0 BPM, 3D Audio, 3D Sound, A Machine to Listen to the Sky, A.n0nE, AA, AA Gallery, Action Research, Aerside, Aesthetica, Aesthetica Magazine, Air, Alejandro Zhang, Alternating Current, Alternating Current Electricity, Ambient Drone, Ambisonic, Ambisonics, Amoenus, Amoenus Sound, AmoenusSound, Andrew Hill, Anithesis, Anti-Futurism, Aphex Twin, Architectural Association, Architectural Brutalism, Architectural Modernism, Architectural Review, Architectures of Abundance, Art Blocks, Art-Science, Artist, As If Radio, Atmospherics, Audint, Audio Art, Audio Artist, Audio Installation, Audio Rorschach, Audio-Kinetic Art, Audiokinetic Art, Audiosfera, Audiosphere, Auto-Creative Art, Auto-Destructive Art, Autocreative Art, Autodestructive Art, BBC Radio 3, BBC Radio 4, BBC Sounds, Blanc Sceol, Brighton, Brighton CCA, Brighton Centre for Contemporary Art, British Library, British Library Sound Archive, Broken Syntax, Brutalism, Brutalist, Brutalist Architecture, Cable Depot, Café Oto, Call and Response, Call and Response Studios, CAS, Cavendish Art Science, Caylie Staples, CCA, CCA Brighton, CCA Glasgow, CCA Goldsmiths, Centre for Contemporary Art, Centre for Contemporary Art Brighton, Changing Signals, Christina Kubisch, Christine Takengny, Clot Magazine, clxo, Contemporary Art Society, Corsica Studios, CRISAP, Dan Tapper, Daniel Tapper, David Roberts Art Foundation, Deciphering a Broken Syntax, Digicult, Discord, Discord Server, Disinformation, Drone Music, Dronica Festival, Ear Hustle, Electric Symphony, Electric Walk, Electric Walks, Electrical Walk, Electrical Walks, Electricity, Electricity of the Mind, Electricity The Spark of Life, Electro Magnetics, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetism, Elektrizitätswerk, Elephant & Castle, Ephemera, Ephemera Festival, Ephemery, Ephemery Festiwalu, ERTZ, ERTZ Festival, Experimental Art, Experimental Music, Experimental Video, Exquisite World, Extreme Noise, Fabrica Brighton, Fabrica Gallery, Faraday Memorial, Felix Ashford, Ferranti, Ferranti Archive, Ferranti Collection, Festiwalu, FON Festival, Fort Process Festival, Full of Noises, Future Pace, Future\Pace, Futurism, Gabriel Prokofiev, Gaia Fugazza, Generative Art, Gerard Carson, Gertrude Contemporary, Glasgow CCA, Glass Salt, Goldsmiths CCA, Goldsmiths College, Greenwich Power Station, Greenwich University, Grid Music, Gustav Metzger, Haarlem, Hackoustic, Hannah Corrie, Hannah Kemp-Welch, Haroon Mirza, Hayward Gallery, Heliosphere, HRM199, HRM199 Ltd, Ian Thompson, ICA, ICA London, Iklectik, Iklectik Art, Iklectik Art Lab, Ilaria Puri Purini, Immersive Artistic Experiences, Immersive Sound, Immersive Sound Installation, Immersive Spatial Sound, Information War, Installation Art, Institute of Contemporary Arts, International Times, Intonarumori, J. Milo Taylor, Jeff Koons, Jeni Walwin, Jenn Leung, Joe Banks, Johann Diedrick, Katharina Worf, Kersten Glandien, Kettle's Yard, Kinetic Art, Kinetic Audio, Kinetic Audio Art, Kumbirai Makumbe, Language [as] Meta-Technology, LCC, LCC Crisap, Le Bon Accueil, Leeds 2023, Leeds2023, Leonardo Magazine, Leonardo Music Journal, Let There be Language, Liquid Architecture, Lisson Gallery, Listening, Listening Arts Channel, Listening Room, Listening To Non-Human Life, Live Mains Electricity, London, London College of Communication, London Metro, Low Frequency Radio, Luigi Russolo, Magnetics, Manchester, Mantra & Djinn, Mantra b2b Djinn, Mark M0WGF, Matt Lewis, Metaverse, Metaverse Spatial Audio, Metro, Michael Faraday, Michael Faraday Memorial, Mike Fell, Milo Taylor, Modernism, Modernist Architecture, Moon Phases, Movement Radio, MSCTY, MUMA Melbourne, Museo Reina Sofia, Music City, MusicCity, Musicity, National Grid, National Grid Music, National Grid TAGS: David Waterworth, National Sound Archive, Neural Magazine, New Art City, Nicholas Delap, Nick Luscombe, Noise Machines, Noise Music, Noises, Non-Classical, Non-Human Life, Nonclassical, Onassis Stegi, Optokinetic Art, Oscar Nearly, Otherness, Otherness Festival, Output Field, Pace, Pace Discord, Pace Gallery, Pace London, Pace Verso, Palais de Tokyo, Passengers, Polisonic, Polisonics, Politics and Sound, Politics of Sound, Psychoacoustics, Radio 3, Radio 4, Radiotopia, Rapture, Resonance FM, Richard D. James, Richard James, Rob Mullender, Roberts Art Foundation, Rodney Gordon, Rorschach Audio, Royal College of Art, Rupture, Samuel Capps, Schemata, Schemata Art, Schemata Arts, Sci-Art, Science and Industry Museum, Science and Industry Museum Manchester, Serpentine, Serpentine Gallery, Server, Sferics, Sine-Wave Speech, Sine-Wave Synthesis, Sinewave Speech, Sinewave Synthesis, Sluice HQ, Sluice Magazine, Soho House Magazine, Some Call it Noise, Somerset House, Somerset House Studios, Sonic Art, Sonic Artist, Sonic Garden. Immersive Audio, Sonic Geography, Sonic Urbanism, Sonic Urbanism: Listening To Non-Human Life, Sound & Music, Sound and Politics, Sound Archive, Sound Art, Sound Art Brighton, Sound Artist, Sound Image Research Group, Sound Installation, Sound Politics, Sound Practice, Sound Studies, Sound Theory, Sound-Image Research, Sound-Image Research Group - University of Greenwich, South London Gallery, Spark, Spark of Life, Spatial Audio, Spatial Sound, Steve Kennedy, Strange Attractor, Strange Attractor Press, Super Blue, Superblue, Suprematism, Synaptic Island, Talbot Rice, Talbot Rice Gallery, Terms of Service, Test Department, Test Dept, Teylers Museum, Teylers Museum Haarlem, The Act of Creation, The Ferranti Archive, The Ferranti Collection, The ICA, The Listening Room, The Quietus, The Rapture, The Spark of Life, The Wire, The Wire Magazine, Theatrum Mundi, Theatrum Mundi Collective, Transmission Ecologies, Trebuchet Magazine, Under Ether, Underground Flower, University of Greenwich, University of Westminster, Unsoundu, Unsoundu Festiwal, Verso, Very Low Frequency, Video Art, Virtual Art, Virtual Art Exhibition, Virtual Art Platform, VLF, VLF Radio, VLF Works, Warp Records, Wave Farm, We Are All Bats, Web3, Wellcome, Wellcome Trust, Wysing Polyphonic, Zero BPM
Disinformation “Antithesis” [virtual exhibition] ****
Portal – https://newart.city/show/schemata-disinformation-antithesis
Full description + user guide – https://tinyurl.com/2p8zjvm
“Virtually all the physical phenomena we experience, such as light, chemical reactions, the properties of materials, and the transmission of signals along nerve fibres, are electrical in nature. In fact, the only non-electrical force we experience every day is the force of gravity.” – Harris Benson “University Physics” Wiley 1991
Related
From → Uncategorized