20Hz, 35MW, 3D Audio, 3D Sound, 50Hz, 60Hz, A History of the Universe in Sound, A Machine to Listen to the Sky, ACCA, ACCA Melbourne, Acoustic Mirror, Action Research, Adriana Knouf, Afroditi Psarra, Agency Gallery, Air, Alexandra Maciá, Alice Hackney, Alternating Current, Alternating Current (AC), Alva Noto, Alvin Lucier, Alyssa Moxley, Ambisonic, Ambisonics, Amoenus, Amoenus Sound, AmoenusSound, Andrew Hill, Anita Zabludowicz, Anna Friz, Anne Zeitz, AnOther Magazine, AnOtherMag, Antiopic, Antiphony, Architectonic Studies of Radio, Ariane Koek, Ars Electronica, Art & Illusion, Art & Illusion for Sound, Art Catalyst, Art Contemporary, Art on the Underground, Artangel, Artist, Artistic Inventiveness, Arts, Arts Catalyst, Arts Catalyst Radio, Arts Science, Arts@CERN, Artsadmin, As If Radio, Ash International, Assembly, Assembly 2020, Atau Tanaka, Atmospherics, Atrocity Exhibition, Audio Rorschach, Audio Sphere, Audio Visual Culture, Audiosfera, Audiosphere, Audiovisual Culture, Auditory Projection, Audrey Briot, Australian Centre for Contemporary Art, AV Festival, Ö1 Kunstradio, B-Side Festival, Baltic, Baltic Centre, Baltic Centre for Contemporary Art, Baltic Gateshead, Barry Burns, Basel, BBC Radio, BBC Radio 3, BBC Radio 4, BBC Sounds, Bea De Souza, Beaconsfield, Beaconsfield Gallery, Beaconsfield Research, Beatrice Dillon, Ben Barwise, Ben Ponton, Berlin, Bill Kouligas, Blanc Sceol, Blast First, Blast Magazine, Block Universe, Bloomberg, Bloomberg New Contemporaries, Bold Tendencies, Bornemisza, Brandon LaBelle, Brian Eno, Brighton, Brighton CCA, Brighton Centre for Contemporary Art, Brighton Fabrica, Brigitte Hart, Brilliant Noise, Broadcasting House, Broadcasts, Bruce Gilbert, Café Oto, Caleb Kelly, Call & Response, Call and Response, Call and Response Studios, Calling the Cosmos, Calvert 22, Cambridge, Camden Arts Centre, Cameron Perry Fraser, Carl Michael von Hausswolff, Carsten Holler, Carsten Nicolai, Carsten Seiffarth, CAS, Catalyst, Catalyst Radio, Cave Leeds, Cavendish Arts, Cavendish Arts Science, Cavendish Arts Science Fellowship, Cavendish Laboratory, Cavendish Laboratory Cambridge, Caylie Staples, CCA, CCA Brighton, CCA Glasgow, CCA Goldsmiths, Center for Art and Media Karlsruhe, Centre for Art and Media, Centre for Audio Visual Experimentation, Centre for Contemporary Art, Centre for Contemporary Art Brighton, Centre for Contemporary Arts, CERN Geneva, Changing Signals, Chaos Media, Charlie Fox, Chienvoler, Christian Marclay, Christina, Christina Kubisch, Christine Takengny, Christoph Cox, Chus Martinez, Claire Williams, Claudia Mareis, Close Lightning, Close Lightning Spherics, Clot, Clot Magazine, CM von Hausswolff, CME, Constanza Piña Pardo, Contemporary Art, Contemporary Art Society, Coronal Mass Ejection, Counter Sonics, Countersonics, CRISAP, Critical Media Lab, Critical Media Lab Basel (IXDM), Cryptic, CTM, CTM Festival, CTM Festival Radio Lab, CTM Radio Lab, Cultural History, Cultural History of the Ghost, Damien Simon, Dan Tapper, Daniel Tapper, Dark Morph, David Roberts, David Roberts Art Foundation, David Toop, Dazed and Confused, DazedDigital, DCA Dundee, De La Warr Pavilion, Demystification of Electronic Art, Deptford Power Station, Detach, Detektors, Deutschlandfunk Kultur, Devonshire Collective, Direct Current, Direct Current (DC), Discord, Discord Server, Disinformation, Disinformation My Misinformation, Disobey, Dorit Chrysler, Doug Kahn, Douglas Kahn, Dr Simon Foster, DRAF, DRAF Broadcasts, Dronica, Dronica Festival, Dundee Contemporary Arts, DWLP Bexhill, Earth Sound Earth Signal, Eastbourne, Eastern Bloc, Eastern Bloc Lab, Eigen+Art, Eigen-Art, Electric, Electric Coast, Electric Walk, Electric Walks, Electrical Walk, Electrical Walks, Electricity, Electricity Generation, Electricity of the Mind, Electricity The Spark of Life, Electro-Magnetic Musical, Electromagnetic Art, Electromagnetic Audio, Electromagnetic Force Fields, Electromagnetic Forces, Electromagnetic Interactions, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Recordings, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetism, Electronic Bauhaus, Elektrizitätswerk, Elektrizitätswerk Luckenwalde, Eleonora Oreggia, Empty Set, Energies In The Arts, Ephemera, Ephemera Festival, Ephemery, Ephemery Festiwalu, Eric Demetriou, Esther Bourdages, Ewerk, Ewerk Luckenwald, Experimental Design and Media Cultures, Fabrica, Fabrica Brighton, Fabrica Gallery, FACT Liverpool, Felix Carey, Ferranti, Ferranti Archive, Ferranti Collection, Ferranti Electronics, Festiwalu, FHNW, FHNW Academy of Art and Design, FHNW Academy of Art and Design Basel, FHNW Basel, FHNW IXDM, Fieldwave, Flat Time House, Flatpack Festival, Florian Hecker, FM Mutiny, FON Festival, Forked Forest Path, Fort Process, Fort Process Festival, Foundation, Franchesca Casauay, Francisco Lopez, Freunde Guter Musik, Frgmnt, Full of Noises, Furtherfield, Future Pace, Futurecity, Future\Pace, Futurism, Gabriel Prokofiev, Gaia Fugazza, Galerie Thaddaeus Ropac, Gambletron, Gascia Ouzounian, Gazelli Art House, Georgia Muenster, Ghost Shells, Girton College, Girton College Cambridge, Glasgow, Glasgow CCA, Glass Salt, Goethe Institut, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, Goldsmiths MFA, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goldsmiths Press Sonics, Goodiepal, GR-Uniforma, Graham Dunning, Greenwich Power Station, Greenwich University, Grid Music, Guy Haywood, Haarlem, Hackoustic, Hannah Kemp-Welch, Hannah KempWelch, Hannah White, Hari Kunzru, Haroon Mirza, Haroon Mirza Outputs, Haus der Elektronischen Künste, Haus der Elektronischen Kunst, Haus der Elektronischen Kunst Basel, Hayward Gallery, Hear & Now, Hear and Now, Heather Phillipson, HeK, HEK Basel, HEK Haus der elektronischen Künste, Heliosphere, Henry Moore Foundation, Honor Harger, HRM199, HRM199 Ltd, HRM199 Outputs, Hull Time Based Arts, Humber Street Gallery, Hyperdub, i-D magazine, Iain Chambers, Ian Helliwell, Ian Stonehouse, Ian Thompson, Iklectik, Iklectik Art, Iklectik Art Lab, Iklectik Offsite, Ilaria Puri Purini, Illusions, Immersive Artistic Experiences, Immersive Audio, Immersive Sound, Immersive Spatial Sound, IMT Gallery, Inflamed Invisible, Information, Information Disinformation, Intermission, Intonarumori, Irene Revell, Isn’tses, IXDM, IXDM Basel, J.G. Ballard, Jack Jelfs, James Ginzburg, James Worse, Jamie Allen, Jamie XX, Jónsi Birgisson, Jeff Gburek, Jeff Kolar, Jeni Walwin, Jeremy Deller, Jeremy Keenan, Jo Grys, Joe Banks, Joe Gerhardt, Johann Diedrick, John Drever, John Hansard Gallery, John Wynne, Jonathan Kemp, Joyce Hinterding, Julia Peyton-Jones, K/not, Karst, Karst Plymouth, Kate Carr, Kate Donovan, Katharina Worf, Kelly Ruth, Kersten Glandien, Kinetic Art, Klangkunst, Knife Loop, Knifeloop, Kode 9, Kode9, KREV, Kristen Floos, Kristen Roos, Kubisch, Kunstradio, Kwaidan, Kwaidan Editions, Langham Research Centre, Late Night Chameleon Cafe, Laura McLean-Ferris, Laure Genillard, Laure Genillard Gallery, LCC, LCC Crisap, Le Bon Accueil, Leafcutter John, Lee Berwick, Leeds 2023, Leeds2023, Leila Hasham, LG Notations, Life Loop, Lifeloop, Liquid Architecture, Lisa Hall, Lisa McKendrick, Lisson Gallery, Listening, Listening Room, Listening To Non-Human Life, Live Mains Electricity, LN-CC, LNCC, London College of Communication, London Underground, Lovely Music, Luckenwalde, Luigi Russolo, Luke Stewart, Lux, Magnetic Movie, Magnetic Signals, Magneticsignals, Magnets, Mains Electricity, Malgorzata Plysa, Manchester, Manchester Art Gallery, Margot Heller, Maria Papadomanolaki, Mark Leckey, Mark M0WGF, Mark Titchner, Mark Vernon, Markus Steffens, Marta Zapparoli, Martín Rodríguez, Martin Creed, Martin Howse, Mat Schulz, Matt Lewis, Mechanical Techno, Merle Ibach, Metaverse, Metaverse Spatial Audio, Michael Begg, Mike Fell, Mike Kelley, Mike Stubbs, Mila Askarova, Misinformation, Modern Art Oxford, MOMA Oxford, Monica Bello, Mountain of Art Research, Movement Radio, MSCTY, MSCTY.SPACE, MSCTY_Studio, Muffled Ciphers, Museo Nacional Centro de Arte Reina Sofía, Museo Reina Sofía Madrid, Museo Reina Sofia, Music and New Art Forms, Music City, Musical Cities, Musicity, Nadia Thondrayen, NASA, NASA Sound Archive, National Grid, National Grid Music, Nebula Rosa, Nebularosa, Nebularosa 02, Nebularosa 02: Electromagnetic Interactions, Neural Magazine, New Approaches, New Art Forms, New Contemporaries, Nick Luscombe, Noises, Non-Classical, Non-Human Life, Nonclassical, Northumberland's Electric Coast, OCM, Olafur Eliasson, Olga Panades, Omnempathy, Onassis, Onassis Foundation, Onassis Stegi, Open Wave-Receiver, ORF Musikprotokoll, ORR Scintilla, ORR_Scintilla, Otherness, Otherness Festival, Outputs, Overwhelming Waves, Oxford Contemporary Music, P-A-N, Pace, Pace Discord, Pace Gallery, Pace London, Pace Verso, Paddy O'Connell, Pan, Panayiotis Vassilakis, Past Present and Future, Past Present and Future of Artistic Inventiveness, Patrick Breiner, Patrick Sykes, Paul Purgas, Peter Weibel, Phantasmata, Phantasmata & Illusions, Phantasmata and Illusions, Philip Tagney, Philippe Battikha, Polisonic, Polisonics, Politics and Sound, Politics of Sound, Psychoacoustics, Quietus, Radical Sonic Imaginaries, Radio 3, Radio 4, Radio Art, Radio Arts, Radio Arts Catalyst, Radio Bronka, Radio Lab 2022, Radio Phonography, Radio Phrenia, Radio Picnic, Radio Picnic Berlin, Radio Revolten, Radiophonography, Radiophrenia, Radioqualia, Radius, Raitis Smits, Rana Begum, Rasa Smite, Raster Noton, Raviv Ganchrow, Ray Dolby, Ray Dolby Centre, Recording The Spirit Level, Reina Sofía, Reina Sofía Madrid, Reina Sofía Museum, Renaud Bajeux, Resonance 104.4 FM, Resonance FM, Resonant Architecture, Rob Bowman, Rob Mullender, Robert Worby, Ropac, Rorschach Audio, Ros Carter, Royal College of Art, Ruslan Karablin, Ruth Garde, Ruth Jarman, Ryan Dilley, Sabine Himmelsbach, Sadie Coles, Sadie Coles HQ, Sally Applin, Salon Bruit, Salon de Bruit, Sam Belinfante, Sara Adhitya, Sasha Engelmann, SCHQ, SCHQ Electric, Science and Industry Museum, Science and Industry Museum Manchester, Science Gallery Dublin, Science Gallery London, Science Gallery Melbourne, Science Museum, Scope, Sculptures Électromagnétiques, Seamus O’Donnell, Self Savior Universe Rule, Semiconductor, Semiconductor Films, Sense Data & Perception, Sense Data and Perception, Seth Kim-Cohen, Sferics, Shannen SP, Shift Register, Shintaro Miyazaki, Shortwave, Shortwave Collective, Shortwave Radio, Siân Ede, Sight + Sound, Signals, Silent Sound, Simon Foster, Sine-Wave Speech, Sine-Wave Synthesis, Sinewave Speech, Sinewave Synthesis, Singuhr, Singuhr Projects, Singuhr Sound Gallery, Site Gallery, Site Gallery Sheffield, Slow Radio, Solar Radio Noise, Some Call it Noise, Some Call it Noise - Turbulent Forms, Somerset House, Somerset House Assembly 2020, Somerset House Studios, Sonar, Sonar Festival, Soncities, Sonic, Sonic Agency, Sonic Anomaly, Sonic Anomaly Sideshow, Sonic Art, Sonic Boom, Sonic Garden, Sonic Geography, Sonic Imaginaries, Sonic Ray, Sonic Scope, Sonic Scope: New Approaches to Audiovisual Culture, Sonic Signature, Sonic Urbanism, Sonic Urbanism: Listening To Non-Human Life, Sonica, Sonica Festival, Sonics, Sonics Series, Sonorous Cities, Sound & Music, Sound and Politics, Sound Art, Sound Art Brighton, Sound Artist, Sound Image Research Group, Sound Installation, Sound Politics, Sound Practice, Sound Practice Research, Sound Studies, Sound Studies Journal, Sound Theory, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Sounding Objects, Sounding the Body Electric, Sounds of Electricity, Sounds of Electricity Generation, South London Gallery, Southbank Centre, Spark, Spark of Life, Spatial Audio, Spatial Sound, Spectral, Spirit Box, SPR, SSUR, Stanley Picker Gallery, Stargate, Stegi, Stephen McGreevy, Stephen Shiell, Steve Bates, Steve Goodman, Steve Kennedy, Store X, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Studio HRM199, Studio HRM199 Ltd, Suchitra Sebastian, Sunsong, Super Blue, Superblue, Susan Hiller, Susan Owens, Susan Philipsz, Susanna Hertrich, Suzanne Treister, Takis, Takis Foundation, Takis Foundation Research Center, Takis Foundation Research Center for the Arts and Sciences, Tate Modern, Tate Publishing, TBA 21, TBA 21 Academy, TBA21, TBA21–Academy, TED Talks, Tesla, Test Department, Test Dept, Teylers Museum, Teylers Museum Haarlem, TFL, Thaddaeus Ropac, The Agency, The Agency Gallery, The Atrocity Exhibition, The Ferranti Archive, The Ferranti Collection, The Ghost, The Ghost - A Cultural History, The Listening Room, The Listening Service, The Otolith Group, The Power of Electricity, The Quietus, The Situationist, The Spark of Life, The Visitor, The Wave Epoch, The Wire, The Wire Magazine, Theatrum Mundi, Theatrum Mundi Collective, Theophany, Thyssen, Thyssen Bornemisza, Thyssen-Bornemisza Art Contemporary, Tim Drage, Tim Shaw, Tom McCarthy, Tom Service, Tone Foundation, Tone Foundation - Music and New Art Forms, Touch Music, Towner, Towner Art Gallery, Towner Eastbourne, Towner Gallery, Towner Gallery Eastbourne, Transmission Ecologies, Transmissions, Transmissions TV, Transmitting Object, Transmitting Object Behaviours, Turbulent Forms, UCL, Una Ryan, Unit for Sound Practice Research, University of Greenwich, University of London, University of Westminster, Unsound, Unsound 2020, Unsound 2020: Intermission, Unsound Festival, Unsound Intermission, Unsound Lab, Unsound Lab 2020, Unsoundu, Unsoundu Festiwal, Urban Sound, Verso, Very Low Frequency, Very Low Frequency Radio, Very Low Frequency Radio Art, Vice, Victor Mazon Gardoqui, Vincent Van Uffelen, Vinyl Factory, Vitrine, Vitrine Gallery, VLF, VLF Explorer, VLF Interference, VLF Noise, VLF Radio, VLF Radio Art, VLF Sound, VLF Whistlers, VLF Works, Volt, Volt 2021, Volt Eastbourne, Volt Gallery, Volt Gallery Eastbourne, Volt Project Space, Volta, Voltage, Voltnoi & Quetempo, Vorticism, Wave Epoch, Wave Farm, Wayne McGregor, Wellcome, Wellcome Trust, Wire, Wire Magazine, Wireless, Witness 4, Witness 4: The Visitor, Woodrow Kernohan, Wyndham Lewis, Wysing, Wysing Arts Centre, Wysing Transmissions, Wysing Transmissions TV, X-Name, Xname, Zabludowicz, Zabludowicz Collection, ZKM, ZKM Centre for Art and Media, ZKM Karlsruhe, ZKM Zentrum für Kunst und Medientechnologie