6 Sides of Scott Mendes, 9 Line Manifesto, A History of the Universe in Sound, Acceleration Studies Foundation, Acoustic Mirror, Acoustic Mirrors, Action Research, AHRC, All Literature and Poetry are Forms of Sonic Art, Alphabet, AltspaceVR, Amazon, Ambisonic, Ambisonics, Amelia Barratt, Amoenus, Amoenus Sound, AmoenusSound, Andrew Fenchel, Andrew Lampert, Andy Farnell, Anithesis, Annotations, Annotations 2, Annotations II, Annotations II: Amelia Barratt - Librarian, Apple, Architecture, Arrhythmia, Art & Language, Art and Language, Art Blocks, Art Catalyst, Art Language Location, Artangel, Artificial Language, Artist, Arts, Arts & Humanities Research Council, Arts Catalyst, Arts Catalyst Radio, Audio Art, Audio Illusion, Audio Installation, Audio Rorschach, Audiology, Audiosfera, Audiosphere, Auditory Rorschach, Ö1 Kunstradio, BBC Sounds, Beaconsfield, Beaconsfield Gallery, Beaconsfield Research, Beware of Linguistic Engineering, Black Obsidian Sound System, Bloomsbury, Bloomsbury Festival, Bonnie Jones, Book Works, Bookworks, BOSS, Breath, Breathe, Brighton, Brighton CCA, Brighton Centre for Contemporary Art, Broken Syntax, C.S. Peirce, C.W. Morris, Café Oto, Call and Response, Call and Response Studios, Cally Spooner, Catalyst, CCA, CCA Annex, CCA Brighton, CCA Glasgow, CCA Goldsmiths, Centre for Contemporary Art, Centre for Contemporary Art Brighton, Centre for Contemporary Art Glasgow, Centre for Contemporary Art Goldsmiths, Charles Sanders Peirce, Charles W. Morris, Coles, Colin Cherry, Communication, Communications, Communications Technology, Communications Theory, Concept Art, Conceptual Art, CRISAP, CTM Festival, CTM Festival Radio Lab, CTM Radio Lab, Daniel van der Velden, Danielle Arnaud, Danielle Arnaud Gallery, Darren Bader, David Adjaye, Decentraland, Deciphering, Deciphering a Broken Syntax, Deep Structure, Delaine Le Bas, Deutschlandfunk Kultur, Discord, Discord Server, Disinformation, Domo Baal, Drawing Room, Echo, Electronic Music, Elliot Reed, Emma Goltz, Ephemera, Ephemera Festival, Ephemery, Ephemery Festiwalu, Equitable Vitrines, Esther Venrooij, EVP Poetics, Experimental Sound Art, Fabrica, Fabrica Brighton, Fabrica Gallery, Fabrica Gallery Brighton, Facebook, Facebook Inc., Facebook Messenger, Facebook Portal, Facebook Watch, Festival, Festiwalu, Finkel, Florian Hecker, Freedom of Speech, Future Pace, Future Shock, Futureshock, Future\Pace, Futurist, Futurology, Gala Porras-Kim, Generative Art, Genesis, Giphy, Glasgow, Glasgow CCA, Goethe Institut, Goldmsiths College, Goldsmiths CCA, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goldsmiths Press Sonics, Google, Hana Noorali, Haroon Mirza, Haus der Kulturen der Welt, Haus der Kulturen der Welt Berlin, Hayward Gallery, HKW, HKW Berlin, HQ, HRM199, HRM199 Ltd, HRM199 Outputs, Iklectik, Iklectik Art, Iklectik Art Lab, Iklectik Creative Space, Iklectika, Immersive Sound, Immersive Sound Installation, Immersive Spatial Sound, Information, Information Technology, Information Theory, Instagram, Internet, Irving, Irving Finkel, Jennifer Walshem, Jennifer Wicks, Jessie Marino, Jio Platforms, Joe Banks, Johanna Schindler, Joy of Text, Katrin Klingan, Ken Hollings, Kersten Glandien, Kettle's Yard, Khronos Group, Kinetic Art, Klangkunst, Kode 9, Koppel, Koppel 540, Koppel Project, Kristen Gallerneaux, Kunstradio, Lampo, Lampo Folio, Language, Language Art, Language as Meta, Language as Meta-Tech, Language as Metatech, Language as Technology, Language Experiment, Language Game[s], Language Instinct, Language is a Virus, Language is a Virus from Outer Space, Language Itself, Language of Sound, Language Science, Language Tech, Language Technology, Language Virus, Language [as] Meta-Technology, Language [as] Metatechnology, Laurie Anderson, LCC, Leeds 2023, Leeds2023, Let There be Language, Librarian, Linguistic Engineering, Linguistics, Lisson Gallery, Listening, Listening Arts Channel, Listening To Non-Human Life, Literature and Poetry, London College of Communication, Lynton Talbot, Maeve Redmond, Mana, Mapillary, Mark Coeckelbergh, Mark Zuckerberg, Mary Doyle, Matt Lewis, Media Grid, Meme, Memes, Memetics, Mends of Scott Friendes, Messenger, Meta, Meta Platforms Inc., Meta Platforms., Meta-Tech, Meta-Technology, Meta-verse, Metahaven, Metatech, Metatechnology, Metaverse, Metaverse Group, Metaverse Roadmap, Metaverse Spatial Audio, Microsoft, Microsoft Teams, Modern Language, Modern Language Experiment, Museo Reina Sofia, Music, Music for Architecture, National Grid, Neal Stephenson, Nick Clegg, Nick Houde, Nikita Gale, Nine Line Manifesto, Noam Chomsky, Non-Human Life, Nour Mobarak, Oculus, oice, Onassis Stegi, Open Source Metaverse Project, ORF Musikprotokoll, Otherness, Otherness Festival, Outer Space, Outset Study, Pace, Pace Discord, Pace Gallery, Pace London, Pace Verso, Parrhesiades, Pedro Novo, Perception, Perception Art, Perception Art Exhibition, Peter Adjaye, Polisonic, Polisonics, Politics and Sound, Politics of Sound, Polly Gould, Project, Psychoacoustics, QR Code, Quinn Latimer, Radio Art, Radio Arts, Radio Arts Catalyst, Radio Lab 2022, Re-Synthesizers, Recitation of a 9 Line Manifesto, Recitation of a Nine Line Manifesto, Resoanance FM, Resonance, Resonance 104.4, Resonance 104.4 FM, Resynthesizers, Richard Dawkins, Rorschach Audio, Rosemary Richards, Royal Academy, Royal Academy Sound Programme, Royal Academy Soundscape, Royal Academy Summer Exhibition, Royal Academy Summer Exhibition Sound Programme, Royal Academy Summer Exhibition Soundscape, Sadie, Sadie Coles, Sadie Coles HQ, Sarah Hennies, SARU, Schemata Arts, Self Expression, Semiology, Semiotext/e, Semiotexte, Semiotics, Sergei Tcherepnin, Serpentine, Serpentine Gallery, Server, Sheena Calvert, Sine-Wave Speech, Sine-Wave Synthesis, Sinewave Speech, Sinewave Synthesis, Site Gallery, Site Gallery Sheffield, Sluice Art Fair, Sluice HQ, Sluice Magazine, Smalltalk for Lonely Ghosts, Snow Crash, Somerset House, Sonic Art, Sonic Arts Research Unit, Sonic Garden, Sonic Inkblot, Sonic Ray, Sonic Urbanism, Sonic Urbanism: Listening To Non-Human Life, Sonics, Sonics Series, Sound, Sound and Language, Sound and Politics, Sound and the Written Word, Sound Art, Sound Art Brighton, Sound Artist, Sound Installation, Sound Mirror, Sound Mirrors, Sound Politics, Sound Practice, Sound Programme, Sound Recording Technology, Sound Theory, Sounding Things Out, Soundscape, South London Gallery, Spambot EVP Poetics, Spatial Audio, Spatial Sound, Speech, Speech Art, Speech Synthesis, Speech Synthesiser, Steve Goodman, Steven Pinker, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Summer Exhibition, Summer Exhibition Sound Programme, Summer Exhibition Soundscape, Super Blue, Superblue, Synaptic Island, Technology, Technology as Language, TED Talks, Text, Text Art, Text as a Technology, Text as Technology, Text Technology, The Act of Creation, THE Campus, The Earliest Form of Sound Recording Technology was not a Machine but was Written Language, THE Feature, The Koppel Project, The Language Instinct, The Modern Language Experiment, The Ultimate Form of Communications Technology is Language Itself, The Voice, The Wire, The Wire Magazine, Theatrum Mundi, Theatrum Mundi Collective, THES, Times Higher, Times Higher Education, Transmission Ecologies, Twitter, UAL, Ultimate Form, Umberto Eco, Underbelly, University of the Arts, University of the Arts London, University of Westminster, Unsound, Unsound Festival, Unsoundu, Unsoundu Festiwal, Untitled Fauna, Verso, Vinca Kruk, Virus, Visual Language of Sound, Voice, We Are All Bats, WhatsApp, William Burroughs, William S. Burroughs, Wire Magazine, Wireless, World Wide Web, Written Language, Yamamoto Keiko Rochaix