2/8 Bregman 4/8 Deutsch 7/8 Hecker 1/8 Höller, Acoustic Anthropology, Albert Bregman, Ambiguity, Audio Illusion, Audio Rorschach, Auditory Illusion, Aural History, Carbonic Oscillation, Censored Count, David Sonnenschein, FCC, Florian Hecker, Inigo Wilkins, Irreversible Noise, Jimmy Kimmel, Jo Burzynska, Law of Closure, Listening, Mishearing, Mishearings, Oenosthesia, Picket Fence Effect, Poetry as I need it, Psychoacoustics, Rorschach Audio, Sesame Street, Sound Art, The Count, This Week in Unnecessary Censorship, UK Sound Studies Network, University of Edinburgh, Urbanomic, Writing Around Sound
Rorschach Audio & Perceptual Creativity – Phonemic Restoration & Interpolative Auditory Projection in Contemporary Vernacular Sound Art
Albert Bregman’s “Picket Fence Effect for Speech”, aka the “Law of Closure” applied in contemporary sound art – see “Rorschach Audio” book pages 34 to 37, 43 and 171 to 173.
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Disinformation + Rorschach Audio 
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