Aesthetics, Air Ministry, Albion's Psychic Landscape, Anna Gruetzner Robins, Apophenia, Art & Illusion, Art & Illusion for Sound, Art of Seeing, Art-Science, Artist, Audio Illusion, Audio Pareidolia, Audio Rorschach, Auditory Apophenia, Auditory Inkblot, Auditory Projection, Bankside, Beauty in the Eye of the Beholder, Ben Nicholson, British Museum, British Neo-Romanticism, British Surrealism, British Watercolour Landscapes, Bruce Nauman, C.R.W. Nevinson, Catherine Boël, Cognitive Psychology, Cognitive Science, Cowley, Creativity, Dante Gabriel Rossetti, David Alan Mellor, Disinformation, Dora Carrington, Dulwich Picture Gallery, Dymchurch, Edward Burne-Jones, Edward Wadsworth, EH Gombrich, Electricity of the Mind, Emma Chambers, England on Fire, Eye of the Beholder, Frances Carey, Geoffrey Grigson, Giorgio de Chirico, Graham Sutherland, Henry Moore, Henry Moore Foundation, Herbert Read, Illusion, Illusion of Sound, Imperial War Museum, Inga Fraser, IWM, James McNeil Whistler, Jessica Feather, Joe Banks, John Craxton, John Minton, John Piper, John Singer Sargent, Keith Vaughan, Kim Sloan, Laing Art Gallery, Lightbox, London was the capital of the electricity of the mind, Mark Gertler, Mat Osman, Metal and Produce Recovery Unit, Michael Ayrton, Mishearing, Muirhead Bone, Neo-Romanticism, Neo-Romantics, Neuroaesthetics, Neuroscience, New Verse, Newcastle, Night Landscape, Norwich, Pallant House, Pallant House Gallery, Pareidolia, Paul Mellon Centre for Studies in British Art, Paul Nash, Pedagogies of the Ear, Perception, Perceptual Creativity, Perceptual Hypotheses, Perceptual Neuroscience, Places of the Mind, Projection, Psychic Landscape, Psychology of Perception, Romantic Tradition, Romney Marsh, Rorschach Audio, Royal Air Force, Samuel Palmer, Sarah Fill, Sci-Art, Serpentine Gallery, Shell Country Alphabet, Sonic Inkblot, Sound Artist, Sound Mirrors, Stanley Spencer, Stephen Ellcock, Tate Britain, Tate Modern, The Poet’s Eye, The Sainsbury Centre for Visual Arts, Totes Meer, Unit One, University of Reading, Violins Violence, Violins Violence Silence, Vorticism, War Artists Advisory Committee, Watkins Publishing, William Blake, William Roberts
Paul Nash and Rorschach Audio
“Nash associated landscape at night with visionary experiences, and he described how the sound of the stream near his home in the stillness of the night was like a voice talking to him, compelling him to write poetry…” (descriptive legend for the painting “Night Landscape” by Paul Nash, 1912*, Tate Britain 2016-2017)…
http://www.tate.org.uk/whats-on/tate-britain/exhibition/paul-nash
See the “Rorschach Audio” book, especially page 39
* the Paul Nash exhibition catalogue gives the date for this painting as 1911
From → Uncategorized
Disinformation + Rorschach Audio 