https://rorschachaudio.com/2026/09/25/near-field-communication-digital-art-biennale/Disinformation + Rorschach Audioen2026-09-25T13:12:32+00:00Near-Field Communication Digital Art BiennaleDisinformation, Sound Art, Joe Banks, Technology, Impakt, Language, UCL, Serpentine Gallery, Art & Language, Hans Ulrich Obrist, Digital Art, Sound Artist, Impakt Festival, Language as Technology, Language Art, Trevor Paglen, Marguerite Humeau, Text Art, Laura Sillars, Adam Basanta, Language [as] Meta-Technology, Language [as] Metatechnology, Sluice HQ, Metatechnology, Meta-Technology, Sluice Art Fair, Sluice Magazine, Language is Technology, Language is Meta-Technology, Language is MetaTechnology, White Cube, Sluice, Public Art, Public Space, QR Code, Serpentine, E-Flux, Julieta Aranda, Brian Kuan Wood, Anton Vidokle, Holly Herndon, E-Flux Journal, Biennale, Sluice Art, Ancestral Technology, Serpentine Gallery London, MIMA Middlesbrough, Middlesbrough Institute of Modern Art, MIMA, Karl England, Future Art Ecosystems, Serpentine London, Serpentine Arts Technologies, Arts Technologies, Harold Cohen, Tyler Hobbs, Future Art, Sasha Stiles, Ben Grosser, Cao Fei, Institute of Advanced Studies, Refik Anadol, Alex Estorick, Mat Dryhurst, All Media is Training Data, Training Data, Art Ecosystems, Dataland, Languages of the Future, Future Language, Future Languages, Journal of Art & Writing, Art & Writing, Vera Molnár, Right Click Save, Languages of the Future Conference, Think Pieces, UCL Think Pieces, Right Click, Click Save, Data Land, Anna Ridler, Right Click Save Magazine, Danielle King, Louis Jebb, Language Itself is a Technology, Eli Scheinman, Maya Man, Urgent Futures, Urgent Futures Podcast, Kalliopi Ioumpa, Aaron Higgins, Addy Feuerstein, Adrian David Pickett, Agnes Ungar, Alex Myers, Alex Zakkas, Alkistis Voulgari, Andrea Fleber, Anya Bess, Arash Joulandan, Araya Wongwan, BiBi Jordan, Bransha Gautier, Brian Khuu, Bruce A Barber, Bjørn Magnhildøen, Bruno Melo, Bya de Paula, Clusterduck, Daniela Stojkovic, Daria Belkina, Dariya Kanti, Davey Whitcraft, David Miller, Dawid Orzeł Pieniewski, Dev Harlan, Dirk Vekemans, Dominik Podsiadly, Dorin Budușan, DUMPHAUS, Elina Kohanaya & Sergey Tkachenko, Erika Matsunami, Ezoza Zokirjonova, George Matvienko, Geo Flouris, Ghala Vasylenko, Igor Buharov, Iza Koczanowska, J.C Muyonjo, Jacek Zachodny, James Hutchinson, Jan Robert Leegte, Jarosław Słomski, Jerzy Kosałka, Joonas Westerlund, Joubin Zargarbashi, Karina Palosi, Karl Heinz Jeron, Konstantina Mavridou, Kristoffer Ørum, Kseniia Kurbatova, Lelia Matis, Luis Gasca, Maartje A. Sanders, Madam Memoticon, Mark C. H. Schobben, Maternica collective, Mez Breeze, MICH (Michał Hertmanowski), Mirosław Chudy, Natali Keen, Natalia Rozhkova, Nicole Nemesi, Nikita Krzyżanowska, not-a-composite one, Olesia Gerasimenko, Osvaldo Cibils, Paul Wiersbinski, Pritam Mitra, Rudy Paganini forevermidi, Sandra Koretskaya, Sara Lipuzic, Shawn Lawson, Shunya Wada, Silvia Nonnenmacher & Jürgen Trautwein, Stefanie Reling-Burns, Stepan Panteleev, Svetlana Fenster, szkarpaty, Tarsila West, Tommy Derveloy, Viktor Ivanov, Vincent van der Molen, Vladislav Fedotov, Vuk Cosic, Xavier Dallet aka Chan Somethingstar, Youssef El Idrissi, Zsolt Mesterhazy, Serpentine Arts Technologies Future Art Ecosystems, Norah N. Khan, Norah Khan, Jesse Damiani, Larva Labs, Erick Calderon, Snowfro, Beeple, Casey Reas, Gretchen Andrew, Manfred Mohr, William Mapan, John Watkinson, Near-Field Communication Digital Art Biennale, Near-Field Communication, Digital Art Biennale, Dogtime Expanded Painting, Dogtime Unstable Media, Dogtime, Browserbased, NFC, Smartphone, Gerrit Rietveld Academy Amsterdam, Gerrit Rietveld Academy, Gerrit Rietveld, Impakt Festival 2027, Impakt Festival 2026, Impakt Utrecht, Impakt 2026, Utrecht, Techno-Ancestrality, FoxP4, Forkhead Box P4, E-Flux Bulletin, E-Flux Criticism, E-Flux Notes, Jaws, UCL Think Piece, Think Piece