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<url><loc>https://rorschachaudio.com/2026/06/11/electromagnetic-sound-art-1996-to-2016-2/</loc><news:news><news:publication><news:name>Disinformation + Rorschach Audio</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-06-11T18:02:52+00:00</news:publication_date><news:title>Electromagnetic Sound Art &#8211; 1996 to 2016 ****</news:title><news:keywords>Disinformation, Bruce Nauman, Art &amp; Illusion, Psychoacoustics, Rahma Khazam, Art &amp; Illusion for Sound, London, CM von Hausswolff, Florian Hecker, Rorschach Audio, Politics of Listening, Sound Art, Quietus, Digicult, Shoppinghour, Wellcome Collection, Audio Rorschach, Sine-Wave Speech, Strange Attractor, Joe Banks, Mark Pilkington, Kodwo Eshun, Mark Fisher, Justin Barton, Gazelle Twin, Misinformation, Scanner, Artangel, Robin Rimbaud, Honor Harger, Christina Kubisch, Noise, BBC Radio 4, BBC, Radio 4, Sine-Wave Synthesis, Susan Hiller, AHRC, Ken Hollings, Dave Tompkins, Tom McCarthy, ICA London, Kwaidan, Leonardo, Leonardo Music Journal, Lawrence Abu Hamdan, The Quietus, Thurston Moore, Lee Ranaldo, Tzadik, Mike Kelley, Aura Satz, Arts &amp; Humanities Research Council, University of Westminster, Goldsmiths College, Strange Attractor Press, Fabrica Gallery, Semiconductor, Brilliant Noise, Stargate, Electromagnetism, Destruction in Art Symposium, Electromagnetic Induction, Electricity, National Grid, Electronic Noise, Sonic Art, Experimental Music, K-Punk, Geoffrey Grigson, Hari Kunzru, Wire Magazine, Café Oto, ICA, RCA, Royal College of Art, Technology, Sound, Audio Art, Audio, Listening, Science Gallery, Cabinet Magazine, Suzanne Treister, Antiphony, Radio Art, Palais de Tokyo, Xabier Erkizia, Roc Jimenez de Cisneros, Sonar Festival, MIT Press, Carsten Nicolai, Ryoji Ikeda, London Underground, VLF Radio, Leafcutter John, Dan Tapper, Artsadmin, Magnetic Signals, Olga Panades, Furtherfield, Ash International, Mark Peter Wright, IMT Gallery, Gary Stewart, Detektors, Shintaro Miyazaki, Martin Howse, Blanca Regina, Kate Carr, Shoppinghour Magazine, Constantine Katsiris, Alyssa Moxley, Sounding the Body Electric, Calvert 22, Daniel Muzyczuk, Touch Records, Patrick Sykes, Electrical Walks, Electricity of the Mind, Wyndham Lewis, Bankside, Vladimir Ilyich Lenin, Plus Electrification, Sonic Arts, Tate Modern, Dazed &amp; Confused, J.G. Ballard, Kettle&#039;s Yard, Wellcome Trust, Art-Science, Chris Watson, Brian Catling, Viv Corringham, Brandon LaBelle, Sound Installation, John Levack Drever, The Wire Magazine, Douglas Kahn, Earth Sound Earth Signal, Jeremy Deller, AV Festival, Resonance FM, Language, Communication, Yoko Ono, Barry Miles, DIAS, Kinetic Art, The Who, UCL, Tate Britain, David Toop, David Crowley, Ocean of Sound, Music, Trevor Cox, Modern Art Oxford, Echoes, Cambridge, OCM, Oxford Contemporary Music, Audiograft, White Noise, Contemporary Art, Manchester University Press, The Hayward Gallery, Sonic Boom, Ghost Shells, Theophany, R&amp;D, Very Low Frequency, Sound Mirrors, The Wire, Fabrica, ZKM, The Rumble, Electronic Music, Ray Lee, Radioqualia, Torsten Lauschmann, Arts Council England, Forma, Arts Catalyst, Sound &amp; Music, Brian Eno, Semiconductor Films, Serpentine Gallery, Aleks Kolkowski, Science Museum, Antonio Roberts, Hellocatfood, University of Glasgow, Hans Ulrich Obrist, Tate Gallery, Dana Centre, University of Brighton, AQNB, Simon Reynolds, Kiasma, Helsinki, Janet Cardiff, Bronac Ferran, Soundworks, Speech Synthesis, Southbank Centre, Supernormal Festival, Lux, Salome Voegelin, Sternberg Press, Hayward Gallery, Static, Joshua Bonnetta, Le Bon Accueil, Damien Simon, Live Mains Electricity, Acoustic Mirrors, Jennifer Higgie, Talbot Rice Gallery, Architectural Acoustics, Zoviet France, Horse Hospital, Graham Dunning, Alternating Current, 50Hz, Sam Belinfante, Bluecoat, Baltic, Site Gallery, Liverpool, Greg Hainge, LMJ, Bloomsbury Academic, Liquid Architecture, Lars Bang Larsen, Marco Pasi, Lea Porsager, Stedelijk Museum, Raven Row, Dark Mofo, Mona Tasmania, Kingston University, The Voice of God, Goldsmiths, Soundscapes, Turner Contemporary, Haroon Mirza, Lisson Gallery, Sense Data &amp; Perception, The Vinyl Factory, Sound Studies, Speak Spirit Speak, Mute Magazine, BBC Radio, Illusions, Rhizome, Jimi Hendrix, Wysing Arts Centre, Oliver Smith, Philomene Pirecki, Mark Titchner, Tony Cokes, Christoph Cox, Seth Kim-Cohen, Fatos Üstek, Resonance 104.4FM, Coastal Currents, Brighton, Project DARK, John Cage, Liverpool Biennial, South London Gallery, High Voltage, Peter Eramian, BBC Radio 3, Materialism, Banner Repeater, Ami Clarke, Acoustic Ecology, Soundscape, Arts Council, John Drever, Neural Magazine, Astrid Bowron, Invisible Forces, Brion Gysin, Cambridge University, Auditory Projection, Noise Music, Rough Trade, Errant Bodies, Noise Machine, London was the capital of the electricity of the mind, De Player, Vinyl Factory, Afterall, Frieze, Alison Turnbull, University of Greenwich, Bianca Biberaj, Galen Joseph-Hunter, Transmission Art, WGXC 90.7FM, Research &amp; Development, Bruce Gilbert, Jim O&#039;Rourke, Contemporary Art Society, Sound Artist, Transmission Arts, Artists &amp; Airwaves, PAJ Publications, Sonic Youth, Wire, Throbbing Gristle, Solar Radio Noise, Magnetic Movie, VLF Whistlers, Atmospherics, Geomagnetism, Natural Radio, Hull Art Lab, Alva Noto, John Wynne, Pan Sonic, Angus Carlyle, Mengi, Sonar, Reykjavik, Tectonics, Ilan Volkov, Goodiepal, University of Cambridge, Jamie Allen, IXDM, Susanna Hertrich, Electromagnetic Noise, Shortwave Radio, Coronal Mass Ejection, Critical Media Lab, Sabine Himmelsbach, Claudia Mareis, Resonance, Haus der Elektronischen Künste, HeK, Nikola Tesla, Changing Signals, FACT, CERN, Julia Drouhin, Sisters Akousmatica, Strange Attractor Journal, David Keenan, FHNW, Science Gallery Dublin, Science Gallery Melbourne, Science Gallery London, Talbot Rice, Ian Helliwell, Andrew Hill, Rob Mullender, University of London, Daphne Oram, BBC Radiophonic Workshop, Delia Derbyshire, Wired, Courtauld Institute, Camden Arts Centre, Medial Ages, Isn’tses, King’s College, KCL, London College of Communication, LCC, Julian Henriques, Atau Tanaka, Leverhulme Trust, C.M. von Hausswolff, Dream Machine, Joseph Kosuth, De La Warr Pavilion, Audiovisual Art, Electromagnetic Art, Optokinetic Art, Lightning, CTM Festival, Very Low Frequency Radio, Electromagnetic Interference, Solar Noise, FACT Liverpool, Fabrica Brighton, CRISAP, Mengi Reykjavik, University of the Arts, Radio Revolten, Sarah Washington, Knut Aufermann, Berlin, Basel, Bloomsbury Publishing, Faraday Cage, Radio Interference, Radio Noise, Sadie Coles HQ, Background Noise, Somerset House, Tramway Glasgow, Ani Das, Karst, Wysing, Radiophonics, Futurism, Intonarumori, Luigi Russolo, 60Hz, Disobey, Blast First, Raster Noton, Museum of Installation, Eric Demetriou, FHNW IXDM, Carsten Seiffarth, Singuhr Sound Gallery, ZKM Karlsruhe, Volksbühne Berlin, Freunde Guter Musik, HEK Haus der elektronischen Künste, Joyce Hinterding, AV Festival Newcastle, Goethe Institut, Her Noise, Martin Creed, Elena Biserna, Toby Heys, Manchester Metropolitan University, Steve Goodman, Kode9, Hyperdub, Audint, Psyops, Henry Moore Foundation, Peter Weibel, Conrad Shawcross, HEK Basel, Eleni Ikoniadou, SPR, Vorticism, Artist, David Roberts Art Foundation, Humber Street Gallery, Hull Time Based Arts, Wave Farm, WGXC 90.7-FM, Electrical Interference, Humber Street, Nicola Triscott, ACE England, Electricity The Spark of Life, The Power of Electricity, Grid Music, Mike Fell, Paul Mellon Centre for Studies in British Art, Greil Marcus, Unit for Sound Practice Research, MOI Deptford, Douglas Gordon, Ingram Collection, University of the Arts London, Art and Science, Sonic Arts Research, Dorkbot, Lenin, Soviet Power, Dnieper Hydro-Electric Power Station, Nonclassical, William English, Wavelength, Resonance 104.4 FM, Sound Practice, Drone Music, Experimental Noise, Electrical Noise, Jez Riley French, Francisco Lopez, Cathy Lane, Sonica, Dronica, Yuliy Meitus, Yuliy Sergeievitch Meitus, Bjorn Geldhof, Pinchuk Art Centre, Тетяна Кочубінська, Gabriel Prokofiev, Interference, Fact Magazine, Phonica Records, Bold Tendencies, Ben Ponton, Autechre, Warp Records, Teleplasmiste, Thaddaeus Ropac, Mike Stubbs, Vitrine Gallery, Dan Flavin, Ilia 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for Audio Visual Experimentation, Barbican Centre, Alice Hackney, Ben Barwise, Jack Jelfs, CERN Geneva, Arts@CERN, Monica Bello, Ariane Koek, Electromagnetic Audio Art, Store X, Amélie Ravalec, Travis Collins, Iklectik Art Lab, Iklectik, Music Hackspace, VLF Antenna, Telecommunications, Beaconsfield, 20th Century, Transport for London, Nicky Hirst, Christian Marclay, Radiophrenia, Whitechapel Gallery, Bloomsbury, Soundfjord, Electronica, Cryptic, Audio Artist, Sonic Art Research Unit, SARU, James Ginzburg, Paul Purgas, Empty Set, TED Talks, Tenderpixel, Stanley Picker Gallery, Field Notes, Whitechapel, Sadie Coles, Sound Practice Research, Towner, Towner Gallery, Towner Art Gallery, Eastbourne, Helen Frosi, Sinewave Speech, Sinewave Synthesis, Musica Dispersa, Flatpack Festival, Non-Classical, Neil Luck, Sara Adhitya, Musical Cities, Urban Sound, Mechanical Techno, XFRMR, Robbie Thomson, King&#039;s Place, Laurie Anderson, Laura Netz, UAL, Radio Arts, Radiophonic Art, ORF Kunstradio, National Grid Music, Pablo Sanz, Anna Friz, Maria Papadomanolaki, Spark of Life, Paul Bonaventura, Teylers Museum, Starts Prize, Beaconsfield Gallery, Anti-Matter, Galerie Thaddaeus Ropac, Julia Peyton-Jones, VLF Noise, Resonance Extra, Dronica Festival, MONA, Counterflows, Resonant Architecture, Nicolas Montgermont, Sonic Field, VLF Explorer, A Machine to Listen to the Sky, Turbulent Forms, Heliosphere, VLF Works, Some Call it Noise, Sonic Geography, Fiona Crisp, Focal Point, Southend, Focal Point Gallery, Trevor Paglen, Rasa Smite, Raitis Smits, Hear &amp; Now, Hear and Now, Future Everything, Eleonora Oreggia, Phantasmata and Illusions, Xname, Phantasmata, John Doran, Cathie Boyd, Sonica Festival, Goldsmiths MFA, Frieze Magazine, The Guardian, Spirit Box, Sothebys, EVOL, Ewa Justka, ALKU, Verso, Goldsmiths Centre for Contemporary Art, Samson Young, Demdike Stare, Susan Schuppli, Ian Thompson, Nottingham Contemporary, Unsound, Unsound Festival, Mat Schulz, Malgorzata Plysa, Somerset House Studios, Glasgow, RCA London, Electromagnetic Force Fields, Akio Suzuki, John Zorn, David Falkner, University of Kingston, Stanley Picker, Sonic Agency, Lisa McKendrick, Tim Drage, Mayday Rooms, May Day Rooms, Information, Chisenhale Gallery, Chisenhale, Site Gallery Sheffield, Jonathan Kemp, The Otolith Group, Otolith Group, Manchester Art Gallery, Assembly, Radio Four, BBC Radio Four, Clot Magazine, Clot, Attenborough Centre for the Creative Arts, Attenborough Centre, Fort Process, Stephen Shiell, Listen, Pylon, New York, Wellcome, LNCC, Hackspace, Fort Process Festival, DLWP Bexhill, Blanc Sceol, BBC Sounds, Zabludowicz, Zabludowicz Collection, Anita Zabludowicz, Ian Stonehouse, Maureen Paley, Dundee Contemporary Arts, DCA Dundee, Center for Art and Media Karlsruhe, Haus der Elektronischen Kunst, Haus der Elektronischen Kunst Basel, Critical Media Lab Basel (IXDM), IXDM Basel, FHNW Basel, BBC World Service, Anne Zeitz, Futurecity, MOCA London, Flat Time House, Outlands 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