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Aesthetics, AHRC, Ambiguity, Apophenia, Art & Humanities Research Council, Art & Illusion, Art & Illusion for Sound, Artist, Audio Art, Audio Inkblot, Audio Pareidolia, Audio Rorschach, Auditory Inkblot, Auditory Pareidolia, Auditory Projection, Auditory Projective Test, Auditory Rorschach, Bharath Chandrasekaran, Bill Bain, Bionics Institute Melbourne, Black Magic, Black Magic Fuckery, Brad Story, Chloe Watson, David Alais, Disinformation, Elizabeth Lopatto, Evocative Object, EVP Voices, Future Shock, Future Shock: The Talking Dead, Ghosts of Glasgow, Goldsmiths College, Hearing, Hugh McDermott, Illusion, Joe Banks, Lars Riecke, Laurel, Louis Albert Necker, Maastricht University, Mishearing, Misinformation, Misperception, National Geographic, Necker Cube, Necker Cube Illusion, Neuroaesthetics, Neuroscience, Pareidolia, Perception, Perceptual Creativity, Perceptual Hypothesis, Psychology of Perception, Rachel Becker, Reddit, Rorschach Audio, Sauchiehall Street, Sonic Art, Sonic Inkblot, Sonic Rorschach, Sound Artist, The Guardian, The Herald, The Talking Dead, The Verge, University of Arizona, University of Sydney, University of Texas at Austin, University of Westminster, Verge Science, What do You Hear?, Yanny, Yanny or Laurel?

Yanny or Laurel – Audio Illusion

May 16, 2018

The following story was discussed under the heading “Technology” in The Guardian, but originally appeared under the heading “Black Magic Fuckery” on social media!

https://tinyurl.com/yb965ept + https://tinyurl.com/yap5xr8o [Thanks to J.R.]

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