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<url><loc>https://rorschachaudio.com/2026/09/25/near-field-communication-digital-art-biennale/</loc><news:news><news:publication><news:name>Disinformation + Rorschach Audio</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-09-25T13:12:32+00:00</news:publication_date><news:title>Near-Field Communication Digital Art Biennale</news:title><news:keywords>Disinformation, Sound Art, Joe Banks, Technology, Language, Serpentine Gallery, Hans Ulrich Obrist, Digital Art, Sound Artist, Language as Technology, Trevor Paglen, Adam Basanta, Language [as] Meta-Technology, Language [as] Metatechnology, Metatechnology, Meta-Technology, Language is Technology, Language is Meta-Technology, Language is MetaTechnology, Public Art, Public Space, QR Code, Serpentine, Holly Herndon, Biennale, Serpentine Gallery London, Future Art Ecosystems, Serpentine London, Serpentine Arts Technologies, Arts Technologies, Harold Cohen, Tyler Hobbs, Future Art, Sasha Stiles, Ben Grosser, Cao Fei, Refik Anadol, Alex Estorick, Mat Dryhurst, All Media is Training Data, Training Data, Art Ecosystems, Vera Molnár, Right Click Save, Right Click, Click Save, Anna Ridler, Right Click Save Magazine, Louis Jebb, Language Itself is a Technology, Eli Scheinman, Maya Man, Urgent Futures, Urgent Futures Podcast, Kalliopi Ioumpa, Aaron Higgins, Addy Feuerstein, Adrian David Pickett, Agnes Ungar, Alex Myers, Alex Zakkas, Alkistis Voulgari, Andrea Fleber, Anya Bess, Arash Joulandan, Araya Wongwan, BiBi Jordan, Bransha Gautier, Brian Khuu, Bruce A Barber, Bjørn Magnhildøen, Bruno Melo, Bya de Paula, Clusterduck, Daniela Stojkovic, Daria Belkina, Dariya Kanti, Davey Whitcraft, David Miller, Dawid Orzeł Pieniewski, Dev Harlan, Dirk Vekemans, Dominik Podsiadly, Dorin Budușan, DUMPHAUS, Elina Kohanaya &amp; Sergey Tkachenko, Erika Matsunami, Ezoza Zokirjonova, George Matvienko, Geo Flouris, Ghala Vasylenko, Igor Buharov, Iza Koczanowska, J.C Muyonjo, Jacek Zachodny, James Hutchinson, Jan Robert Leegte, Jarosław Słomski, Jerzy Kosałka, Joonas Westerlund, Joubin Zargarbashi, Karina Palosi, Karl Heinz Jeron, Konstantina Mavridou, Kristoffer Ørum, Kseniia Kurbatova, Lelia Matis, Luis Gasca, Maartje A. Sanders, Madam Memoticon, Mark C. H. Schobben, Maternica collective, Mez Breeze, MICH (Michał Hertmanowski), Mirosław Chudy, Natali Keen, Natalia Rozhkova, Nicole Nemesi, Nikita Krzyżanowska, not-a-composite one, Olesia Gerasimenko, Osvaldo Cibils, Paul Wiersbinski, Pritam Mitra, Rudy Paganini forevermidi, Sandra Koretskaya, Sara Lipuzic, Shawn Lawson, Shunya Wada, Silvia Nonnenmacher &amp; Jürgen Trautwein, Stefanie Reling-Burns, Stepan Panteleev, Svetlana Fenster, szkarpaty, Tarsila West, Tommy Derveloy, Viktor Ivanov, Vincent van der Molen, Vladislav Fedotov, Vuk Cosic, Xavier Dallet aka Chan Somethingstar, Youssef El Idrissi, Zsolt Mesterhazy, Serpentine Arts Technologies Future Art Ecosystems, Norah N. Khan, Norah Khan, Jesse Damiani, Larva Labs, Erick Calderon, Snowfro, Beeple, Casey Reas, Gretchen Andrew, Manfred Mohr, William Mapan, John Watkinson, Near-Field Communication Digital Art Biennale, Near-Field Communication, Digital Art Biennale, Dogtime Expanded Painting, Dogtime Unstable Media, Dogtime, Browserbased, NFC, Smartphone, Gerrit Rietveld Academy Amsterdam, Gerrit Rietveld Academy, Gerrit Rietveld</news:keywords></news:news></url></urlset>
