1739 Club, 20Hz, 50 Hertz, 50Hz, A History of the Universe in Sound, Adaadat, Adriana Knouf, Afroditi Psarra, Alice Hackney, Alison Duke, Alvin Lucier, Anna Friz, Antiopic, Art Contemporary, Artangel, Artist, Ash International, Audio Art, Audio Rorschach, Audrey Briot, Ö1 Kunstradio, BBC Radio, BBC Radio 3, Ben Barwise, British Electric Foundation, Café Oto, Cameron Perry Fraser, Caro Howell, Changing Signals, Circuit Blasting, Close Lightning, Close Lightning Spherics, Communications, Contemporary Art, CTM, CTM Festival, CTM Festival Radio Lab, CTM Radio Lab, Dan Tapper, David Roberts Art Foundation, Dead Rat Orchestra, Deutschlandfunk Kultur, Disinformation, Dr Jacqueline Riding, Dr Simon Foster, DRAF, Drone Music, Dronica Festival, Edge City, Electrical Interference, Electrical Noise, Electromagnetic Audio, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Recordings, Electromagnetic Sound, Electromagnetic Sound Art, Electromagnetism, Electronic Music, Elizabeth Einberg, Emiddio Vasquez, Emma Middleton, Erasure, Experimental Music, Extreme Drone, Florian Hecker, Fort Newhaven Fort, Fort Process, Fort Process Festival, Fort Process Newhaven, Foundling Museum, Gabriel Prokofiev, Gallery 31, Ghosts In The Machine, Goethe Institut, Goldsmiths College, Goldsmiths University, Grenadiers & Lowlifes, Haroon Mirza, Hearing Hogarth, Heaven 17, Hogarth & The Art of Noise, Hogarth and Noise, Hogarth and Sound, Hogarth and The Art of Noise, Honor Harger, HRM199, Human League, Iklectik, Iklectik Art Lab, Illustrious, Illustrious Company, Immersive Soundscape, Installation Art, Interference, Iris Light, Jack Jelfs, Jacqueline Riding, Jake Arnott, Jane Pitt, Joe Banks, John Styles, Joyce Hinterding, Kathleen Palmer, Kevin Brown, Kinetic Art, Klangkunst, Kristen Floos, Kunstradio, Kwaidan, Kwaidan Editions, Late Junction, Liquid Architecture, Lisson Gallery, Lovely Music, Low Frequency, Magnetic Signals, Magneticsignals, March of the Guards to Finchley, Mark Pilkington, Martyn Ware, Melbourne, MIT Press, Moneda, NASA, NASA Sound Archive, National Grid, Noise, Non-Classical, Nonclassical, One Little Indian, ORF Musikprotokoll, Passen-gers, Passen–gers Offsite, Passengers, Passengers Offsite, Pataphysical, Patrick Sykes, Psycho Acoustic, Psycho Acoustical, Psycho Acoustics, Psychoacoustic, Psychoacoustical, Psychoacoustics, Radio 3, Radio Art, Radio Lab 2022, Radio Revolten, Recording The Spirit Level, Resonance Extra, Resonance FM, Rorschach Audio, Rough Trade, Rough Trade Records, Sadie Coles, Sadie Coles HQ, Sasha Engelmann, Semiconductor, Senate House, Sense Data and Perception, Sferics, Signal, Simon Foster, Sluice HQ, Some Call it Noise, Some Call it Noise - Turbulent Forms, Somerset House, Somerset House Studios, Sonic Art, Sonic Ray, Sound Artist, Sound Installation, Sound Mirrors, Soundscape, Soundscape of Hogarth, Soundworks, Spectral, Stephen McGreevy, Strange Attractor, Strange Attractor Journal, Strange Attractor Press, Sunsong, TED Talks, Test Department, Test Dept, The 1739 Club, The Analysis of Beauty, The Art of Noise, The Artist & Edge City, The Foundling Museum, The March of the Guards to Finchley, The MIT Press, The Quietus, The Soundscape of Hogarth, The Wire, The Wire Magazine, Thyssen Bornemisza, Thyssen-Bornemisza Art Contemporary, Touch Music, Transmission Ecologies, Turbulent Forms, Very Low Frequency, Very Low Frequency Radio, Very Low Frequency Radio Art, Victor Mazon Gardoqui, Vince Clark, VLF, VLF Interference, VLF Noise, VLF Radio, VLF Radio Art, VLF Sound, William Hogarth, William Hogarth and The Art of Noise, Wireless, Zero BPM
Disinformation Merchandise ****
Disinformation “The Analysis of Beauty” exhibition catalogue –
http://strangeattractor.co.uk/shoppe/the-analysis-of-beauty/
Disinformation + Strange Attractor “Circuit Blasting” CD –
http://strangeattractor.co.uk/shoppe/savd-circuit-blasting/
Disinformation “Sense Data & Perception” CD – SOLD OUT
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