&Beyond, 20Hz, 35MW, 3D Audio, 3D Sound, 50 Hertz, 50Hz, 60Hz, A Cosmic Ray Muon, A History of the Universe in Sound, A Machine to Listen to the Sky, Absolute Value of Noise, ACCA, ACCA Melbourne, Accidental Records, Acoustic Mirror, Acoustic Mirrors, Action Research, Adrian Piper, Adrian Searle, Adriana Knouf, Adventures in Sound Art, Aeolian Harps, Afroditi Psarra, Agency Gallery, Ahmed bin Shabib, AHRC, Ain Bailey, Air, Air Can Break Your Heart, Aki Onda, Akio Suzuki, Albert Mayr, Alexandra Maciá, Alexandre da Cunha, Alice Hackney, Alisa Oleva, ALM Busy Circuits, Alternating Current, Alternating Current (AC), Alva Noto, Alvin Lucier, Alyssa Moxley, AM Kanngieser, Amanda Gutiérrez, Amanprit Sandhu, Ambisonic, Ambisonics, Ami Clarke, Amoenus, Amoenus Sound, AmoenusSound, Amplified, An Electromagnetic Shower, And Beyond, Andra McCartney, Andrew Hill, Andrew Nairne, Angus Carlyle, Anil Seth, Aniruddha Das, Anita Zabludowicz, Anjali Nair, Anna Friz, Anna Raimondo, Anne Zeitz, AnOther Magazine, AnOtherMag, Antiopic, Antiphony, Antiphony - Disinformation, Antiphony - Logan Dandridge, Arcadia, Architectonic Studies of Radio, Aria Dean, Ariane Koek, Arie Altena, Ars Electronica, Art & Illusion, Art & Illusion for Sound, Art Catalyst, Art Contemporary, Art Electricity, Art on the Underground, Artangel, Artist, Artistic Inventiveness, Arts, Arts at CERN, Arts Catalyst, Arts Catalyst Radio, Arts Science, Arts@CERN, Artsadmin, As If Radio, Ash International, Assembly, Assembly 2020, Atau Tanaka, Atmospheric Electricity, Atmospherics, Atrocity Exhibition, Audio Art, Audio Essay, Audio Rorschach, Audio Sphere, Audio Visual Culture, Audiograft, Audiograft 2022, Audiosfera, Audiosphere, Audiovisual Culture, Auditory Projection, Audrey Briot, Australian Centre for Contemporary Art, AV Festival, Ö1 Kunstradio, B-Side Festival, Baltic, Baltic Centre, Baltic Centre for Contemporary Art, Baltic Gateshead, Bankside, Bankside Power Station, Barry Burns, Barry Phipps, Basel, Battersea, Battersea Power, Battersea Power Station, Battersea Power Station Control Room, BBC Programme Research Department, BBC Radio, BBC Radio 3, BBC Radio 4, BBC Radiophonic Workshop, BBC Sounds, Bea De Souza, Beaconsfield, Beaconsfield Gallery, Beaconsfield Research, Beatrice Dillon, Beatrice Ferrara Pisano, Ben Barwise, Ben Drew, Ben Ponton, Benedict Drew, Berlin, Bernard Wolfe, Bianca Biberaj, Bianca Roden, Bill Kouligas, Bjorn Geldhof, Black Noise, Blanc Sceol, Blanck Mass, Blast First, Blast Magazine, Block Universe, Bloomberg, Bloomberg New Contemporaries, Blue Tapes, BNA-BBOT, Bold Tendencies, Bornemisza, Brachliegen Tapes, Brandon LaBelle, Brian Eno, Brian Hioe, Bright Sparks Trail, Brighton, Brighton CCA, Brighton Centre for Contemporary Art, Brighton Fabrica, Brigitte Hart, Brilliant Noise, Brion Gysin, British Art Studies, Broadcasting House, Broadcasts, Bruce Gilbert, Budhaditya Chattopadhyay, C.M. von Hausswolff, Café Oto, Cafe OTO / Otoroku, Caleb Kelly, Call & Response, Call and Response, Call and Response Studios, Calling the Cosmos, Calvert 22, Cambridge, Cambridge University, Camden Arts Centre, Cameron Perry Fraser, Carl Michael von Hausswolff, Carmen Papalia, Caroline Jones, Caroline Profanter, Carolyn Chen, Carsten Holler, Carsten Nicolai, Carsten Seiffarth, CAS, Catalyst, Catalyst Radio, Catherine Clover, Cathy Lane, Cave Leeds, Cavendish Arts, Cavendish Arts Science, Cavendish Arts Science Fellow, Cavendish Arts Science Fellowship, Cavendish Cambridge, Cavendish Laboratory, Cavendish Laboratory Cambridge, Caylie Stapes, Caylie Staples, CCA, CCA Annex, CCA Brighton, CCA Glasgow, CCA Glasgow Annex, CCA Goldsmiths, Celeste, Center for Art and Media Karlsruhe, Centre for Art and Media, Centre for Audio Visual Experimentation, Centre for Contemporary Art, Centre for Contemporary Art Brighton, Centre for Contemporary Art Goldsmiths, Centre for Contemporary Arts, Centre for Practice & Research in Music & Science, CERN Geneva, Changing Signals, Chaos Media, Charles Eppley, Charlie Fox, Chienvoler, Chinabot, Chris Firth, Chris Ford, Christian Marclay, Christian Rauch, Christina, Christina Kubisch, Christina Kubisch - Electrical Walks, Christine Sun Kim, Christine Takengny, Christoph Cox, Chus Martinez, Claire Williams, Clare Lilley, Claudia Mareis, Claudio Zamperoni, Close Lightning, Close Lightning Spherics, Clot, Clot Magazine, CM von Hausswolff, CME, Cold Light, Collective Act, Collective Actions Group, Colliding Lines, Constanza Piña Pardo, Contemporary Art, Contemporary Art Society, Control Room A, Control Room B, Coronal Mass Ejection, Cosmic Ray Muon, Counter Sonics, Countersonics, Creative Technologies Research Centre, CRISAP, Critical Media Lab, Critical Media Lab Basel (IXDM), Cross Sections, Cryptic, CTM, CTM Festival, CTM Festival Radio Lab, CTM Radio Lab, Cultural History, Cultural History of the Ghost, Currents, Cyanotapes, D&B Audiotechnik, Damien Simon, Dan Tapper, Daniel Tapper, Daphne Oram, Dark Morph, David Helbich, David Roberts, David Roberts Art Foundation, David Toop, Dazed and Confused, DazedDigital, DCA Dundee, De La Warr Pavilion, Deep Wireless, Delia Derbyshire, Demystification of Electronic Art, Deptford Power Station, Desmond Briscoe, Detach, Detektors, Deutschlandfunk Kultur, Devonshire Collective, DH Lawrence, Dhangsha, Didier Queloz, Digicult, Digital Arts and Experimental Media, Direct Current, Direct Current (DC), Discord, Discord Server, Discrepant, Disinformation, Disinformation - Antiphony, Disinformation My Misinformation, Disobey, Disruptive, Disruptive Frequencies, Dorit Chrysler, Doug Kahn, Douglas Kahn, Dr Simon Foster, DRAF, DRAF Broadcasts, Dream Machine, Dreamachine, Dronica, Dronica Festival, Dub Morphology, Dubmorphology, Dundee Contemporary Arts, Dushume, DWLP Bexhill, DXARTS, Тетяна Кочубінська, E-werk, E-werk Luckenwalde, E-Werk Luckenwalde Engine Room, E-Werk Luckenwalde Turbine Hall, Earth Sound Earth Signal, Eastbourne, Eastern Bloc, Eastern Bloc Lab, Edelmat, Editions Mego, Edyta Jarząb, Eigen+Art, Eigen-Art, Elahe Karimnia, Electric, Electric Boulevard, Electric Coast, Electric Sublime, Electric Symphony, Electric Walk, Electric Walks, Electrical, Electrical Nature, Electrical Noise, Electrical Substation, Electrical Substations, Electrical Walk, Electrical Walks, Electricity, Electricity Generation, Electricity of the Mind, Electricity The Spark of Life, Electro-Magnetic Musical, Electromagnetic Art, Electromagnetic Audio, Electromagnetic Audio Art, Electromagnetic Black Noise, Electromagnetic Fields, Electromagnetic Force Fields, Electromagnetic Forces, Electromagnetic Interactions, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Recordings, Electromagnetic Shower, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetic Space, Electromagnetic Tape, Electromagnetic Walk, Electromagnetic Walks, Electromagnetism, Electronic Art Festival, Electronic Bauhaus, Electronic Noise, Electronic Noise Music, Electronic Sound, Electronic Writing, Electrosonic, Elektrizitätswerk, Elektrizitätswerk Luckenwalde, Elena Biserna, Eleni Ikoniadou, Eleonora Oreggia, Ella Parry-Davies, Emma Enderby, Empty Set, Energies In The Arts, Engine Room, Ephemera, Ephemera Festival, Ephemery, Ephemery Festiwalu, Erased Tapes, Erased Tapes Sound Gallery, Eric Demetriou, Esteban Agosin, Esther Bourdages, Ewerk, Ewerk Luckenwald, Experimental Design and Media Cultures, Experimental Sound, Fabrica, Fabrica Brighton, Fabrica Gallery, FACT Liverpool, Fat Cat, Fat Cat Records, Fatcat, Fatcat Records, Felix Carey, Fermi Lab, Fermi Lab Frontiers, Fermilab, Fermilab Frontiers, Ferranti, Ferranti Archive, Ferranti Collection, Ferranti Electronics, Festival of Power, Festiwalu, FHNW, FHNW Academy of Art and Design, FHNW Academy of Art and Design Basel, FHNW Basel, FHNW IXDM, Fieldwave, Flat Time House, Flatpack Festival, Florian Hecker, FM Mutiny, FON Festival, Forked Forest Path, Forma, Forma Arts, Forma Arts & Media, Forma HQ, Fort Process, Fort Process Festival, Foundation, Fram Kitagawa, Francesco Fusaro, Franchesca Casauay, Francisco Lopez, Frequencies, Freunde Guter Musik, Frgmnt, Frieze, Frieze Magazine, Full of Noises, Furtherfield, Future Pace, Futurecity, Future\Pace, Futurism, Gabriel Prokofiev, Gaia Fugazza, Gaika, Galen Joseph-Hunter, Galerie Thaddaeus Ropac, Gambletron, Gary Stewart, Gascia Ouzounian, Gazelli Art House, Geomagnetic Field, Geomagnetism, Georgia Muenster, Ghost Shells, Ghostworker, Girton, Girton College, Girton College Cambridge, Glasgow, Glasgow CCA, Glass Salt, Goethe Institut, Going Out, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Art, Goldsmiths Centre for Contemporary Arts, Goldsmiths College, Goldsmiths MFA, Goldsmiths Press, Goldsmiths Press - Sonics Series, Goldsmiths Press Sonics, Goodiepal, GR-Uniforma, Graham Dunning, Greenwich, Greenwich Power, Greenwich Power Station, Greenwich University, Greg Hilty, Gregory Orr, Grid Music, Guy Haywood, Guy Veale, Gwenola Wagon, Haarlem, Hackoustic, Hagoromo, Hannah Kemp-Welch, Hannah KempWelch, Hannah Rose Fox, Hannah White, Hari Kunzru, Haroon Mirza, Haroon Mirza Outputs, Haus der Elektronischen Künste, Haus der Elektronischen Kunst, Haus der Elektronischen Kunst Basel, Haus der Kulturen der Welt, Haus der Kulturen der Welt Berlin, Hayward Gallery, Hear & Now, Hear and Now, Heather Phillipson, HeK, HEK Basel, HEK Haus der elektronischen Künste, Heliosphere, Helsinki, Henry Andersen, Henry Moore Foundation, Hertzian Art, Hertzian Field, Hertzian Field #1, Hertzian Field #2, Hertzian Field #3, Hertzian Field #3.1, Hidden Sounds, Hildegard Westerkamp, Hito Steyerl, HKW, HKW - Haus der Kulturen der Welt Berlin, Homage with Minimal Disinformation, Honor Harger, HRM199, HRM199 Ltd, HRM199 Outputs, HRM199 Outputs AV, HRM199 Outputs_AV, Hull Time Based Arts, Humber Street Gallery, Hyperdub, Hypha 1, i-D magazine, Iain Chambers, Ian Helliwell, Ian Stonehouse, Ian Thompson, Iklectik, Iklectik Art, Iklectik Art Lab, Iklectik Offsite, Iklectika, Ilaria Puri Purini, Ilia Rogatchevski, Illusions, Ilpo Väisänen, Image Research, Imaginary Landscapes, Imaginary Landscapes of Electrical Nature, Immersive Artistic Experiences, Immersive Audio, Immersive Sound, Immersive Spatial Sound, IMT Gallery, In Situ, Industrial Records, Inflamed Invisible, Information, Information Disinformation, Interference, Intermission, Intonarumori, Irene Revell, Isn’tses, IXDM, IXDM Basel, J.G. Ballard, Jacek Smolicki, Jack Jelfs, James Bailey, James Ginzburg, James Worse, Jamie Allen, Jamie XX, Janet Cardiff, Jónsi Birgisson, Jean Khalfa, Jeff Gburek, Jeff Kolar, Jeni Walwin, Jennifer Crook, Jennifer Lynn Stoever, Jeremy Baumberg, Jeremy Deller, Jeremy Keenan, Jo Grys, Jodrell Bank, Joe Banks, Joe Gerhardt, Johann Diedrick, John Bingham-Hall, John Drever, John Hansard, John Hansard Gallery, John Hansard Gallery Southampton, John Squire, John Wynne, Jonathan Crabb, Jonathan Kemp, Jordan Baseman, José Alejandro Rivera, Joyce Hinterding, Juan-Guillermo Dumay, Julia Eckhardt, Julia Peyton-Jones, Justin Barton, Justin Bennett, K/not, Karst, Karst Gallery, Karst Plymouth, Kaseki, Kate Carr, Kate Donovan, Katharina Worf, Katrinem, Keith Obadike, Keith Sargent, Kelly Ruth, Ken Hollings, Kerber Verlag, Kersten Glandien, Kettle's Yard, Kiasma, Kiasma Helsinki, Kinetic Art, King's Place, Kings Place - Sound Unwrapped, Klangkunst, Knife Loop, Knifeloop, Kode 9, Kode9, KREV, Kristen Floos, Kristen Gallerneaux, Kristen Roos, Kubisch, Kunstradio, Kunststrom, Kwaidan, Kwaidan Editions, La Plaque Tournante, Lance Sieveking, Langham Research Centre, Late Junction, Late Night Chameleon Cafe, Laura McLean-Ferris, Laure Genillard, Laure Genillard Gallery, Laurie Anderson, LCC, LCC Crisap, Le Bon Accueil, Leafcutter John, Leaky Transmission, Leaky Transmissions, Leandro Pisano, Lee Berwick, Leeds 2023, Leeds2023, Leila Hasham, LG Notations, Libby Harward, Licheni, Life Loop, Lifeloop, Lift 109, Lighthouse Brighton, LIGNA, Lindsay Seers, Lindsay Seers and Keith Sargent, Liquid Architecture, Lisa Hall, Lisa McKendrick, Lisson Gallery, Listening, Listening Room, Listening To Non-Human Life, Live Mains Electricity, LN-CC, LNCC, Logan Dandridge, Logan Dandridge - Antiphony, Logan Ryland Dandridge, London College of Communication, London Southbank University, London Underground, Lords of Lightning, Lovely Music, LTR Records, Luckenwalde, Lucy Shanahan, Luigi Russolo, Luke Stewart, Lux, Magnetic, Magnetic Attack, Magnetic Attacks, Magnetic Field, Magnetic Field Interference, Magnetic Movie, Magnetic Signals, Magnetics, Magneticsignals, Magnets, Mains Electricity, Malgorzata Plysa, Manchester, Manchester Art Gallery, Manuela Moscoso, Marcus Du Sautoy, Margot Heller, Maria Dominguez, Maria Papadomanolaki, Marie McPartlin, Marina Benetti, Mark Fisher, Mark Leckey, Mark M0WGF, Mark Titchner, Mark Vernon, Markus Steffens, Marta Zapparoli, Martín Rodríguez, Martin Creed, Martin Green, Martin Howse, Martin Rees, Marwan T Assaf, Massimo Bartolini, Mat Schulz, Matilde Meireles, Matt Lewis, Matt Parker, Matt’s Gallery, Matts Gallery London, Max Neuhaus, Mechanical Techno, Melissa Franklin, Melissa Van Drie, Mendi Obadike, Merle Ibach, Metaverse, Metaverse Spatial Audio, Mete Atatüre, Metro, Metro Magnetic, Metro Magnetics, MFZ Records, Michael Begg, Michel Faber, Mika Vainio, Mike Fell, Mike Kelley, Mike Nelson, Mike Stubbs, Mila Askarova, Minimal Disinformation, Miriam Young, Misinformation, Modern Art Oxford, Modern Body Festival, Modulus Foundation, MOMA Oxford, Mona Tasmania, Monai de Paula Antunes, Monica Bello, Monoskop, Mountain of Art Research, Movement Radio, Movement Two, MSCTY, MSCTY.SPACE, MSCTY_Studio, Muffled Ciphers, Museo Nacional Centro de Arte Reina Sofía, Museo Reina Sofía Madrid, Museo Reina Sofia, Music and New Art Forms, Music and Sound Residency, Music City, Musical Cities, Musicity, Mute Frequencies, Mute Magazine, Mute Records, Nadia Thondrayen, Naomi Alderman, Naomi Waltham-Smith, NASA, NASA Sound Archive, Nastassja Simensky, Natasha Nicholson, Nathaniel Mellors, National Grid, National Grid Music, Natural Radio, Nebula Rosa, Nebularosa, Nebularosa 02, Nebularosa 02: Electromagnetic Interactions, Neural Magazine, New Adventures in Sound Art, New Approaches, New Art Forms, New Contemporaries, New Field, New Landscape, New Landscape of Electronic Writing, New Music, Newport Street, Newport Street Gallery, Nice Little Static, Nick Luscombe, Nicola Di Croce, Nicola Triscott, Nicole Raymond, Nik Nak, Nik Void, Nikki Sheth, NikNak, Niko de Paula Lefort, Nikola Tesla, Nikolas Tesla, Nine Elms, Nkisi, NMC Recordings, Noise, Noise Music, Noises, Non-Classical, Non-Human Life, Nonclassical, Northumberland's Electric Coast, NUB Project Space, Nuno da Luz, Oceanallover, OCM, Olafur Eliasson, Olga Panades, Omnempathy, On Listening, Onassis, Onassis Foundation, Onassis Stegi, Open Editions, Open Wave-Receiver, Optikinetic Instruments, ORF Kunstradio, ORF Musikprotokoll, Orphan Dift, ORR Scintilla, ORR_Scintilla, Oscillations, Otherness, Otherness Festival, Oupa Sibeko, Outputs, Outputs AV, Outputs_AV, Overwhelming Waves, Oxford Contemporary Music, P-A-N, Pablo Wendel, Pace, Pace Discord, Pace Gallery, Pace Live, Pace London, Pace Verso, Paddy O'Connell, Palais de Tokyo, Palais de Tokyo Paris, Pamela Davis Kivelson, Pan, Pan Sonic, Pan-Act, Panasonic, Panayiotis Vassilakis, Paradigm Discs, Past Present and Future, Past Present and Future of Artistic Inventiveness, Patrick Breiner, Patrick Sykes, Paul Bonaventura, Paul Fletcher, Paul Mellon Centre for Studies in British Art, Paul Mellon Foundation, Paul Purgas, People Doing Physics, Performance Electrics, Performance Electrics gGmbH, Peter Weibel, Phantasmata, Phantasmata & Illusions, Phantasmata and Illusions, Philip Tagney, Philippe Battikha, Phillip Ball, Pinchuk Art Centre, Plant Wave, Plink Plunk, Polisonic, Polisonics, Politics and Sound, Politics of Sound, Polly Atkin, Poly Kicks, Polykicks, Power, Power Cuts, Power Nights, Power Station, PRISM, Proxemia, Proxemica, PRS Foundation, PRSF, Psyché Tropes, Psychoacoustics, Pylons, Quantum Materials, Quantum Materials Group, Quietus, Quinta, Radical Sonic Imaginaries, Radio 3, Radio 4, Radio Art, Radio Arts, Radio Arts Catalyst, Radio Bronka, Radio Halo, Radio Interference, Radio Lab 2022, Radio Noise, Radio Phonography, Radio Phrenia, Radio Picnic, Radio Picnic Berlin, Radio Revolten, Radiophonic Music, Radiophonic Workshop, Radiophonics, Radiophonography, Radiophrenia, Radiophrenia Glasgow, Radioqualia, Radius, Raitis Smits, Rana Begum, Rare Frequency, Rasa Smite, Rashid bin Shabib, Raster Noton, Raviv Ganchrow, Ray Dolby, Ray Dolby Centre, Ray Fearon. Paul Frankl, Recomposing the City, Recording The Spirit Level, Reina Sofía, Reina Sofía Madrid, Reina Sofía Museum, Renaud Bajeux, Repeater Books, Research Group, Resonance, Resonance 104.4 FM, Resonance FM, Resonances, Resonances in a New Field, Resonant Architecture, Rhizome, Riverside Radio, Rob Bowman, Rob Mullender, Robert Worby, Roberto Botazzi, Robin Klassnik, Robin Mackay, Robin Rimbaud, Ropac, Rorschach Audio, Ros Carter, Rosie Cavaliero, Rough Trade, Rough Trade Books, Rough Trade Records, Royal College of Art, Royal College of Music, RTM, RTM Radio, RTM.FM, Ruslan Karablin, Ruth Garde, Ruth Jarman, Ruth Oldham, Ryan Dilley, RYBN, Sabine Himmelsbach, Sadie Coles, Sadie Coles HQ, Sally Applin, Salmon Universe, Salon Bruit, Salon de Bruit, Sam Belinfante, Sam Stokes, Sandra Gabriele, Sara Adhitya, Sara Rodrigues, Sarah Bohndiek, Sarah Lappin, Sasha Engelmann, Savvy Contemporary, SAVVYZAAR, Scanner, SCHQ, SCHQ Electric, Science and Industry Museum, Science and Industry Museum Manchester, Science Gallery Dublin, Science Gallery London, Science Gallery Melbourne, Science Museum, Scope, Sculpture, Sculptures Électromagnétiques, Seamus O’Donnell, Seers/Sargent Exhibition Circle, Seetal Solanki, Self Savior Universe Rule, Semiconductor, Semiconductor Films, Sense Data & Perception, Sense Data and Perception, Sepideh Karami, Serpentine Gallery, Serpentine Gallery London, Seth Kim-Cohen, Sferics, Shannen SP, Shift Register, Shintaro Miyazaki, Shortwave, Shortwave Collective, Shortwave Radio, Siân Ede, Sight + Sound, Signal to Decay, Signal to Decay: Volume 1, Signals, Silent Sound, Simon Foster, Sine-Wave Speech, Sine-Wave Synthesis, Sinewave Speech, Sinewave Synthesis, Singuhr, Singuhr Projects, Singuhr Sound Gallery, Site Gallery, Site Gallery Sheffield, Slow Radio, Soлomiya, Soлomiya Magazine, Solar Noise, Solar Radio, Solar Radio Noise, Solomiya, Solomiya Mag, Solomiya Magazine, Some Call it Noise, Some Call it Noise - Turbulent Forms, Somerset House, Somerset House Assembly 2020, Somerset House Studios, Somerset House Studios Music and Sound, Sonar, Sonar Festival, Soncities, Sonic, Sonic Act, Sonic Acts, Sonic Acts 2022, Sonic Acts Biennial, Sonic Acts Festival, Sonic Agency, Sonic Anomaly, Sonic Anomaly Sideshow, Sonic Art, Sonic Boom, Sonic Faction, Sonic Garden, Sonic Geography, Sonic Imaginaries, Sonic Poetic, Sonic Ray, Sonic Research, Sonic Research Group, Sonic Scope, Sonic Scope: New Approaches to Audiovisual Culture, Sonic Signature, Sonic Urbanism, Sonic Urbanism: Listening To Non-Human Life, Sonic Urbanism: Resonances in a New Field, Sonica, Sonica Festival, Sonics, Sonics Series, Sonorous Cities, Sound & Music, Sound and Music, Sound and Politics, Sound Art, Sound Art Brighton, Sound Artist, Sound Arts Now, Sound Group, Sound Image Research Group, Sound Installation, Sound Minds, Sound Mirrors, Sound Politics, Sound Practice, Sound Practice Research, Sound Research Group, Sound Studies, Sound Studies Journal, Sound Theory, Sound Unwrapped, Sound-Art-Text, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Sound/Image 22, Sound/Image Research Centre, SoundImage, SoundImage 22, Sounding Objects, Sounding the Body Electric, Soundmaking, Sounds of Electricity, Sounds of Electricity Generation, Soundscapes of Social Justice, South Bank Centre, South London Gallery, Southampton, Southbank Centre, Spark, Spark of Life, Sparks, Spatial and Sonic Poetics, Spatial Audio, Spatial Sound, Speak Spirit Speak, Spectral, Spirit Box, SPR, SSUR, Stanley Picker Gallery, Stargate, Static, Station, Stéphane Degoutin, Stefan Szczelkun, Stegi, Stelios Manousakis, Stephanie Pan, Stephanie Springgay, Stephen McGreevy, Stephen Shiell, Stephen Spender, Steve Bates, Steve Goodman, Steve Kennedy, Steven Kennedy, Stone Roses, Store X, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Streetlights Collective, Studies in British Art, Studio HRM199, Studio HRM199 Ltd, Substation, Suchitra Sebastian, Sunset Sunrise Sunset, Sunsong, Super Blue, Superblue, Surges, Susan Hiller, Susan Owens, Susan Philipsz, Susanna Hertrich, Suzanne Treister, Suzie Shrubb, Taco, Taco Gallery, Takis, Takis Foundation, Takis Foundation Research Center, Takis Foundation Research Center for the Arts and Sciences, Tao G. Vrhovec Sambolec, Tasos Varoudis, Tate Modern, Tate Publishing, Tatiana Kochubynska, Tatiana Kochubynskaya, TBA 21, TBA 21 Academy, TBA21, TBA21–Academy, Tecsonics, TED Talks, Tender Books, Tender Pixel, Tenderbooks, Tenderpixel, Tesla, Test Department, Test Dept, Tetiana Kochubynska, Tetiana Kochubynskaya, Text Sound, Teylers Museum, Teylers Museum Haarlem, TFL, TG, Thaddaeus Ropac, Thamesmead, Thamesmead Arts & Culture Office, Thanet Tape Centre, The Aelectrosonic, The Agency, The Agency Gallery, The Atrocity Exhibition, The Electrosonic, The Ferranti Archive, The Ferranti Collection, The Ghost, The Ghost - A Cultural History, The Guardian, The Listening Room, The Listening Service, The Network Is a Blind Space, The Oram Awards, The Otolith Group, The Power of Electricity, The Quietus, The Rumble, The Situationist, The Spark of Life, The Stone Roses, The Stuff of Radio, The Visitor, The Wave Epoch, The Wire, The Wire Magazine, Theatrum Mundi, Theatrum Mundi Collective, Theophany, Throbbing Gristle, Thyssen, Thyssen Bornemisza, Thyssen-Bornemisza Art Contemporary, Tim Dixon, Tim Drage, Tim Ingold, Tim Shaw, Tom McCarthy, Tom Service, Tomás Saraceno, Tone Foundation, Tone Foundation - Music and New Art Forms, Touch, Touch Music, Touch Records, Towner, Towner Art Gallery, Towner Eastbourne, Towner Gallery, Towner Gallery Eastbourne, Tramshed, Transmission Ecologies, Transmission Ecologies - Movement Radio, Transmissions, Transmissions TV, Transmitting Object, Transmitting Object Behaviours, Trevor Mathison, Tricor, Tsouknida Eirini, Turbine Hall, Turbine Hall A, Turbine Hall B, Turbulent Forms, Turner Contemporary, Turner Contemporary Margate, Tushar Hathiramani, Two Protons, Tyler Maxin, UCL, Ultra-Red, Ulyana Gumeniuk, Umland Editions, Unboxed, Unboxed 2022, Unboxed 2022 Ltd, Unboxed Festival, Uniform Books, Uniformbooks, Unit for Sound Practice Research, University of Cambridge, University of Greenwich, University of London, University of Westminster, Unsound, Unsound 2020, Unsound 2020: Intermission, Unsound Festival, Unsound Intermission, Unsound Lab, Unsound Lab 2020, Unsoundu, Unsoundu Festiwal, Urban Sound, Utter, Value of Noise, Verso, Very Low Frequency, Very Low Frequency Radio, Very Low Frequency Radio Art, Vice, Victor Mazon Gardoqui, Vincent Van Uffelen, Vinyl Factory, Virtual Ground, Vitrine, Vitrine Gallery, Viv Corringham, Vivian Caccuri, VLF, VLF Explorer, VLF Interference, VLF Noise, VLF Radio, VLF Radio Art, VLF Radio Noise, VLF Sound, VLF Whistlers, VLF Works, Volt, Volt 2021, Volt Eastbourne, Volt Gallery, Volt Gallery Eastbourne, Volt Project Space, Volta, Voltage, Voltnoi & Quetempo, Volume 1, Vorticism, Walking, Wave Epoch, Wave Farm, Wave Farm Radio, Wave Farm Radio WGXC-90.7 FM, Wave Farm Radio WGXC90.7FM, Wave Farm WGXC-90.7 FM, Wave Farm WGXC90.7FM, Wayne McGregor, Wellcome, Wellcome Collection, Wellcome Foundation, Wellcome Trust, WGXC 90.7-FM, WGXC 90.7FM, WGXC90.7FM, White Noise, Willem de Ridder, William Levy, Wire, Wire Magazine, Wireless, Witness 4, Witness 4: The Visitor, Woodrow Kernohan, Woolwich Arsenal, Woolwich Dockyard, Woolwich Tramshed, Woolwich Works, Words and Music, Words and Music - Electricity, Wyndham Lewis, Wysing, Wysing Arts Centre, Wysing Transmissions, Wysing Transmissions TV, X-Name, Xname, Young Guns, Zabludowicz, Zabludowicz Collection, ZKM, ZKM Centre for Art and Media, ZKM Karlsruhe, ZKM Zentrum für Kunst und Medientechnologie
Electromagnetic Sound Art, 1996 to 2016 **
Disinformation on Resonance 104.4 FM – Wavelength – 4 November 2016 –
https://www.mixcloud.com/Resonance/wavelength-4th-november-2016/
Disinformation on BBC Radio 4 – Broadcasting House – 15 June 2008 –
https://www.youtube.com/watch?v=xoMKR_OH3GM
Disinformation on BBC Radio 4 – Broadcasting House – 2 November 2008 –
https://www.youtube.com/watch?v=OrV3e3WQZ1Y
… all discussing work published 1996 onwards
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