4’33”, A Human History of Sound and Listening, A Lecture on Schizophonia, A Scientific Odyssey of Sound, A Spectre, A Spectre - Haunting, A World View, Aaron Mahnke, Abi Warburg, Academic Cut-Up, Acoustic Ambiguity, Acoustic Inkblot, Acoustic Rorschach, Aetheism, Ale Hop, Alva Noto, Always Alive Recordings, Ambiguity, Ambiguous Audio, Ambiguous Auditory Stimuli, Ambiguous Sound, An Academic Cut-Up, An Adventure In Apophenia, Anòmia, Anders Monrad, Anna Colin, Anna Santomauro, Apophenia, Apophenia Art, Apophenia Artwork, Apophenia Audio, Apophenia Cloud Travel Apparatus, Apophenia Delay, Apophenia Delay Pedal, Apophenia Exhibition, Apophenia Guitar Pedal, Apophenia Luxmorph, Apophenia Press, Appliance, Archival sonics, Archive 81, Archive81, Art & Illusion, Art & Illusion for Sound, Art Center, Art Foundation, Art Institute of Chicago, Art Research, Artefact, Artist, Artistic Research, Arts Catalyst, Arts Catalyst 2026, Arts Council, Arts Council National Lottery, Arts Research, Astonishing Things, Astonishing Things: The Drawings of Victor Hugo, Astrid Bowron, Attila von Szalay, Audio, Audio Ambiguity, Audio Apophenia, Audio Art, Audio Hallucination, Audio Illusion, Audio Ink Blot, Audio Ink Blot Test, Audio Inkblot, Audio Inkblot Test, Audio Object, Audio Paredolia, Audio Pareidolia, Audio Phantom, Audio Phantoms, Audio Projection, Audio Projections, Audio Projective Test, Audio Projective Tests, Audio Rorschach, Audio Rorschach Test, Audio Summator, Audio Tape, Audio Tape Recorder, Audiograft, Auditory Ambiguity, Auditory Apophenia, Auditory Hallucination, Auditory Hallucinations, Auditory Inkblot, Auditory Inkblot Test, Auditory Pareidolia, Auditory Phantasm, Auditory Phantasmatic Presence, Auditory Phantom, Auditory Projection, Auditory Projections, Auditory Projective Test, Auditory Projective Tests, Auditory Rorschach, Auditory Rorschach Test, Auditory Summator, Aura Satz, Aura Satz Spell Cards, Aural Ink Blot, Aural Ink Blot Test, Aural Inkblot, Aural Inkblot Test, Aural Rorschach, Aural Rorschach Test, Auto Italia, Auto Italia South East, Autonomedia, Autonomedia Archives, Autonomedia Publishing, B.F. Skinner, Background Noise, Barbara Ellison, Barnaby Wright, BBC, BBC Monitoring Service, BBC Radio, BBC Radio 4, BBC Radio 4 Extra, BBC TV, BBC World Service, Bearpark Poltergeist, Belus, Beulah Ezeugo, Black Tapes, Black Tapes Podcast, Bodies of Sound, Boundary Condition, BPS, British Psychological Society, Broadcast, Buh Records, Café Oto, Café Scientifique, Carbonic Oscillation, Carsten Nicolai, Cassette Culture, Catalyst Arts, Cathy Lane, Cégeste, Centre for Radiophonic Studies, Centre Pompidou, Centro di Ricerca per la Radiofonia, Channel Somerset House, China Mieville, Chris French, Christina Kubisch, Christine Van Assche, Ciaran O’Keeffe, Claudia Lastra, CM von Hausswolff, Cognitive Ambiguity, Cognitive Illusion, Confounded by Apophenia, Constellations of Listening, Continent, Continent Journal, Creative Research, Creative Research into Sound Arts Practice, Cripta 747, Cripta747, CRISAP, Curse of Luibeilt, Daniel Powell, David Hendy, David Toop, David Wesley Sutton, Dead Signals, Dead Signals Podcast, Deborah Hyde, Delicious Audio, Des Moines, Des Moines Art, Des Moines Art Center, Diarmuid Donahoe, Die Macht der Sprache, Diffusion 919 FM, Digital Ghosts, Digital Ghosts: Voice and Migratory Hauntings, Divine Illusion, DIY Radio, Dr Milo Taylor, Dr. J. Milo Taylor, Dr. Konstantin Raudive, Dragan Spasov, Drawing Phantoms, Drawings of Victor Hugo, Dyslex, E.H. Gombrich & Sound, E.H. Gombrich and Sound, Eddie Ruscha, Editions Mego, EH Gombrich, Eigen+Art, Eigen-Art, Electrical Walks, Electronic Voice Phenomena, Electronic Voice Phenomenon, Elisa Troiano, Ellen Greig, Elton’s Phone, Emerging Art, Emerging Art Foundation, EmU, Erasmus Mundus, Erik Bunger, Erik Deerly, Erminio Alekos Serpente, Ernst Gombrich, Ernst Gombrich & Sound, Ernst Gombrich and Sound, Ernst Vegelin, Ernst Vegelin van Claerbergen, Esprits de Paris, Evelyn Hollow, Evocative Object, Evocative Object: Auditory Inkblot, EVP, EVP Research, Ex Anima, Experimental Phastasmogenesis, Experimental Radio, Faster Circuits, Felicia Barr, Felipe Pineda, Florian Decker, Florian Hecker, Foundation for the Arts, Foundation Foundation, Francisco Lopez, Friedrich Jürgenson, Galerie Yvon Lambert, Gender of Sound, Geography of Sounds, Ghost & Spirit, Ghost and Spirit, Ghost Box, Ghost Horses of Averham, Ghost in the Loop, Ghost in the Machine, Ghost Quartet, Ghost Science, Ghost Semantics, Ghost Tube, Ghost Tube App, Ghost Tube Seer, Ghost Voice, Ghost Watch, Ghost Zone, Ghosts, Ghosts and Demons, Ghosts of Electricity, Ghostwatch, Giulia Lenti, Glasgow International, Goldsmiths, Gombrich & Sound, Gombrich and Sound, Grey Room, Hallucination, Halluzination Perspektive, Halluzination Perspektive Synthese, Halluzination Synthese, Haunted Technology, Haunting, Hearing Voices in the Noise, Henry Moore Foundation, Holographic Skies, Human Conversation, Humour in the Water Coolant, ICA, ICA London, If The Spirit Moves You, Iklectik Art Lab, Iklectik Nomadik, Illusion in Speech and Language, Illusion of Sound, Illusions of Sound, Image Text Sound, Inigo Wilkins, Ink Blot Audio, Inkblot Audio, INS, Insidious, Insidious 2, Insidious Chapter 2, Inter.Sonix, International Necronautical Society, Into The Uncanny, Invisible Forces, Invisible Generation, Irini Papadimitriou, ITC, J. Milo Taylor, J.D. Talasek, Jenn Ashworth, Jess M. Williams, Jo Burzynska, Joe Banks, Joel Cahen, John Cage, John Latham, Jon Culshaw, Journal for Artistic Research, Julie Wolfe, Justine Picardie, Kathelin Gray, Ken Hollings, Konstantin Raudive, Kunsthalle Wien, Kunstverein Gartenhaus, Kythera, Kythera Gallery, Laetitia Rouiller, Langham Research, Langham Research Centre, Language, Language Is, Language is Meta-Technology, Language is MetaTechnology, Language Technology, Larry Sider, Lars Bang Larsen, Laurel, LCC Crisap, Leah Clements, Lee Fraser, Left of the Dial, Left of the Dial Podcast, Leonardo, Leonardo Magazine, Listening Arts Channel, Listening for Ghosts, Loco-Lab, London College of Communication, Lore, Lore Podcast, Lumisokea, LXV, Macht der Sprache, Mack Hagood, Mara Mills, Marc Sollinger, Marco Pasi, Mark Blagrove, Mark Fisher, Mark Underwood, Matt Collier, Max Syedtollan, Mego Records, Mentalizing Sound, Meta-Technology, Metatechnology, Michael Nees, Migratory Hauntings, Mike Kelley, Mike Kelley Foundation for the Arts, Milo Taylor, Miscommunication, Misha Farrant, Mishearing, Mishearings, Misophonia, Misophonic, Misophonics, MIT, MIT Press, MIT Press Journals, Mobile Radio, Modern Art Oxford, Morphology, Mounir Fatmi, Mr. Bill, Musical Ear, Musical Ear Syndrome, Musical Illusion, National Lottery, Natural Phantoms, Necrophonic, Necrophonic App, Necrosonic, Neil Luck, Nermin Saybasili, Netflix, Neural Circuits, Neuro Aesthetics, Neuro Art, Neuro Arts, New King of Pop, Nicholson Heal, Nigel Kneale, NMC Recordings, Noise, Now You're Talking, Objects of Sound, OCM, October Gallery, Oenosthesia, Offprint London, Olivia Erlanger, On Words, Orphée, Orpheus, Outline Platform, Ovada, Oxford Brookes, Oxford Brookes University, Oxford Contemporary Music, Oxford Exorcism, Oxford University Museum of Natural History, Paradox, Paranormal Experiences, Parapsychological, Paredolia, Pareidolia, Patrik Lechner, Paul Bae, Paul Whitty, Pedagogies of the Ear, Peer, Peer Gallery, Perceptual Ambiguity, Perceptual Hypotheses, Perspektive Synthese, Phantasmatic Audio, Phantasmatic Sound, Phanto Spectra, Phantom Audio, Phantom Portraits, Phantom Power, Phantom Sound, Phantom Sounds, Phastasmogenesis, Pitt Rivers Museum, Play on Words, Playing with Words, PLOS, PLoS ONE, Poetry as I need it, Poi Marr, Poltergeist, Polymorphic Vitality, Power of Language, Predictive Mechanisms, Printed Matter, Printed Matter Chelsea, Prof. Chris French, Psycho Acoustics, Psychoacoustics, Psychoacoustics & Sonic Illusion, Psychoacoustics and Sonic Illusion, Psychologist, Public Library of Science, RA London, Radio, Radio 4, Radio 4 Extra, Radio Art, Radio Art 106, Radio Art Zone, Radio Bern RaBe, Radio International, Radio International Collective, Radio Rorschach, Radio Rorschach Test, Radiofonia, Radiophonic Studies, Radiophrenia, Radiophrenia 2026, Radiophrenia Glasgow, Rahma Khazam, Raster Noton, Ray Lee, Ràdio Macba, Ràdio Web Macba, Reboot FM, Reece Shearsmith, Repeater Books, Research Centre, Research Centre for Radiophonic Studies, Research Unit, Residual Haunting, Resonance Extra, ReSound, Ricerca per la Radiofonia, Richard Birkett, Rob Mullender, Rob Mullender-Ross, Robin Rimbaud, Rorschach, Rorschach Audio, Rorschach Device, Rorschach Devices, Rorschach Sound, Royal Academy, Royal Academy of Arts, Royal Conservatory, Ruede Hagelstein, Ryan Electric, Ryan Electric Products, SAIC Chicago, Sain Sŵn, Sainsŵn, Sam Ridout, Samuel Brzeski, Sarah Lea, Sarah Shin, Sarah Washington, SARU, SARU Oxford, Séance, Scanner, School of Machines, School of Sound, Scii Tenaph, Sean O’Connor, Seeing Frequencies, Seer, Sensory Deception, Sensory Deception: Psychoacoustics and Sonic Illusion, Serpentine Gallery, Seth Ayyaz, Signal, Silver Press, Simon Grant, Soft Ground, Soft Opening, Somerset House, Somerset House 2026, Somerset House Studios, Sonic, Sonic Acts, Sonic Ambiguity, Sonic Apophenia, Sonic Archive, Sonic Archives, Sonic Art, Sonic Arts, Sonic Arts Research Unit, Sonic Fantastic, Sonic Fantasy, Sonic Heritage, Sonic Illusion, Sonic Imagination, Sonic Imaginations, Sonic Ink Blot, Sonic Ink Blot Test, Sonic Inkblot, Sonic Inkblot Test, Sonic Lego, Sonic Paredolia, Sonic Pareidolia, Sonic Phantasm, Sonic Phantom, Sonic Phantoms, Sonic Process, Sonic Rorschach, Sonic Rorschach Test, Sonic Rubbish, Sonic Studies, Sonic Wonderland, Sonology, Sonology Education, Sophie Herxheimer, Sound, Sound Archive, Sound Art, Sound Artist, Sound Arts Practice, Sound Body, Sound Diaries, Sound Fjord, Sound Forms, Sound Object, Sound Practice, Sound Practices, Sound Studies, Sound-Art-Text, South Bank, South Bank Centre, Speak, Speak Spirit, Speak Spirit Speak, Speaking in Tongues, Spectral Anomaly, Spectral Communication, Spectre Haunting, Speech and Language, Speech Processing, Spell Card, Spell Cards, Spiral House, Spiral House Editions, Spirit Communication, Spirit Music Box, Spirit Speak, Spirits, Static Man, Stefan Goldmann, Sternberg, Sternberg Press, Stone Tape, Stone Tape Theory, Strange History, Strange Transmission, Strange Transmissions, Strange Transmissions: The World Of Experimental Radio, STUK, Subjectivity, Susan Hiller, Susan Philipsz, Tape Recorder, Taskerlands, Tate Britain, Tate Gallery, Tate Modern, Team IF, Technologized Listening, Technology, Terry Miles, The Act of Magic, The Black Tapes, The Black Tapes Podcast, The Broadcast, The Drawings of Victor Hugo, The Foundation Foundation, The Grey Room, The Hague, The MIT Press, The New King of Pop, The New King of Pop: Dr. Konstantin Raudive, The Power of Language, The Power of Speech, The Psychologist, The Sound Diaries, The Static Man, The Stone Tape, The Uncanny, The Weird and the Eerie, The Wire, The Wire Magazine, The Word, The Word: Voice Language and Technology, The Words, The World Of Experimental Radio, They Might Be Giants, Tobias Ewé, Tom McCarthy, Tony Kiernan, Tony Oursler, Tony Oursler EmU, Transmission, Transmissions, Trebuchet, Trebuchet Magazine, Trebuchet Talks, Trevor Cox, Trickster, Unannounced Voices, Uncanny, Uncanny Con 2024, UncannyCon 2024, Unit for Sound Practice Research, University of Brighton, University of Huddersfield, University of San Marino, University of San Marino - Research Centre for Radiophonic Studies, V01CE, V01CE: Vocal Aesthetics, Valie Export, Venetian Veil, Vibrational Semantics, Victor Hugo, Villa Arson, Vincenzo Santarcangelo, Visual Apophenia, Visualizing Noise, Vocal Aesthetics, Vocal Phantoms, Voice, Voice and Migratory Hauntings, Voice Language & Technology, Vowels, Vox, Warburg, Warburg Institute, Warburg Institute Kythera Gallery, We’re All Bats, Weightless Ghost, Weightless Ghosts, Weird and Eerie, Weird and the Eerie, White Noise, Wire, Word, Word Play, Wordplay, Words, World Of Experimental Radio, World Service, Writing Around Sound, Yale University, Yale University Press, Yanny, Yanny or Laurel?, Zdenka Badovinac