A Human History of Sound and Listening, A Lecture on Schizophonia, A Scientific Odyssey of Sound, A Spectre, A Spectre - Haunting, A World View, Aaron Mahnke, Abi Warburg, Academic Cut-Up, Acoustic Ambiguity, Acoustic Inkblot, Acoustic Rorschach, Aetheism, Ale Hop, Alva Noto, Always Alive Recordings, Ambiguity, Ambiguous Audio, Ambiguous Auditory Stimuli, Ambiguous Sound, An Academic Cut-Up, An Adventure In Apophenia, Anòmia, Anders Monrad, Anna Colin, Apophenia, Apophenia Audio, Apophenia Cloud Travel Apparatus, Apophenia Delay, Apophenia Delay Pedal, Apophenia Guitar Pedal, Apophenia Luxmorph, Apophenia Press, Appliance, Archive 81, Archive81, Art & Illusion, Art & Illusion for Sound, Artefact, Artist, Astonishing Things, Astonishing Things: The Drawings of Victor Hugo, Astrid Bowron, Attila von Szalay, Audio, Audio Ambiguity, Audio Apophenia, Audio Art, Audio Hallucination, Audio Illusion, Audio Ink Blot, Audio Ink Blot Test, Audio Inkblot, Audio Inkblot Test, Audio Object, Audio Paredolia, Audio Pareidolia, Audio Phantom, Audio Phantoms, Audio Rorschach, Audio Rorschach Test, Audio Summator, Audiograft, Auditory Ambiguity, Auditory Hallucination, Auditory Hallucinations, Auditory Inkblot, Auditory Inkblot Test, Auditory Pareidolia, Auditory Phantasm, Auditory Phantasmatic Presence, Auditory Phantom, Auditory Projective Test, Auditory Rorschach, Auditory Rorschach Test, Auditory Summator, Aura Satz, Aural Ink Blot, Aural Ink Blot Test, Aural Inkblot, Aural Inkblot Test, Aural Rorschach, Aural Rorschach Test, Autonomedia, Autonomedia Archives, Autonomedia Publishing, B.F. Skinner, Barbara Ellison, Barnaby Wright, BBC, BBC Monitoring Service, BBC Radio, BBC Radio 4, BBC Radio 4 Extra, BBC TV, BBC World Service, Bearpark Poltergeist, Belus, Black Tapes, Black Tapes Podcast, Boundary Condition, BPS, British Psychological Society, Broadcast, Buh Records, Café Oto, Café Scientifique, Carbonic Oscillation, Carsten Nicolai, Cathy Lane, Cégeste, Centre Pompidou, China Mieville, Chris French, Christina Kubisch, Christine Van Assche, Ciaran O’Keeffe, CM von Hausswolff, Cognitive Ambiguity, Cognitive Illusion, Confounded by Apophenia, Continent, Continent Journal, Creative Research, Creative Research into Sound Arts Practice, Cripta 747, Cripta747, CRISAP, Curse of Luibeilt, Daniel Powell, David Hendy, David Toop, David Wesley Sutton, Dead Signals, Dead Signals Podcast, Deborah Hyde, Delicious Audio, Die Macht der Sprache, Digital Ghosts, Digital Ghosts: Voice and Migratory Hauntings, Divine Illusion, Dr Milo Taylor, Dr. J. Milo Taylor, Dr. Konstantin Raudive, Dragan Spasov, Drawing Phantoms, Drawings of Victor Hugo, Dyslex, E.H. Gombrich & Sound, E.H. Gombrich and Sound, Eddie Ruscha, Editions Mego, EH Gombrich, Eigen+Art, Eigen-Art, Electrical Walks, Electronic Voice Phenomena, Electronic Voice Phenomenon, Elisa Troiano, Elton’s Phone, Erik Bunger, Erik Deerly, Erminio Alekos Serpente, Ernst Gombrich, Ernst Gombrich & Sound, Ernst Gombrich and Sound, Ernst Vegelin, Ernst Vegelin van Claerbergen, Esprits de Paris, Evelyn Hollow, Evocative Object, Evocative Object: Auditory Inkblot, EVP, Ex Anima, Experimental Phastasmogenesis, Experimental Radio, Faster Circuits, Felicia Barr, Florian Decker, Florian Hecker, Foundation for the Arts, Francisco Lopez, Friedrich Jürgenson, Galerie Yvon Lambert, Geography of Sounds, Ghost & Spirit, Ghost and Spirit, Ghost Horses of Averham, Ghost in the Machine, Ghost Quartet, Ghost Semantics, Ghost Voice, Ghost Watch, Ghost Zone, Ghosts, Ghosts and Demons, Ghostwatch, Giulia Lenti, Glasgow International, Goldsmiths, Gombrich & Sound, Gombrich and Sound, Grey Room, Hallucination, Halluzination Perspektive, Halluzination Perspektive Synthese, Halluzination Synthese, Haunted Technology, Haunting, Hearing Voices in the Noise, Holographic Skies, Human Conversation, Humour in the Water Coolant, ICA, ICA London, If The Spirit Moves You, Iklectik Art Lab, Iklectik Nomadik, Illusion in Speech and Language, Illusion of Sound, Illusions of Sound, Image Text Sound, Inigo Wilkins, Ink Blot Audio, Inkblot Audio, INS, Inter.Sonix, International Necronautical Society, Into The Uncanny, Invisible Forces, Invisible Generation, Irini Papadimitriou, J. Milo Taylor, Jess M. Williams, Jo Burzynska, Joe Banks, Joel Cahen, John Latham, Jon Culshaw, Julie Wolfe, Justine Picardie, Kathelin Gray, Ken Hollings, Konstantin Raudive, Kunsthalle Wien, Kunstverein Gartenhaus, Kythera, Kythera Gallery, Laetitia Rouiller, Language, Language Is, Language is Meta-Technology, Language is MetaTechnology, Language Technology, Larry Sider, Lars Bang Larsen, LCC Crisap, Lee Fraser, Left of the Dial, Left of the Dial Podcast, Listening Arts Channel, Listening for Ghosts, Loco-Lab, London College of Communication, Lore, Lore Podcast, Lumisokea, LXV, Macht der Sprache, Mara Mills, Marc Sollinger, Marco Pasi, Mark Blagrove, Mark Fisher, Mark Underwood, Matt Collier, Max Syedtollan, Mego Records, Mentalizing Sound, Meta-Technology, Metatechnology, Migratory Hauntings, Mike Kelley, Mike Kelley Foundation for the Arts, Milo Taylor, Mishearing, Mishearings, Modern Art Oxford, Mounir Fatmi, Mr. Bill, Musical Ear, Musical Ear Syndrome, Musical Illusion, Natural Phantoms, Neil Luck, Nermin Saybasili, Netflix, New King of Pop, Nicholson Heal, Nigel Kneale, NMC Recordings, Noise, Now You're Talking, Objects of Sound, OCM, October Gallery, Oenosthesia, Offprint London, Olivia Erlanger, Orphée, Orpheus, Outline Platform, Ovada, Oxford Brookes, Oxford Brookes University, Oxford Contemporary Music, Oxford Exorcism, Oxford University Museum of Natural History, Paradox, Paranormal Experiences, Parapsychological, Paredolia, Pareidolia, Patrik Lechner, Paul Bae, Paul Whitty, Pedagogies of the Ear, Perceptual Ambiguity, Perceptual Hypotheses, Perspektive Synthese, Phantasmatic Audio, Phantasmatic Sound, Phantom Audio, Phantom Portraits, Phantom Sound, Phantom Sounds, Phastasmogenesis, Pitt Rivers Museum, Playing with Words, PLOS, PLoS ONE, Poetry as I need it, Poi Marr, Poltergeist, Power of Language, Printed Matter, Printed Matter Chelsea, Prof. Chris French, Psycho Acoustics, Psychoacoustics, Psychoacoustics & Sonic Illusion, Psychoacoustics and Sonic Illusion, Psychologist, Public Library of Science, RA London, Radio, Radio 4, Radio 4 Extra, Radio International, Radio International Collective, Rahma Khazam, Raster Noton, Ray Lee, Ràdio Macba, Ràdio Web Macba, Reece Shearsmith, Research Unit, Residual Haunting, Resonance Extra, Richard Birkett, Rob Mullender, Rob Mullender-Ross, Robin Rimbaud, Rorschach, Rorschach Audio, Rorschach Device, Rorschach Devices, Rorschach Sound, Royal Academy, Royal Academy of Arts, Royal Conservatory, Ruede Hagelstein, Ryan Electric, Ryan Electric Products, Sain Sŵn, Sainsŵn, Sam Ridout, Samuel Brzeski, Sarah Lea, SARU, SARU Oxford, Séance, Scanner, School of Sound, Scii Tenaph, Sean O’Connor, Seeing Frequencies, Sensory Deception, Sensory Deception: Psychoacoustics and Sonic Illusion, Serpentine Gallery, Seth Ayyaz, Simon Grant, Soft Opening, Sonic, Sonic Ambiguity, Sonic Apophenia, Sonic Art, Sonic Arts, Sonic Arts Research Unit, Sonic Illusion, Sonic Imagination, Sonic Imaginations, Sonic Ink Blot, Sonic Ink Blot Test, Sonic Inkblot, Sonic Inkblot Test, Sonic Lego, Sonic Paredolia, Sonic Pareidolia, Sonic Phantom, Sonic Phantoms, Sonic Process, Sonic Rorschach, Sonic Rorschach Test, Sonic Rubbish, Sonic Studies, Sonic Wonderland, Sonology, Sonology Education, Sophie Herxheimer, Sound Art, Sound Artist, Sound Arts Practice, Sound Body, Sound Diaries, Sound Fjord, Sound Object, Sound Studies, Sound-Art-Text, South Bank, South Bank Centre, Speak, Speak Spirit, Speak Spirit Speak, Spectral Communication, Spectre Haunting, Speech and Language, Spiral House, Spiral House Editions, Spirit Speak, Spirits, Static Man, Stefan Goldmann, Sternberg, Sternberg Press, Stone Tape, Stone Tape Theory, Strange Transmission, Strange Transmissions, Strange Transmissions: The World Of Experimental Radio, STUK, Susan Hiller, Susan Philipsz, Taskerlands, Tate Britain, Tate Gallery, Tate Modern, Team IF, Technologized Listening, Technology, Terry Miles, The Act of Magic, The Black Tapes, The Black Tapes Podcast, The Broadcast, The Drawings of Victor Hugo, The Grey Room, The Hague, The New King of Pop, The New King of Pop: Dr. Konstantin Raudive, The Power of Language, The Power of Speech, The Psychologist, The Sound Diaries, The Static Man, The Stone Tape, The Uncanny, The Weird and the Eerie, The Wire, The Wire Magazine, The Word, The Word: Voice Language and Technology, The World Of Experimental Radio, They Might Be Giants, Tobias Ewé, Tom McCarthy, Transmission, Transmissions, Trevor Cox, Trickster, Uncanny, Uncanny Con 2024, UncannyCon 2024, Unit for Sound Practice Research, University of Brighton, University of Huddersfield, V01CE, V01CE: Vocal Aesthetics, Valie Export, Venetian Veil, Vibrational Semantics, Victor Hugo, Villa Arson, Vincenzo Santarcangelo, Vocal Aesthetics, Vocal Phantoms, Voice, Voice and Migratory Hauntings, Voice Language & Technology, Vowels, Warburg, Warburg Institute, Warburg Institute Kythera Gallery, We’re All Bats, Weird and Eerie, Weird and the Eerie, Wire, World Of Experimental Radio, World Service, Writing Around Sound, Yale University, Yale University Press