&Beyond, +Electrification, 20Hz, 35MW, 50 Hertz, 50Hz, 85A Collective, A History of the Universe in Sound, A Machine to Listen to the Sky, A---Z, A---Z x Iklectik, Abinadi Meza, AC, AC-DC, AC/DC, ACCA, ACCA Melbourne, Adrian Searle, Adriana Knouf, Afroditi Psarra, Agency Gallery, Agitations, Ahmed bin Shabib, AHRC, Al Johnson, Aleks Kolkowski, Alex Baker, Alex Peverett, Alexander Mosolov, Alexandre da Cunha, Alice Hackney, Alternating Current, Alternating Current (AC), Alva Noto, Alvin Lucier, Amanda Stuart, Amanprit Sandhu, Ameonus, Ami Clarke, Amit D Patel, Amit Patel, Amplified, And Beyond, Andrew de Brún, Andrew Nairne, Angharad Davies, Anil Seth, Aniruddha Das, Anjali Nair, Anna Biers, Anna Friz, Anne Duffau, Anne Zeitz, Antiopic, Antiphony, Antiphony - Disinformation, Antiphony - Logan Dandridge, Apo 33, Apo33, Aram Bartholl, Arcadia, Aria Dean, Ariane Koek, Arie Altena, Ars Electronica 2023, Art and Activism, Art Blocks, Art Blocks x Pace Verso, Art Contemporary, Art Electricity, Art on the Underground, Art Process Ideas, Art Research, Art Research Group, Artangel, Artistic Research, Arts & Humanities Research Council, Arts at CERN, Arts Catalyst, Arts Science, Arts@CERN, Artsadmin, As Nature, Ash International, Assembly 2020, Assembly of Disturbance, Atau Tanaka, Atelier Luma, Atelier Nord, Atmospherics, Audint, Audio Intelligence, Audrey Briot, Aura Satz, Australian Centre for Contemporary Art, Autopneumatx, AV Festival, AV Festival Newcastle, Échos Magnétiques, Électromagnétisme, Ö1 Festival, Ö1 Kunstradio, B-Side Festival, BA Sound Arts, Baltic, Bankside, Bankside Power Station, Bantu, Barbara Davis Gallery, Barry Phipps, Battersea, Battersea Power, Battersea Power Station, Battle of Orgreave, BBC Programme Research Department, BBC Radio, BBC Radio 3, BBC Radio 6, BBC Radio 6 Music, BBC Sounds, Bea De Souza, Beatrice Dillon, Ben Barwise, Ben Grosser, Benedict Cumberbatch, Bermondsey Project Space, Bernard Wolfe, Bettina Korek, Bianca Roden, Bill Morrison, Bill Nelson, Bitnik, Black Industrial, Black Industrial Noise, Black Industrial Research Lab, Black Industrial Research Laboratory, Blanca Regina, Blanck Mass, Blast First, Blaž Pavlica, Bluecoat, Brian Catling, Bright Sparks Trail, Bruno Gola, C.M. von Hausswolff, Café Oto, Call & Response, Call and Response, Calvert 22, Cambridge University, Cameron Perry Fraser, Cara New Daggett, Caroline Jones, Carsten Nicolai, Carsten Seiffarth, Catherine Frèrejean, Cathie Boyd, Cavendish Arts, Cavendish Arts Science, Cavendish Arts Science Fellow, Cavendish Cambridge, Cavendish Laboratory, Cavendish Laboratory Cambridge, CCA, CCA Goldsmiths, Centre for Contemporary Art, Centre for Contemporary Art Goldsmiths, CERN Geneva, Changing Signals, Channel, Channel Art Process Ideas, Channel Somerset House, Children of Prometheus, Chris Firth, Chris Ford, Chris Gladwin, Christian Duka, Christian Rauch, Christina Kubisch, Claire Moran, Clare Lilley, Claudio Zamperoni, Clay Gold, Clélia Barbut, Close Lightning, Close Lightning Spherics, CM von Hausswolff, Cold Light, Construction of an Act, Contemporary Art, Contemporary Art Society, Control Room A, Control Room B, Control Voltage, CRISAP, Critical Interface Politics Research Group, Critical Sonic Practice, Cryptic, Cryptic Artists, Cryptic Festival, Cryptic Glasgow, Cryptic Nights, Cryptic Sonica, CTM, CTM Festival, CTM Festival Radio Lab, CTM Radio Lab, Current War, Currents, Cybernetic Serendipity, Damien Simon, Dan Tapper, Dangerous Space, Daniel Muzyczuk, Daniel Tapper, David Roberts, David Roberts Art Foundation, David Toop, DC, De Player, De Player Rotterdam, Dead Circuits, Deep Media Research, Detektors, Deutschlandfunk Kultur, DH Lawrence, Dhangsha, Didier Queloz, Digital Music, Dimitra Lazaridou-Chatzigoga, Direct Current, Direct Current (DC), Direct Hooking, Dirty Electronics, Disinformation, Disinformation - 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Doblas Reyes, Frazer Merrick, Freak Zone, Frequencies, Freunde Guter Musik, Full of Noises, Furtherfield, Future Pace, Futurism, Gabriel Prokofiev, Gaika, Galeria OMR, Galerie für Zeitgenössische Kunst, Gary Stewart, Gascia Ouzounian, Gazelle Twin, Gazelli Art House, Geoffrey Grigson, George Vasey, George Westinghouse, Gessnerallee, GFZK Leipzig, Girton, Girton College, Glasgow Tramway, Glenn Branca, Goethe Institut, Goethe Institut Glasgow, Goethe Institute, Goethe-Institut London, Goldsmiths, Goldsmiths CCA, Goldsmiths Centre for Contemporary Art, Goldsmiths College, Goldsmiths Media, Goldsmiths Press, Goldsmiths Shorts, Goodiepal, GR-Uniforma, Greenwich Power Station, Greenwich University, Greg Hilty, Gregory Orr, Grid Music, Groenewegen, GV Art, Haarlem, Hangar Barcelona, Hannah Catherine Jones, Hannah Kemp-Welch, Hannah Rose Fox, Hans Ulrich Obrist, Haroon Mirza, Haroon Mirza: The Construction of an Act, Haunted Media, Haus der Kulturen der Welt, Haus der Kulturen der Welt Berlin, Hayward Gallery, Hayward Touring, Hearing, HEK Haus der elektronischen Künste, Heliosphere, Helsinki, Her Noise, Hidden Gardens, Hidden Sounds, Hidden Sounds of Play, Hito Steyerl, HKW, HKW - Haus der Kulturen der Welt Berlin, Honor Harger, HRM199, HRM199 Ltd, Hyperdub, Iain Sinclair, IDLE, Iklectik, Iklectik Art Lab, Iklectik London, Ilia Rogatchevski, Ilpo Väisänen, Image Research, Imaginary Landscapes, Imaginary Landscapes of Electrical Nature, Inês Costa, Industrial Music, Industrial Noise, Industrial Records, Industrial Research, Industrial Research Lab, Industrial Research Laboratory, Industrial Revolution, Industrial Revolutions, Information, Information Disinformation, Inigo Wilkins, Initiation, Inkluderende Digitalt Laboratorium for Eksperimentell Kunst, Installation No. 3 for High and Low Frequencies, Interference, Intonarumori, Invisible Forces, Iris Garrelfs, Iron Foundry, Irreversible Noise, Isn’tses, Jack Jelfs, Jacqui Stewart, James Andean, James Ginzburg, James Ravinet, Jan Hicks, Janek Schaefer, Jasia Reichardt, Jasmine Guffond, Jean Khalfa, Jeff Kolar, Jenny Pickett, Jeremy Baumberg, Jeremy Deller, Jeremy Farrar, Jeremy Keenan, Joana Moll, Joe Banks, John Bingham-Hall, John Richards, John Wynne, Jon Adams, Joseph Kamaru, Joseph Kamaru KMRU, Josh Horsley, Joyce Hinterding, Juan-Guillermo Dumay, Julien Ottavi, Juliet Bingham, Julius Meytuss, Karen Gustafson, Karst, Karst Gallery, Karst Plymouth, Kate Carr, Katharina Worf, Körper im Elektromagnetischen Feld, Keith Sargent, Ken Arnold, Kerber Verlag, Kettle's Yard, Kevin Logan, Kiasma, Kiasma Helsinki, King's Place, Kings Place - Sound Unwrapped, Klangkunst, Klangraum, KMRU, Kode 9, Kohn Gallery, Kontinuum, Krems Klangraum, Kris de Decker, Kristen Floos, Kunstradio, Kunstsammlung Nordrhein-Westfalen, Kunststrom, Kurt Doberer, Lance Sieveking, Language, Language of Electricity, Lars Holdhus, LCC, LCC Crisap, Le Bon Accueil, Leafcutter John, Leaky Transmissions, Lee Berwick, Leila Dear, Lenin, Lift 109, Lindsay Seers, Lindsay Seers & Keith Sargent, Lindsay Seers and Keith Sargent, Liquid Architecture, Lisa Hall, Lisa McKendrick, Lisson Gallery, Listening, Listening To Non-Human Life, Listening Workshop, Little Tsunamis, Live Mains Electricity, Living With Ghosts, Logan Dandridge, Logan Dandridge - Antiphony, Logan Ryland Dandridge, London was the capital of the electricity of the mind, Lords of Lightning, Lorenzo Respi, Lovely Music, Low Frequency Radio, Luckenwalde, Lucy Shanahan, Luigi Russolo, MA Sound Arts, Machine, Machine II, Machine Music, Magasin Électrique, Magic Lantern, Magnetic, Magnetic Attack, Magnetic Attacks, Magnetic Field, Magnetic Field Interference, Magnetic Signals, Magnetics, Magneticsignals, Manchester, Mara Mills, Marc Langlois, Maria Chehonadskih, Maria Dominguez, Marina Benetti, Mark Leckey, Mark M0WGF, Mark Peter Wright, Markus Heckman, Marta Millet, Martin A Smith, Martin Howse, Martin Messier, Martin Rees, Marwan T Assaf, Matilde Meireles, Matt Lewis, Matt Parker, Matt’s Gallery, Matthias Kispert, Matts Gallery London, Max Dovey, Mediengruppe, Mediengruppe Bitni, Mediengruppe Bitnik, Melissa Franklin, Melissa Van Drie, Mendel Kaelen, Merja Nieminen, Meta Gesture, Meta Gesture Music, Mete Atatüre, Metro, Metro Magnetic, Metro Magnetics, MFZ Records, Michael Shannon, Michel Faber, Mika Vainio, Mike Fell, Mila Askarova, Miriam Young, Misinformation, MIT Press, MIT Press Reader, Mixtate, Mona Tasmania, Monai de Paula Antunes, Monica Bello, Montréal, MP Hopkins, MSCTY, Musée des Beaux Arts, Musée des Beaux Arts de Rennes, Museum of Installation, Music City, Music Hackspace, Music of the Mind, Musica Dispersa, Musica Dispersa Radio, Musica Dispersa Records, Mute Frequencies, Mute Magazine, Mute Records, Nadja Buttendorf, Nahum, Naomi Alderman, NASA, NASA Sound Archive, Nastassja Simensky, Natasha Nicholson, National Grid, National Grid Music, National Union of Mineworkers, Nebularosa, Nebularosa Records, Neural Magazine, New Field, New Instruments, New Landscape, New Landscape of Electronic Writing, NGCA Sunderland, Nick Luscombe, Nicola Di Croce, Nicola Triscott, Nik Nak, Nikki Sheth, NikNak, Niko de Paula Lefort, Nikola Tesla, Nikolas Tesla, Nine Elms, Nkisi, Nkisi Mwana, Noise, Noise & Whispers, Noise Collective, Noise Event, Non-Classical, Non-Human Life, Nonclassical, Nonclassical: Disruptive Frequencies, Northern Gallery for Contemporary Art, Norwich University, NottFAR, Nottingham Forum for Artistic Research, NUM, Nuno da Luz, OCM, Olga Panades, Onassis Stegi, Open Wave-Receivers, ORF Musikprotokoll, Ormside Projects, Oscillatorial Binnage, Outside the Lines, Oxford Contemporary Music, Oxford University, Pablo Wendel, Pace, Pace Gallery, Pace Verso, Palais de Tokyo, Palais de Tokyo Paris, Pamela Davis Kivelson, Pan Sonic, Panasonic, Pascal Savy, Patrick Sykes, Patrizia Dander, Paul Bonaventura, Paul Fletcher, Paul Kolling, Paul Purgas, Penned in the Margins, People Doing Physics, Performance Electrics, Phil Durrant, Phillip Ball, Physical Obstruction, Piksel (No), Piksel (No) Festival, Piksel Cyber Salon, Piksel Festival, Pixel Festival, Pixel No Festival, Planetary Electromagnetic Grid, Plant Wave, Plus Electrification, Polina Medvedeva, Politics of Electricity, Politics of Electrification, Politics of Listening, Polly Atkin, Post-Electronic Sounds, Power, Power Cuts, Power Nights, Power Station, Powers of Hearing, Prelude, Preludes, Prolekult, Pylons, Quantum Materials, Quantum Materials Group, Radio 3, Radio Art, Radio Benjamin, Radio Lab 2022, Radio Noise, Radio Noise Collective, Radio Revolten, Radio Thamesmead, Radiophrenia, Radiophrenia 87.9FM, Radiophrenia Glasgow, Radioqualia, Radius, Raggi, Raitis Smits, Rana Begum, Random Order Collective, Rasa Smite, Rashid bin Shabib, Raster Noton, raxil4, Ray Collector, Ray Dolby, Ray Dolby Centre, Ray Fearon. Paul Frankl, Ray Lee, Re-Solarization, Rebecca Lee, Recomposing the City, Recording The Spirit Level, Red Gallery, Rennes, Research Centre, Research Group, Resonance FM, Resonances, Resonances in a New Field, Resonanzen, Riverside Radio, Riz Maslen, Rob Bowman, Rob Mullender, Rob Mullender-Ross, Robbie Thomson, Robert Barry, Roberto Botazzi, Robin Klassnik, Robin Rimbaud, Robin Storey, Rorschach Audio, Rosie Cavaliero, Royal College of Art, Royal Institution, RTM, Ruth Garde, Ruth Oldham, S. J. Groenewegen, Sabine Himmelsbach, Sam Belinfante, Sam Skinner, Sam Stokes, Sara Rodrigues, Sarah Bohndiek, Sasha Engelmann, Scales, Scanaudience, Scanner, Schirn Kunsthalle, Science, Science and Industry Museum, Science and Industry Museum Manchester, Science of Sound, Secret Institute, Seers/Sargent Exhibition Circle, Seetal Solanki, Semiconductor, Semiconductor Films, Sepideh Karami, Serpentine Gallery, Serpentine Gallery London, Sferics, Shannen SP, Sheffield Institute of Arts, Shintaro Miyazaki, Shortwave Collective, Siân Ede, Signal to Decay, Signal to Decay: Volume 1, Silenic Drift, Silent Sound, Simian, Simon Coates, Simon Foster, Singuhr Sound Gallery, Site Gallery, Socialism plus Electrification, Some Call it Noise, Some Call it Noise - Turbulent Forms, Somerset House, Somerset House Assembly 2020, Somerset House Channel, Somerset House Studios, Sonic Act, Sonic Acts, Sonic Acts Festival, Sonic Anomaly, Sonic Anomaly Sideshow, Sonic Boom, Sonic Commons, Sonic Geography, Sonic Immersion, Sonic Practice, Sonic Protest, Sonic Ray, Sonic Scope, Sonic Sculpture, Sonic Studies, Sonic Urbanism, Sonic Urbanism: Listening To Non-Human Life, Sonic Urbanism: Resonances in a New Field, Sonica, Sonica 2016, Sonica 2024, Sonica Festival, Sonica Glasgow 2024, Sonica Surge, Sonica Surge 2023, Sound, Sound & Music, Sound and Music, Sound and Space, Sound and Space in Science Technology and the Arts, Sound Art, Sound Art Hannah, Sound Arts, Sound Arts Practice, Sound Group, Sound Image Research Group, Sound Minds, Sound Practice, Sound Practice Research, Sound Research Group, Sound Studies, Sound Unwrapped, Sound-Image, Sound-Image Research, Sound-Image Research Group - University of Greenwich, Sound/Image Research Centre, Sounding the Body Electric, Sounds of Play, Sounds of the Revolution, South London Gallery, Southend, Soviet Power, Space, Spark, Spark of Life, Sparks, Spectral, Sprawl, Stargate, Station, Stephen Chase, Stephen McGreevy, Stephen Spender, Stereo, Stereophonic, Stereophonica, Strahlen, Strahlen/Raggi, Strange Attractor Press, Streetlights Collective, Stuart Maconie, Substation, Suchitra Sebastian, Sunset Sunrise Sunset, Sunsong, Surges, Surrounded by Colors, Surrounded by Colors We Could No Longer See, Susan Alexjander, Susan Walsh, Switch Room, Taco, TACO Thamesmead, Tasos Varoudis, Tate, Tate Gallery, Tate Modern, TBA 21 Academy, Team Doyobi, Technology, TED Talks, Tega Brain, Telephonic Moisture, Test Department, Test Dept, Teylers Museum, Teylers Museum Haarlem, Thamesmead Arts and Culture Office, Thamesmead Radio, The Aelectrosonic, The Agency, The Agency Gallery, The Arts, The Cryptician, The Current War, The Disinformation War, The Electrosonic, The Hidden Sounds of Play, The Language of Electricity, The MIT Press, The Motherland of Electricity, The Power of Electricity, The Process, The Quietus, The Rumble, The Secret Institute, The Situationist, The Spark of Life, The Stuff of Radio, The War of the Currents, The Wellcome Collection, The Wellcome Trust, The Wire, The Wire Magazine, Theatrum Mundi, Theatrum Mundi Collective, Thomas Edison, Thomas Finbarr, Thomas McConville, Thyssen Bornemisza, Thyssen-Bornemisza Art Contemporary, Tim Dixon, Tim Drage, Tim Shaw, Titans in the Landscape, Toby Clarkson, Tom McCarthy, Tomás Saraceno, Touch Records, Tracey Ain't Coming Out, Tramway Glasgow, Transmission Ecologies, Transmission Ecologies - Movement Radio, Trevor Mathison, Trevor Paglen, Tricor, Troika, Tsouknida Eirini, Turbine Hall, Turbine Hall A, Turbine Hall B, Turbulent Forms, Turner Contemporary, Turner Contemporary Margate, Tushar Hathiramani, Two Degrees, UAL, Ulyana Gumeniuk, Un-Writing Nature, Una Ryan, Unit for Sound Practice Research, University of Brighton, University of Cambridge, University of Greenwich, University of Oxford, University of the Arts London, Unsound Dispatch, Unveiling the Energy Crisis, Urbanomic, Verso, Verweben, Very Low Frequency, Very Low Frequency Radio, Very Low Frequency Radio Art, Very Low Frequency Radio Noise, Vice, Victor Mazon Gardoqui, Vincent Honoré, Vincent Van Uffelen, Viv Corringham, VLF, VLF Interference, VLF Metro, VLF Noise, VLF Radio, VLF Radio Art, VLF Radio Noise, VLF Sound, VLF Works, Voixxe, Volksbühne Berlin, Volume 1, Wajid Yaseen, Walter Benjamin, War, War of the Currents, Wave Farm, Wayne McGregor, We are Electric, We Could No Longer See, Wellcome, Wellcome Collection, Wellcome Gallery, Wellcome Trust, Wireless, Witness, Words and Music, Words and Music - Electricity, Wyndham Lewis, X-Name, XFRMR, Xname, Yann Novak, YoHa, Yoko Ono, Young Guns, Zabludowicz, Zabludowicz Collection, Zahra Jewanjee, ZKM Karlsruhe