The Disinformation video installations “Spellbound” [aka “An Allegorical Portrait of J. Robert Oppenheimer”] (2001) and “Ammonite” (2009) featured in the “Light | Sensitive | Material” conference at the University of West London, 1st to 2nd November 2019. Both works were exhibited on rotation throughout the conference – “Spellbound” as part of an artists’ showreel, featuring work by Verity Adriana, Disinformation, Sylvia Grace Borda, Tim Daly, Karel Doing, Rebecca Goddard, David Kendall, Vrinda Seksaria, Carolin Lange, Joseph Moore, Andrea Muendelein, Sam Nightingale, Paul Proctor, Sonya Robinson and Ana Teresa Vicente; while the “Ammonite” exhibit played-out “solo” – as a self-contained, split-screen installation, displayed across two broadcast monitors. Special thanks to Michelle Henning and Theresa Mikuriya for programming the artworks.
The conference also included papers by Abelardo Gil-Fournier, Daniel Rubinstein, Elizabeth Howie, Howard Caygill, Joel McKim, Kim Knowles, Lara Thompson, Laura Marks, Liz Watkins, Lucy Mensah, Michelle Henning, Niharika Dinkar, Ohad Zehavi, Paul Frosh, Peter Bennett, Peter Buse, Pierre Pernuit, Stephen Turner, Susanna Collinson, Theresa Mikuriya, Tomas Dvorak, Tonje Sorenson and Victor dos Reis.
Click on “Artist Programme” – https://www.uwl.ac.uk/light-sensitive-material
“Spellbound” also screened at the Moving Image Salon, Film & Video Umbrella, London, 13 Sept 2019.
Disinformation + Rorschach Audio
24 Hour Psycho, A History of Light, A Life in Time, Abelardo Gil-Fournier, Adam Lockhart, Advanced Music, Afterimage Reader, AHRC, Aki Inomata, Alchemy Festival, Alchemy Film and Moving Image Festival, Alchemy Film Festival, Alex Estorick, Alex Sainsbury, Alfred Hitchcock, Alice Channer, All about Videotape, Allegorical Portrait of J. Robert Oppenheimer, Ambika P3, American Prometheus, Ammonite, Ammonite - Under Sun and Thyme, Ammonite Film, Ammonites, Ammonites and Leaping Fish, An Allegorical Portrait of J. Robert Oppenheimer, Ana Teresa Vicente, Analogue Video, Analogue Video Art, Andrea Muendelein, Angelica Sule, Anna Abrahams, Anna Volkmar, Arabesque, Archaeology, Archaeology & Art, Archive 81, Argos, Argos Brussels, Argos Centre, Argos Centre for Art and Media, Argos Centre for Audiovisual Arts, Argos VZW, Art, Art & Archaeology, Art and Cinema, Art and Nuclear Power, Art and Nuclear Power: The Role of Culture in the Environmental Debate, Art and Technology, Art Journal, Art Research Group, Art Video, Artist, Artist's Video, Artists and Cinema, Arts and Humanities Research Council, Arts Catalyst, Arts Intermix, Astrid Korporaal, Atlas Entertainment, Autobiographical Animals, Axis, Axis Magazine, ballard, Barbara London, Basel, BBC Films, Beatrice Zaidenberg, Berwick Film & Media Arts, Berwick Film & Media Arts Festival, Berwick Film Festival, BFI, BFI Experimenta, BFI LFF, BFI LFF 2020, BFI London, BFI London Film Festival, BFI London Film Festival 2020, BFMAF, BFMAF Berwick, Bill Viola, Bio Morph, Bio Morphic, Bio Morphism, Biomorph, Biomorphic, Biomorphism, Birkbeck, Birkbeck College, Boise State University, British Film Institute, Bronac Ferran, Bruce Nauman, Brussels, Burlington Contemporary, Call It Sleep, Candice Breitz, Cao Fei, Carolin Lange, Catherine Elwes, CCA, Cecília Mello, Centre for Art and Media, Centre for Audiovisual Arts, Centre for Contemporary Arts, Centre for Research, Centre for Research and Education in Art and Media, Centre for the Study of the Networked Image, Charlotte Murchison, Chris Ingram, Christopher Nolan, Cillian Murphy, Cinema, Claudia Mareis, Code Red, Cold Feed, Comment on England, Consumimur Igni, Contested Landscapes, Coral Deep, Cory Arcangel, Cosmotechnic, Cosmotechnics, Courtisane, Courtisane Festival, Courtisane Gent, Courtisane Ghent, Cream, Critical Media Lab, Cruise Missiles, Crystal Bennes, CSNI, Cultural Negotiation of Science, Daiwa Anglo-Japanese Foundation, Daniel Palmer, Daniel Rubinstein, Dave Griffiths, David Bering-Porter, David Blandy, David Kendall, De Appel, Disinformation, Dogwoof, Dogwoof Films, Double Acts, Double Vision, Douglas Gordon, Dry Cask, Dry Cask (Peacock), Dry Cask (Silk Cut), Earthworks, Eastbourne, Ecological Futurism, Education in Art and Media, Elaine Shemilt, Ele Carpenter, Electronic Arts, Electronic Arts Intermix, Elizabeth Howie, Emile Sherman, Emma Philip, Environmental Debate, Es Devlin, Experimental Design and Media Cultures, Experimental Film, Eye Film Museum, Fabrica, Fabrica Gallery, FACT Liverpool, FHNW, FHNW Academy of Art and Design, FHNW Academy of Art and Design Basel, Film & Video Umbrella, Film and Video Umbrella, Film Art, Film as Film, Film Festival, Film London, Film Material, Film Material Collective, Film Panic, Fine Art Photography, Flash Art, Fodhla Cronin O'Reilly, Fossil, Fossil Experience, Fossile Erfahrung, Fossils, Francis Alÿs, Francis Lee, Frith Street Gallery, FVU, Gareth Evans, Garin Dowd, Gary Hill, Gazell.io, Gazelli, Gazelli Art House, Geoffrey, Geoffrey Grigson, Gilles Ivain, Giovanna Fossati, Glenn Branca, Golan Levin, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, Goldsmiths MFA, Goldsmiths Press, Grigson, Guy Debord, Harun Farocki, Haruna Takeda, Hawick, Haywain, Haywain with Cruise Missiles, Henry Moore, Howard Caygill, I Saw the World End, Iain Canning, IBM, Images of the World, Images of the World and the Inscription of War, Imperial War Museum, Imus Nocte, In Girum, In Girum Imus Nocte et Consumimur Igni, In Plain Sight, Ingram Collection, Intellect Books, Is You and Me, Isaac Cronin, Isaac Julien, Ivan Chtcheglov, Ivan Vladimirovitch Chtcheglov, IWM Contemporary, IXDM, J. Robert Oppenheimer, J.G. Ballard, James Burton, James Holcombe, James Whitney, Jamie Allen, Jean Hélion, JG, JG Ballard, Jitsuen-ban, Jo Baring, Jo Clarke, Joe Banks, Joel McKim, John Hansard, John Hansard Gallery, John Hansard Gallery Southampton, John Maeda, John Piper, John Whitney, Jomyaku, Jonathan Kemp, Joseph Gerhardt, Joseph Moore, Juanita Onzaga, Judith Robinson, Jussi Parikka, Kai Bird, Karel Doing, Karst, Kate Winslet, Kate Woodward, Kenneth Branagh, Kim Knowles, Klara and the Bomb, Kunstmuseum Appenzell, Landscape, Landscape - You and Me, Landscape and Moving Image, Landscape and the Moving Image, Landscape is, Landscape is You, Landscape is You and Me, Landscapes, Lara Thompson, Laura Leuzzi, Laura Marks, Laura U. Marks, Laurie Britton Newell, Leaping Fish, Lena Reisner, Les Walkling, Lia Something, Life in Time, Ligaya Salazar, Light, Light Sensitive, Light | Sensitive | Material, Lightbox Gallery, Lightbox Woking, Lijnbaan Center, LIMA, Lis Rhodes, Liz Watkins, London Video Arts, Lottie Clark, Louise K Wilson, Lucy Mensah, Lucy Reynolds, Lux, Lux Distribution, Lux Moving Image, Lux Scotland, Lyme Regis, Machiko Weston, Maho Kubota Gallery, María Palacios Cruz, Maria Walsh, Mark Webber, Martin Howse, Martin J. Sherwin, Mary Anning, Material, Matilde Nardelli, Matt Flix, Matt Flix Archive, MattFlix, MattFlix Archive, Matthias Kispert, Meanings of Landscape, Media Art, Memory of Currency, Merle Ibach, Meta-Magic of Math, Meta-Magic of Mathematics, Meta-Magic of Maths, Metamagic of Math, Metamagic of Mathematics, Metamagic of Maths, Michael Mazière, Michaela Kinghorn, Micheal Maziere, Michelle Henning, Mike Kelley, Mila Askaravoa, Military Photography, Mineral Sciences Lab, MIRAJ, Miraj - Cream, MIRAJ 12.2, Miraj Journal, MonteVideo, Moon is the Oldest TV, Morph, Morphology, Moving Image, Moving Image Festival, Moving Image Review, Moving Image Review & Art Journal, Moving Image Review & Journal, Moving Image Review and Art Journal, Museum of Non-Participation, Myfanwy Evans, Myfanwy Piper, Nam June Paik, Nederlands Filmmuseum, Netflix, Networked Image, Nicky Hamlyn, Nigel Hurst, Niharika Dinkar, Nina Danino, No.w.here, Northumbria University, Not/no.w.here, Nowhere, Nowherelondon, Nuclear Culture, Nuclear Power, Nuclear Weapons, Ocean Action, Ocean Imagination, Ohad Zehavi, Oppenheimer, Oppy, Outernet Studio, Painting and Scultpure, Palgrave, Paul Brookes, Paul Frosh, Paul Proctor, Peacock, Penelope Lively, Peter Bennett, Peter Buse, Peter Kennard, Peter Taylor, Peter Weibel, Petra Cortright, Photographic Fine Art, Photography, Photography: The Unfettered Image, Pierre Pernuit, Pipilotti Rist, Places of the Mind, Plastic Tree, Plymouth Art Gallery, Plymouth Museum, Plymouth Museum & Art Gallery, Prater Galerie Berlin, Prisoner of the Coral Deep, Raven Row, Re-Exhibit, Rebecca Birch, Rebecca Goddard, Rewind, Rewind Artists Video, Rewind Media Preservation Lab, Rewind Video, Re_Exhibit, Richard Saltoun Gallery, Richard Serra, Robert Oppenheimer, Robert Smithson, Rowman & Littlefield, Ruins and Resilience, Ruth Jarman, Sadie Coles, Sadie Coles HQ, Saint Jerome, Salvador Dali, Sam Nightingale, Saoirse Ronan, SónarPLANTA, SCHQ, SCHQ Electric, Sean Cubitt, See-Saw Films, Semiconductor, Semiconductor Films, Sensitive, Sensitive Material, Shela Sheikh, Shezad Dawood, Shift Register, Silk Cut, Simona Monizza, Site Gallery, Site Gallery Sheffield, Smithsonian National Museum of Natural History, Sonar Planta, Sonya Robinson, Sound Artist, Sound Mirrors, Southampton, Spectral Cinema, Spectral Cinema & Contested Landscapes, Spellbound, Spiral Jetty, Steina and Woody Vasulka, Steina Vasulka, Stephen Partridge, Stephen Turner, Steve McQueen, Steven Bode, Stoffel Debuysere, Struan Gray, Subjective Vision, Subjectivity, Subjectivity of Vision, Susan Hiller, Susanna Collinson, Sylvia Grace Borda, Syncopy Inc., Tacita Dean, TBA 21, TBA21, Television Art, Telluride Film Festival, Terah Walkup, Terrel Seltzer, The Art of Memory, The Box, The Box Plymouth, The Edge of Forever, The Idea of Photography, The Inscription of War, The Kitchen, The Lightbox, The Moving Image Review & Art Journal, The Role of Culture, The Unfettered Image, The Voices of Time, Theresa Junko Mikuriya, Theresa Mikuriya, Tim Daly, Time Based Arts, Tom Morton-Smith, Tomas Dvorak, Tonje Sorenson, Tony Oursler, Toronto International Film Festival, Towner Eastbourne, Towner Gallery, Towner Gallery Eastbourne, Twin Vision, Universal Pictures, University of West London, University of Westminster, UnSpooling, Vasari, Vasari Research, Vasari Research Centre, Vasari Research Centre for Art and Technology, Vašulka Kitchen, Verity Adriana, Victor dos Reis, Video Art, Video Feedback, Video Installation, Video Killed the Radiostar, Video Organism, Videographic Art, Videographie, Videographie: TAKE #1 & #2, Videography, Videosphere, Visible Press, Vision, Visual Dissent, Visual Music, Visual Music Film, Voices of Time, Vrinda Seksaria, Wellcome Collection, Wellcome Trust, Westminster University, William Fowler, Woody Vasulka, Workplace, Workplace Gallery, Yael Bartana, You and Me
“Light | Sensitive | Material” – featuring “Ammonite” and “Spellbound” videos
The Disinformation video installations “Spellbound” [aka “An Allegorical Portrait of J. Robert Oppenheimer”] (2001) and “Ammonite” (2009) featured in the “Light | Sensitive | Material” conference at the University of West London, 1st to 2nd November 2019. Both works were exhibited on rotation throughout the conference – “Spellbound” as part of an artists’ showreel, featuring work by Verity Adriana, Disinformation, Sylvia Grace Borda, Tim Daly, Karel Doing, Rebecca Goddard, David Kendall, Vrinda Seksaria, Carolin Lange, Joseph Moore, Andrea Muendelein, Sam Nightingale, Paul Proctor, Sonya Robinson and Ana Teresa Vicente; while the “Ammonite” exhibit played-out “solo” – as a self-contained, split-screen installation, displayed across two broadcast monitors. Special thanks to Michelle Henning and Theresa Mikuriya for programming the artworks.
The conference also included papers by Abelardo Gil-Fournier, Daniel Rubinstein, Elizabeth Howie, Howard Caygill, Joel McKim, Kim Knowles, Lara Thompson, Laura Marks, Liz Watkins, Lucy Mensah, Michelle Henning, Niharika Dinkar, Ohad Zehavi, Paul Frosh, Peter Bennett, Peter Buse, Pierre Pernuit, Stephen Turner, Susanna Collinson, Theresa Mikuriya, Tomas Dvorak, Tonje Sorenson and Victor dos Reis.
Click on “Artist Programme” – https://www.uwl.ac.uk/light-sensitive-material
“Spellbound” also screened at the Moving Image Salon, Film & Video Umbrella, London, 13 Sept 2019.
Share this:
Related
From → Uncategorized