20Hz, 35MW, 50Hz, 60Hz, A History of the Universe in Sound, ACCA, ACCA Melbourne, Adriana Knouf, Afroditi Psarra, Agency Gallery, Alice Hackney, Alternating Current, Alternating Current (AC), Alva Noto, Alvin Lucier, Anita Zabludowicz, Anna Friz, Anne Zeitz, AnOther Magazine, AnOtherMag, Antiopic, Antiphony, Architectonic Studies of Radio, Ariane Koek, Ars Electronica, Art & Illusion, Art & Illusion for Sound, Art Contemporary, Art on the Underground, Artangel, Artist, Artistic Inventiveness, Arts Catalyst, Arts Catalyst Radio, Arts Science, Arts@CERN, Artsadmin, Ash International, Assembly, Assembly 2020, Atau Tanaka, Atrocity Exhibition, Audio Rorschach, Audio Sphere, Audio Visual Culture, Audiosfera, Audiosphere, Audiovisual Culture, Auditory Projection, Audrey Briot, Australian Centre for Contemporary Art, AV Festival, Ö1 Kunstradio, B-Side Festival, Baltic, Baltic Centre, Baltic Centre for Contemporary Art, Baltic Gateshead, Basel, BBC Radio, BBC Radio 3, BBC Radio 4, Bea De Souza, Beatrice Dillon, Ben Barwise, Ben Ponton, Bill Kouligas, Blanc Sceol, Blast First, Blast Magazine, Block Universe, Bloomberg, Bloomberg New Contemporaries, Bold Tendencies, Brandon LaBelle, Brian Eno, Brighton Fabrica, Brilliant Noise, Broadcasting House, Broadcasts, Bruce Gilbert, Café Oto, Caleb Kelly, Call & Response, Call and Response, Calvert 22, Cambridge, Camden Arts Centre, Cameron Perry Fraser, Carsten Holler, Carsten Nicolai, Carsten Seiffarth, Catalyst Radio, Cave Leeds, Cavendish Arts, Cavendish Arts Science, Cavendish Arts Science Fellowship, Cavendish Laboratory, Cavendish Laboratory Cambridge, CCA, CCA Glasgow, Center for Art and Media Karlsruhe, Centre for Art and Media, Centre for Audio Visual Experimentation, Centre for Contemporary Arts, CERN Geneva, Changing Signals, Chaos Media, Charlie Fox, Christian Marclay, Christina, Christina Kubisch, Christoph Cox, Chus Martinez, Claudia Mareis, Close Lightning, Close Lightning Spherics, Clot, Clot Magazine, CM von Hausswolff, CME, Contemporary Art, Contemporary Art Society, Coronal Mass Ejection, CRISAP, Critical Media Lab, Critical Media Lab Basel (IXDM), Cryptic, CTM, CTM Festival, CTM Festival Radio Lab, CTM Radio Lab, Cultural History, Cultural History of the Ghost, Damien Simon, Dan Tapper, David Roberts, David Roberts Art Foundation, David Toop, Dazed and Confused, DazedDigital, DCA Dundee, De La Warr Pavilion, Deptford Power Station, Detektors, Deutschlandfunk Kultur, Devonshire Collective, Direct Current, Direct Current (DC), Disinformation, Disinformation My Misinformation, Disobey, Dorit Chrysler, Doug Kahn, Douglas Kahn, Dr Simon Foster, DRAF, DRAF Broadcasts, Dronica, Dronica Festival, Dundee Contemporary Arts, DWLP Bexhill, Earth Sound Earth Signal, Eastbourne, Eigen+Art, Eigen-Art, Electric, Electrical Walks, Electricity, Electricity of the Mind, Electricity The Spark of Life, Electro-Magnetic Musical, Electromagnetic Art, Electromagnetic Audio, Electromagnetic Force Fields, Electromagnetic Forces, Electromagnetic Interactions, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Recordings, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetism, Electronic Bauhaus, Elektrizitätswerk, Elektrizitätswerk Luckenwalde, Eleonora Oreggia, Empty Set, Energies In The Arts, Eric Demetriou, Ewerk, Ewerk Luckenwald, Experimental Design and Media Cultures, Fabrica, Fabrica Brighton, Fabrica Gallery, FACT Liverpool, Felix Carey, Ferranti, Ferranti Archive, Ferranti Collection, Ferranti Electronics, FHNW, FHNW Academy of Art and Design, FHNW Academy of Art and Design Basel, FHNW Basel, FHNW IXDM, Fieldwave, Flat Time House, Flatpack Festival, Florian Hecker, Forked Forest Path, Fort Process, Fort Process Festival, Francisco Lopez, Freunde Guter Musik, Furtherfield, Future Pace, Futurecity, Future\Pace, Futurism, Gabriel Prokofiev, Galerie Thaddaeus Ropac, Gazelli Art House, Ghost Shells, Girton College, Girton College Cambridge, Goethe Institut, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, Goldsmiths MFA, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goldsmiths Press Sonics, Goodiepal, GR-Uniforma, Graham Dunning, Greenwich Power Station, Grid Music, Guy Haywood, Hannah White, Hari Kunzru, Haroon Mirza, Haroon Mirza Outputs, Haus der Elektronischen Künste, Haus der Elektronischen Kunst, Haus der Elektronischen Kunst Basel, Hayward Gallery, Hear & Now, Hear and Now, Heather Phillipson, HeK, HEK Basel, HEK Haus der elektronischen Künste, Henry Moore Foundation, Honor Harger, HRM199, HRM199 Ltd, HRM199 Outputs, Hull Time Based Arts, Humber Street Gallery, Hyperdub, i-D magazine, Iain Chambers, Ian Helliwell, Ian Stonehouse, Iklectik, Iklectik Art Lab, Iklectik Offsite, Illusions, IMT Gallery, Inflamed Invisible, Information, Information Disinformation, Intermission, Intonarumori, Irene Revell, Isn’tses, IXDM, IXDM Basel, J.G. Ballard, Jack Jelfs, James Ginzburg, James Worse, Jamie Allen, Jamie XX, Jeff Gburek, Jeff Kolar, Jeremy Deller, Jeremy Keenan, Joe Banks, Joe Gerhardt, John Drever, John Hansard Gallery, John Wynne, Jonathan Kemp, Joyce Hinterding, Julia Peyton-Jones, Karst, Karst Plymouth, Kate Carr, Katharina Worf, Kinetic Art, Klangkunst, Kode 9, Kode9, KREV, Kristen Floos, Kubisch, Kunstradio, Kwaidan, Kwaidan Editions, Langham Research Centre, Late Night Chameleon Cafe, Laura McLean-Ferris, Laure Genillard, Laure Genillard Gallery, LCC Crisap, Le Bon Accueil, Leafcutter John, Lee Berwick, Leila Hasham, LG Notations, Liquid Architecture, Lisa McKendrick, Lisson Gallery, Live Mains Electricity, LN-CC, LNCC, London Underground, Lovely Music, Luckenwalde, Luigi Russolo, Lux, Magnetic Movie, Magnetic Signals, Magneticsignals, Magnets, Mains Electricity, Malgorzata Plysa, Manchester Art Gallery, Margot Heller, Mark Leckey, Mark Titchner, Markus Steffens, Marta Zapparoli, Martin Creed, Martin Howse, Mat Schulz, Matt Lewis, Mechanical Techno, Merle Ibach, Michael Begg, Mike Fell, Mike Kelley, Mike Stubbs, Mila Askarova, Misinformation, Modern Art Oxford, MOMA Oxford, Monica Bello, Mountain of Art Research, MSCTY, MSCTY.SPACE, MSCTY_Studio, Muffled Ciphers, Museo Nacional Centro de Arte Reina Sofía, Museo Reina Sofía Madrid, Museo Reina Sofia, Music and New Art Forms, Music City, Musical Cities, Musicity, Nadia Thondrayen, NASA, NASA Sound Archive, National Grid, Nebula Rosa, Nebularosa, Nebularosa 02, Nebularosa 02: Electromagnetic Interactions, Neural Magazine, New Approaches, New Art Forms, New Contemporaries, Nick Luscombe, Non-Classical, Nonclassical, OCM, Olafur Eliasson, Olga Panades, Omnempathy, ORF Musikprotokoll, ORR Scintilla, ORR_Scintilla, Outputs, Overwhelming Waves, Oxford Contemporary Music, P-A-N, Pace Gallery, Pace London, Paddy O'Connell, Pan, Panayiotis Vassilakis, Past Present and Future, Past Present and Future of Artistic Inventiveness, Patrick Sykes, Paul Purgas, Peter Weibel, Phantasmata, Phantasmata & Illusions, Phantasmata and Illusions, Philip Tagney, Psychoacoustics, Quietus, Radio 3, Radio 4, Radio Art, Radio Arts, Radio Arts Catalyst, Radio Lab 2022, Radio Phonography, Radio Phrenia, Radio Revolten, Radiophonography, Radiophrenia, Radioqualia, Radius, Raitis Smits, Rana Begum, Rasa Smite, Raster Noton, Raviv Ganchrow, Ray Dolby, Ray Dolby Centre, Recording The Spirit Level, Reina Sofía, Reina Sofía Madrid, Reina Sofía Museum, Renaud Bajeux, Resonance 104.4 FM, Resonance FM, Resonant Architecture, Rob Bowman, Rob Mullender, Robert Worby, Ropac, Rorschach Audio, Ros Carter, Royal College of Art, Ruslan Karablin, Ruth Garde, Ruth Jarman, Ryan Dilley, Sabine Himmelsbach, Sadie Coles, Sadie Coles HQ, Sam Belinfante, Sara Adhitya, Sasha Engelmann, SCHQ, SCHQ Electric, Science Gallery Dublin, Science Gallery London, Science Gallery Melbourne, Science Museum, Scope, Sculptures Électromagnétiques, Self Savior Universe Rule, Semiconductor, Semiconductor Films, Sense Data & Perception, Sense Data and Perception, Seth Kim-Cohen, Sferics, Shannen SP, Shift Register, Shintaro Miyazaki, Siân Ede, Signals, Silent Sound, Simon Foster, Sine-Wave Speech, Sine-Wave Synthesis, Sinewave Speech, Sinewave Synthesis, Singuhr, Singuhr Projects, Singuhr Sound Gallery, Site Gallery, Site Gallery Sheffield, Solar Radio Noise, Some Call it Noise, Some Call it Noise - Turbulent Forms, Somerset House, Somerset House Assembly 2020, Somerset House Studios, Sonar, Sonar Festival, Sonic, Sonic Agency, Sonic Anomaly, Sonic Anomaly Sideshow, Sonic Art, Sonic Boom, Sonic Ray, Sonic Scope, Sonic Scope: New Approaches to Audiovisual Culture, Sonica, Sonica Festival, Sonics, Sonics Series, Sound & Music, Sound Art, Sound Artist, Sound Installation, Sound Practice Research, Sounding the Body Electric, South London Gallery, Southbank Centre, Spatial Sound, Spectral, SPR, SSUR, Stanley Picker Gallery, Stargate, Stephen McGreevy, Stephen Shiell, Steve Goodman, Store X, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Studio HRM199, Studio HRM199 Ltd, Suchitra Sebastian, Sunsong, Susan Hiller, Susan Owens, Susan Philipsz, Susanna Hertrich, Suzanne Treister, Takis, Takis Foundation, Takis Foundation Research Center, Takis Foundation Research Center for the Arts and Sciences, Tate Modern, Tate Publishing, TED Talks, Test Department, Test Dept, TFL, Thaddaeus Ropac, The Agency, The Agency Gallery, The Atrocity Exhibition, The Ferranti Archive, The Ferranti Collection, The Ghost, The Ghost - A Cultural History, The Listening Service, The Otolith Group, The Power of Electricity, The Quietus, The Situationist, The Visitor, The Wave Epoch, The Wire, The Wire Magazine, Theophany, Thyssen Bornemisza, Thyssen-Bornemisza Art Contemporary, Tim Drage, Tom McCarthy, Tom Service, Tone Foundation, Tone Foundation - Music and New Art Forms, Touch Music, Towner, Towner Art Gallery, Towner Eastbourne, Towner Gallery, Towner Gallery Eastbourne, Transmission Ecologies, Transmissions, Transmissions TV, Turbulent Forms, UCL, Una Ryan, Unit for Sound Practice Research, University of London, University of Westminster, Unsound, Unsound 2020, Unsound 2020: Intermission, Unsound Festival, Unsound Intermission, Unsound Lab, Unsound Lab 2020, Urban Sound, Very Low Frequency, Very Low Frequency Radio, Very Low Frequency Radio Art, Vice, Victor Mazon Gardoqui, Vincent Van Uffelen, Vinyl Factory, Vitrine, Vitrine Gallery, VLF, VLF Explorer, VLF Interference, VLF Noise, VLF Radio, VLF Radio Art, VLF Sound, VLF Whistlers, VLF Works, Volt, Volt 2021, Volt Eastbourne, Volt Gallery, Volt Gallery Eastbourne, Volt Project Space, Volta, Voltage, Vorticism, Wave Epoch, Wayne McGregor, Wellcome Trust, Wire, Wire Magazine, Wireless, Witness 4, Witness 4: The Visitor, Woodrow Kernohan, Wyndham Lewis, Wysing, Wysing Arts Centre, Wysing Transmissions, Wysing Transmissions TV, X-Name, Xname, Zabludowicz, Zabludowicz Collection, ZKM, ZKM Centre for Art and Media, ZKM Karlsruhe, ZKM Zentrum für Kunst und Medientechnologie