35MW, 50Hz, 60Hz, ACCA, ACCA Melbourne, Agency Gallery, Alice Hackney, Alternating Current, Alternating Current (AC), Alva Noto, Anita Zabludowicz, Anne Zeitz, AnOther Magazine, AnOtherMag, Antiphony, Architectonic Studies of Radio, Ariane Koek, Ars Electronica, Art & Illusion, Art & Illusion for Sound, Art on the Underground, Artangel, Artist, Arts Catalyst, Arts Catalyst Radio, Arts@CERN, Artsadmin, Ash International, Assembly, Assembly 2020, Atau Tanaka, Atrocity Exhibition, Audio Rorschach, Audio Sphere, Audio Visual Culture, Audiosfera, Audiosphere, Audiovisual Culture, Auditory Projection, Australian Centre for Contemporary Art, AV Festival, B-Side Festival, Baltic, Baltic Centre, Baltic Centre for Contemporary Art, Baltic Gateshead, Basel, BBC Radio, BBC Radio 3, BBC Radio 4, Bea De Souza, Beatrice Dillon, Ben Barwise, Ben Ponton, Bill Kouligas, Blanc Sceol, Blast First, Blast Magazine, Bloomberg, Bloomberg New Contemporaries, Bold Tendencies, Brian Eno, Brilliant Noise, Broadcasting House, Broadcasts, Bruce Gilbert, Café Oto, Caleb Kelly, Call & Response, Call and Response, Calvert 22, Camden Arts Centre, Carsten Holler, Carsten Nicolai, Catalyst Radio, Cave Leeds, CCA, CCA Glasgow, Center for Art and Media Karlsruhe, Centre for Audio Visual Experimentation, Centre for Contemporary Arts, CERN Geneva, Charlie Fox, Christian Marclay, Christina Kubisch, Christoph Cox, Chus Martinez, Claudia Mareis, CM von Hausswolff, CME, Contemporary Art Society, Coronal Mass Ejection, CRISAP, Critical Media Lab, Critical Media Lab Basel (IXDM), Cryptic, Damien Simon, Dan Tapper, David Roberts, David Roberts Art Foundation, David Toop, Dazed and Confused, DazedDigital, DCA Dundee, De La Warr Pavilion, Detektors, Direct Current, Direct Current (DC), Disinformation, Disinformation My Misinformation, Disobey, Dorit Chrysler, Douglas Kahn, DRAF, DRAF Broadcasts, Dronica, Dronica Festival, Dundee Contemporary Arts, DWLP Bexhill, Earth Sound Earth Signal, Eigen+Art, Eigen-Art, Electric, Electrical Walks, Electricity, Electricity of the Mind, Electricity The Spark of Life, Electromagnetic Art, Electromagnetic Force Fields, Electromagnetic Interactions, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Sound Art, Electromagnetism, Eleonora Oreggia, Empty Set, Energies In The Arts, Eric Demetriou, Experimental Design and Media Cultures, Fabrica, Fabrica Brighton, Fabrica Gallery, FACT Liverpool, Felix Carey, FHNW, FHNW Academy of Art and Design, FHNW Academy of Art and Design Basel, FHNW Basel, FHNW IXDM, Fieldwave, Flat Time House, Flatpack Festival, Florian Hecker, Fort Process, Fort Process Festival, Francisco Lopez, Freunde Guter Musik, Furtherfield, Future Pace, Futurecity, Future\Pace, Futurism, Gabriel Prokofiev, Galerie Thaddaeus Ropac, Gazelli Art House, Ghost Shells, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, Goldsmiths MFA, Goldsmiths Press, Goodiepal, GR-Uniforma, Graham Dunning, Grid Music, Hari Kunzru, Haroon Mirza, Haus der Elektronischen Künste, Haus der Elektronischen Kunst, Haus der Elektronischen Kunst Basel, Hayward Gallery, Hear & Now, Hear and Now, Heather Phillipson, HeK, HEK Basel, HEK Haus der elektronischen Künste, Henry Moore Foundation, Honor Harger, HRM199, Hull Time Based Arts, Humber Street Gallery, Hyperdub, i-D magazine, Iain Chambers, Ian Helliwell, Ian Stonehouse, Iklectik, Iklectik Art Lab, Iklectik Offsite, Illusions, IMT Gallery, Information, Information Disinformation, Intermission, Intonarumori, Irene Revell, Isn’tses, IXDM, IXDM Basel, J.G. Ballard, Jack Jelfs, James Ginzburg, James Worse, Jamie Allen, Jamie XX, Jeff Gburek, Jeff Kolar, Jeremy Deller, Jeremy Keenan, Joe Banks, Joe Gerhardt, John Drever, John Hansard Gallery, John Wynne, Jonathan Kemp, Joyce Hinterding, Julia Peyton-Jones, Karst, Karst Plymouth, Kate Carr, Kode 9, Kode9, KREV, Kwaidan, Kwaidan Editions, Langham Research Centre, Late Night Chameleon Cafe, Laura McLean-Ferris, Laure Genillard, Laure Genillard Gallery, LCC Crisap, Le Bon Accueil, Leafcutter John, Lee Berwick, Leila Hasham, LG Notations, Liquid Architecture, Lisa McKendrick, Lisson Gallery, Live Mains Electricity, LN-CC, LNCC, London Underground, Luigi Russolo, Lux, Magnetic Movie, Mains Electricity, Malgorzata Plysa, Manchester Art Gallery, Margot Heller, Mark Leckey, Marta Zapparoli, Martin Creed, Martin Howse, Mat Schulz, Matt Lewis, Mechanical Techno, Merle Ibach, Michael Begg, Mike Fell, Mike Kelley, Mike Stubbs, Mila Askarova, Misinformation, Modern Art Oxford, MOMA Oxford, Monica Bello, Mountain of Art Research, MSCTY, MSCTY.SPACE, MSCTY_Studio, Muffled Ciphers, Museo Nacional Centro de Arte Reina Sofía, Museo Reina Sofía Madrid, Museo Reina Sofia, Music and New Art Forms, Music City, Musical Cities, Musicity, Nadia Thondrayen, National Grid, Nebula Rosa, Nebularosa, Nebularosa 02, Nebularosa 02: Electromagnetic Interactions, Neural Magazine, New Approaches, New Art Forms, New Contemporaries, Nick Luscombe, Non-Classical, Nonclassical, OCM, Olga Panades, Omnempathy, ORR Scintilla, ORR_Scintilla, Overwhelming Waves, Oxford Contemporary Music, P-A-N, Pace Gallery, Pace London, Paddy O'Connell, Pan, Paul Purgas, Peter Weibel, Phantasmata, Phantasmata & Illusions, Phantasmata and Illusions, Philip Tagney, Psychoacoustics, Quietus, Radio 3, Radio 4, Radio Arts, Radio Arts Catalyst, Radio Phonography, Radio Phrenia, Radiophonography, Radiophrenia, Radioqualia, Radius, Raitis Smits, Rasa Smite, Raster Noton, Reina Sofía, Reina Sofía Madrid, Reina Sofía Museum, Resonance 104.4 FM, Resonance FM, Resonant Architecture, Rob Mullender, Robert Worby, Ropac, Rorschach Audio, Ros Carter, Royal College of Art, Ruslan Karablin, Ruth Garde, Ruth Jarman, Ryan Dilley, Sabine Himmelsbach, Sadie Coles, Sadie Coles HQ, Sam Belinfante, Sara Adhitya, SCHQ, SCHQ Electric, Science Gallery Dublin, Science Gallery London, Science Gallery Melbourne, Science Museum, Scope, Self Savior Universe Rule, Semiconductor, Semiconductor Films, Sense Data & Perception, Sense Data and Perception, Seth Kim-Cohen, Shannen SP, Shift Register, Shintaro Miyazaki, Silent Sound, Sine-Wave Speech, Sine-Wave Synthesis, Sinewave Speech, Sinewave Synthesis, Singuhr Sound Gallery, Site Gallery, Site Gallery Sheffield, Solar Radio Noise, Somerset House, Somerset House Assembly 2020, Somerset House Studios, Sonar, Sonar Festival, Sonic, Sonic Anomaly, Sonic Anomaly Sideshow, Sonic Art, Sonic Boom, Sonic Scope, Sonic Scope: New Approaches to Audiovisual Culture, Sonica, Sonica Festival, Sound & Music, Sound Art, Sound Artist, Sound Installation, Sound Practice Research, Sounding the Body Electric, South London Gallery, Southbank Centre, SPR, SSUR, Stanley Picker Gallery, Stargate, Steve Goodman, Store X, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Susan Hiller, Susan Philipsz, Susanna Hertrich, Suzanne Treister, Tate Modern, Test Department, Test Dept, TFL, Thaddaeus Ropac, The Agency, The Agency Gallery, The Atrocity Exhibition, The Listening Service, The Otolith Group, The Power of Electricity, The Quietus, The Situationist, The Visitor, The Wire, Theophany, Tim Drage, Tom McCarthy, Tom Service, Tone Foundation, Tone Foundation - Music and New Art Forms, Touch Music, Towner, Towner Art Gallery, Towner Gallery, UCL, Unit for Sound Practice Research, University of London, University of Westminster, Unsound, Unsound 2020, Unsound 2020: Intermission, Unsound Festival, Unsound Intermission, Unsound Lab, Unsound Lab 2020, Urban Sound, Very Low Frequency Radio, Vice, Vincent Van Uffelen, Vinyl Factory, Vitrine, Vitrine Gallery, VLF Explorer, VLF Radio, VLF Whistlers, VLF Works, Volta, Vorticism, Wellcome Trust, Wire, Wire Magazine, Witness 4, Witness 4: The Visitor, Woodrow Kernohan, Wyndham Lewis, X-Name, Xname, Zabludowicz, Zabludowicz Collection, ZKM, ZKM Karlsruhe, ZKM Zentrum für Kunst und Medientechnologie
Electromagnetic Sound Art, 1996 to 2016 **
Disinformation on Resonance 104.4 FM – Wavelength – 4 November 2016 –
https://www.mixcloud.com/Resonance/wavelength-4th-november-2016/
Disinformation on BBC Radio 4 – Broadcasting House – 15 June 2008 –
https://www.youtube.com/watch?v=xoMKR_OH3GM
Disinformation on BBC Radio 4 – Broadcasting House – 2 November 2008 –
https://www.youtube.com/watch?v=OrV3e3WQZ1Y
… all discussing work published 1996 onwards
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