, Xu Haomin, Xumiiro, Yael Bartana, Yannick Hofmann, Yaz, Yaz Publication, Yaz Publications, Yesomi Umolu, Yoko Ono, Zach Blas, Zachary Lieberman, Zentrum für Kunst und Medien, Zeynep Öz, Zigmunt Bauman, Ziyi Zhang, ZKM, ZKM Karlsruhe, ZKM: Zentrum für Kunst und Medien
“Ammonite” video/s – feature in Clot Magazine
“The television screen is the retina of the mind’s eye… the television screen is part of the physical structure of the brain…” – David Cronenberg, Videodrome, 1983
This article was originally published in the (Moving Image Artists) MIA Journal, issue 2, in April 2020, and has now been re-published by Clot Magazine, in substantially up-dated form, to take in significant new material.
This article [see link] copyright © Joe Banks – September 2019 + June 2023
Feature in Clot Magazine – https://tinyurl.com/y2t8czmk
“Ammonite” by Disinformation has been exhibited at Pop 2, Outernet Arts (London) May to July 2023, Light Sensitive Material [conference] (London) November 2019, White Box Gallery (London) July 2019, Passengers Offsite (Sluice HQ, London) November 2018, the Dronica Festival (London) April 2018, Blinc Digital Festival (Conwy) October 2012, and at Viktor Wynd Fine Art (London) January 2010.
Thanks to Domo Baal, Nicolò Becciu, Lula Criado, Andrew Curtis, Karl England, Daniel Fawcett, David Gates, Kevin Gauld, Barry Hale, Michelle Henning, Graham High, Julie Hill, Junko Theresa Mikuriya, Clara Pais, Chris Patten, Mark Pilkington, Frances Prokofiev, Meritxell Rosell, Nicola Serra, Tony Tremlett and Ruth Waters.
Thanks also to Eye Magazine for recommending the exhibit at Outernet Arts.
From → Uncategorized
